{"id":716,"date":"2016-03-16T16:40:11","date_gmt":"2016-03-16T16:40:11","guid":{"rendered":"https:\/\/www.oltreplinio.it\/it\/news\/"},"modified":"2023-07-20T07:51:55","modified_gmt":"2023-07-20T07:51:55","slug":"news","status":"publish","type":"page","link":"https:\/\/www.oltreplinio.it\/it\/news\/","title":{"rendered":"News"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#172c4d&#8221; custom_padding_tablet=&#8221;50px|0|50px|0&#8243; custom_padding_phone=&#8221;50px|0|50px|0&#8243; custom_css_main_element=&#8221;padding:40px 0 0 0&#8243; padding_mobile=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_fullwidth_header title=&#8221;News&#8221; content_max_width=&#8221;none&#8221; module_class=&#8221;goudy&#8221; _builder_version=&#8221;4.16&#8243; title_font=&#8221;||on||&#8221; title_font_size=&#8221;54&#8243; background_color=&#8221;rgba(255, 255, 255, 0)&#8221; custom_css_main_element=&#8221;padding:0&#8243; button_one_letter_spacing_hover=&#8221;0&#8243; button_two_letter_spacing_hover=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; button_one_text_size__hover_enabled=&#8221;off&#8221; button_two_text_size__hover_enabled=&#8221;off&#8221; button_one_text_color__hover_enabled=&#8221;off&#8221; button_two_text_color__hover_enabled=&#8221;off&#8221; button_one_border_width__hover_enabled=&#8221;off&#8221; button_two_border_width__hover_enabled=&#8221;off&#8221; button_one_border_color__hover_enabled=&#8221;off&#8221; button_two_border_color__hover_enabled=&#8221;off&#8221; button_one_border_radius__hover_enabled=&#8221;off&#8221; button_two_border_radius__hover_enabled=&#8221;off&#8221; button_one_letter_spacing__hover_enabled=&#8221;on&#8221; button_one_letter_spacing__hover=&#8221;0&#8243; button_two_letter_spacing__hover_enabled=&#8221;on&#8221; button_two_letter_spacing__hover=&#8221;0&#8243; button_one_bg_color__hover_enabled=&#8221;off&#8221; button_two_bg_color__hover_enabled=&#8221;off&#8221;][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.21.0&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 style=\"text-align: left;\"><strong>Pliny News &amp; Newsletter<\/strong><\/h2>\n<h3><\/h3>\n<h4>Here you can find information, news, events, publications and curiosities\u00a0on Pliny the Elder&#8217;s\u00a0world (and beyond):<\/h4>\n<ul>\n<li>artistic terminology and theories;<\/li>\n<li>artworks and their reception, artistic techniques and\u00a0materials;<\/li>\n<li>artists&#8217;s biographies and carriers;<\/li>\n<li>Pliny&#8217;s\u00a0sources,\u00a0ancient\u00a0art treatises\u00a0and methodologies applied to fragmentary literature;<\/li>\n<li>cultural and historical context of the Early Imperial Age;<\/li>\n<li>Pliny&#8217;s manuscript tradition and\u00a0reception.<\/li>\n<\/ul>\n<p>If you want to recommend events and publications, please contact us at\u00a0<a href=\"mailto:info@oltreplinio.it\">info@oltreplinio.it<\/a>. \u00a0 <strong>Scientific board:<\/strong>\u00a0Francesca D&#8217;Andrea (2021-), Eva Falaschi (2014-), Giulietta Guerini (2021-), Elisa Lonati (2021-), Alessandro Poggio (2014-2020). <strong>Editorial board:<\/strong> Francesca D&#8217;Andrea (2021-), Eva Falaschi (2014-), Giulietta Guerini (2021-), Maria Ida Gulletta (2020-), Elisa Lonati (2021-), Alessandro Poggio (2014-2020).<\/p>\n<div>\n<hr \/>\n<\/div>\n<h6><\/h6>\n<h4 style=\"text-align: center;\">Do you want to stay update? Please subscribe our monthly\u00a0<strong>NEWSLETTER<\/strong>\u00a0at the bottom of the page<\/h4>\n<p>&nbsp;<\/p>\n<h5><strong><a href=\"https:\/\/www.oltreplinio.it\/it\/newsletter\/\">Newsletter Archive<\/a><\/strong><\/h5>\n<p><strong><em>Oltreplinio<\/em> News &#8211; july 2023 <\/strong><\/p>\n<p>[\/et_pb_text][et_pb_tabs active_tab_background_color=&#8221;#ffffff&#8221; _builder_version=&#8221;4.16&#8243; tab_text_color=&#8221;#172c4d&#8221; body_line_height=&#8221;1.6em&#8221; tab_font=&#8221;Open Sans||||&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_tab title=&#8221;News from OltrePlinio&#8221; _builder_version=&#8221;4.16&#8243; body_font=&#8221;||||&#8221; tab_font=&#8221;||||&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_tab][et_pb_tab title=&#8221;Conferences &#038; Lectures&#8221; _builder_version=&#8221;4.16&#8243; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span style=\"font-size: small;\"><strong style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">Materiality and Immateriality of Ancient Law (76th Session of the Soci\u00e9t\u00e9 Internationale Fernand De Visscher pour l\u2019Histoire des Droits)<\/strong><\/span><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><span style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: small; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\">University of Helsinki, August 22-26, 2023<\/span><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><span style=\"font-size: small;\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2aacb5d929&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2aacb5d929%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689676409774000&amp;usg=AOvVaw1H6gxnNZx0WLgiiCd4xHaa\" style=\"color: #007c89; font-weight: normal; text-decoration: underline; font-family: Georgia, Times, 'Times New Roman', serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff;\" rel=\"noopener\">Details<\/a>\u00a0<\/span><\/h3>\n<hr \/>\n<h3><span style=\"font-size: small;\"><strong style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">L\u2019<em>Ars grammatica\u00a0<\/em>di Prisciano come fonte di tradizione indiretta<\/strong><\/span><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><span style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: small; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\">Sapienza Universit\u00e0 di Roma, September 6-8, 2023<\/span><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><span style=\"font-size: small;\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8447da9887&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8447da9887%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689676409774000&amp;usg=AOvVaw0W8TTgBMyJjpAD0Y2c1IBt\" style=\"color: #007c89; font-weight: normal; text-decoration: underline; font-family: Georgia, Times, 'Times New Roman', serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff;\" rel=\"noopener\">Details<\/a><\/span><\/h3>\n<hr \/>\n<h3 dir=\"ltr\" id=\"m_5484600019534332248docs-internal-guid-d67e6c20-7fff-b82f-186f-746e0d00cf64\" style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><span style=\"font-size: small;\"><strong>Caelius Aurelianus: Medicine and the Medical Tradition<\/strong><\/span><\/h3>\n<h3><span style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: small; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\">Humboldt Universit\u00e4t zu Berlin, September 14-15, 2023<\/span><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><span style=\"font-size: small;\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=19a321ff32&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D19a321ff32%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689676409774000&amp;usg=AOvVaw2YPHJ1k46DzZ9pbc4kzemS\" style=\"color: #007c89; font-weight: normal; text-decoration: underline; font-family: Georgia, Times, 'Times New Roman', serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff;\" rel=\"noopener\">Details<\/a><\/span><\/h3>\n<hr \/>\n<h3><span style=\"font-size: small;\"><strong style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">Brightening the Dark Ages: Archaic Greek Culture and Its Past<\/strong><\/span><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><span style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: small; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\">Academy of Athens, September 27-30, 2023<\/span><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><span style=\"font-size: small;\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=4539a2139a&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D4539a2139a%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689676409774000&amp;usg=AOvVaw2eLT3xJOiL_mBjYcSSUQfE\" style=\"color: #007c89; font-weight: normal; text-decoration: underline; font-family: Georgia, Times, 'Times New Roman', serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff;\" rel=\"noopener\">Details<\/a>\u00a0<\/span><\/h3>\n<p>[\/et_pb_tab][et_pb_tab title=&#8221;Publications &#038; Websites&#8221; _builder_version=&#8221;4.16&#8243; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div>\n<div>\n<div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 3\">\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p dir=\"ltr\" style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">R. Degl\u2019Innocenti Pierini,<span>\u00a0<\/span><em>Alle origini della poesia paesaggistica latina: Ennio e il frammento tragico incerto 133-7 R.2-3<\/em>, Prometheus 49 (2023), 113-126.<\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p dir=\"ltr\" style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">M. Villetard,<span>\u00a0<\/span><em>Arch\u00e9ologie des lieux d&#8217;enseignement dans le monde romain<\/em>, Lens: Presses Universitaires du Septentrion, 2023.<\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p dir=\"ltr\" style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">H. Vial,<span>\u00a0<\/span><em>Le Contre Ibis d\u2019Ovide ou la col\u00e8re m\u00e9tamorphos\u00e9e<\/em>, Vaucresson: \u00c9ditions Les Cent Chemins, 2023.<\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p dir=\"ltr\" style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">A. Dardenay \u2013 L. Bricault (eds.),<span>\u00a0<\/span><em>Gods in the House. Anthropology of Roman Housing \u2013 II<\/em><span>\u00a0<\/span>(Antiquit\u00e9 et sciences humaines 9), Turnhout: Brepols, 2023.<\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p dir=\"ltr\" style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">V.E. Pag\u00e1n (ed.),<em><span>\u00a0<\/span>The Tacitus Encyclopedia<\/em>, Chichester: Wiley-Blackwell, 2023.<\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p dir=\"ltr\" style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">J. Powers,<span>\u00a0<\/span><em>Roman Landscapes: Visions of Nature and Myth from Rome and Pompeii<\/em>, San Antonio: San Antonio Museum of Art, 2023.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=e7618b9b47&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3De7618b9b47%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw0jo4ZIGokhoTNyHH7yAfv2\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Review<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p dir=\"ltr\" style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">M. Stefani,<span>\u00a0<\/span><em>L&#8217;area archeologica del Sepolcro degli Scipioni a Roma: analisi delle strutture di et\u00e0 imperiale e tardo antica<\/em>, Oxford: BAR Publishing, 2022.\u00a0\u00a0<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=d4102dda3a&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dd4102dda3a%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw2F3Bf9wlY1GLXMj3oTUNnG\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Review<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p dir=\"ltr\" style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">M. Lentano,<span>\u00a0<\/span><em>Stranieri. Storie e immagini dell&#8217;altro nella cultura romana<\/em>, Bologna: Il Mulino, 2023.<\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p dir=\"ltr\" style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">L. Roig Lanzillotta \u2013 J. Lu\u00eds Brand\u00e3o \u2013 C. Teixeira \u2013 \u00c1. Rodrigues (eds.),<span>\u00a0<\/span><em>Roman Identity. Between Ideal and Performance<\/em><span>\u00a0<\/span>(Antiquit\u00e9 et sciences humaines 8), Turnhout: Brepols, 2023.<\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p><span style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\">M. Martelli,<span>\u00a0<\/span><\/span><em style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">Medicine in Early Graeco-Egyptian Alchemical Texts (1st-3rd Century AD)<\/em><span style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\">, Technai 14 (2023), 9-27.<\/span><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8fd61e603e&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8fd61e603e%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw1FgM_Cjx5Yi4DzT1ZItHp2\" style=\"color: #007c89; font-weight: normal; text-decoration: underline; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff;\" rel=\"noopener\">Link<\/a><span style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\"><\/span><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p><span style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\">V. Brinkmann \u2013 U. Koch-Brinkmann,<span>\u00a0<\/span><\/span><em style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">Tracking Blue. Some Remarks on Blue Colour Materials in the Polychromy of Ancient Greek Sculpture<\/em><span style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\">, Technai 14 (2023), 31-49.<\/span><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><br style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=956cbc5a86&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D956cbc5a86%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw2yTPpC3TyIAYiOp1TI_GXk\" style=\"color: #007c89; font-weight: normal; text-decoration: underline; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff;\" rel=\"noopener\">Link<\/a><span style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\"><\/span><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p><span style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\">C. Viano,<span>\u00a0<\/span><\/span><em style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">Noir alchimique: questions d\u2019\u00e9tymologie et de transmutation<\/em><span style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\">, Technai 13 (2022), 143-155.<\/span><\/p>\n<p><span style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6073ffd2d3&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6073ffd2d3%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw1lo7HFuB-Cj5ZbwdLfIby7\" style=\"color: #007c89; font-weight: normal; text-decoration: underline; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff;\" rel=\"noopener\">Link<\/a><\/span><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6073ffd2d3&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6073ffd2d3%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw1lo7HFuB-Cj5ZbwdLfIby7\" style=\"color: #007c89; font-weight: normal; text-decoration: underline; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff;\" rel=\"noopener\"><\/a>M. Cilione, Pythagorica medica. <em>Scienza e sapienza nella tradizione preippocratica<\/em>, Roma: L\u2019Erma di Bretschneider, 2023.<\/p>\n<hr \/>\n<p>A. Marcucci, <em>Sul valore di <\/em>\u1f04\u03b3\u03b1\u03bb\u03bc\u03b1<em> e di <\/em>\u1f00\u03bd\u03b4\u03c1\u03b9\u03ac\u03c2<em> in alcuni passi di Menandro, di Platone, di ps. Scilace e di Euripide<\/em>, Sileno 48.1-2 (2022), 187-204.<\/p>\n<hr \/>\n<p>E. Valette &#8211; S. Wyler (eds.), <em>Spectateurs grecs et romains. Corps, r\u00e9gimes de pr\u00e9sence, modalit\u00e9s d\u2019attention<\/em>, Paris: Hermann, 2023.<\/p>\n<hr \/>\n<p>A. Viscogliosi, <em>The Temple of Apollo \u201c<\/em>In Circo<em>\u201d. And the Creation of an Augustan Architectural Language<\/em>, Roma: L\u2019Erma di Bretschneider, 2023.<\/p>\n<hr \/>\n<p>R. Berg, <em>Il <\/em>Mundus Muliebris<em> a Pompei. Specchi e oggetti da toletta in contesti domestici<\/em>, Roma: L\u2019Erma di Bretschneider, 2023.<\/p>\n<hr \/>\n<p>G. Hawes, <em>Pausanias in the World of Greek Myth<\/em>, Oxford: Oxford University Press, 2021.<\/p>\n<p><a href=\"http:\/\/www.sehepunkte.de\/2023\/05\/36807.html\">Review<\/a><\/p>\n<hr \/>\n<p>M. Fruyt &#8211; M. Lasagna, <em>Les animaux aquatiques en latin: \u00e9tude linguistique et soci\u00e9tale<\/em>, Paris: L\u2019Harmattan, 2023.<\/p>\n<hr \/>\n<p>Barth\u00e9lemy l\u2019Anglais, <em>De proprietatibus rerum. Volume III: Liber VI, VIII et IX<\/em>, ed. by I. Draelants, E. Frunzeanu, J. G. Lidaka, R. Suntrup, G. Zarra, I. Ventura, Turnhout: Brepols, 2023.<\/p>\n<hr \/>\n<p>N. Andrade &#8211; R. Raja (eds.), <em>Exchange and Reuse in Roman Palmyra. Examining Economy and Circularity<\/em>, Turnhout: Brepols, 2023.<\/p>\n<hr \/>\n<p>H.O. Bizzarri, <em>El exemplum antiguo: modelos de conducta y formas de sabidur\u00eda en la Espa\u00f1a medieval<\/em>, Turnhout: Brepols, 2023.<\/p>\n<hr \/>\n<p>A. Bonandini &#8211; L. Boul\u00e8gue &#8211; G. Ieran\u00f2 (eds.), <em>Le Dialogue de l\u2019Antiquit\u00e9 \u00e0 l\u2019\u00e2ge humaniste. P\u00e9rip\u00e9ties d\u2019un genre dramatique et philosophique<\/em>, Paris: Classiques Garnier, 2023.<\/p>\n<hr \/>\n<p>F. Daubner, <em>Besprechung zu Pliny the Elder\u2019s World. Natural History, Books 2-6<\/em>, Orbis Terrarum. Rivista Internazionale di Geografia Storica del Mondo Antico 20 (2022), 317.<\/p>\n<hr \/>\n<p>A. Rouveret, Certamen artis ac naturae. <em>Couleurs et mati\u00e8res dans la d\u00e9finition plinienne de la peinture<\/em> <em>(Histoire naturelle,<\/em> <em>livre 35)<\/em>, Technai 14 (2023), 71-98.<\/p>\n<p><a href=\"http:\/\/www.libraweb.net\/articoli.php?chiave=202310501&amp;rivista=105\">Link<\/a><\/p>\n<hr \/>\n<p>F. Feraco, <em>Plinio, <\/em>nat.<em> 2, 227-228: un problema di \u2018fonti\u2019<\/em>, Bollettino di Studi Latini 53.1 (2023), 150-160.<\/p>\n<hr \/>\n<p>C. Ballestrazzi, <em>The Colours of Gemstones in Pliny the Elder\u2019s <\/em>Natural History<em>, Book 37<\/em>, Technai 14 (2023), 99-121.<\/p>\n<p><a href=\"http:\/\/www.libraweb.net\/articoli.php?chiave=202310501&amp;rivista=105\">Link<\/a><\/p>\n<hr \/>\n<p>E. Migliore, <em>Fenestella fonte di Plinio il Vecchio: natura, erudizione e cronografia (a proposito di Plin. 33, 146; 8, 19; 15, 1)<\/em>, in M. De Nonno &#8211; E. Romano (eds.), <em>Atti del VI Seminario Nazionale CUSL per dottorandi e dottori di ricerca in studi latini<\/em>, Palermo: Palumbo Editore (Biblioteca di ClassicoContemporaneo 14), 2022, 142-163.<\/p>\n<hr \/>\n<p>B.M. Gauly, <em>Fl\u00fcsse und Seen in Plinius\u2019 <\/em>Briefen<em>: Zur Frage der Koh\u00e4renz der Sammlung<\/em>, in S. Fascione (ed.), Concatenantur sibi epistulae nostrae. <em>Reading Ancient Latin Letter Collections<\/em> <em>(23-24 September 2021)<\/em>, Campobasso-Foggia: Il Castello Edizioni, 2022, 143-164.<\/p>\n<hr \/>\n<p>LGPN-Ling: <em>\u00c9tymologie et s\u00e9mantique des noms de personnes grecs antiques<\/em><\/p>\n<p><a href=\"https:\/\/lgpn-ling.huma-num.fr\">Link<\/a><\/p>\n<hr \/>\n<p>V. Evangelidis, <em>The Archaeology of Roman Macedonia: Urban and Rural Environments<\/em>, Oxford: Oxbow, 2022.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2023\/2023.04.24\/\">Review<\/a><\/p>\n<hr \/>\n<p>M. Ravallese, <em>Le parole degli sconfitti. Ebrei e Romani nella Guerra Giudaica di Flavio Giuseppe<\/em>, Roma: Edizioni Quasar, 2023.<\/p>\n<hr \/>\n<p>F. Romana Berno, <em>Roman Luxuria. A Literary and Cultural History<\/em>, Oxford: Oxford University Press, 2023.<\/p>\n<hr \/>\n<p>L. Braccesi, <em>Potere e follia. Gli eredi di Augusto, le loro madri, sorelle e consorti<\/em>, Roma: L\u2019Erma di Bretschneider, 2023.<\/p>\n<hr \/>\n<p>B. Klein, <em>Der bunte Roman: Der Farbgebrauch im antiken und christlichen Roman unter besonderer Ber\u00fccksichtigung von Petrons Satyrica, den Metamorphosen des Apuleius und den pseudoklementinischen Rekognitionen<\/em>, Stuttgart: Franz Steiner Verlag, 2022.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2023\/2023.05.03\/\">Review<\/a><\/p>\n<hr \/>\n<p>G. Clemente, <em>La<\/em> Notitia Dignitatum <em>e altri saggi di tarda antichit\u00e0<\/em>, M. Maiuro &#8211; M. Lanciotti (eds.), Bari: Edipuglia, 2022.<\/p>\n<hr \/>\n<p>C. Codo\u00f1er (ed.), <em>Isidore de S\u00e9ville, \u00c9tymologies Livre X. T\u00e9rminos relativos al ser humano<\/em>, Paris: Les Belles Lettres, 2023.<\/p>\n<hr \/>\n<p>F. Dimpflmeier (ed.), <em>\u00abIl coro disvela una legge segreta\u00bb. James G. Frazer fra antropologia, studi classici e letteratura<\/em>, Roma: Carocci, 2023.<\/p>\n<hr \/>\n<p>D.M. Campanaro, <em>Coming to Light: Illuminating the House of the Greek Epigrams in Pompeii<\/em>, AJA 127.2 (2023), 263-292.<\/p>\n<hr \/>\n<p>A. Dardenay,\u00a0<em>L&#8217;<\/em>insula<em>\u00a0<\/em>V <em>d&#8217;Herculanum.\u00a0<\/em><em>Transformations spatiales et diachroniques de l&#8217;architecture et du d\u00e9cor des habitations<\/em>, Leuven: Peeters, 2022.<\/p>\n<hr \/>\n<p>M. Carroll (ed.),\u00a0<em>The Making of a Roman Imperial Estate: Archaeology in the Vicus at Vagnari, Puglia<\/em> (Archaeopress Roman Archaeology 88), Oxford: Archaeopress, 2022.<\/p>\n<p><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/724483\">Review<\/a><\/p>\n<hr \/>\n<p>V. Evangelidis,\u00a0<em>The Archaeology of Roman Macedonia: Urban and Rural Environments<\/em>, Oxford: Oxbow, 2022.<\/p>\n<p><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/724482\">Review<\/a><\/p>\n<hr \/>\n<p>C. Manetta,\u00a0<em>Le tombe dipinte della Bulgaria<\/em>, Roma: L&#8217;Erma di Bretschneider, 2023.<\/p>\n<hr \/>\n<p>L. Canfora, <em>Catilina. Una rivoluzione mancata<\/em>, Roma: Laterza, 2023.<\/p>\n<hr \/>\n<p>\u00c9. Wolff (ed.),\u00a0<em>Les jeux sur les mots, les lettres et les sons dans les textes latins<\/em>, Bordeaux: Ausonius \u00c9ditions, 2023.<\/p>\n<hr \/>\n<p>M. Garani &#8211; D. Konstan &#8211; G. Reydams-Schils (eds.), <em>The Oxford Handbook of Roman Philosophy<\/em>, Oxford: Oxford University Press, 2023.<\/p>\n<hr \/>\n<p>P. Gatti (ed.), Nonio Marcello, <em>De conpendiosa doctrina<\/em> <em>II.1.<\/em> <em>Liber IV (A-F)<\/em>, Firenze: SISMEL \u2013 Edizioni del Galluzzo, 2022.<\/p>\n<hr \/>\n<p>P. Gatti &#8211; M. De Lazzer (eds.), Cassiodoro, <em>Complexiones<\/em>, Firenze: SISMEL &#8211; Edizioni del Galluzzo, 2023.<\/p>\n<hr \/>\n<p>F. Petrarca, <em>Le postille alla<\/em> Naturalis Historia <em>(Codice Par. Lat. 6802),<\/em> edizione critica a cura di Giulia Perucchi (Petrarca del centenario 18), Firenze: Le Lettere, 2022.<\/p>\n<hr \/>\n<p>A. Piqueux,\u00a0<em>The Comic Body in Ancient Greek Theatre and Art, 440-320 BCE<\/em>, Oxford: Oxford University Press, 2022.<\/p>\n<hr \/>\n<p>H. Autengruber-Th\u00fcry,\u00a0<em>Hunde in der r\u00f6mischen Antike: Rassen\/Typen &#8211; Zucht &#8211; Haltung und Verwendung<\/em>, Oxford: Archaeopress, 2021.<\/p>\n<p><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/724679?mc_cid=9fd9c5f3a2&amp;mc_eid=0bf16b875c\">Review<\/a><\/p>\n<hr \/>\n<p>G. Hawes,\u00a0<em>Pausanias in the World of Greek Myth<\/em>, Oxford &#8211; New York: Oxford University Press, 2021.<\/p>\n<hr \/>\n<p>I.G. Mastrorosa &#8211; \u00c9. Gavoille (eds.),\u00a0<em>Enjeux environnementaux et souci de la nature, de la Rome ancienne \u00e0 la Renaissance. Questioni ambientali e senso della natura da Roma antica al Rinascimento<\/em>, Bordeaux:\u00a0Ausonius \u00c9ditions, 2023.<\/p>\n<hr \/>\n<p>M. Galli &#8211; T. Ismaelli,\u00a0<em>Basilica Iulia I.<\/em>\u00a0<em>Gli scavi di Laura Fabbrini (1960-1964). Strutture, stratigrafie e materiali dalla prima Et\u00e0 repubblicana alla costruzione augustea<\/em>, Istanbul: Phoibos Verlag, 2022.<\/p>\n<hr \/>\n<p>F. Villedieu,\u00a0<em>La Vigna Barberini III. La <\/em>cenatio rotunda\u00a0(Roma antica 9), Roma: \u00c9cole Fran\u00e7aise de Rome, 2021.<\/p>\n<hr \/>\n<p>P. Fleury &#8211; S. Madeleine (eds.), <em>Topographie et urbanisme de la Rome antique. Actes du colloque organis\u00e9 \u00e0 Caen (11-13 d\u00e9cembre 2019)<\/em>, Caen: Presses Universitaires de Caen, 2022.<\/p>\n<hr \/>\n<p>C.R. Potts (ed.),\u00a0<em>Architecture in Ancient Central Italy: Connections in Etruscan and Early Roman Building<\/em>, Cambridge: Cambridge University Press, 2022.<\/p>\n<p><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/724675?mc_cid=9fd9c5f3a2&amp;mc_eid=0bf16b875c\">Review<\/a><\/p>\n<hr \/>\n<p>M. Popkin,\u00a0<em>Souvenirs and the Experience of Empire in Ancient Rome<\/em>, Cambridge: Cambridge University Press, 2022.<\/p>\n<p><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/724681?mc_cid=9fd9c5f3a2&amp;mc_eid=0bf16b875c\">Review<\/a><\/p>\n<hr \/>\n<p>S. Ciambelli,\u00a0<em>I<\/em>\u00a0Collegia\u00a0<em>e le relazioni clientelari<\/em>, Bologna: P\u00e0tron Editore, 2022.<\/p>\n<hr \/>\n<p>P. Par\u00e9-Rey,\u00a0<em>Histoire culturelle des \u00e9ditions latines des trag\u00e9dies de S\u00e9n\u00e8que (1478-1878)<\/em>, Paris: Classiques Garnier, 2023.<\/p>\n<hr \/>\n<p>A. Garcea &#8211; D. Vallat (eds.), Ars et commentarius.\u00a0<em>La grammaire dans le commentaire de Servius \u00e0 Virgile <\/em>(Corpus Christianorum Lingua Patrum 14), Turnhout: Brepols, 2022.<\/p>\n<hr \/>\n<p>I. Morresi (ed.), Cassiodori Senatoris Institutiones humanarum litterarum. Textus \u03a6 \u0394 (Corpus Christianorum Series Latina 99A), Turnhout: Brepols, 2022.<\/p>\n<hr \/>\n<p>P. Mudry,\u00a0<em>Cendres et myst\u00e8res.\u00a0<\/em><em>Encore sur la mort de Pline l\u2019Ancien<\/em>, Classica Vox 4 (2022), 87-96.<\/p>\n<hr \/>\n<p>E. Migliario,\u00a0<em>Da Catone a Plinio: quali Reti?<\/em>, Geographia Antiqua 31 (2022), 131-141.<\/p>\n<hr \/>\n<p>G. La Bua,\u00a0<em>Il linguaggio della satira nell\u2019epistolario pliniano<\/em>, Paideia 77 (2022), 157-174.<\/p>\n<hr \/>\n<p>R. Marks &#8211; M. Mogetta (eds.),\u00a0<em>Domitian\u2019s Rome and the Augustan Legacy<\/em>, Ann Arbor:\u00a0University of Michigan Press, 2021.<\/p>\n<hr \/>\n<p>A. L\u00f3io (ed.),\u00a0<em>Editing and Commenting on Statius\u2019 <\/em>Silvae (Mnemosyne Supplements 464), Leiden-Boston: Brill, 2023.<\/p>\n<hr \/>\n<p>G. Blanc &#8211; F. Galtier &#8211; R. Poignault (eds.),\u00a0<em>Pr\u00e9sence de Juv\u00e9nal<\/em>, Clermont-Ferrand: Centre de Recherches A. Piganiol-Pr\u00e9sence de l\u2019Antiquit\u00e9, 2022.<\/p>\n<hr \/>\n<p>D. Agri,\u00a0<em>Reading Fear in Flavian Epic: Emotion, Power, and Stoicism<\/em>, Oxford: Oxford University Press, 2022.<\/p>\n<hr \/>\n<p>C. Urlacher-Becht,\u00a0<em>Dictionnaire de l\u2019\u00e9pigramme litt\u00e9raire dans l&#8217;Antiquit\u00e9 grecque et romaine<\/em>, Turnhout:\u00a0Brepols, 2023.<\/p>\n<hr \/>\n<p>S. Medas,\u00a0Nautica Antica<em>. Itinerari nel mondo della navigazione, tra storia, archeologia ed etnografia<\/em>, Roma: L\u2019Erma di Bretschneider, 2022.<\/p>\n<hr \/>\n<p>O. Bobou &#8211; A.C. Miranda &#8211; R. Raja (eds.),\u00a0<em>Archival Historiographies. The Impact of Twentieth-Century Legacy Data on Archaeological Investigations<\/em>\u00a0(Archive Archaeology 3), Turnhout: Brepols, 2022.<\/p>\n<hr \/>\n<p>C. Ranoutsaki,\u00a0<em>Purpur in Byzanz: Privileg und W\u00fcrdeformel<\/em>, Wiesbaden: Reichert Verlag, 2022.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2023\/2023.01.13\/\">Review<\/a><\/p>\n<hr \/>\n<p>M. Righetti &#8211; A.M. D\u2019Achille (eds.),\u00a0<em>Roma medievale. Il volto perduto della citt\u00e0<\/em>, Roma: De Luca Editori d\u2019Arte, 2022.<\/p>\n<p><a href=\"https:\/\/www.plekos.uni-muenchen.de\/2023\/r-roma_medievale.pdf\">Review<\/a><\/p>\n<hr \/>\n<p><em>Antiquitatum Thesaurus<\/em><\/p>\n<p><a href=\"https:\/\/db.antiquitatum-thesaurus.eu\/\">Link<\/a><\/p>\n<hr \/>\n<p>R. Saller,\u00a0<em>Pliny&#8217;s Roman Economy. Natural History, Innovation, and Growth<\/em>, Princeton: Princeton University Press, 2022.<\/p>\n<hr \/>\n<p><em>Pliny the Elder\u2019s World. Natural History, Books 2-6<\/em>, translated by B. Turner &#8211; R.J.A. Talbert, Cambridge: Cambridge University Press, 2022.<\/p>\n<hr \/>\n<p>E. Paredes Mart\u00edn,\u00a0<em>Sobre la fecha de promulgaci\u00f3n del edictum de latinidad vespasianeo a las provincias hispanas (<\/em>Plin. n.h. 3.30<em>). Entre el \u2018a\u00f1o de los cuatro emperadores\u2019 y la censura imperial del 73\/74<\/em>, Athenaeum 110\/2 (2022), 442-485.<\/p>\n<hr \/>\n<p>N.T. Arrington,\u00a0<em>Athens at the Margins: Pottery and People in the Early Mediterranean World<\/em>, Princeton: Princeton University Press, 2021.<\/p>\n<p><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/723516?mc_cid=e287f7d486&amp;mc_eid=0bf16b875c\">Review<\/a><\/p>\n<hr \/>\n<p>P. Li Causi,\u00a0<em>Finalit\u00e0 complementari e sfruttamento degli animali. Una lettura di Arist<\/em>. Pol. <em>1256b.7-26<\/em>, Athenaeum 110\/2 (2022), 357-372.<\/p>\n<hr \/>\n<p>M.F. Ferrini, Chromata<em>. Lessico dei termini greci di colore<\/em>, vol. 3: <em>gamma<\/em>, Macerata: eum, 2022.<\/p>\n<hr \/>\n<p>F. Morosi,\u00a0<em>Delfi nel prologo delle Eumenidi: due note archeologiche<\/em>, Aevum Antiquum 22 (2022), 287-305.<\/p>\n<hr \/>\n<p>M. Di Marzio,\u00a0<em>Alessandro I e Ierone a Delfi: statue e poesia<\/em>, in G. Zanetto (ed.), <em>Delfi e Apollo nella letteratura greca<\/em>, Pisa &#8211; Roma: Fabrizio Serra Editore, 2022.<\/p>\n<hr \/>\n<p>L. Floridi,\u00a0<em>Giacinto, il Discobolo di Mirone e lo sguardo di un sofista. Filostrato, <\/em>Im<em>. I 24<\/em>, in G. Zanetto (ed.), <em>Delfi e Apollo nella letteratura greca<\/em>, Pisa &#8211; Roma: Fabrizio Serra Editore, 2022, 169-185.<\/p>\n<hr \/>\n<p>M. Notarian,\u00a0<em>A Spatial Network Analysis of Water Distribution from Public Fountains in Pompeii<\/em>, AJA 127.1 (2023), 85-118.<\/p>\n<hr \/>\n<p>K. Bowes,\u00a0<em>The Roman Peasant Project 2009\u20132014: Excavating the Roman Rural Poor<\/em>, 2 vols., Philadelphia: University of Pennsylvania Press, 2021.<\/p>\n<p><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/723514?mc_cid=e287f7d486&amp;mc_eid=0bf16b875c\">Review<\/a><\/p>\n<hr \/>\n<p>D. Palombi,\u00a0<em>Un architetto per il \u00abtempio immenso\u00bb del Quirinale<\/em>, Athenaeum 110\/2 (2022), 499-510.<\/p>\n<hr \/>\n<p>F. Santangelo,\u00a0<em>Silla. Il tiranno riformatore<\/em>, Soveria Mannelli: Rubbettino Editore, 2022.<\/p>\n<hr \/>\n<p>A. Cortese &#8211; G. Fioratto (eds.),\u00a0<em>Urban Space between the Roman Age and Late Antiquity: Continuity, Discontinuity and Changes. Acts of the International Workshop, University of Regensburg, 13-14 February 2020<\/em>, Regensburg: Schnell + Steiner, 2022.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.12.33\/\">Review<\/a><\/p>\n<hr \/>\n<p>L. Castaldi &#8211; V. Mattaloni (eds.),\u00a0<em>Te.Tra. 7. La trasmissione dei testi latini del Medioevo<\/em>, Firenze: Sismel &#8211; Edizioni del Galluzzo, 2022.<\/p>\n<hr \/>\n<p>G. Traina &#8211; A. Vial-Logeay (eds.),\u00a0<em>L\u2019inventaire du monde de Pline l&#8217;Ancien. <\/em><em>Des colonnes d\u2019Hercule aux confins de l\u2019Afrique et de l\u2019Asie<\/em>, Bordeaux: Ausonius \u00c9ditions, 2022.<\/p>\n<hr \/>\n<p>G. Traina, <em>Plin<\/em>. nat. <em>5,83<\/em>:\u00a0<em>il tratto armeno dell\u2019alto Eufrate<\/em>, in A. Borgna &#8211; M. Lana (eds.), Epistulae a familiaribus.\u00a0<em>Per Raffaella Tabacco<\/em>, Alessandria: Edizioni dell&#8217;Orso, 2022.<\/p>\n<hr \/>\n<p>M. Collareta &#8211; M. Ferretti &#8211;\u00a0S. Maffei &#8211;\u00a0C.M. Sicca (eds.),\u00a0<em>Le voci del marmo. Materiali per un lessico tecnico della scultura in marmo<\/em>,\u00a0Pisa: Edizioni della Normale, 2022.<\/p>\n<p><u>Focus on<\/u>:\u00a0A. Anguissola &#8211;\u00a0L. Faedo,\u00a0<em>Lo sguardo di Plinio tra tecnica e materia: le statue e la loro superficie<\/em>, 109-138.<\/p>\n<hr \/>\n<p>J.J. Thomas,\u00a0<em>Art, Science, and the Natural World in the Ancient Mediterranean, 300 BC to AD 100<\/em>, Oxford: Oxford University Press, 2022.<\/p>\n<p><u>Focus on<\/u>: \u201cPliny the Elder and Sosos of Pergamon\u201d; \u201cContextualizing the Mosaics of Sosos\u201d.<\/p>\n<p><a href=\"https:\/\/www.google.com\/books\/edition\/Art_Science_and_the_Natural_World_in_the\/1StQEAAAQBAJ\">Preview<\/a><br \/><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.12.12\/\">Review<\/a><\/p>\n<hr \/>\n<p>P.W. Foss,\u00a0<em>Pliny and the Eruption of Vesuvius<\/em>, Abingdon &#8211; New York: Routledge, 2022.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.12.08\/\">Review<\/a><\/p>\n<hr \/>\n<p>U. Tischer &#8211; U. G\u00e4rtner &#8211; A. Forst (eds.), Ut pictura poeta.\u00a0<em>Author Images and the Reading of Ancient Literature<\/em>, Turnhout: Brepols, 2022.<\/p>\n<p><u>Focus on<\/u>: Eva Falaschi, <em>Pliny the Elder and the Portraits of Ancient Authors.<\/em><\/p>\n<hr \/>\n<p>J. Dross, <em>Le philosophe dans la cite\u0301: Se\u0301ne\u0300que et l<\/em>&#8216;otium <em>philosophique <\/em>(Philosophie helle\u0301nistique et romaine\u00a013), Turnhout: Brepols, 2022.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.12.03\/\">Review<\/a><\/p>\n<hr \/>\n<p>P. Li Causi,\u00a0<em>In principio erano i mostri. Storie di entit\u00e0 orrifiche e minacciose nel mito dei Greci e dei Romani<\/em>,Roma: InSchibboleth, 2022.<\/p>\n<p><a href=\"https:\/\/books.google.it\/books?id=FUGXEAAAQBAJ&amp;lpg=PA9&amp;ots=hWJfDLM_Lr&amp;dq=in%20principio%20erano%20i%20mostri&amp;lr&amp;hl=it&amp;pg=PA1#v=onepage&amp;q=in%20principio%20erano%20i%20mostri&amp;f=false\">Preview<\/a><\/p>\n<hr \/>\n<p>A. Acconci &#8211; F. Astolfi &#8211; A. Englen (eds.),\u00a0<em>Caelius II. Pars Superior. La Basilica dei Santi Giovanni e Paolo e il Tempio di Claudio<\/em>, Roma: L\u2019Erma di Bretschneider, 2022.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<p>C. Conti (ed.),\u00a0<em>Lectures on Trajan\u2019s Column and its Architect Apollodorus of Damascus<\/em>, Roma: L\u2019Erma di Bretschneider, 2022.<\/p>\n<hr \/>\n<p>T. Nogales Basarrate (ed.),\u00a0<em>Ciudades Romanas de Hispania II<\/em>, Roma: L\u2019Erma di Bretschneider, 2022.<\/p>\n<hr \/>\n<p>M. Heerink &#8211; E. Meijer (eds.),\u00a0<em>Flavian Responses to Nero\u2019s Rome<\/em>, Amsterdam: Amsterdam University Press, 2022.<\/p>\n<hr \/>\n<p>A. De Vivo &#8211; M. Squillante (eds.), Est locus\u2026\u00a0<em>Paesaggio letterario e spazio della memoria. Per Rossana Valenti<\/em>, Bari: Edipuglia, 2022.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<p>A.-M. Favreau-Linder &#8211; S. Lalanne &#8211; J.-L. Vix (eds.),\u00a0<em>Passeurs de culture. La transmission de la culture grecque dans le monde romain des Ier-IVe si\u00e8cles<\/em>, Turnhout: Brepols, 2022.<\/p>\n<hr \/>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>S. Franzoni &#8211; E. Lonati &#8211; A. Russo (eds.),\u00a0<em>Le sens des textes classiques au Moyen \u00c2ge. Transmission, ex\u00e9g\u00e8se, r\u00e9\u00e9criture<\/em>, Turnhout: Brepols, 2022.<\/p>\n<hr \/>\n<p>Digital Encyclopedia of Atticism<\/p>\n<p><a href=\"https:\/\/atticism.eu\/\">Link<\/a><\/p>\n<hr \/>\n<p>G. Calza,\u00a0<em>Scavi di Ostia I. Topografia generale<\/em>, ristampa dell\u2019edizione originale con introduzione e note di aggiornamento bibliografico, a cura di A. D\u2019Alessio, D. Daffara, con contributi di G. Becatti, I. Gismondi, G. De Angelis d\u2019Ossat, H. Bloch, Roma: L\u2019Erma di Bretschneider, 2022.<\/p>\n<hr \/>\n<p>J. Prim,\u00a0Aventinus mons<em>: limites, fonctions urbaines et repr\u00e9sentations politiques d\u2019une colline de la Rome antique<\/em> (Collection de l\u2019\u00c9cole fran\u00e7aise de Rome 571), Rome: \u00c9cole fran\u00e7aise de Rome, 2021.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.10.32\/\">Review<\/a><\/p>\n<hr \/>\n<p>A. Kouremenos,\u00a0<em>The Province of Achaea in the 2nd Century CE: the Past Present<\/em> (Routledge Monographs in Classical Studies), Abingdon &#8211; New York: Routledge, 2022.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.10.14\/\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<p>A. Lamy &#8211; A. Raffarin &#8211; E. Seris (eds.),\u00a0<em>Dignit\u00e9 des <\/em>Artes<em>: promotion et \u00e9volution des arts lib\u00e9raux de l\u2019Antiquit\u00e9 \u00e0 la Renaissance<\/em>, Paris: Honor\u00e9 Champion, 2022.<\/p>\n<\/div>\n<hr \/>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>F. D\u2019Andrea,\u00a0<em>L&#8217;iscrizione ritrovata: nuovi dati sulla cosiddetta <\/em>Schola Xanthi<em> del Foro Romano<\/em>, ArchClass 73 (2022), 269-294.<\/p>\n<hr \/>\n<p>K. Thein, <em>Ecphrastic Shields in Graeco-Roman Literature: the World&#8217;s Forge<\/em>. <em>Image, Text and Culture in Classical Antiquity<\/em>, Abingdon, Oxon &#8211; New York, NY: Routledge, 2022.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.09.24\/\">Review<\/a><\/p>\n<hr \/>\n<p>A. De Vivo &#8211; M. Squillante (eds.), \u201cEst locus\u2026\u201d. <em>Paesaggio letterario e spazio della memoria. Per Rossana Valenti <\/em>(Quaderni di Invigilata Lucernis 49), Napoli: Edipuglia, 2022.<\/p>\n<hr \/>\n<p>A. Haug &#8211; A. Hielscher &#8211; M. Taylor Lauritsen (eds.), <em>Materiality in Roman Art and Architecture: Aesthetics, Semantics and Function<\/em>, Berlin: De Gruyter, 2022.<\/p>\n<p><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/722737?utm_source=Archaeological+Institute+of+America&amp;utm_campaign=7adb70a023-EMAIL_CAMPAIGN_2022_09_30_04_27&amp;utm_medium=email&amp;utm_term=0_640baf0738-7adb70a023-216085556&amp;mc_cid=7adb70a023&amp;mc_eid=0bf16b875c\">Review<\/a><\/p>\n<hr \/>\n<p>A. Lichtenberger &#8211; R. Raja, <em>The Archaeology of Seasonality<\/em> (Studies in Classical Archaeology 11), Turnhout: Brepols, 2021.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.09.09\/\">Review<\/a><\/p>\n<hr \/>\n<p>F. Carl\u00e0-Uhink &#8211; L. Cecchet &#8211; C. Machado (eds.), <em>Poverty in Ancient Greece and Rome. Discourses and Realities<\/em>, London: Routledge, 2022. E. Romano, <em>Ai margini della cultura, ai margini della letteratura: architettura e medicina, &#8220;arti non liberali&#8221;<\/em>, ClassicoContemporaneo 8, 2022.<\/p>\n<p><a href=\"https:\/\/www.classicocontemporaneo.eu\/index.php\/archivio\/219-numero-8\/orizzonti-8a\/561-ai-margini-della-cultura-ai-margini-della-letteratura-architettura-e-medicina-arti-non-liberali\">Link<\/a><\/p>\n<hr \/>\n<p>V. Sapone, <em>Porti medioadriatici. Politiche marittime, infrastrutture e traffici in et\u00e0 romana. Ancona, Rimini, Ravenna<\/em>, Roma &#8211; Bristol: L&#8217;Erma di Bretschneider,\u00a0 2021.<\/p>\n<hr \/>\n<p>J. Strauss Clay &#8211; A. Vergados (eds.), <em>Teaching through Images: Imagery in Greco-Roman Didactic Poetry<\/em> (Mnemosyne supplements 450), Leiden &#8211; Boston: Brill, 2022.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.10.02\/\">Review<\/a><\/p>\n<hr \/>\n<p>S. Fine (ed.), <em>The Arch of Titus: From Jerusalem to Rome and Back<\/em>, Leiden: Brill, 2021.<\/p>\n<p><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/722739?utm_source=Archaeological+Institute+of+America&amp;utm_campaign=7adb70a023-EMAIL_CAMPAIGN_2022_09_30_04_27&amp;utm_medium=email&amp;utm_term=0_640baf0738-7adb70a023-215964044&amp;mc_cid=7adb70a023&amp;mc_eid=da6a4e4a03\">Review<\/a><\/p>\n<hr \/>\n<p>S. Deschler-Erb &#8211; U. Albarella &#8211; S. Valenzuela Lamas &#8211; G. Rasbach (eds.), <em>Roman Animals in Ritual and Funerary Contexts: Proceedings of the 2nd Meeting of the Zooarchaeology of the Roman Period Working Group, Basel 1st\u20134th February 2018<\/em>, Wiesbaden: Harrassowitz, 2021.<\/p>\n<p><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/722738?utm_source=Archaeological+Institute+of+America&amp;utm_campaign=7adb70a023-EMAIL_CAMPAIGN_2022_09_30_04_27&amp;utm_medium=email&amp;utm_term=0_640baf0738-7adb70a023-215964044&amp;mc_cid=7adb70a023&amp;mc_eid=da6a4e4a03\">Review<\/a><\/p>\n<hr \/>\n<p>A. Schnapp, <em>Une histoire universelle des ruines: des origines aux Lumi\u00e8res<\/em>. <em>La Librairie du XXIe si\u00e8cle<\/em>, Paris: Editions du Seuil, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.10.16\/\">Review<\/a><\/p>\n<hr \/>\n<p>A. Anguissola, <em>Plinio il Vecchio e le pareti trasparenti. Una nota a <\/em>Naturalis Historia 36.98, in A. Anguissola &#8211; M. Castiglione &#8211; F. Guidetti (eds.), Munera Musarum.<em> Studi per Lucia Faedo<\/em>, Studi Classici e Orientali 67.2 (2021), 499-508.<\/p>\n<hr \/>\n<p>A. Poggio,<em> Materiali e paesaggi del potere: il palazzo di Mausolo<\/em>, in A. Anguissola &#8211; M. Castiglione &#8211; F. Guidetti (eds.), Munera Musarum.<em> Studi per Lucia Faedo<\/em>, Studi Classici e Orientali 67.2 (2021), 315-337.<\/p>\n<hr \/>\n<p>T.J. Keeline, <em>\u201cAdams\u2019 Law\u201d and the Placement of esse in Pliny the Younger<\/em>, New England Classical Journal 49.1 (2022), 12-26.<\/p>\n<p><a href=\"https:\/\/doi.org\/10.52284\/NECJ.49.1.article.keeline\">Link<\/a><\/p>\n<hr \/>\n<p>R. Olivito, <em>Per una nuova ipotesi sulla disposizione degli <\/em>Anaglypha <em>dal Foro Romano<\/em>, in A. Anguissola &#8211; M. Castiglione &#8211; F. Guidetti (eds.), Munera Musarum<em>. Studi per Lucia Faedo<\/em>, Studi Classici e Orientali 67.2 (2021), 377-389.<\/p>\n<hr \/>\n<p>A. Pizzo &#8211; R. Montalbano (eds.), <em>Tra le pendici del Quirinale e il Campo Marzio. In memoria di Emilio Rodr\u00edguez Almeida<\/em>, Roma: Arbor Sapientiae Editore, 2022.<\/p>\n<hr \/>\n<p>D. Manacorda, <em>Roma. Il racconto di due citt\u00e0<\/em>, Roma: Carocci Editore, 2022.<\/p>\n<hr \/>\n<p>B. Amiri, <em>Lieux de culte, lieux de cohabitation dans le monde romain<\/em>, Besan\u00e7on: Presses universitaires de Franche-Comt\u00e9, 2022.<\/p>\n<hr \/>\n<p>M. Papini, <em>L\u2019evidenza delle parole: ville, costruzioni e ornamenti nelle <\/em>Silvae<em> di Stazio<\/em>, in A. Anguissola &#8211; M. Castiglione &#8211; F. Guidetti (eds.), Munera Musarum.<em> Studi per Lucia Faedo<\/em>, Studi Classici e Orientali 67.2 (2021), 509-525.<\/p>\n<hr \/>\n<p>M.E.J.J. van Aerde, <em>Egypt and the Augustan Cultural Revolution: an Interpretative Archaeological Overview,\u00a0<\/em>Babesch. Supplement 38,\u00a0Leuven: Peeters, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.06.22\/\">Review<\/a><\/p>\n<hr \/>\n<p>P. Buongiorno &#8211; G. Camodeca (eds.) <em>Die &#8216;<\/em>senatus consulta&#8217;<em> in den epigraphischen Quellen. Texte und Bezeugungen<\/em>, Stuttgart: Franz Steiner Verlag, 2021.<\/p>\n<hr \/>\n<p>D. Vallat (ed.), Vergilius orator. <em>Lire et commenter les discours de l\u2019\u00c9n\u00e9ide dans l\u2019Antiquit\u00e9 tardive<\/em>, Turnhout: Brepols, 2022.<\/p>\n<hr \/>\n<p>G. Baldo &#8211; L. Beltramini (eds.), Livius noster<em>. Tito Livio e la sua eredit\u00e0<\/em>, Turnhout: Brepols, 2022.<\/p>\n<hr \/>\n<p>D. Gallo &#8211; S. Grazzini, with the collaboration of F. Duplessis, <em>Scholia in Iuvenalem recentiora secundum recensionem Lambda<\/em>, Firenze: SISMEL &#8211; Edizioni del Galluzzo, 2021.<\/p>\n<hr \/>\n<p>M. Ronin, <em>The Perception of Natural Risks of Earthquakes and Floods in the Roman World<\/em>, Historia 71.3 (2022), 362-389.<\/p>\n<hr \/>\n<p>S. Fine, <em>The Arch of Titus: from Jerusalem to Rome &#8211; and back,<\/em> Leiden-Boston: Brill, 2021.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.06.27\/\">Review<\/a><\/p>\n<hr \/>\n<p>A. Picchione &#8211; S. Roascio &#8211; I. Sgarbozza (eds.), <em>Misurare la terra. Un&#8217;epigrafe napoleonica dai Musei Vaticani al Mausoleo di Cecilia Metella<\/em>, Roma: De Luca Editori d\u2019Arte, 2021.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>M. Heinzelmann, Forma Urbis Ostiae. <em>Untersuchungen zur Entwicklung der Hafenstadt Roms von der Zeit der Republik bis ins fr\u00fche Mittelalter<\/em>, Wiesbaden: Harrassowitz Verlag, 2021.<\/p>\n<p><a href=\"https:\/\/www.hsozkult.de\/publicationreview\/id\/reb-112870?utm_source=hskhtml&amp;utm_medium=email&amp;utm_term=2022-6&amp;utm_campaign=htmldigest\">Review<\/a><\/p>\n<hr \/>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<p>J.F. Di Biasie-Sammons, Qui carbone rudi putrique creta scribit: <em>The Charcoal Graffiti of Herculaneum<\/em>, \u00a0AJA 126.3 (2022), 385-410.<\/p>\n<hr \/>\n<div class=\"column\">\n<p>E. Dodd, <em>The Archaeology of Wine Production in Roman and Pre-Roman Italy<\/em>, AJA 126.3 (2022), 443-480.<\/p>\n<p><a href=\"https:\/\/www.ajaonline.org\/state-discipline\/4508?utm_source=Archaeological+Institute+of+America&amp;utm_campaign=2f6c66e097-EMAIL_CAMPAIGN_2022_06_14_03_32&amp;utm_medium=email&amp;utm_term=0_640baf0738-2f6c66e097-216085556&amp;mc_cid=2f6c66e097&amp;mc_eid=0bf16b875c\">Link<\/a><\/p>\n<hr \/>\n<p>A.-M. Favreau-Linder &#8211; S. Lalanne &#8211; J.-L. Vix (eds.), <em>Passeurs de culture. La transmission de la culture grecque dans le monde romain des Ier-IVe si\u00e8cles apr\u00e8s J.-C.<\/em>, Turnhout: Brepols, 2022.<\/p>\n<hr \/>\n<p>A. Augoustakis &#8211; M. Fucecchi (eds.), <em>Silius Italicus and the Tradition of the Roman Historical Epos<\/em>, (Mnemosyne Supplements 458), Leiden-Boston: Brill, 2022.<\/p>\n<hr \/>\n<p>F.E. Consolino (ed.), <em>After Ovid. Aspects of the Reception of Ovid in Literature and Iconography<\/em>, Turnhout: Brepols, 2022.<\/p>\n<hr \/>\n<p>P. d&#8217;Hoine &#8211; G. Roskam &#8211; S. Schorn &#8211; J. Verheyden (eds.), <em>Polemics and Networking in Graeco-Roman Antiquity<\/em>, Turnhout: Brepols, 2021.<\/p>\n<hr \/>\n<p>H. L\u00fc, <em>Pausanias\u2019 Cultural Memory and the Roman Empire in His Description of Greece<\/em>, Journal of Ancient Civilizations 37.1 (2022), 65-95.<\/p>\n<hr \/>\n<p>F.T. Coulson &#8211; R.G. Babcock (eds.), <em>The Oxford Handbook of Latin Palaeography<\/em>, Oxford-New York: Oxford University Press, 2020.<\/p>\n<p><a href=\"https:\/\/www.plekos.uni-muenchen.de\/2022\/r-coulson_babcock.pdf\">Link<\/a><\/p>\n<hr \/>\n<p>Flavio Biondo, <em>Rome triomphante \/ Roma triumphans<\/em>. Tome I. Livres I et II (La Religion), pr\u00e9face de J. Scheid, introduction g\u00e9n\u00e9rale d&#8217;A. Raffarin, Note sur le texte par G. Marcellino, \u00e9dition du livre I par G. Marcellino, traduction et notes d&#8217;A. Raffarin,\u00a0\u00e9dition du livre II par A. Raffarin, traduction et notes d&#8217;\u00c9. Buchet, Paris: Les Belles Lettres, 2022.<\/p>\n<hr \/>\n<p>J. Jacobs, <em>The Text of Pliny, HN 19.4-5<\/em>, The Classical Quarterly 70.1 (2020), 276-285.<\/p>\n<hr \/>\n<p>A. Luciano (ed.), <em>Atti del primo convegno \u201cLe memorie del comandante\u201d<\/em>, Rivista di Studi Pliniani 1 (2022).<\/p>\n<hr \/>\n<p>L. Todisco, <em>Frine di Tespie e la nuova immagine di Afrodite<\/em> (Problemi e Ricerche di Storia Antica 35), Roma: L\u2019Erma di Bretschneider, 2022.<\/p>\n<hr \/>\n<p>M. de F\u00e1tima Silva,<em> Paus\u00e2nias<\/em><em>. Descri\u00e7\u00e3o da Gr\u00e9cia. Livro I<\/em><em>I<\/em><em>.<\/em> Introdu\u00e7\u00e3o, tradu\u00e7\u00e3o do grego e notas, Coimbra: Imprensa da Universidade de Coimbra, 2022.<br \/><a href=\"https:\/\/doi.org\/10.14195\/978-989-26-2271-2\">DOI<\/a><\/p>\n<hr \/>\n<p>L. Athaniassaki &#8211; F.B. Titchener (eds.), <em>Plutarch\u2019s Cities<\/em>, Oxford: Oxford University Press, 2022.<\/p>\n<hr \/>\n<p>V.M. Closs, <em>While Rome Burned: Fire, Leadership, and Urban Disaster in the Roman Cultural Imagination<\/em>, Ann Arbor: University of Michigan Press, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.05.24\/\">Review<\/a><\/p>\n<hr \/>\n<p>P. Caligari, <em>Il Mausoleo di Giulio Cesare a Roma. Ricerche storiche e topografiche<\/em>, Roma: Arbor Sapientiae, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.06.05\/\">Review<\/a><\/p>\n<hr \/>\n<p>A. Gartrell, <em>The Cult of Castor and Pollux in Ancient Rome: Myth, Ritual, and Society<\/em>, Cambridge &#8211; New York: Cambridge University Press, 2021.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/https\/bmcr.brynmawr.edu\/2022\/2022.05.31\/\">Review 1<\/a><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/720935?utm_source=Archaeological+Institute+of+America&amp;utm_campaign=e77b36e4c7-EMAIL_CAMPAIGN_2022_06_01_09_22&amp;utm_medium=email&amp;utm_term=0_640baf0738-e77b36e4c7-216085556&amp;mc_cid=e77b36e4c7&amp;mc_eid=0bf16b875c\">|<\/a><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10. 1086\/720935?utm_source=Archaeological+Institute+of+America&amp;utm_campaign= e77b36e4c7-EMAIL_CAMPAIGN_2022_06_01_09_22&amp;utm_medium= email&amp;utm_term=0_640baf0738-e77b36e4c7-216085556&amp;mc_cid= e77b36e4c7&amp;mc_eid=0bf16b875c\"> Review 2<\/a><\/p>\n<hr \/>\n<p>F. Barry, <em>The Temple of Hercules Victor in For<\/em><em>o Boario (<\/em>Aedes Aemiliana<em>): Design, Dating, \u201cDecorated Doric\u201d, and Domes<\/em>, MAAR 66 (2021), 19-91.<\/p>\n<hr \/>\n<p>A. Gallo, <em>Pompei I 13<\/em>. Per Angusta Itinera. <em>Il settore sud occidentale. L&#8217;angolo nord orientale<\/em> (Studi e Ricerche del Parco Archeologico di Pompei 47), Roma: L\u2019Erma di Bretschneider, 2022.<\/p>\n<hr \/>\n<p>M. Mogetta, <em>The Origins of Concrete Construction in Roman Architecture: Technology and Society in Republican Italy<\/em>, Cambridge: Cambridge University Press, 2021.<\/p>\n<p><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/720934?utm_source=Archaeological+Institute+of+America&amp;utm_campaign=e77b36e4c7-EMAIL_CAMPAIGN_2022_06_01_09_22&amp;utm_medium=email&amp;utm_term=0_640baf0738-e77b36e4c7-216085556&amp;mc_cid=e77b36e4c7&amp;mc_eid=0bf16b875c\">Review <\/a><\/p>\n<hr \/>\n<p>C.J. Bannon, <em>A Short Introduction to Roman Water Law<\/em>, MAAR 66 (2021), 1-18.<\/p>\n<hr \/>\n<p>A. Bonadeo &#8211; A. Canobbio &#8211; E. Romano (eds.), <em>Centro e periferia nella letteratura di Roma imperiale<\/em>, Pavia: Pavia University Press, 2022.<\/p>\n<hr \/>\n<p>M. Labate &#8211; G. Vannini &#8211; G. Zago, <em>Petronio: ricostruzioni e interpretazioni,<\/em> Pisa: Edizioni della Normale, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.05.11\/\">Review<\/a><\/p>\n<hr \/>\n<p>A. Drandaki, <em>Late Antique Metalware. The Production of Copper-Alloy Vessels between the 4th and 8th Centuries<\/em>. <em>The Benaki Museum Collection and Related Material<\/em>, Turnhout: Brepols, 2020.<\/p>\n<hr \/>\n<p>S. Verde (ed.), <em>I Farnese. Architettura, arte e potere<\/em>, Catalogo della mostra (Parma 18 marzo &#8211; 31 luglio 2022), Milano: Electa, 2022.<\/p>\n<hr \/>\n<p>V. Naas, <em>Centre et p\u00e9riph\u00e9rie: pour une lecture politique de Pline l\u2019Ancien<\/em>, in A. Bonadeo &#8211; A. Canobbio &#8211; E. Romano (eds.), <em>Centro e periferia nella letteratura di Roma imperiale<\/em>, Pavia: Pavia University Press, 2022, 117-127.<\/p>\n<hr \/>\n<p>H. Becker, <em>Pigment Nomenclature in the Ancient Near East, Greece and Rome<\/em>, Journal of Archaeological and Anthropological Sciences 14 (2022).<br \/><a href=\"https:\/\/doi.org\/10.1007\/s12520-021-01394-1\">DOI<\/a><\/p>\n<hr \/>\n<p>J. Fejfer &#8211; K.B. Johannsen, <em>Sculpture Workshops as Space and Concept: Creating the Portrait<\/em>, London: Routledge, 2022.<\/p>\n<hr \/>\n<p>A. Corso, <em>Classical Greek Studies Made by Important Masters Described in the Epigrams of Evenos of Paros<\/em>, in D. Katsonopoulou (ed.), <em>Paros V: Paros Through the Ages from Prehistoric Times to the 16th Century AD<\/em>, Athens,\u00a02021, 103-107.<\/p>\n<hr \/>\n<p>A. Zi\u00f3\u0142kowski, <em>From &#8216;Roma quadrata&#8217; to &#8216;la grande Roma dei Tarquini&#8217;. A Study of the Literary Tradition on Rome\u2019s Territorial Growth Under the Kings <\/em>(Potsdamer Alterumswissenschaftliche Beitr\u00e4ge 70), Stuttgart: Franz Steiner Verlag, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.04.36\/\">Review <\/a><\/p>\n<\/div>\n<hr \/>\n<p>J.W. Atkins &#8211; Th. B\u00e9natou\u00efl (eds.), <em>The Cambridge Companion to Cicero&#8217;s Philosophy<\/em>, Cambridge: Cambridge University Press, 2021.<\/p>\n<div class=\"column\">\n<hr \/>\n<p>S. Benoist (ed.), <em>Une R\u00e9publique imp\u00e9riale en question?<\/em>, Besan\u00e7on: Presses Universitaires de Franche-Comt\u00e9, 2022.<\/p>\n<hr \/>\n<p>M. Valenti (ed.), <em>Imperatori a palazzo, imperatori in villa<\/em>, Acta Albana 1, Roma: Scienze e Lettere, 2021.<\/p>\n<hr \/>\n<p>R. Berg &#8211; I. Kuivalainen, Domus Pompeiana M. Lucretii IX 3, 5.24: <em>The Inscriptions, Works of Art and Finds from the Old and New Excavations<\/em>,<em>\u00a0<\/em>Vantaa: Finnish Society of Sciences and Letters, 2019.<br \/><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/719392?utm_source=Archaeological+Institute+of+America&amp;utm_campaign=858ee19a22-EMAIL_CAMPAIGN_2022_02_08_06_04&amp;utm_medium=email&amp;utm_term=0_640baf0738-858ee19a22-216085556&amp;mc_cid=858ee19a22&amp;mc_eid=0bf16b875c\">DOI<\/a><\/p>\n<hr \/>\n<p>M. Flecker &#8211; J. Lipps, <em>Il &#8216;<\/em>comitium&#8217;<em> e il foro di Pompei fra tarda repubblica e et\u00e0 imperiale. Rapporto sugli scavi degli anni 2017\u20132019<\/em>, MDAI(R) 127 (2021), 254-289.<\/p>\n<p><a href=\"https:\/\/publications.dainst.org\/journals\/rm\/article\/view\/3675\">Link <\/a><\/p>\n<hr \/>\n<p>P. Martins, <em>A posi\u00e7\u00e3o dos Eikones na Segunda Sof\u00edstica<\/em>, in M. Aparecida de Oliveira Silva &#8211; P. Ipiranga J\u00fanior (eds.), <em>Fil\u00f3strato. Novas Abordagens<\/em>, Teresina: Edufpi, 2022, 114-126.<\/p>\n<\/div>\n<p><a href=\"https:\/\/www.academia.edu\/76412065\/A_posic_a_o_dos_Eikones_na_Segunda_Sofi_stica?email_work_card=title\">Link <\/a><\/p>\n<div class=\"column\">\n<hr \/>\n<p>M. Papini, <em>Gli sguardi della pittura: i volti e gli occhi nelle <\/em>Eikones<em> di Filostrato maggiore<\/em>, in G. Lentini (ed.), <em>Pratiche e teorie della comunicazione nella cultura classica<\/em>, Scienze dell&#8217;antichit\u00e0 27\/3, 2021, 173-193.<\/p>\n<hr \/>\n<p>M. de F\u00e1tima Silva,<em> Paus\u00e2nias<\/em><em>. Descri\u00e7\u00e3o da Gr\u00e9cia. Livro I.<\/em><em>Introdu\u00e7\u00e3o, tradu\u00e7\u00e3o do grego e notas<\/em>, Coimbra: Imprensa da Universidade de Coimbra, 2022.<br \/><a href=\"https:\/\/doi.org\/10.14195\/978-989-26-2213-2\">DOI<\/a><\/p>\n<hr \/>\n<p>M. Vespa, Geloion mim\u0113ma. <em>Studi sulla rappresentazione culturale della scimmia nei testi greci e greco-romani<\/em>, Turnhout: Brepols, 2021.<\/p>\n<hr \/>\n<p>J. Mu\u00f1oz Murcillo, <em>John Tzetzes on <\/em>ekphrasis<em> and the Art of Knowledge Transfer<\/em>, in E.E. Prodi (ed.), \u03a4\u03b6\u03b5\u03c4\u03b6\u03b9\u03ba\u03b1\u1f76 \u1f14\u03c1\u03b5\u03c5\u03bd\u03b1\u03b9\u00a0(Eikasmos Studi Online 4), Bologna:\u00a0P\u00e0tron, 2022, 157-184.<\/p>\n<p><a href=\"https:\/\/www2.classics.unibo.it\/eikasmos\/index.php?page=doc_pdf%2Fstudi_online%2F04_tzetze\">Link<\/a><\/p>\n<hr \/>\n<p>G. Squillace, <em>Gli inganni di Cleopatra. Fonti per lo studio dei profumi antichi<\/em>, Firenze: Olschki, 2022.<\/p>\n<hr \/>\n<p>A. Canobbio, <em>La periferia come valore: le ville di Plinio il Giovane tra realt\u00e0, retorica e metaletteratura<\/em>, in A. Bonadeo &#8211; A. Canobbio &#8211; E. Romano (eds.), <em>Centro e periferia nella letteratura di Roma imperiale<\/em>, Pavia: Pavia University Press, 2022, 163-176.<\/p>\n<hr \/>\n<p>M. Papini, \u201c<em>Non ti posso scrivere nulla di preciso\u201d: Seneca e le ville<\/em>, in M.L. Delvigo (ed.), <em>Centro e periferia nella letteratura latina di Roma imperiale<\/em>, Udine: Forum, 2021, 97-134.<\/p>\n<hr \/>\n<p>A.U. De Giorgi, <em>Cosa and the Colonial Landscape of Republican Italy (Third and Second Centuries BCE)<\/em>, Ann Arbor: University of Michigan Press, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.02.41\/\">Review<\/a><\/p>\n<hr \/>\n<p>G. Cera, <em>Brindisi in et\u00e0 messapica e romana. Topografia della citt\u00e0<\/em> (Atlante Tematico di Topografia Antica. Supplemento 23), Roma: L\u2019Erma di Bretschneider, 2022.<\/p>\n<hr \/>\n<p>T. Heide, <em>Der Brunnen der Republikanischen Thermen in Pompeji. Architektonische Analyse und Rekonstruktion des antiken Wasserhebemechanismus<\/em>, MDAI(R) 127 (2021), 220-253.<\/p>\n<p><a href=\"https:\/\/publications.dainst.org\/journals\/rm\/article\/view\/3674\">Link<\/a><\/p>\n<hr \/>\n<p>S. Rocchi &#8211; R. Marchionni, <em>Oltre Pompei. Graffiti e altre iscrizioni oscene dall&#8217;Impero Romano d&#8217;Occidente<\/em>, Roma: Deinotera Editrice, 2021.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.02.26\/\">Review<\/a><\/p>\n<hr \/>\n<p>B. Hartmann, <em>The Scribes of Rome: A Cultural and Social History of the <\/em>Scribae, Cambridge &#8211; New York: Cambridge University Press, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.03.32\/\">Review<\/a><\/p>\n<hr \/>\n<p>Y. Assael &#8211; T. Sommerschield &#8211; B. Shillingford &#8211; M. Bordbar &#8211; J. Pavlopoulos &#8211; M. Chatzipanagiotou &#8211; I. Androutsopoulos &#8211; J. Prag &#8211; N. de Freitas, <em>Restoring and Attributing Ancient Texts Using Deep Neural Networks<\/em>, Nature 603 (2022), 280-283.<\/p>\n<p><a href=\"https:\/\/www.nature.com\/articles\/s41586-022-04448-z\">Link<\/a><\/p>\n<hr \/>\n<p>D. Dueck, <em>Illiterate Geography in Classical Athens and Rome<\/em>, Abingdon: Routledge, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.03.49\/\">Review\u00a0<\/a><\/p>\n<hr \/>\n<p>L.. Landolfi, <em>Lo sguardo dell\u2019esule. Per un\u2019 \u2018immagine mentale\u2019 di Roma fra \u201c<\/em>Tristia<em>\u201d ed \u201c<\/em>Epistulae ex Ponto<em>\u201d<\/em>, in M.L. Delvigo (ed.), <em>Centro e periferia nella letteratura latina di Roma imperiale<\/em>, Udine: Forum, 2021, 329-355.S.<\/p>\n<hr \/>\n<p>S. Fortini, <em>La citt\u00e0 tra le \u201c<\/em>silvae<em>\u201d: racconto e viaggio nell\u2019ecloga 7 di Calpurnio Siculo<\/em>, in M.L. Delvigo (ed.), <em>Centro e periferia nella letteratura latina di Roma imperiale<\/em>, Udine: Forum, 2021, 75-95.<\/p>\n<hr \/>\n<p>A.M. Riccomini, <em>Sul Nerone di Jacopo Strada: busti antichi e all&#8217;antica dalla collezione Accorsi-Ometto<\/em>, Quaderni di Archeologia del Piemonte 5 (2021), 195-203.<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/72243269\/Sul_Nerone_di_Jacopo_Strada_busti_antichi_e_allantica_dalla_collezione_Accorsi_Ometto_in_Quaderni_di_Archeologia_del_Piemonte_5_2021_pp_195_203\">Link<\/a><\/p>\n<hr \/>\n<p><em>Ithaca<\/em>. <em>Restoring and Attributing Ancient Texts Using Deep Neural Networks<\/em><\/p>\n<p><a href=\"https:\/\/ithaca.deepmind.com\/\">Website<\/a><\/p>\n<hr \/>\n<p><em>Corpus Grammaticorum Latinorum. A Digital Editon <\/em><\/p>\n<p><a href=\"https:\/\/htldb.huma-num.fr\/exist\/apps\/cgl\/index.html\">Website<\/a><\/p>\n<hr \/>\n<p>R. Denson, <em>Divine Nature and the Natural Divine: The Marine Folklore of Pliny the Elder<\/em>, Green Letters: Studies in Ecocriticism 25.2 (2021), 143-154.<\/p>\n<p><a href=\"https:\/\/doi.org\/10.1080\/14688417.2021.1951325\">Link<\/a><\/p>\n<hr \/>\n<p>A. Re, <em>Ville in Plinio il Giovane, orizzonte reale o spazio ideale?<\/em>, in M.L. Delvigo (ed.),\u00a0<em>Centro e periferia nella letteratura latina di Roma imperiale<\/em>, Udine: Forum, 2021, 135-194.<\/p>\n<hr \/>\n<p>I. Hilbold, <em>Habiter dans des jardins. Les aristocrates et leurs <\/em>horti<em> dans la Rome tardo-r\u00e9publicain<\/em>e, Strasbourg: De Boccard, 2022.<\/p>\n<hr \/>\n<p>G. De Sanctis,\u00a0<em>Roma prima di Roma. Miti e fondazioni della Citt\u00e0 eterna<\/em>, Salerno: Salerno Editrice, 2021.<\/p>\n<hr \/>\n<p>K.K. V\u00e9, Romulus, Quirinus et Victoria. <em>La construction d&#8217;une m\u00e9moire collective \u00e0 Rome entre 338 et 290 av. J.-C<\/em>., Paris: Les Belles Lettres, 2021.<\/p>\n<hr \/>\n<p>S. Quilici Gigli &#8211;\u00a0L. Quilici (eds.),\u00a0<em>Atlante tematico di topografia antica<\/em>, vol. 32:\u00a0<em>Roma, Urbanistica, Viabilit\u00e0, Territorio, Idraulica<\/em>, Roma: L\u2019Erma di Bretschneider, 2022.<\/p>\n<hr \/>\n<p>M. De Franceschini, G. Veneziano, <em>Pantheon<\/em>. <em>Architettura e Luce<\/em>, Castagnola: Rirella Editrice, 2021.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.03.13\/\">Review<\/a><\/p>\n<hr \/>\n<p>M. Antonucci &#8211; L. Creti &#8211; F. Di Marco (eds.), <em>Ostia. Architettura e citt\u00e0 in cento anni di storia<\/em> (Bollettino d\u2019Arte, Volume Speciale &#8211; 2020), Roma: L\u2019Erma di Bretschneider, 2020.<\/p>\n<hr \/>\n<p>H. Valladares,\u00a0<em>Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire<\/em>,\u00a0Cambridge: Cambridge University Press, 2021.<\/p>\n<p><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/718069?utm_source=Archaeological+Institute+of+America&amp;utm_campaign=6ed9969472-EMAIL_CAMPAIGN_2021_11_19_04_38&amp;utm_medium=email&amp;utm_term=0_640baf0738-6ed9969472-216085556&amp;mc_cid=6ed9969472&amp;mc_eid=0bf16b875c\">Review<\/a><\/p>\n<hr \/>\n<p>P. Martins, <em>A Representa\u00e7\u00e3o e seus Limites<\/em>. Pictura Loquens, Poesis Tacens, S\u00e3o Paulo: EDUSP, 2021.<\/p>\n<hr \/>\n<p>J. Elsner (ed.), <em>Landscape and Space: Comparative Perspectives from Chinese, Mesoamerican, Ancient Greek, and Roman Art<\/em>, Oxford: Oxford University Press, 2022.<\/p>\n<hr \/>\n<p>G. Del Mastro, <em>Corinna e Pindaro in un affresco della Casa del Bracciale d\u2019oro a Pompei<\/em>, Rivista di Studi Pompeiani 32 (2021), 39-42.<\/p>\n<hr \/>\n<p>J. Dross,\u00a0<em>Le philosophe dans la cit\u00e9: S\u00e9n\u00e8que et l\u2019<\/em>otium<em>philosophique<\/em>, Turnhout: Brepols, 2021.<\/p>\n<hr \/>\n<p>S. Benoist,\u00a0<em>Le pouvoir \u00e0 Rome: espace, temps, figures<\/em>,\u00a0Paris: CNRS Editions, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.02.38\/\">Review<\/a><\/p>\n<hr \/>\n<p>M. Vespa,\u00a0<em>Fin de partie: les larmes des \u00e9l\u00e9phants et la rupture du pacte ludique chez Pline, Histoire naturelle, VIII, 20-21<\/em>,\u00a0Kentron, Revue pluridisciplinaire du monde antique\u00a036 (2021), 157-182.<\/p>\n<p><a href=\"http:\/\/journals.openedition.org\/kentron\/4824\">Link<\/a><\/p>\n<hr \/>\n<p>F. Feraco,\u00a0<em>Gli\u00a0<\/em>arcana caerimoniarum<em>\u00a0in Plin. <\/em>nat.<em> 3,65: tra religione e diritto<\/em>, Paideia 76 (2021),\u00a0435-450.<\/p>\n<hr \/>\n<p>E. Lonati,\u00a0<em>Une proposition de stemma pour la famille anglo-normande de la\u00a0<\/em>Naturalis historia, Revue d\u2019histoire des textes 15 (2020), 169-197.<\/p>\n<hr \/>\n<p>E. Lonati,\u00a0<em>Le\u00a0<\/em>florilegium Claraevallense<em>\u00a0de Pline l\u2019Ancien (et autour)<\/em>, Aevum 95.2 (2021), 247-274.<\/p>\n<hr \/>\n<p>A. Re,\u00a0<em>L\u2019uso dei composti nominali nel\u00a0<\/em>Panegyricus<em>\u00a0<\/em>Traiano Imperatori <em>di Plinio il Giovane<\/em>, Paideia 76 (2021),\u00a0521-553.<\/p>\n<hr \/>\n<p>E. G\u00fcnther,\u00a0<em>Pictorial Elements vs. Composition? \u201cReading\u201d Gestures in Comedy-related Vase-paintings (4th Century BC)<\/em>, Journal of Ancient Civilizations 36.2 (2021), 201-233.<\/p>\n<hr \/>\n<p>S. Fachard &#8211; E. Harris (eds.), <em>The Destruction of Cities in the Ancient Greek World: Integrating the Archaeological and Literary Evidence<\/em>, Cambridge &#8211; New York: Cambridge University Press, 2021.<\/p>\n<hr \/>\n<p>J. Vanden Broeck-Parant &#8211; T. Ismaelli,\u00a0<em>Ancient Architectural Restoration in the Greek World\u00a0<\/em>(Costruire nel mondo antico 4), Roma: Edizioni Quasar, 2021.<\/p>\n<hr \/>\n<p>D. Kosmopoulos,\u00a0<em>Architettura templare italica in epoca ellenistica\u00a0<\/em>(Studia Archaeologica 250), Roma: L\u2019Erma di Bretschneider, 2021.<\/p>\n<hr \/>\n<p>K. Kaderka &#8211; P.L.\u00a0Tucci,<em>\u00a0<\/em><em>The Capitoline Temple of Jupiter. The Best, the Greatest, but not Colossal<\/em>, MDAI(R) 127 (2021), 146-187.<\/p>\n<p><u>Focus on<\/u>: F. D&#8217;Andrea, <em><a href=\"https:\/\/publications.dainst.org\/journals\/rm\/article\/view\/3673\">Un rilievo da Roma agli Uffizi.\u00a0Vicende collezionistiche e analisi archeologica<\/a>\u00a0<\/em><br \/><a href=\"https:\/\/publications.dainst.org\/journals\/rm\/article\/view\/3668\/7359\">Link<\/a><\/p>\n<hr \/>\n<p>S. Pearson,\u00a0<em>The Triumph and Trade of Egyptian Objects in Rome: Collecting Art in the Ancient Mediterranean<\/em>\u00a0(Image and Context 20), Berlin &#8211; Boston: De Gruyter, 2021.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.01.21\/\">Review<\/a><\/p>\n<hr \/>\n<p>O. Dr\u00e4ger &#8211; V. Kockel,\u00a0<em>Die Pantherbasis auf Besuch beim Faun &#8211; Ein dionysischer Statuensockel augusteischer Zeit aus Pompeji<\/em>, M\u00fcnchner Jahrbuch der bildenden Kunst, 3. Folge, Bd. 71 (2020), 7-40.<\/p>\n<hr \/>\n<p>G. Cianciolo Cosentino &#8211; P. Kastenmeier &#8211; K. Wilhelm (eds.), <em>The Multiple Lives of Pompeii. Surfaces and Environments<\/em>,\u00a0 Napoli: artem, 2021.<\/p>\n<hr \/>\n<p>S. Papaioannou &#8211; A. Marinis,\u00a0<em>Elements of Tragedy in Flavian Epic\u00a0<\/em>(Trends in Classics &#8211; Supplementary Volumes 103), Berlin &#8211; Boston: De Gruyter, 2021.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.12.14\/\">Review<\/a><\/p>\n<hr \/>\n<p>M. Stachon,\u00a0<em>Sueton,\u00a0<\/em>De poetis<em>. Text, U\u0308bersetzung und Kommentar<\/em>, Heidelberg: Universita\u0308tsverlag Winter, 2021.<\/p>\n<hr \/>\n<p>R.A. Kaster,\u00a0<em>Studies on the Text of Seneca\u2019s <\/em>De beneficiis, Oxford: Oxford University Press, 2021.<\/p>\n<hr \/>\n<p>G. Maselli,\u00a0<em>Mutamento per contatto: un particolare impiego di\u00a0<\/em>tango<em>\u00a0in Ovidio e Plinio il Vecchio<\/em>, Invigilata Lucernis 43 (2021), 145-160.<\/p>\n<hr \/>\n<p>A. Garcea,\u00a0<em>Pliny\u2019s<\/em>\u00a0Dubius Sermo\u00a0<em>and<\/em>\u00a0Auctoritas<em>: Some Notes on the Indirect Transmission of Latin Authors<\/em>, Materiali e Discussioni per l\u2019Analisi dei Testi Classici 86.1 (2021), 35-76.<\/p>\n<hr \/>\n<p>S. Ramos Mandonado,\u00a0<em>El poema latino de Felipe de Esbarroya en elogio de la Glossa litteralis in primum et secundum Naturalis Historiae libros de Francisco L\u00f3pez de Villalobos: estudio, edici\u00f3n y traducci\u00f3n<\/em>, Minerva. Revista de Filolog\u00eda Cl\u00e1sica 34 (2021), 73-98.<\/p>\n<p><a href=\"https:\/\/r.search.yahoo.com\/_ylt=AwrIdVtISuVh8HsAIAjc5olQ;_ylu=Y29sbwNpcjIEcG9zAzEEdnRpZAMEc2VjA3Ny\/RV=2\/RE=1642445512\/RO=10\/RU=https%3a%2f%2fdialnet.unirioja.es%2fdescarga%2farticulo%2f8212896.pdf\/RK=2\/RS=o5JFX_rKRzOiy2hpq.uWMoD2Qv4-\">Link<\/a><\/p>\n<hr \/>\n<p>A. Canobbio,\u00a0<em>Il<\/em>\u00a0Panegirico\u00a0<em>di Plinio di Giovane: un percorso di lettura tra intertestualit\u00e0 e immagine del<\/em>\u00a0princeps, Bollettino di Studi Latini 51.2 (2021), 460-494.<\/p>\n<hr \/>\n<p>A. Roncaglia (ed.),\u00a0<em>Livio.<\/em>\u00a0Ad urbem condendam.\u00a0<em>Riletture del passato in eta\u0300 augustea<\/em>, Zermeghedo: Edizioni Saecula, 2021.<\/p>\n<hr \/>\n<p>A. Wolkenhauer,\u00a0<em>Wann starb Kaiser Claudius? \u00dcber das semantische und epistemische Potential von Zeitperiphrasen am Beispiel der<\/em>\u00a0Apokolokyntosis,\u00a0in A. Junghan\u00df &#8211;\u00a0 B. Kaiser &#8211; D. Pausch (eds.),\u00a0<em>Zeitmontagen.\u00a0<\/em><em>Formen und Funktionen gezielter Anachronismen<\/em>\u00a0(Palingenesia 116), Stuttgart: Franz Steiner Verlag,\u00a02019, 41-57.<\/p>\n<hr \/>\n<p>A. Bonadeo,\u00a0<em>Stazio alla moglie Claudia. Riflessioni in margine a<\/em>\u00a0silv.\u00a0<em>3,5<\/em>\u00a0(Strumenti 44), Mantova: Universitas Studiorum, 2021.<\/p>\n<hr \/>\n<p>V. Laurand, E. Malaspina, F. Prost (eds.),\u00a0<em>Lectures plurielles du\u00a0<\/em>De ira<em>\u00a0de Se\u0301ne\u0300que. Interpre\u0301tations, contextes, enjeux<\/em>, Berlin &#8211; Boston: De Gruyter, 2021.<\/p>\n<hr \/>\n<p>N.A.DIS. &#8211; Archivio Disegni Ostia Antica<\/p>\n<p><a href=\"https:\/\/www.nadis.it\/\">Website<\/a><\/p>\n<hr \/>\n<p>F. D\u2019Andrea,\u00a0<em>Un rilievo da Roma agli Uffizi: vicende collezionistiche e analisi archeologica<\/em>, Mitteilungen des Deutschen Arch\u00e4ologischen Instituts, R\u00f6mische Abteilung, 127 (2021),\u00a0290-321.<\/p>\n<hr \/>\n<p>A. Cafaro,\u00a0<em>Governare l\u2019impero. La <\/em>praefectura fabrum<em> fra legami personali e azione politica (II sec. a. C. \u2012 III sec. d. C.),<\/em>\u00a0Stuttgart: Franz Steiner Verlag, 2021.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.12.29\/\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<p>T. Capriotti,\u00a0<em>L&#8217;Adriatico medio-occidentale: coste, approdi e luoghi di culto nell\u2019antichit\u00e0<\/em>\u00a0(Italian Research on Ancient World 5), Roma: Arbor Sapientiae, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2022\/2022.01.03\/\">Review<\/a><\/p>\n<hr \/>\n<p>D. Puliga,\u00a0<em>Viaggi in miniatura. La passeggiata nel mondo classico<\/em>, Pisa: Edizioni ETS, 2021.<\/p>\n<hr \/>\n<p>P. Baas,\u00a0<em>Proceedings of the XXth International Congress on Ancient Bronzes: Resource, Reconstruction, Representation, Role<\/em>\u00a0(BAR International Series 2958), Oxford: BAR Publishing, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.12.30\/\">Review<\/a><\/p>\n<hr \/>\n<p>M. Steinhart,\u00a0<strong><em>\u00bb<\/em><\/strong><em>Das Werk ist wie eine bronzene Statue\u00ab \u2013 Goethe, die Technik des Bronzegusses, Cellini und Polyklet<\/em>, M\u00fcnchner Jahrbuch der bildenden Kunst, 3.\u00a0Folge, 71 (2020), 205-217.<\/p>\n<hr \/>\n<p>S. Baroni &#8211; M. Mander (eds.),\u00a0<em>Le tecniche dell\u2019arte<\/em>, Milano: Mursia Editore, 2021.<\/p>\n<hr \/>\n<p>L. Vespoli, <em>Plin. HN 28.25: storia di un restauro di Angelo Poliziano (Misc. 1.32)<\/em>, Antiquit\u00e9 Classique 90 (2021), 167-181.<\/p>\n<div class=\"column\">\n<hr \/>\n<p>P. Carafa, <em>Le origini di Roma sessant\u2019anni dopo<\/em>, Archeologia Classica 72, n.s. II, 11 (2021), 77-102.<\/p>\n<hr \/>\n<p>F. Sirano, <em>Il soldato dall\u2019antica spiaggia di Herculaneum. Nuovi dati dall\u2019analisi contestuale<\/em>, Cronache Ercolanesi 51 (2021), 317-331.<\/p>\n<hr \/>\n<p>E. Canna &#8211; A. Laino, <em>I legni archeologici di Ercolano: primi approfondimenti e valutazioni conservative, prospettive d\u2019intervento e di salvaguardia<\/em>, Cronache Ercolanesi 51 (2021), 333-345.<\/p>\n<hr \/>\n<p>F. Cantone, <em>Il Parco Archeologico di Ercolano come laboratorio sperimentale: la comunicazione social e il progetto \u00abI Lapilli\u00bb<\/em>, Cronache Ercolanesi 51 (2021), 347-360.<\/p>\n<hr \/>\n<p>J.R. Clarke &#8211; N.K. Muntasser (eds.),\u00a0<em>Oplontis: Villa A (\u201cof Poppaea\u201d) at Torre Annunziata, Italy<\/em>. Volume 2, <em>The Decorations: Painting, Stucco, Pavements, Sculptures<\/em>, New York: ACLS Humanities E-Book, 2019.<\/p>\n<p><a href=\"https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/718060?utm_source=Archaeological+Institute+of+America&amp;utm_campaign=6ed9969472-EMAIL_CAMPAIGN_2021_11_19_04_38&amp;utm_medium=email&amp;utm_term=0_640baf0738-6ed9969472-216085556&amp;mc_cid=6ed9969472&amp;mc_eid=0bf16b875c\">Review<\/a><\/p>\n<hr \/>\n<p>A. Casamento, <em>Il<\/em> gravis morbus <em>degli<\/em> scholastici. <em>Esempi tratti dalla storia (e dall\u2019arte)\u00a0nell\u2019opera di Seneca il Vecchio<\/em>, Classica Vox 3 (2021),\u00a0 89-110.<\/p>\n<hr \/>\n<p>C. Beltrame, <em>The Contribution of Four Shipwrecks to the Reconstruction of the Trade Dynamics of Proconnesian Marble in the Roman Period<\/em>, Archeologia Classica 72, n.s. II, 11 (2021), 437-462.<\/p>\n<hr \/>\n<p>S. Ardeleanu, Numidia Romana?\u00a0<em>Die Auswirkungen der r\u00f6mischen Pr\u00e4senz in Numidien (2.\u00a0<\/em><em>Jh. v. Chr. &#8211; 1. Jh. n. Chr.)<\/em>,\u00a0Arch\u00e4ologische Forschungen 38, Wiesbaden: Reichert Verlag, 2021.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.11.37\/\">Review<\/a><\/p>\n<hr \/>\n<p>T. Kjeller Johansen,\u00a0<em>Productive Knowledge in Ancient Philosophy: the Concept of \u201ctechn\u00ea\u201d<\/em>,\u00a0Cambridge &#8211; New York: Cambridge University Press, 2021.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.11.13\/\">Review<\/a><\/p>\n<hr \/>\n<p>E.T.E. Barker, <em>On Space, Place, and Form in Herodotus\u2019 Historie<\/em>s, Histos 15 (2021), 88-130.<\/p>\n<p><a href=\"https:\/\/histos.org\/documents\/2021AA04BarkerOnSpacePlaceandForminHerodotus.pdf\">Link<\/a><\/p>\n<hr \/>\n<p>C. Schneider,\u00a0<em>Biblioth\u00e8que id\u00e9ale des mets et des mots. Parler, boire et manger dans l&#8217;Antiquit\u00e9, d&#8217;Hom\u00e8re \u00e0 Fortunat, \u00e9v\u00eaque de Poitiers<\/em>, Paris: Les Belles Lettres, 2021.<\/p>\n<hr \/>\n<p>J. Clementi, <em>I Torlonia e l&#8217;archeologia nell&#8217;Ottocento: scavi e scoperte nel parco dell&#8217;Appia antica<\/em>, Roma: Gangemi, 2021.<\/p>\n<hr \/>\n<p>M.D. Reeve,\u00a0<em>The Transmission of Pliny&#8217;s\u00a0Natural History<\/em>, Roma: Edizioni di Storia e Letteratura, 2021.<\/p>\n<hr \/>\n<p>P. Komar,\u00a0<em>Wine Taboo Regarding Women in Archaic Rome, Origins of Italian Viticulture, and the Taste of Ancient Wines<\/em>, Greece and Rome 68.2 (2021), 239-254.<\/p>\n<hr \/>\n<p>P. Li Causi, <em>I leoni provavano gratitudine? La mirabolante storia di\u00a0Androclo (e di altri) e il dibattito antico sugli animali<\/em>, Habis 52 (2021), 89-114.<\/p>\n<hr \/>\n<p>F. Steger,\u00a0<em>Antike Medizin: Einf\u00fchrung und Quellensammlung<\/em>\u00a0(BGL-Studium 6), Stuttgart: Anton Hiersemann Verlag, 2021.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.10.27\/\">Review<\/a><\/p>\n<hr \/>\n<p>H. Hopkins Pepper,\u00a0<em>Investigations into the Dyeing Industry in Pompeii. Experimental Archaeology and Computer Simulation Techniques<\/em>, Oxford: Archeopress Publishing, 2021.<\/p>\n<hr \/>\n<p>The Pompeii Cast Project<\/p>\n<p><a href=\"http:\/\/www.castprojectpompeii.org\/\">Link<\/a><\/p>\n<hr \/>\n<p>P. Pensabene (ed.),\u00a0<em>Il complesso di Augusto sul Palatino. Nuovi contributi all&#8217;interpretazione delle strutture e delle fasi<\/em>, Roma: L&#8217;Erma di Bretschneider, 2021.<\/p>\n<hr \/>\n<p>M. Ippoliti, <em>La pendice meridionale del Palatino tra la Casa di Augusto e la chiesa di S. Anastasia<\/em>, Archeologia Classica 72, n.s. II, 11 (2021), 653-678.<\/p>\n<hr \/>\n<p>G. Restaino, <em>Tra <\/em>Domus Flavia<em>, clivo Palatino e arco \u201cdi Domiziano\u201d. Nuove riflessioni sulla fronte del palazzo imperiale<\/em>, Archeologia Classica 72, n.s. II, 11 (2021), 187-254.<\/p>\n<hr \/>\n<p>Atlas patrimonii Caesaris<\/p>\n<p><a href=\"https:\/\/patrimonium.huma-num.fr\/atlas\/\">Link<\/a><\/p>\n<hr \/>\n<p>A. Anguissola,\u00a0<em>Pliny the Elder and the Matter of Memory: an Encyclopaedic Workshop<\/em>\u00a0(Young Feltrinelli Prize in the Moral Sciences), Abingdon &#8211; New York: Routledge, 2021.<\/p>\n<hr \/>\n<p>U. Palitza, <em>Mit Plinius auf der Seidenstrasse: Studien zur Farbenfabrikation und Maltechnik der Antike<\/em>, ed. by T. Gabsch (Museum fu\u0308r Asiatische Kunst, Staatliche Museen zu Berlin), Leipzig: E.A. Seemann, 2017.<\/p>\n<hr \/>\n<p>C. G\u00e1bli,\u00a0<em>Plinius a gemm\u00e1kr\u00f3l<\/em>, in D. Bartus &#8211; K. Boruzs (eds.), <em>Proceedings of the Conference for Young Researchers of Roman Age<\/em>, Dissertationes archaeologicae ex Instituto Archaeologico Universitatis de Rolando E\u00f6tv\u00f6s Nominatae, Supplementum 1 (2018), 33-54.<\/p>\n<p><a href=\"http:\/\/ojs.elte.hu\/dissarch\/article\/view\/2089\">Link<\/a><\/p>\n<hr \/>\n<p>J. McNamara,<em>\u00a0Pliny, Tacitus and the Monuments of Palla<\/em>s, CQ 71.1 (2021), 308-329.<\/p>\n<hr \/>\n<p>E. Moormann,<em>\u00a0Nerone, Roma e la <\/em>Domus Aurea\u00a0(Conferenze 33), Roma: Arbor Sapientiae, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.07.33\/\">Review<\/a><\/p>\n<hr \/>\n<p>D. Piay Augusto &#8211; P.A. Arg\u00fcelles \u00c1lvarez (eds.),\u00a0Villae<em> romanas en Asturias<\/em>\u00a0(Studia Archaeologica 249), Roma: L\u2019Erma di Bretschneider, 2021.<\/p>\n<hr \/>\n<p>C. Duckworth &#8211; A. Wilson (eds.),\u00a0<em>Recycling and Reuse in the Roman Economy <\/em>(Oxford Studies on the Roman Economy), Oxford &#8211; New York: Oxford University Press, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.09.09\/\">Review<\/a><\/p>\n<hr \/>\n<p>R. Raja &#8211; J.-B. Yon &#8211; J. Steding (eds.),\u00a0<em>Excavating Palmyra. Harald Ingholt\u2019s Excavation Diaries: A Transcript, Translation, and Commentary<\/em>, Turnhout: Brepols, 2021.<\/p>\n<hr \/>\n<p>L. Bennardo,\u00a0<em>Colour Terms and the Creation of Statius\u2019 Ekphrastic Style<\/em>, CQ 71.1 (2021), 292-307.<\/p>\n<hr \/>\n<p>S. Dugast &#8211; D. Jaillard &#8211; I. Manfrini (eds.),\u00a0Agalma<em>\u00a0ou les figurations de l\u2019invisible. Approches compar\u00e9es<\/em>,\u00a0Grenoble: \u00c9ditions J\u00e9r\u00f4me Millon, 2021.<\/p>\n<hr \/>\n<p>T.H. Carpenter,\u00a0<em>The Tyrannicides: A New Approach to Text and Image<\/em>, Greece and Rome 68.2 (2021), 208-221.<\/p>\n<hr \/>\n<p>E. Dimauro,\u00a0<em>Pausania (V 25, 5) e Diodoro (XI 53) e lo slancio agrigentino<\/em>, Hesper\u00eca 39 (2021).<\/p>\n<hr \/>\n<p>E. Dimauro,\u00a0<em>Pausania, Atena Pronoia e l&#8217;<\/em>eudaimon\u00eda<em> di Massalia<\/em>, Hesper\u00eca 39 (2021).<\/p>\n<hr \/>\n<p>M. Osanna &#8211; A. Capurso &#8211; S.M. Masseroli (eds.),\u00a0<em>I calchi di Pompei da Giuseppe Fiorelli ad oggi<\/em>\u00a0(Studi e Ricerche del Parco Archeologico di Pompei 46), Roma: L\u2019Erma di Bretschneider, 2021.<\/p>\n<hr \/>\n<p>J. Clementi &#8211; M. Curcio &#8211; R. Dubbini (eds.), <em>Un atleta venuto dal mare. Criticit\u00e0 e prospettive di un ritorno<\/em> (ADRIAS 8), Roma: L\u2019Erma di Bretschneider, 2021.<\/p>\n<hr \/>\n<p>A. Anguissola &#8211; A. Gr\u00fcner (eds.),\u00a0<em>The Nature of Art. Pliny the Elder on Materials<\/em>, Turnhout: Brepols, 2021.<\/p>\n<hr \/>\n<p>D. Gamboni &#8211; G. Wolf &#8211; J.N. Richardson (eds.), <em>The Aesthetics of Marble from Late Antiquity to the Present<\/em>,\u00a0M\u00fcnchen: Hirmer Verlag,\u00a02020.<\/p>\n<hr \/>\n<p>E. Stewart &#8211; E. Harris &#8211; D. Lewis (eds.), <em>Skilled Labour and Professionalism in Ancient Greece and Rome<\/em>, Cambridge &#8211; New York: Cambridge University Press, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.07.20\/\">Review<\/a><\/p>\n<hr \/>\n<p>M.A. Locicero,\u00a0<em>Liquid Footprints: Water, Urbanism, and Sustainability in Roman Ostia<\/em>, Leiden: Leiden University Press, 2020.<\/p>\n<p><a href=\"https:\/\/www.ajaonline.org\/book-review\/4362\">Review<\/a><\/p>\n<hr \/>\n<p>J. Price &#8211; K. Berthelot (eds.), <em>The Future of Rome: Roman, Greek, Jewish and Christian Visions<\/em>, Cambridge: Cambridge University Press, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.07.22\/\">Review<\/a><\/p>\n<hr \/>\n<p>B. Ward-Perkins &#8211;\u00a0A.E. Felle\u00a0(eds.),\u00a0<em>Cultic Graffiti in the Late Antique Mediterranean and Beyond<\/em>, Turnhout: Brepols, 2021.<\/p>\n<hr \/>\n<p>A. Lichtenberger &#8211;\u00a0R. Raja\u00a0(eds.),\u00a0<em>The Archaeology of Seasonality<\/em>, Turnhout: Brepols, 2021.<\/p>\n<hr \/>\n<p>F. Biondi, <em>Indagine sul termine<\/em> \u03b3\u03c1\u03b1\u03c6\u03ae <em>negli scol\u00ee \u03bfmerici<\/em>, Quaderni Urbinati di Cultura Classica 126\/3, 2020.<\/p>\n<hr \/>\n<p>M. Steinhart, <em>Phi-Phi und die Phidiastradition. Ein klassischer Bildhauer als literarische Figur der Moderne<\/em>, WJA 44 (2020), 189-222.<\/p>\n<hr \/>\n<p>E. Butini &#8211; F. Butini, <em>Dante. Le gemme nella Divina Commedia &#8211; Gems in the Divine Comedy. Considerazioni gemmologiche &#8211; Gemmological Considerations<\/em>, Roma: L\u2019Erma di Bretschneider, 2021.<\/p>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>S. Espa\u00f1a Chamorro, Unde incipit Baetica. <em>Los l\u00edmites de la Baetica y su integraci\u00f3n territorial (s. I-III) <\/em>(Hispania Antigua. Serie Historica, 11), Roma: L\u2019Erma di Bretschneider, 2021.<\/p>\n<hr \/>\n<p>L. Lafasciano,\u00a0<em>Archeologia del sogno rituale. Dall&#8217;arcaismo alla tarda antichit\u00e0 nel mondo greco-romano<\/em>, Roma: L\u2019Erma di Bretschneider, 2021.<\/p>\n<hr \/>\n<p>J.A. Lobur,\u00a0<em>Cornelius Nepos. A Study in the Evidence and Influence<\/em>, Ann Arbor: University of Michigan Press, 2021.<\/p>\n<hr \/>\n<p>C. Notter &#8211;\u00a0M. Pfaff-Reydellet\u00a0(eds.),\u00a0Segetis certa fides meae<em>.\u00a0Hommages offerts \u00e0 G\u00e9rard Freyburger<\/em>, Turnhout: Brepols, 2021.<\/p>\n<hr \/>\n<p>S. Bianchetti, <em>Traces of Scientific Geography in Pliny\u2019s Naturalis Historia<\/em>, Steps 6 (2020), 10-25.<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/43139377\/Traces_of_scientific_geography_in_Pliny_s_Naturalis_historia\">Link<\/a><\/p>\n<hr \/>\n<p>S. Ramos Maldonado, <em>De Lucii Flaminii Siculi &#8216;Commentariolo in Plinii prohemium&#8217;, primo opere de &#8216;Naturali Historia&#8217; apud Hispanos typis expresso (a. 1504),<\/em> Renascens 3 (2021), 15-62.<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/49210551\/_De_Lucii_Flaminii_Siculi_Commentariolo_in_Plinii_prohemium_primo_opere_de_Naturali_Historia_apud_Hispanos_typis_expresso_a_1504_Renascens_3_2021_1_15_62\">Link<\/a><\/p>\n<hr \/>\n<p>Ch. Whitton, <em>Biography and Praise in Trajanic Rome: Tacitus&#8217; Agricola and Pliny&#8217;s Panegyricus<\/em>, in K. De Temmerman (ed.), <em>The Oxford Handbook of Ancient Biography<\/em>, Oxford: Oxford University Press,\u00a02020.<\/p>\n<hr \/>\n<p>I. Worthington, <em>Athens After Empire: A History from Alexander the Great to the Emperor Hadrian<\/em>, Oxford: Oxford University Press, 2021.<\/p>\n<hr \/>\n<p>A. Sebastiani &#8211; C. Megale (eds.), <em>Archaeological Landscapes of Roman Etruria. Research and Field Papers<\/em>, Turnhout: Brepols, 2021.<\/p>\n<hr \/>\n<p>V. Sampaolo &#8211; P. Giulierini &#8211; A. Coralini (eds.), <em>Picta Fragmenta. La Pittura Vesuviana. Una Rilettura,\u00a0<\/em>Milano: Silvana Editoriale, 2020.<\/p>\n<hr \/>\n<p>C. Biggam &#8211; K. Wolf (eds.), <em>A Cultural History of Color<\/em>, 6 voll., London: Bloomsbury Publishing, 2021.<\/p>\n<p><u>Focus on vol. 1<\/u>: D. Wharton (ed.), <em>A Cultural History of Color in Antiquity<\/em>.<\/p>\n<hr \/>\n<p>D. Boisseuil &#8211; C. Rico &#8211; S. Gelichi, <em>Le march\u00e9 des mati\u00e8res premi\u00e8res dans l&#8217;Antiquit\u00e9 et au Moyen \u00c2ge<\/em>, Rome: \u00c9cole fran\u00e7aise de Rome, 2021.<\/p>\n<hr \/>\n<p>M. V. Orna &#8211; S. C. Rasmussen (eds.),\u00a0 <em>Archaeological Chemistry: A Multidisciplinary Analysis of the Past<\/em>, Newcastle upon Tyne: Cambridge Scholars Publishing, 2020.<\/p>\n<hr \/>\n<p>A. Guida, <em>Una riflessione lucreziana <\/em>(De rer. nat. 2.1) <em>a Pompei. Con appendice su una revisione critica tardoantica<\/em>, Prometheus 47 (2021), 127-136.<\/p>\n<hr \/>\n<p><em>Martial, \u00c9pigrammes. Tome I : Livre des spectacles. Livres I &#8211; V<\/em>. Nouvelle traduction. Texte \u00e9tabli par H. J. Izaac, r\u00e9vis\u00e9 par Sophie Malick-Prunier, traduit par Sophie Malick-Prunier, Paris: Les Belles Lettres,\u00a02021.<\/p>\n<hr \/>\n<p>L. Furbetta &#8211; C. Urlacher-Becht (eds.), <em>Les \u00ablieux\u00bb de l\u2019\u00e9pigramme latine tardive : vers un \u00e9largissement du genre<\/em>, Revue des \u00c9tudes Tardo-antiques, Suppl\u00e9ment 8 (2020).<\/p>\n<hr \/>\n<p>U. Pappalardo &#8211; S. Galka &#8211; A. Maiuri &#8211; C. Knight &#8211; L. Borrelli &#8211; M. Cultraro, <em>Heinrich Schliemann a Napoli<\/em>, Salerno: Francesco D&#8217;Amato editore,2021.<\/p>\n<hr \/>\n<p>M. Lentano, <em>L\u2019adulterio degli alberi. Metafore dell\u2019innesto in Plinio il Vecchio<\/em>, Bollettino di Studi Latini 51.1 (2021), 52-70.<\/p>\n<hr \/>\n<p>V.M. Closs, E. Keitel (eds.), <em>Urban disasters and the Roman Imagination<\/em>, (Trends in Classics &#8211; Supplementary Volumes 104), Berlin-Boston: De Gruyter, 2020.<\/p>\n<p><u>Focus on<\/u>: J.A. Bromberg\u2019 paper <em>Pliny\u2019s<\/em> Telemacheia<em>: Epic and Exemplarity under Vesuvius<\/em>, 49-70.<br \/><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.05.28\/\">Review <\/a><\/p>\n<hr \/>\n<p>L. Carlucci, <em>A mise en sc\u00e8ne of \u2018pagan pessimism\u2019 in the Twelfth Century: Book 7 of Pliny\u2019s <\/em>Naturalis historia<em> in Johannes of Hauvilla\u2019s <\/em>Architrenius, Rivista di cultura classica e medioevale 63.1 (2021), 187-212.<\/p>\n<hr \/>\n<p>S. Casali, <em>Cosmo e storia sullo scudo di Enea<\/em>, Maia 73.1 (2021), 61-72.<\/p>\n<hr \/>\n<p>F. Econimo,<em> La parola e gli occhi. L\u2019<\/em>ekphrasis <em>nella <\/em>Tebaide<em> di Stazio<\/em>, Pisa: Edizioni della Normale, 2021.<\/p>\n<hr \/>\n<p>M.F. Ferrini, <em>\u03a7\u03a1\u03a9\u039c\u0391\u03a4\u0391. Chr\u014dmata. Lessico dei termini greci di colore<\/em>. II: b\u0113ta, Macerata: Eum, 2021.<\/p>\n<hr \/>\n<p>M. Cavalieri &#8211; P. Tomassini (eds.), <em>La peinture murale antique: m\u00e9thodes et apports d&#8217;une approche technique. Actes du colloque international Louvain-la-Neuve 21 avril 2017<\/em> (AIRPA), Roma: Edizioni Quasar, 2021.<\/p>\n<hr \/>\n<p>A. Dardenay &#8211; N. Laubry (eds.), <em>Anthropology of Roman Housing<\/em>, Turnhout: Brepols, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.05.36\/\">Review<\/a><\/p>\n<hr \/>\n<p>F. Boschi &#8211; E. Giorgi &#8211; F. Vermeulen (eds.), <em>Picenum and the Ager Gallicus at the Dawn of the Roman Conquest: Landscape Archaeology and Material Culture<\/em>, Oxford: Archaeopress, 2020.<\/p>\n<p><a href=\"https:\/\/www.ajaonline.org\/book-review\/4353\">Review<\/a><\/p>\n<hr \/>\n<p>R. Fichtel, Qualis artifex periit Nero<em>? The meaning(s) of <\/em>artifex<em> in the Suetonian <\/em>Vita Neronis, in G. Alvoni &#8211; R. Batisti &#8211; S. Colangelo (eds.), <em>Figure dell&#8217;altro. Identit\u00e0, alterit\u00e0, stranierit\u00e0 <\/em>(Studi di Eikasmos Online 3), Bologna: P\u00e0tron, 2020, 149-162.<\/p>\n<p><a href=\"http:\/\/www2.classics.unibo.it\/eikasmos\/doc_pdf\/studi_online\/03_libro_figure-dell-altro.pdf\">Link<\/a><\/p>\n<hr \/>\n<p>K. Ierodiakonou &#8211; P. Ducrey (eds.), <em>Psychologie de la couleur dans le monde gr\u00e9co-romain: huit expos\u00e9s suivis de discussions et d&#8217;un \u00e9pilogue <\/em>(Entretiens sur l\u2019Antiquit\u00e9 classique 66), Gen\u00e8ve: Fondation Hardt pour l&#8217;\u00e9tude de l\u2019Antiquit\u00e9 classique, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.05.16\/\">Review<\/a><\/p>\n<hr \/>\n<p>H. Valladares, <em>Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire<\/em>, Cambridge-New York: Cambridge University Press, 2021.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.05.37\/\">Review<\/a><\/p>\n<hr \/>\n<p>N. Toma, <em>Marmor \u2013 Ma\u00dfe \u2013 Monumente. Vorfertigung, Standardisierung und Massenproduktion marmorner Bauteile in der r\u00f6mischen Kaiserzeit<\/em> (Philippika 121), Wiesbaden: Harrassowitz Verlag, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.05.08\/\">Review<\/a><\/p>\n<hr \/>\n<p>S. Lugli &#8211; M. Reghizzi &#8211; S. Pannuzi, <em>Provenance of the Transparent Gypsum Crystals<\/em> (Lapis Specularis) <em>and Gypsum Mortars in the Windows from the Churches of Rome: S. Sabina sull\u2019Aventino and S. Giorgio al Velabro<\/em>, Hortus Artium Medievalium 26 (2020), 73-76.<\/p>\n<hr \/>\n<p>P. Trapero Fern\u00e1ndez, <em>La viticultura romana en el estuario del Guadalquivir. Las pr\u00e1cticas de cultivo, producci\u00f3n, distribuci\u00f3n y modelado SIG en la colonia Hasta Regia<\/em>, Oxford: BAR Publishing, 2021.<\/p>\n<hr \/>\n<p>\u00c1. Darab, <em>The Anecdotal Narration and Encyclopedic Thought of Pliny the Elder\u2019s Naturalis Historia<\/em>, Cambridge: Cambridge Scholars Publishing, 2020.<\/p>\n<hr \/>\n<p>Gardens of the Roman Empire<br \/><a href=\"https:\/\/roman-gardens.github.io\/blog\/01_20210421_beta_launch\/?fbclid=IwAR0EbL6gIzqmBxNilwQ_KlcqWT2WB3LIw-pxwL9SfEAX4umbGW-SlgsfVVA\">Website<\/a><\/p>\n<hr \/>\n<p>M.L. Accorsi &#8211; M. de Vico Fallani &#8211; G. Lepri, <em>Giardini e parchi storici, elementi \u2018portanti\u2019 del paesaggio culturale. Pluralit\u00e0 di aspetti e connotazioni<\/em>, Roma: L\u2019Erma di Bretschneider, 2021.<\/p>\n<hr \/>\n<p>F. Yeg\u00fcl &#8211; D. Favro, <em>Roman Architecture and Urbanism: from the Origins to Late Antiquity<\/em>, Cambridge: Cambridge University Press, 2019.<\/p>\n<p><a href=\"https:\/\/www.ajaonline.org\/book-review\/4310\">Review<\/a><\/p>\n<hr \/>\n<p>N. Pollard, <em>Bombing Pompeii: World Heritage and Military Necessity<\/em>, Ann Arbor: University of Michigan Press, 2020.<\/p>\n<p><a href=\"https:\/\/www.ajaonline.org\/book-review\/4298\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<p>C. Burgeon, <em>La <\/em>uirtus<em>, la <\/em>fides<em> et la <\/em>pietas<em> dans les <\/em>Punica<em> de Silius Italicus<\/em> (Giornale Italiano di Filologia \u2013 Bibliotheca 23), Turnhout: Brepols, 2021.<\/p>\n<hr \/>\n<p>F. Bellandi, <em>Giovenale, Satira 9. Introduzione, testo, traduzione e commento<\/em> (Texte und Kommentare 67), Berlin-Boston: De Gruyter, 2021.<\/p>\n<hr \/>\n<p>P.J. Davis (ed.), <em>Valerius Flaccus, <\/em>Argonautica<em>, Book 7<\/em>, <em>edited with Introduction, Translation, and Commentary<\/em> (Oxford Commentaries on Flavian Poetry), Oxford: Oxford University Press, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.03.50\/\">Review<\/a><\/p>\n<hr \/>\n<p>G.F. Gianotti, <em>Rileggendo Petronio e Apuleio<\/em>, Roma: Aracne, 2020.<\/p>\n<hr \/>\n<p>P. Duch\u00eane, <em>Comment \u00e9crire sur les empereurs? Les proc\u00e9d\u00e9s historiographiques de Tacite et de Su\u00e9tone<\/em> (Scripta Antiqua 137), Bordeaux: Ausonius, 2020.<\/p>\n<hr \/>\n<p>M.D. Font\u00e1n Amoedo, <em>Les mythes des frontons du Parth\u00e9non et leur relation avec la topographie ath\u00e9nienne<\/em>, Histoire de l&#8217;art 86 (2020), 109-120.<\/p>\n<hr \/>\n<p>D. Yates, <em>States of Memory. The <\/em>Polis<em>, Panhellenism, and the Persian War<\/em>, Oxford-New York: Oxford University Press, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.03.06\/\">Review<\/a><\/p>\n<hr \/>\n<p>A. Aste (ed.), <em>Quinti Sereni Liber medicinalis<\/em>, traduzione e commento a cura di di A. Aste, prefazione di M. Clauss, Tricase (Lecce): Youcanprint, 2021.<\/p>\n<hr \/>\n<p>\u00c9. Le Breton, <em>Quand l\u2019Occident regarde vers la Gr\u00e8ce. Naissance d\u2019une Antiquit\u00e9 moderne et de l\u2019id\u00e9e d\u2019un art grec classique &#8211; deux gypsoth\u00e8ques nationales fran\u00e7aises<\/em>, Histoire de l&#8217;art 86 (2020), 37-50.<\/p>\n<hr \/>\n<p>J. P\u00e9rez Gonz\u00e1lez, <em>Gems in Ancient Rome: Pliny\u2019s Vision<\/em>, Scripta Classica Israelica 38 (2019), 139-151.<\/p>\n<div class=\"column\">\n<p><a href=\"https:\/\/scriptaclassica.org\/index.php\/sci\/article\/view\/2053\/1473\">Link<\/a><\/p>\n<hr \/>\n<p>K.C. Weeda, <em>Titius Aristo and the Other\u2019s Politics in Pliny\u2019s Epistulae<\/em>, Materiali e discussioni per l&#8217;analisi dei testi classici 85 (2020), 131-163.<\/p>\n<hr \/>\n<p>A. K\u00f6nig &#8211; R. Langlands &#8211; J. Uden (eds.),\u00a0<em>Literature and Culture in the Roman Empire, 96\u2013235: Cross-cultural Interactions,<\/em>\u00a0Cambridge: Cambridge University Press, 2020.<\/p>\n<p><u>Focus on<\/u>: D. Fields, <em>Patronage, Cultural Difference, and Literary Interactivity: The Case of Pliny and Plutarch<\/em>.<br \/><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.03.11\/\">Review<\/a><\/p>\n<hr \/>\n<p>A. Carandini &#8211; P. Carafa, <em>Dal mostro al principe. Alle origini di Roma<\/em>, Roma: Laterza, 2021.<\/p>\n<hr \/>\n<p>P. Dellino &#8211; F. Dioguardi &#8211; R. Isaia <em>et al<\/em>., <em>The Impact of Pyroclastic Density Currents Duration on Humans: the Case of the AD 79 Eruption of Vesuvius<\/em>, Scientific Reports 11 (2021), 49-59.<\/p>\n<p><a href=\"https:\/\/www.nature.com\/articles\/s41598-021-84456-7\">Link<\/a><\/p>\n<hr \/>\n<p>J. Venner, Rus<em> \u2018becomes\u2019 <\/em>Urbs<em>: hard and soft Landscape Elements in the Gardens of Pompeii<\/em>, New Classicist 4 (2020).<\/p>\n<p><a href=\"https:\/\/www.newclassicists.com\/journals\">Link<\/a><\/p>\n<hr \/>\n<p>G. Greco &#8211; M. Osanna &#8211; R. Picone (eds.), <em>Pompei. L&#8217;<\/em>Insula Occidentalis<em>. Conoscenza, Scavo, Restauro e Valorizzazione<\/em>, Roma: L&#8217;Erma di Bretschneider, 2020.<\/p>\n<hr \/>\n<p>F. Mangone, <em>La scoperta dell\u2019antico in Campania tra Settecento e Ottocento. L\u2019archeologia come fondamento scientifico dell\u2019architettura moderna<\/em> (HeRMeS 2), Roma-Bristol: L\u2019Erma di Bretschneider, 2021.<\/p>\n<hr \/>\n<p>L. Di Franco, <em>&#8220;Il cavamento di regio conto come quello di Pompei per iscoprire il gran Palazzo di Tiberio\u201d Lo scavo del 1824-1828 di <\/em>Villa Jovis<em> a Capri<\/em>, BABESCH 95 (2020), 237-258.<\/p>\n<hr \/>\n<p>A.-M. Guimier Sorbets, <em>Mosa\u00efques d\u2019Alexandrie. Pavements d\u2019\u00c9gypte grecque et romaine<\/em> (Antiquit\u00e9s Alexandrines 3), Alexandrie: Centre d\u2019\u00c9tudes Alexandrines, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.03.29\/\">Review<\/a><\/p>\n<hr \/>\n<p>Q. Paridimal, <em>Les gemmes de l\u2019Inde et le commerce de la mer \u00c9rythr\u00e9e.\u00a0Circulations india-oc\u00e9aniques et discours litt\u00e9raires dans le monde gr\u00e9co-romain (Ier si\u00e8cle av. n. \u00e8.-d\u00e9but du IIIe si\u00e8cle de n. \u00e8.)<\/em>, Histoire de l&#8217;art 86 (2020), 147-158.<\/p>\n<hr \/>\n<p>M. Romani Mistretta, <em>Naming the Art, or the Art of Naming: The Etymology of\u00a0\u03c4\u03ad\u03c7\u03bd\u03b7\u00a0(techn\u0113) in Plato\u2019s Cratylus<\/em>, in A. Zucker &#8211; C. Le Feuvre (eds.), <em>Ancient and Medieval Greek Etymology<\/em>, Berlin-Boston: De Gruyter, 2021, 21-36.<\/p>\n<hr \/>\n<p>D. Plantzos, <em>Before <\/em>Mimesis<em>. Reflections on the Early Greek Technologies of Looking<\/em>, Athens University Review of Archaeology 3 (2020), 73-99.<\/p>\n<p><a href=\"http:\/\/epub.lib.uoa.gr\/index.php\/aura\/article\/view\/2199\">Link<\/a><\/p>\n<hr \/>\n<p>J. Neils &#8211; D.K. Rogers (eds.), <em>The Cambridge Companion to Ancient Athens<\/em>, Cambridge: Cambridge University Press, 2021.<\/p>\n<hr \/>\n<p>A. Martin, <em>Portrait of a Poet: Erinna&#8217;s Ekphrastic Epigram, AP 6.352<\/em>, Akroterion 65 (2020), 13-30.<\/p>\n<p><a href=\"https:\/\/akroterion.journals.ac.za\/pub\/article\/viewFile\/1020\/1042\">Link<\/a><\/p>\n<hr \/>\n<p>E. Germino, <em>Medici e medicina in una pagina di Plinio il Vecchio<\/em>,\u00a0 KOINONIA\u00a044.1 (2020), 721-747.<\/p>\n<hr \/>\n<p>F. Giumetti, <em>Traiano e un caso di applicazione della<\/em> disciplina militaris <em>in tema di <\/em>adulterium <em>(A proposito di Plin., ep. 6, 31, 1-6)<\/em>, KOINONIA\u00a044.1 (2020), 749-762.<\/p>\n<hr \/>\n<p>P. Pensabene\u00a0(ed.),\u00a0<em>Il complesso di Augusto sul Palatino. Nuovi contributi all\u2019interpretazione delle strutture e delle fasi<\/em>, Roma: L&#8217;Erma di Bretschneider, 2021.<\/p>\n<hr \/>\n<p>P. Fortini &#8211; K. Krusche (eds.), <em>From Pen to Pixel. Studies of the Roman Forum and the Digital Future of World Heritage<\/em> (Biblioteca Archeologica 66), Roma: L\u2019Erma di Bretschneider, 2021.<\/p>\n<hr \/>\n<p>E. Cruccas, Numina magna<em>: Roma e il culto dei Grandi Dei di Samotracia <\/em>(Archaeopress Roman Archaeology 56), Oxford: Archaeopress, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.02.28\/\">Review<\/a><\/p>\n<hr \/>\n<p>Bullettino della Commissione Archeologica Comunale di Roma 121 (2020).<\/p>\n<p><a href=\"http:\/\/195.231.2.149\/erma_assets\/\/BookStore\/Preview\/00013940-preview.pdf\">Preview<\/a><\/p>\n<hr \/>\n<p>A. Dell\u2019Acqua, <em>La decorazione architettonica di Brescia romana. Edifici pubblici e monumenti funerari dall\u2019et\u00e0 repubblicana alla tarda antichit\u00e0<\/em>\u00a0 (Costruire nel mondo antico 2), Roma: Edizioni Quasar, 2020.<\/p>\n<p><a href=\"https:\/\/www.ajaonline.org\/book-review\/4268\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<p>S. Quilici Gigli &#8211; L. Quilici (eds.), <em>Strade secondarie dell&#8217;Italia Antica. Roma: monumenti, territorio<\/em> (Atlante Tematico di Topografia Antica 31-2021), Roma: L\u2019Erma di Bretschneider, 2021.<\/p>\n<hr \/>\n<p>A. Fox, <em>Mitigating Pollution in Ancient Rome\u2019s Green Spaces<\/em>, New Classicist 4 (2020), 3-12.<\/p>\n<p><a href=\"https:\/\/www.newclassicists.com\/journals\">Link<\/a><\/p>\n<hr \/>\n<p>S. James &#8211; S. Krmnicek (eds.),\u00a0<em>The Oxford Handbook of the Archaeology of Roman Germany,\u00a0<\/em>Oxford-New York: Oxford University Press, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.02.42\/\">Review<\/a><\/p>\n<hr \/>\n<p>S. Wyler, Pictor in tabula? <em>Ancient Roman Painters playing with Meta-figurative Effects<\/em>, Images re-vues 9 (2020).<\/p>\n<p><a href=\"https:\/\/journals.openedition.org\/imagesrevues\/7967\">Link<\/a><\/p>\n<hr \/>\n<p>A. Corso,\u00a0<em>La statua in bronzo di Paride opera di Eufranore<\/em>, in L. Guzzardi &#8211; C. Scandurra (eds.),\u00a0<em>Un veneto siracusano. Atti della giornata in memoria di Luigi Polacco (Siracusa, 1 dicembre 2017)<\/em>, Siracusa: Grafiche Santocono, 2020, 49-65.<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/45436812\/SOCIET%C3%80_SIRACUSANA_DI_STORIA_PATRIA?email_work_card=view-paper\">Link<\/a><\/p>\n<hr \/>\n<p>G. Guerini,\u00a0<em>Pisa Etrusca in et\u00e0 classica. I materiali dello scavo di Via Sant\u2019Apollonia<\/em>, Pisa: ETS, 2021.<\/p>\n<p><a href=\"http:\/\/www.edizioniets.com\/priv_file_libro\/4150.pdf\">Link<\/a><\/p>\n<hr \/>\n<p>H. \u0160edinova, Vis nominis, vis textus, vis imaginis. <em>Sea Creatures named after Terrestrial Animals in the Works of Thomas of Cantimpr\u00e9 and Paulerinus<\/em>, Artibus et historiae 82 (2020), 75-103.<\/p>\n<p><a href=\"https:\/\/artibusethistoriae.org\/chapter990.html\">Abstract<\/a><\/p>\n<hr \/>\n<p>I. Draelants &#8211; A. Zucker (eds.),<strong><em>\u00a0<\/em><\/strong><em>La conversation des encyclop\u00e9distes &#8211; The Scholarly Conversation between Encyclopaedists<\/em>, RursuSpicae. Transmission, r\u00e9ception et r\u00e9\u00e9criture des textes, de l\u2019Antiquit\u00e9 au Moyen \u00c2ge 3 (2020).<\/p>\n<p><a href=\"https:\/\/journals.openedition.org\/rursuspicae\/1311\">Link<\/a><\/p>\n<hr \/>\n<p>D. Carro, <em>Quadriremi <\/em>vs.<em> Vesuvio. L&#8217;operazione navale di soccorso condotta da Plinio nel 79 D.C.<\/em> (Studia Archaeologica 247), Roma: L\u2019Erma di Bretschneider, 2021.<\/p>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Rivista di Studi Pompeiani 31 (2020).<\/p>\n<p><a href=\"http:\/\/195.231.2.149\/erma_assets\/\/BookStore\/Preview\/00013941-preview.pdf\">Preview<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>P. Montlahuc, <em>Le pouvoir des bons mots: \u00abfaire rire\u00bb et politique \u00e0 Rome du milieu du IIIe si\u00e8cle a.C. \u00e0 l\u2019av\u00e8nement des Antonins<\/em> (Biblioth\u00e8que des \u00c9coles fran\u00e7aises d\u2019Ath\u00e8nes et de Rome 382), Roma: \u00c9cole fran\u00e7aise de Rome, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.01.25\/\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>G.S. Sumi, <em>Nero and Britannicus in the \u201cpompa circensis\u201d: The Circus Procession as Dynastic Ceremony in the Court of Claudius<\/em>, Klio 102 (2020), 617-664.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>J. Leidwanger, <em>Roman Seas: a Maritime Archaeology of Eastern Mediterranean Economies<\/em>, Oxford &#8211; New York: Oxford University Press, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.01.07\/\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>H. Brecoulaki &#8211; G. Verri &#8211; B. Bourgeois &#8211; F.P. Romano &#8211; A.G. Karydas &#8211; C. Caliri &#8211; E. Martin-Gonzalez &#8211; G. Kavvadias,<em> The &#8220;lost art&#8221; of Archaic Greek Painting: Revealing New Evidence on the Pitsa pinakes through MA-XRF and Imaging Techniques<\/em>, in B. Bourgeois (ed.), <em>Les couleurs de l\u2019Antique, Actes de la 8e table ronde sur la polychromie de la sculpture et de l\u2019architecture antique<\/em>, Techne 48 (2019), 35-54.<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/44979274\/The_lost_art_of_Archaic_Greek_Painting_revealing_new_evidence_on_the_Pitsa_pinakes_through_MA_XRF_and_imaging_techniques?email_work_card=title\">Link<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>O. Palagia, <em>Sculpture grecque antique: d\u00e9veloppements r\u00e9cents et th\u00e8mes dominants<\/em>, Histoire de l\u2019art 86 (2020), 15-24.<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/45002749\/O_Palagia_Sculpture_grecque_antique_developpements_recents_et_themes_dominants_?email_work_card=view-paper\">Link<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>A. Corso, <em>The Bronze Statue of Paris by Euphranor<\/em>, in \u0313\u0391. \u0394\u03b5\u03bb\u03b7\u03b2\u03bf\u03c1\u03c1\u03b9\u03ac\u03c2 et al. (eds.), <em>Spondi. Afieroma stin mnimi tou Giorgiou Despini<\/em>, vol. 1, Athens: Mouseio Mpenakii, 2020, 355-360.<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/44925998\/Corso_1_The_Bronze_statue_of_Paris_by_Euphranor?email_work_card=title\">Link<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>M.R. Lefkowitz, <em>The \u201cWooden\u201d Horse on the Athenian Acropolis<\/em>, Hesperia 89 (2020), 581-591.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>M. Nafissi, <em>Gli eroi del Trono di Apollo ad Amicle tra apoteosi, immortalit\u00e0 elisia e destino di morte<\/em>, Mythos. Rivista di Storia delle Religioni 14 (2020).<\/p>\n<p><a href=\"http:\/\/journals.openedition.org\/mythos\/1868\">Link<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><span lang=\"EN-US\">M. Heisterberg, <i>Zwischen &#8220;<\/i>exemplum<i>&#8221; und &#8220;<\/i>opus absolutum<i>&#8220;. Studien zum Abzeichnen im italienischen Tre- und Quattrocento zwischen Mustertransfer und Kopie<\/i> (I mandorli 27), Berlin-M\u00fcnchen: Deutsche Kunstverlag, 2020.<\/span><\/p>\n<hr \/>\n<p>C. Ballestrazzi, <em>Arte senza storia? I nobiles artifices delle gemme e il loro destino<\/em>, Revue arch\u00e9ologique 70 (2020), 359-385.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>A. Corso, <em>The Masters of the Maussoleion of Halikarnassos<\/em>, in P. Pedersen &#8211; B. Poulsen &#8211; J. Lund (eds.), <em>Karia and the Dodekanese. Cultural Interrelations in the Southeast Aegean, vol. 1: Late Classical to Early Hellenistic<\/em>, Oxford &#8211; Philadelphia: Oxbow, 41-51.<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/44909957\/Karia_and_the_Dodekanese_1_Chapter03_Corso\">Link<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>M. F. Ferrini &#8211; G. Giglioni (eds.), <em>\u03a0\u03b5\u03c1\u1f76 \u03c6\u03c5\u03c4\u1ff6\u03bd. Trattati greci di botanica in Occidente e in Oriente \/ \u03a0\u03b5\u03c1\u1f76 \u03c6\u03c5\u03c4\u1ff6\u03bd. Greek Botanical Treatises in the West and the East<\/em>, Macerata: Eum 2020.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<hr \/>\n<p>W. Horowitz, <em>Sky Blue, Red Heavens, and Orange over Ancient Mesopotamia<\/em>, Journal of Ancient Civilizations 35.2 (2020), 135-146.<\/p>\n<hr \/>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>H. Jakobsmeier, <em>Die Gallier-Rede des Claudius aus dem Jahr 48 n. Chr.: historisch-philologische Untersuchungen und Kommentar zur tabula Claudiana aus Lyon<\/em> (Quellen und Forschungen zur antiken Welt 63), M\u00fcnchen: Herbert Utz Verlag, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.12.23\/\">Review<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>S. Audano (ed.), <em>Tacito. Germania<\/em>, Santarcangelo di Romagna: Rusconi Libri, 2020.<\/p>\n<hr \/>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>K. Johannsen, Suetons Vita Othonis: Einleitung, Text, \u00dcbersetzung und Kommentar, Dissertation Universit\u00e4t Greifswald, 2020.<\/p>\n<p><a href=\"https:\/\/epub.ub.uni-greifswald.de\/frontdoor\/index\/index\/docId\/4131\">Link<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>B. Bader (ed.), Josephus Latinus. De Bello Iudaico Buch 1 (Palingenesia 119), Stuttgart: Franz Steiner Verlag, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.12.27\/\">Review<\/a><\/p>\n<hr \/>\n<p>G. Rodr\u00edguez, Before and after Rome: The incised Contours Technique in the Art of Gallia Narbonensis, Theoretical Roman Archaeology Journal 3 (2020), 3. DOI http:\/\/doi.org\/10.16995\/traj.417<\/p>\n<p><a href=\"https:\/\/traj.openlibhums.org\/articles\/10.16995\/traj.417\/\">Link<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<p>S. Paturel (ed.),\u00a0<em>Baalbek-Heliopolis, the Bekaa, and Berytus from 100 BCE to 400 CE: a Landscape transformed\u00a0<\/em>(Mnemosyne Supplements. History and Archaeology of Classical Antiquity 426), Leiden: Brill, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.11.35\/\">Review<\/a><\/p>\n<hr \/>\n<p>M. Devecka,\u00a0<em>Broken Cities: a Historical Sociology of Ruins<\/em>, Baltimore: Johns Hopkins University Press, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.12.30\/\">Review<\/a><\/p>\n<hr \/>\n<p>V. Platt, <em>Re-membering the Belvedere Torso: Ekphrastic Restoration and the Teeth of Tim<\/em>e, Critical Inquiry 47 (2020), 49-75.<\/p>\n<hr \/>\n<p>R.K. Gibson, <em>Man of High Empire. The Life of Pliny the Younger<\/em>, Oxford: Oxford University Press, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.11.22\/\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>N. Jones, <em>Painting, Ethics and Aesthetics in Rom<\/em>e, Cambridge: Cambridge University Press, 2019.<\/p>\n<p><a href=\"https:\/\/www.cambridge.org\/core\/journals\/journal-of-roman-studies\/article\/abs\/nathaniel-b-jones-painting-ethics-and-aesthetics-in-rome-greek-culture-in-the-roman-world-cambridge-cambridge-university-press-2019-pp-xviii-291-illus-isbn-9781108420129-7500\/44B514FE919F1F79BD33BEAE4E31FB35\">Review<\/a><\/p>\n<hr \/>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>M. Curcio, <em>L\u2019arte romana oltre l\u2019autore. Originalit\u00e0, imitazione e riproduzione<\/em>, Sesto San Giovanni (MI): Mimesis Edizioni, 2020.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>A.N. Sherwood &#8211; M. Nikolic &#8211; J.W. Humphrey &#8211; J.P. Oleson, <em>Greek and Roman Technology: a Sourcebook of Translated Greek and Latin Texts<\/em> (RoutledgeSourcebooks for the Ancient World), London-New York: Routledge, 2019 (2nd edition).<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.11.31\/\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>G. Anderson, <em>Fantasy in Greek and Roman Literature<\/em> (Routledge Monographs in Classical Studies), London-New York: Routledge, 2019.<\/p>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.11.23\/\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>J. Briscoe (ed.), <em>Valerius Maximus<\/em>, \u2018Facta et dicta memorabilia\u2019, <em>Book 8. Text, Introduction, and Commentary<\/em> (Untersuchungen zur antiken Literatur und Geschichte 141), Berlin-Boston: De Gruyter, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.11.10\/\">Review<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<p>J.-C. Juhle, <em>Le \u2018Livre\u2019 de Martial et l\u2019autoportrait du po\u00e8te en \u00e9pigrammatiste romain<\/em>, preface de P. Laurence (\u00c9tudes anciennes 85), Paris: Les Belles Lettres, 2020.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>R. Moreno Soldevila &#8211; A. Marina Castillo &#8211; J. Fern\u00e1ndez Valverde, <em>A Prosopography to Martial\u2019s Epigrams<\/em>, Berlin-Boston: De Gruyter, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.10.35\/\">Review<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<p>Ph. Stahlhut &#8211; P.-G. Veh, <em>Claudius Aelianus: Vom Wesen der Tiere. De Natura Animalium, Band 1: B\u00fccher I-VIII<\/em> (Bibliothek der Griechischen Literatur 90), Stuttgart: Anton Hiersemann Verlag, 2020.<\/p>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.11.16\/\">Review<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 3\">\n<hr \/>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Ch. Siwicki, <em>Architectural Restoration and Heritage in Imperial Rome<\/em> (Oxford Studies in Ancient Culture and Representation), Oxford-New York: Oxford University Press, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.10.48\/\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>M. Deriu, N\u0113soi. <em>L\u2019immaginario insulare nell\u2019Odissea<\/em> (Lexis Supplementi &#8211; Studi di letteratura greca e latina 1), Venezia: Edizioni Ca\u2019 Foscari, 2020.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>M. Cadario, <em>Il Cavallo di Troia aveva le ruote? Riflessioni su tradizione letteraria e iconografica<\/em>, in A. Capra &#8211; S. Martinelli Tempesta &#8211; C. Nobili (eds.), Philoxenia. <em>Viaggi e viaggiatori nella Grecia di ieri e di oggi<\/em>, Sesto San Giovanni (MI): Mimesis Edizioni, 2020, 223-236.<\/p>\n<\/div>\n<\/div>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAACCAYAAACZgbYnAAAAAXNSR0IArs4c6QAAAAlwSFlzAAAN1wAADdcBQiibeAAAABFJREFUCB1jmDlzZhUTAxAAABFIAkj3zQ+HAAAAAElFTkSuQmCC\" alt=\"page4image1678112\" width=\"0.800000\" height=\"1.600000\" \/><a href=\"https:\/\/www.academia.edu\/43607112\/Il_Cavallo_di_Troia_aveva_le_ruote_Riflessioni_su_tradizione_letteraria_e_iconografica?email_work_card=title\">Link<\/a><\/p>\n<\/div>\n<div>\n<hr \/>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>M. Ornaghi, <em>Archiloco tra prati e rocce. Ipotesi topografiche su<\/em> \u039b\u0395\u0399\u039c\u03a9\u039d\u0395\u03a3 <em>e<\/em> \u039b\u0399\u03a3\u03a3\u0399\u0394\u0395\u03a3 (<em>Mnesiep. Inscr. E1, coll. II, ll. 22-40)<\/em>, in A. Capra &#8211; S. Martinelli Tempesta &#8211; C. Nobili (eds.), Philoxenia. <em>Viaggi e viaggiatori nella Grecia di ieri e di oggi<\/em>, Sesto San Giovanni (MI): Mimesis Edizioni, 2020, 197- 209.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>L. Lopez-Rabatel &#8211; V. Math\u00e9 &#8211; J.-Ch. Moretti (eds.), <em>Dire la ville en grec aux \u00e9poques antique et byzantine (Actes du colloque de Cr\u00e9teil, 10-11 juin 2016)<\/em>, Lyon: Mom \u00c9ditions, 2020.<\/p>\n<hr \/>\n<p>D. Jouanna, <em>Vicino, lontano. Come i Greci vedevano il mondo<\/em>, Roma: Carocci Editore, 2020.<\/p>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Focus on: \u201cLa geografia romana: Pomponio Mela e Plinio il Vecchio\u201d<\/p>\n<hr \/>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>M.C. Scappaticcio, <em>Pesci longevi e fonti perdute. Appunti su Plin. nat. 9, 167: Vedio Pollione, Augusto, (un) Seneca<\/em>, in G. Polara (ed.), Omne tulit punctum qui miscuit utile dulci. <em>Studi in onore di Arturo De Vivo<\/em>, vol. 2 (Filologia e tradizione classica 11), Napoli: Satura Editrice, 2020, 939-958.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>R. Lambertini, <em>L\u2019<\/em>auctoritas <em>di Traiano e la<\/em> iustitia <em>di Plinio<\/em>, Tessarae Iuris 1 (2020), 111-113.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>L. Pernot, <em>Deux regards crois\u00e9s sur les rapports de Rome et de la Gr\u00e8ce (Plin. Min. ep. 8.24 et Epict. diss. 3.7)<\/em>, in G. Polara (ed.), Omne tulit punctum qui miscuit utile dulci. <em>Studi in onore di Arturo De Vivo<\/em>, vol. 2 (Filologia e tradizione classica 11), Napoli: Satura Editrice, 2020, 747-756.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>A. Prenner, <em>Un personaggio oscuro: Quinto Sereno Sammonico autore del<\/em> Liber medicinalis, in G. Polara (ed.), Omne tulit punctum qui miscuit utile dulci. <em>Studi in onore di Arturo De Vivo<\/em>, vol. 2 (Filologia e tradizione classica 11), Napoli: Satura Editrice 2020, 805-810.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>S.I. Ramos Maldonado, De litteris Latinis Latine docendis: <em>El comentario human\u00edstico de textos cl\u00e1sicos y su aplicaci\u00f3n did\u00e1ctica en la actualidad<\/em>, eClassica 5 (2019), 136-151.<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/44327649\/_De_litteris_Latinis_Latine_docendis_El_comentario_human%C3%ADstico_de_textos_cl\u00e1sicos_y_su_aplicaci\u00f3n_did\u00e1ctica_en_la_actualidad_eClassica_5_2019_136_151?email_work_card=title\">Link<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>B. Bourgeois (ed.), <em>Les couleurs de l\u2019Antique<\/em>. Actes de la 8e table ronde sur la polychromie de la sculpture et de l\u2019architecture antique, Techne 48 (2019).<\/p>\n<p><a href=\"https:\/\/journals.openedition.org\/techne\/1681\">Link<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>C.E. Barrett, <em>Domesticating Empire: Egyptian Landscapes in Pompeian Gardens<\/em>, Oxford: Oxford University Press, 2019.<\/p>\n<p><a href=\"https:\/\/www.ajaonline.org\/book-review\/4134\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>T. Demauro, <em>Restauri a Pompei (1748-1860)<\/em>, Roma: L\u2019Erma di Bretschneider, 2020.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>P. Fedeli &#8211; G. Rosati (eds.), <em>Ovidio 2017. Prospettive per il terzo millennio<\/em>. Atti del Convegno Internazionale (Sulmona, 3\/6 aprile 2017), Teramo: Ricerche &amp; Redazioni, 2018.<\/p>\n<p>Focus on:<br \/>&#8211; M. Buonocuore, <em>Forme e tipologie della miniatura nei codici ovidiani della Biblioteca Apostolica Vaticana<\/em><br \/>&#8211; A. Wallace-Hadrill, <em>Ovid and Mythological Painting in Pompeii<\/em><br \/><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.10.56\/\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>G. Ingo &#8211; U. Gotter &#8211; W. Havener &#8211; L. Hodgson (eds.), <em>Augustus and the Destruction of History: the Politics of the Past in Early Imperial Rome<\/em> (Cambridge Classical Journal Supplements 41), Cambridge: Cambridge Philological Society, 2019.<\/p>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.10.11\/\">Review<\/a><\/p>\n<hr \/>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>H. Patterson &#8211; R. Witcher &#8211; H. Di Giuseppe, <em>The Changing Landscapes of Rome\u2019s Northern Hinterland. The British School at Rome\u2019s Tiber Valley Project<\/em> (Archaeopress Roman Archaeology 70), Oxford: Archeopress 2020.<\/p>\n<p><a href=\"http:\/\/www.archaeopress.com\/ArchaeopressShop\/Public\/displayProductDetail.asp?id=%7b5B092BCB-89F4-4EA0-94FF-811F304B3B27%7d\">Link<\/a>\u00a0| <a href=\"https:\/\/www.ajaonline.org\/book-review\/4352\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>A. Esposito &#8211; A. Pollini, <em>\u00c0 l\u2019aube des villes antiques: vocabulaire de la cit\u00e9 et formes urbaines<\/em>, Gaia 22\/23 (2020).<\/p>\n<p><a href=\"https:\/\/journals.openedition.org\/gaia\/469\">Link<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>U. Bultrighini, <em>Spunti di occidente indiretto nella \u2018Periegesi\u2019 di Pausania<\/em>, Hesper\u00eca 37 (2020), 193-224.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>G. Tentorio, <em>Acaia: da Pausania a Rea Galanaki. Un mito d\u2019amore e metamorfosi tra folklore, storia e letteratura<\/em>, in A. Capra &#8211; S. Martinelli Tempesta &#8211; C. Nobili (eds.), Philoxenia. <em>Viaggi e viaggiatori nella Grecia di ieri e di ogg<\/em>i, Sesto San Giovanni (MI): Mimesis, 2020, 297-308.<\/div>\n<div>\n<hr \/>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>D. Underwood, <em>(Re)using Ruins: Public Building in the Cities of the Late Antique West, A.D. 300-600<\/em> (Late Antique Archaeology, Suppl. Series 3), Leiden: Brill, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.07.13\/\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>B. Effros, <em>Incidental Archaeologists: French Officers and the Rediscovery of Roman North Africa,<\/em> Ithaca-London: Cornell University Press, 2018.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.07.28\/\">Review<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<hr \/>\n<p>A. Garcea,\u00a0<em>Diomedes as a Source for Pliny\u2019s\u00a0<\/em>Dubius sermo<em>: Some Editorial Problems<\/em>, Rationes Rerum 14, 2019, 53-71.<\/p>\n<hr \/>\n<p>M. Epstein \u2013 Ruth Spivak (eds.), <em>The Latin of Science,\u00a0<\/em>Mundelein, IL: Bolchazy-Carducci Publishers, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.09.50\/\">Review<\/a><\/p>\n<hr \/>\n<p>T.P. Wiseman,\u00a0<em>The House of Augustus: A Historical Detective Story,<\/em>\u00a0Princeton: Princeton University Press, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.09.23\/\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<p>J. Oksanish,\u00a0<em>Vitruvian Man: Rome under Construction<\/em>, Oxford-New York: Oxford University Press, 2019.<br \/><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.10.07\/\">Review<\/a><\/p>\n<hr \/>\n<div class=\"column\">\n<p>G. Moretti &#8211; B. Santorelli (eds.),\u00a0<em>Leggere e guardare. Intersezioni tra testo e immagine nella cultura latina e nella sua fortuna<\/em>\u00a0(Latina Didaxis 34), Milano: Ledizioni, 2020.<\/p>\n<hr \/>\n<p>A.A. Raschieri,\u00a0<em>Lettura degli autori e insegnamento retorico. Ricerche intorno a Quintiliano e alla retorica antica<\/em>, Canterano (RM): Aracne Editrice, 2020.<\/p>\n<hr \/>\n<p>U. Rothe,\u00a0<em>The Toga and Roman Identity,<\/em>\u00a0London-New York: Bloomsbury Academic, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.09.12\/\">Review<\/a><\/p>\n<hr \/>\n<p>E. Falaschi,\u00a0<em>Il mito dipinto. Interpretazioni della figura di Ocno in Plutarco<\/em>, in J.A. Cl\u00faa Serena (ed.),<em>\u00a0Mythologica Plutarchea: estudios sobre los mitos en Plutarco. XIII Simposio Internacional de la Sociedad Espa\u00f1ola de Plutarquistas (Universidad de Lleida 4-5-6 de octubre de 2018)<\/em>, Madrid: Ediciones Cl\u00e1sicas, 2020, 147-158.<\/p>\n<hr \/>\n<p>K. Ierodiakonou,\u00a0<em>Psychologie de la couleur dans le monde gr\u00e9co romain<\/em>\u00a0(Entretiens sur l\u2019Antiquit\u00e9 classique 66), Gen\u00e9ve: Fondation Hardt, 2020.<\/p>\n<hr \/>\n<p>S. Thavapalan,\u00a0<em>The Meaning of Color in Ancient Mesopotamia<\/em>\u00a0(Culture and History of the Ancient Near East, 104), Leiden: Brill, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.09.29\/\">Review<\/a><\/p>\n<hr \/>\n<p>N.G. Brown,\u00a0<em>The Living and the Monumental on the\u00a0<\/em>Anaglypha Traiani, AJA 124.4 (2020), 607-630.<\/p>\n<p><a href=\"https:\/\/www.ajaonline.org\/article\/4179\">Abstract<\/a><\/p>\n<hr \/>\n<p>S.A. Rous,\u00a0<em>Reset in Stone: Memory and Reuse in Ancient Athens<\/em>. Madison: University of Wisconsin Press, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.09.52\/\">Review<\/a><\/p>\n<hr \/>\n<p>M.S. Vinci \u2013 A. Ottati \u2013 D. Gorostidi Pi (eds.), <em>La cava e il monumento. Materiali, officine, sistemi di costruzione e produzione nei cantieri edilizi di et\u00e0 imperiale<\/em>, Roma: Edizioni Quasar, 2020.<\/p>\n<hr \/>\n<p>P. Gaillard-Seux, <em>Les liquides corporels comme rem\u00e8des: l\u2019attitude de Pline l\u2019Ancien et ses parall\u00e8les chez Galien<\/em>, in <em>I fluidi corporei nella medicina e nella veterinaria latine. Dottrina, lessico, testi<\/em>. Actes du XIIe Colloque international sur les textes m\u00e9dicaux latins (Messine, 22-24 septembre 2016), PALLAS 113 (2020), 75-92.<\/p>\n<hr \/>\n<p>P. Radici Colace &#8211; L. Radici, <em>Saliva: indicazioni terapeutiche, modalit\u00e0 di impiego e lessico nella <\/em>Naturalis Historia <em>di Plinio tra fonti e ricezione<\/em>, in <em>I fluidi corporei nella medicina e nella veterinaria latine. Dottrina, lessico, testi<\/em>. Actes du XIIe Colloque international sur les textes m\u00e9dicaux latins (Messine, 22-24 septembre 2016), PALLAS 113 (2020), 189-206.<\/p>\n<hr \/>\n<p>C. Cerchiai Manodori Sagredo, <em>Malattie e pandemie nell\u2019antica Roma. Cicerone, Plinio, Svetonio, Catone, Tacito, Marziale, Plauto, Seneca <\/em>et alii, Roma: L\u2019Erma di Bretschneider, 2020.<\/p>\n<hr \/>\n<p>T. Keelin, <em>Model or Anti-model?: Pliny on Uncle Pliny,<\/em> TAPA\u00a0148.1 (2018), 173-203.<\/p>\n<hr \/>\n<p>G. Courtieu, <em>La pratique du mazd\u00e9isme en Crim\u00e9e selon l&#8217;Histoire Naturelle de Pline<\/em>, Studia Iranica 48 (2019), 187-193.<\/p>\n<hr \/>\n<p>S. Fascione, Inter sodales Apollinis ac Dianae sectator. <em>Elementi di ripresa pliniana nell\u2019epistolario di Simmaco<\/em>, in <em>Incontri di Filologia Classica<\/em> XVIII (2018-2019), Trieste: EUT Edizioni Universit\u00e0 di Trieste, 2020, 259-276.<\/p>\n<p><a href=\"https:\/\/www.openstarts.units.it\/handle\/10077\/30687\"> Link<\/a><\/p>\n<hr \/>\n<p>A. Anguissola &#8211; M. Iadanza &#8211; R. Olivito (eds.), <em>Paesaggi Domestici L\u2019esperienza della natura nelle case e nelle ville romane Pompei, Ercolano e l\u2019area vesuviana<\/em> (Studi e Ricerche del Parco Archeologico di Pompei 42), Roma: L&#8217;Erma di Bretschneider, 2020.<\/p>\n<hr \/>\n<p>F. Morandini &#8211; A. Patera (eds.), <em>Il restauro dei grandi bronzi archeologici. Laboratorio aperto per la Vittoria Alata di Brescia<\/em>, Firenze: Edifir, 2020.<\/p>\n<hr \/>\n<p>A. Galimberti &#8211; R. Cristofoli &#8211; F. Rohr Vio (eds.), <em>Germanico nel contesto politico di et\u00e0 Giulio Claudia. La figura, il carisma, la memoria<\/em> (Perugia 21-22 novembre 2019), Roma: L\u2019Erma di Bretschneider, 2020.<\/p>\n<hr \/>\n<p>T. Harvey, <em>Julia Augusta: Images of Rome\u2019s First Empress on the Coins of the Roman Empire<\/em>. London and New York: Routledge, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.07.27\/\">Review<\/a><\/p>\n<hr \/>\n<p><em>Mutable, Flexible, Fluid: Papyrus Drawings for Textiles and Replication in Roman Art<\/em>, Art Bulletin 102.3 (2020), 7-27.<\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/00043079.2020.1711485\">Link <\/a><\/p>\n<hr \/>\n<p>V. Schulz, <em>Deconstructing Imperial Representation: Tacitus, Cassius Dio, and Suetonius on Nero and Domitian<\/em> (Mnemosyne supplements, 427), Leiden: Brill, 2019.<\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.07.32\/\">Review<\/a><\/p>\n<hr \/>\n<p>H. Roelens-Flouneau, <em>Dans les pas des voyageurs antiques: circuler en Asie Mineure \u00e0 l&#8217;\u00e9poque hell\u00e9nistique (IVe s.av.n.\u00e8 &#8211; Principat)<\/em> (Asia Minor Studien 86), Bonn: Habelt Verlag, 2019.<\/p>\n<div><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.07.25\/\">Review<\/a><\/div>\n<hr \/>\n<p>R. Donno, <em>\u201cUn uomo di penna e di pennello\u201d. Il doppio talento di Ardengo Soffici<\/em>, Prefazione di V. L. Puccetti; Postfazione di F. Conte. Firenze: Le Lettere, 2020.<\/p>\n<hr \/>\n<p>M. Lentano, Neque omnia insita misceri fas est.\u00a0<em>Plinio, l\u2019innesto, il sacro<\/em>, Quaderni del Ramo d\u2019Oro online 11 (2019), 64-81.<\/p>\n<p><a href=\"http:\/\/www.qro.unisi.it\/frontend\/node\/237\">Link<\/a><\/p>\n<hr \/>\n<p>A. Canobbio, <em>Polarizzazione e<\/em> coincidentia oppositorum\u00a0<em>nelle ville di Plinio il Giovane<\/em>,\u00a0\u00a0Athenaeum 108\/1 (2020), 89-113.<\/p>\n<hr \/>\n<p>J. Oksanish,\u00a0<em>The Elusive Middle: Vitruvius&#8217; Mediocracy of Virtue<\/em>, in M. Formisano &#8211; C. Shuttleworth Kraus (edd.),\u00a0<em>Marginality, Canonicity, Passion. Classical presences<\/em>, Oxford: Oxford University Press, 2018, 75-98.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.06.28\/\">Review<\/a><\/p>\n<hr \/>\n<p>J.R. McConnell\u00a0<em>et al<\/em>.,\u00a0<em>Extreme Climate after Massive Eruption of Alaska\u2019s Okmok Volcano in 43 BCE and Effects on the Late Roman Republic and Ptolemaic Kingdom<\/em>, Proceedings of the National Academy of Sciences of the United States of America, July 7, 2020\u00a0117\u00a0(27)\u00a015443-15449, First published June 22, 2020.<\/p>\n<p><a href=\"https:\/\/www.pnas.org\/content\/117\/27\/15443\">Link<\/a><\/p>\n<hr \/>\n<p>D. Malfitana &#8211; G. Amara &#8211; A. Mazzaglia,\u00a0<em>La grandiosa imitazione. Il grande plastico di Pompei. Dal modello materico al modello digitale<\/em>\u00a0(Bibliotheca Archaeologica 69), Roma: L\u2019Erma di Bretschneider, 2020.<\/p>\n<hr \/>\n<p>J.J. Walsh,\u00a0<em>The Great Fire of Rome: Life and Death in the Ancient City<\/em>\u00a0(Witness to Ancient History),\u00a0Baltimore: Johns Hopkins University Press, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.07.06\/\">Review<\/a><\/p>\n<hr \/>\n<p>Bullettino della Commissione Archeologica Comunale di Roma 120 (2019).<\/p>\n<p><a href=\"http:\/\/195.231.2.149\/index.php?pg=SchedaTitolo&amp;key=00013619\">Contents<\/a><\/p>\n<hr \/>\n<p>M. C\u00e9beillac-Gervasoni &#8211; N. Laubry &#8211; F.\u00a0\u00a0Zevi (eds.),\u00a0<em>Ricerche su Ostia e il suo territorio\u00a0<\/em>(Collection de l\u2019\u00c9cole fran\u00e7aise de Rome, 553), Roma: \u00c9cole fran\u00e7aise de Rome, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.06.31\/\">Review<\/a><\/p>\n<hr \/>\n<p>M.C. Scappaticcio (ed.),\u00a0<em>Seneca the Elder and his rediscovered<\/em>\u00a0Historiae ab initio bellorum civilium.\u00a0<em>New Perspectives on Early-Imperial Roman Historiography<\/em>, Berlin-Boston: De Gruyter, 2020.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2021\/2021.01.23\/\">Review<\/a><\/p>\n<hr \/>\n<p>J. Schreyer,\u00a0<em>Zerst\u00f6rte Architektur bei Pausanias. Ph\u00e4nomenologie, Funktionen und Verh\u00e4ltnis zum zeitgen\u00f6ssischen Ruinendiskurs<\/em>\u00a0(Studies in Classical Archaeology 5), Turnhout: Brepols Publishers, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.07.03\/\">Review<\/a><\/p>\n<hr \/>\n<p>A. Agnolon,\u00a0<em>Discurso e Imagem, Ekphrasis e Retrato: Algumas Fontes Te\u00f3ricas Antigas<\/em>, Humanitas 75 (2020), 49-66.<\/p>\n<p><a href=\"https:\/\/impactum-journals.uc.pt\/humanitas\/article\/view\/_75_3\">Link<\/a><\/p>\n<hr \/>\n<p>J. Van Voorhis,\u00a0<em>The Sculptor&#8217;s Workshop<\/em>\u00a0(Aphrodisias 10), Wiesbaden: Reichert Verlag, 2018.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.06.23\/\">Review<\/a><\/p>\n<hr \/>\n<p>A. Poggio,\u00a0<em>Dynastic Deeds: Hunt scenes in the funerary imagery of the Achaemenid Eastern Mediterranean<\/em>\u00a0(BAR International Series 2974), Oxford: BAR Publishing, 2020.<\/p>\n<\/div>\n<div class=\"column\">\n<hr \/>\n<p>Z. Somhegyi &#8211; M. Ryyn\u00e4nen (eds.),\u00a0<em>Aesthetics in Dialogue. Applying Philosophy of Art in a Global World<\/em>, Berlin: Peter Lang, 2020.<\/p>\n<hr \/>\n<p><em>Bibliographie Papyrologique en ligne<\/em><\/p>\n<p><a href=\"http:\/\/www.aere-egke.be\/BP_enligne.htm\">Link<\/a><\/p>\n<hr \/>\n<p><em>Archivio di Documentazione Archeologica<\/em><\/p>\n<p><a href=\"http:\/\/ada.beniculturali.it\">Link<\/a><\/p>\n<hr \/>\n<p>E. Malaspina, <em>Sul significato di circumlitio: nota a Seneca, epist. 86, 6, Plinio, nat. 35, 133 e Quint. 8, 5, 26<\/em>, Bollettino di Studi latini 50.1 (2020), 156-178.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>H.-J. Hager, <em>Plinius \u00fcber die Ehe und den idealen Ehemann. Zur literarischen Inszenierung von Mannlichkeit und Emotionen in Ehe und Familie der r\u00f6mischen Kaiserzeit<\/em> (Kalliope &#8211; Studien zur griechischen und lateinischen Poesie 18), Heidelberg: Universit\u00e4tsverlag Winter, 2019.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>V. Platt, <em>Ecology, Ethics and Aesthetics in Pliny the Elder\u2019s Natural History<\/em>, Journal of the Clark Art Institute 17 (2018), 219\u2013242 (Special issue on Ecologies, Agents, Terrains).<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/43039195\/_Ecology_Ethics_and_Aesthetics_in_Pliny_the_Elder_s_Natural_History_Journal_of_the_Clark_Art_Institute_17_219_42_2018_special_issue_on_Ecologies_Agents_Terrains._\">Preview<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>S.G. Caneva, <em>Back to Rhodes: Pausanias, Rhodian inscriptions, and Ptolemy\u2019s civic acclamation as Soter<\/em>, Ancient History Bulletin 34.1-2 (2020).<\/p>\n<p><a href=\"https:\/\/ancienthistorybulletin.org\/purchase-articles-from-volume-30\/\">Link<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>A. Corso, <em>Fra Giocondo e i monumenti di Atene<\/em>, Acta Archaeologica Academiae Scientiarum Hungaricae 71 (2020), 231-238.<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/43214230\/FRA_GIOCONDO_E_I_MONUMENTI_DI_ATENE\">Link<\/a><\/p>\n<hr \/>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Y. Dureau (ed.), <em>Images sources de textes, textes sources d&#8217;images<\/em> (Int\u00e9grations des Savoirs et des Savoir-faire), Les Ulis: EDP Sciences, 2020.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>D. Vallat (ed.), <em>Martial et l&#8217;\u00e9pigramme satirique. Approches stylistiques et th\u00e9matiques<\/em> (Spudasmata 185), Hildesheim: Olms, 2020.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>M. De Souza &#8211; O. Devillers (eds.), <em>Neronia X: Le Palatin, \u00e9mergence de la colline du pouvoir \u00e0 Rome. De la mort d&#8217;Auguste au r\u00e8gne de Vespasien, 14-79 p.C.<\/em> (M\u00e9moires 55), Pessac: Ausonius Publications, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.05.39\/\">Review<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>N.T. Elkins, <em>A Monument to Dynasty and Death: the Story of Rome&#8217;s Colosseum and the Emperors who built it<\/em> (Witness to Ancient History), Baltimore: Johns Hopkins University Press, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.05.31\/\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>M. Papini (ed.), Opus imperfectum. <em>Monumenti e testi incompiuti del mondo greco e romano, Atti del Convegno, Sapienza Universit\u00e0 di Roma, 14-15 marzo 2019<\/em> (Scienze dell\u2019Antichit\u00e0 25.3), Roma: Sapienza Universit\u00e0 di Roma &#8211; Dipartimento di Scienze dell\u2019Antichit\u00e0, 2019.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><em>Gnomon Bibliographische Datenbank (GBD) <\/em><\/p>\n<p><a href=\"https:\/\/www.gbd.digital\/metaopac\/start.do?View=gnomon\">Website<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>D. Leith, <em>Asclepiades\u2019 Therapeutics in the Elder Pliny<\/em>, in L. Perilli &#8211; F. Stok (eds.), <em>Atti del seminario su Asclepiade di Bitinia<\/em> (Roma, 27 settembre 2018), Technai 10\u00a0(2019), 68-89.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"column\">\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>E. Malaspina, <em>Euphrat\u00e8s, Art\u00e9midore et ceux<\/em> \u2018qui sapientiae studium habitu corporis praeferunt\u2019 <em>(Ep., I, 22, 6): la place de la philosophie dans la culture de Pline<\/em>, in S. Morlet &#8211; Ch. Guerin &#8211; S. Aubert-Balliot (eds.), <em>La philosophie des non-philosophes dans l\u2019Empire romain (Ier-IIIe si\u00e8cles)<\/em>, (Orient &amp; M\u00e9diterran\u00e9e 32), Paris: \u00c9ditions de Boccard, 2019.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Biblioteca digitale di testi latini tardoantichi (DigilibLT)<\/p>\n<p><a href=\"https:\/\/digiliblt.uniupo.it\">Website<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>V. D\u2019Alba &#8211; F. Maggiore &#8211; V. Maraglino (eds.), <em>Enciclopedismo antico e moderno<\/em>, Fondazione Gianfranco Dioguardi (I Quaderni di Varia Cultura 12), Bari: Cacucci Editore, 2020.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>G. Alf\u00f6ldy &#8211; A. Chaniotis &#8211; Ch. Witschel (eds.), <em>Die epigraphische Kultur der R\u00f6mer: Studien zu ihrer Bedeutung, Entwicklung und Erforschung<\/em> (Alte Geschichte 50), Stuttgart: Franz Steiner Verlag, 2018.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.04.25\/\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>P.P. Hogan, <em>A Student Commentary on Pausanias<\/em>, Book 2 (Michigan Classical Commentaries), Ann Arbor: University of Michigan Press, 2018.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.04.19\/\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>G. Cianciolo Cosentino, <em>Dislocazione, musealizzazione e ricezione dei reperti pompeiani: il caso delle colonne a mosaico<\/em>, Mitteilungen des Kunsthistorischen Institutes in Florenz 61.3 (2019), 364-387.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>G. Marginesu, <em>Segreti di bottega e trasparenza amministrativa. Il caso della fusione del bronzo nell\u2019Attica classica<\/em>, Annuario della Scuola Archeologica di Atene e delle Missioni Italiane in Oriente 97 (2019), 381-386.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>I. Romeo &#8211; D. Panariti &#8211; M. Rodin\u00f2, <em>Le indagini dell&#8217;Universit\u00e0 di Firenze a Cosa (Orbetello GR): le campagne 2016-18<\/em>, Bollettino di Archeologia online 10 (2019\/3-4), 43-56.<\/p>\n<p><a href=\"https:\/\/bollettinodiarcheologiaonline.beniculturali.it\/app\/uploads\/2019\/12\/2019_3-4_ROMEO_et_al.pdf\">View here<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>G. Amara, <em>Quanti Templi per la Vittoria di Himera? Nuove Evidenze dall\u2019<\/em>Athenaion<em> di Siracusa<\/em>, in M. Jonasch (ed.), <em>The Fight for Greek Sicily. Society, Politics, and Landscape,<\/em> Oxford-Philadelphia: Oxbow Books, 2020, 213-241.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>E. Kokiasmenou &#8211; C. Caliri &#8211; V. Kantarelou &#8211; A.G. Karydas &#8211; F.P. Romano &#8211; H. Brecoulaki, <em>Macroscopic XRF imaging in unravelling polychromy on Mycenaean wall-paintings from the Palace of Nestor at Pylos<\/em>, Journal of Archaeological Science Reports 29 (2020), 1-12.<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/42818001\/Macroscopic_XRF_imaging_in_unravelling_polychromy_on_Mycenaean_wall-_paintings_from_the_Palace_of_Nestor_at_Pylos?email_work_card=title\">View here<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>S. Settis &#8211; C. Gasparri (eds.), <em>I marmi di Torlonia<\/em>, Roma: Electa, 2020.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<p>N. Goldschmidt &#8211; B. Graziosi (eds.),\u00a0<i>Tombs of the Ancient Poets: Between Literary Reception and Material Culture<\/i>, Oxford-New York: Oxford University Press, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7a23a813b5&amp;e=bfaf914d18\" target=\"_blank\" rel=\"noopener\">Review<\/a><\/p>\n<hr \/>\n<p>R.S.O. Tomlin,\u00a0<em>Britannia Romana. Roman Inscriptions and Roman Britain<\/em>, Oxford-Philadelphia: Oxbow Books, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2d54e3dcb6&amp;e=bfaf914d18\">Review<\/a><\/p>\n<hr \/>\n<p>M. Cadario,\u00a0<i>Scultori girovaghi. Spunti di riflessione sulla mobilit\u00e0 degli artefici nel mondo antico<\/i>,\u00a0in C. Bearzot &#8211; F. Landucci &#8211; G. Zecchini (eds.),\u00a0<i>Migranti e lavoro qualificato nel mondo antico\u00a0<\/i>(Contributi dell\u2019Istituto Italiano di Storia Antica &#8211; CISA 17), Milano: Vita e Pensiero, 2019, 93-128.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ff55f762df&amp;e=bfaf914d18\" target=\"_blank\" rel=\"noopener\">Link\u00a0<\/a><\/p>\n<hr \/>\n<p>A.Corso,\u00a0<em>A miniature clay copy of the Knidian Aphrodite from Tarsus<\/em>, G\u00fclnar, 2019, 11-15.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=bd9ab7d807&amp;e=bfaf914d18\">Link\u00a0<\/a><\/p>\n<hr \/>\n<p>F. Figura,\u00a0<em>Il destino di un vaso. La\u00a0<\/em>lekanis<em>del Pittore di Berlino, dalla bottega al\u00a0<\/em>Persephoneion<em>locrese<\/em>, ASAA\u00a097 (2019), 114-129.<\/p>\n<hr \/>\n<p>T. Geue,\u00a0<i>Author Unknown. The Power of Anonymity in Ancient Rome<\/i>, Cambridge, MA-London: Harvard University Press, 2019.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9a02f43c0a&amp;e=bfaf914d18\" target=\"_blank\" rel=\"noopener\">Review<\/a><\/p>\n<hr \/>\n<p>A.G\u00f3mez Rabal &#8211; J. Hamesse &#8211; M. Pav\u00f3n Ram\u00edrez (eds.),\u00a0<em>El lenguaje del arte. Evoluci\u00f3n de la terminolog\u00eda espec\u00edfica de manuscritos y textos\u00a0<\/em>(Textes et Etudes du Moyen \u00c2ge &#8211; TEMA 94), Turnhout: Brepols, 2019.<\/p>\n<hr \/>\n<p>P. Persano,\u00a0<i>L\u2019amazzone tardo-arcaica dagli Horti Sallustiani: riesame di una scultura greca a Roma<\/i>, ASAA\u00a097\u00a0(2019), 93-113.<\/p>\n<hr \/>\n<p>\u00c9. Prioux,\u00a0<em>Autour de la\u00a0<\/em>Vache<em>\u00a0de Myron: de l\u2019\u00e9loge de l\u2019<\/em>opus nobile<em>\u00a0\u00e0 la r\u00e9flexion sur les genres et les sujets en po\u00e9sie<\/em>, in\u00a0<em>Le bouvier dans la po\u00e9sie hell\u00e9nistique et le roman grec<\/em>, Aitia, 9.1, 2019.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=93ee68c548&amp;e=bfaf914d18\">Details<\/a><\/p>\n<hr \/>\n<p>E. Carrara,\u00a0<em>Robortello, Vettori e Borghini: il tema della rappresentazione nei testi di Aristotele<\/em>, in\u00a0M. Bouquet &#8211; S. Cappello &#8211; M. Magnien (eds<em>.),\u00a0Francesco Robortello. R\u00e9ception des Anciens et construction de la modernit\u00e9<\/em>, Rennes: PUR,\u00a02020, 305-316.<\/p>\n<hr \/>\n<p>A. Fear &#8211; J. Wood (eds.),\u00a0<i>A Companion to Isidore of Seville\u00a0<\/i>(Brill\u2019s Companions to the Christian Tradition 87), Leyde-Boston: Brill, 2020 .<\/p>\n<hr \/>\n<p><em><strong>AgroCCol<\/strong><\/em><\/p>\n<p><a href=\"https:\/\/agroccol.hypotheses.org\/\">Link<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>J. Tom\u00e1s Garc\u00eda, <em>Cuestiones f\u00edsicas en los manuscritos iluminados de Arist\u00f3teles del Real Colegio de Espa\u00f1a en Bolonia<\/em>, Bologna: Bononia University Press, 2018<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/37911452\/Cuestiones_f%C3%ADsicas_en_los_manuscritos_iluminados_de_Arist%C3%B3teles_del_Real_Colegio_de_Espa%C3%B1a_en_Bolonia\">Link<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>N. Coffee, L. Galli Milic, D. Neils (eds.), <em>Intertextuality in Flavian Epic Poetry. Contemporary Approaches<\/em> (Trends in Classics &#8211; Supplementary Volumes 64), Berlin-Boston: De Gruyter, 2020.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>G. Adornato, E. Falaschi, A. Poggio (eds.), <em>\u03a0\u03b5\u03c1\u1f76 \u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u1fc6\u03c2. Pittori, Tecniche, Trattati, Contesti tra Testimonianze e Ricezione<\/em> (Archeologia e Arte antica), Milano: LED, 2019.<\/p>\n<p><a href=\"https:\/\/www.oltreplinio.it\/it\/%cf%80%ce%b5%cf%81%e1%bd%b6-%ce%b3%cf%81%ce%b1%cf%86%ce%b9%ce%ba%e1%bf%86%cf%82-pittori-tecniche-trattati-contesti-tra-testimonianze-e-ricezione\/\">Link<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>N. Lamare, <em>Les fontaines monumentales en Afrique romaine<\/em> (Collection de l\u2019\u00c9cole fran\u00e7aise de Rome, 557). Roma: \u00c9cole fran\u00e7aise de Rome, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.03.23\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>I. Leonardis, <em>Varrone<\/em>, <em>&#8216;unus scilicet antiquorum hominum&#8217;: senso del passato e pratica antiquaria<\/em> (Biblioteca di Athenaeum 62). Bari: Edipuglia, 2019.<\/p>\n<p><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.03.25\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>M. Bonazzi, E. Falaschi, M.S. Funghi, <em>P.Vind. inv. 29800r: testo di filosofia platonica (?), in Corpus dei papiri filosofici greci e latini (CPF). Testi e lessico nei papiri di cultura greca e latina. Parte II.1: frammenti adespoti,<\/em> Firenze: Olschki, 2019, 228-255.<\/p>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<hr \/>\n<p>E. Lonati, <em>Plinio il Vecchio e Vincenzo di Beauvais: Quale modello di \u00abNaturalis historia\u00bb per lo \u00abSpeculum Maius\u00bb?<\/em>, Filologia Mediolatina 25 (2018), 323-352.<\/p>\n<hr \/>\n<p>E. Lonati, <em>Bartolomeo Anglico, &#8216;the English Pliny&#8217;?<\/em>, Archivum Latinitatis Medii Aevii 76 (2018), 223-278<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<p>J.F. Drinkwater, <em>Nero: Emperor and Court<\/em>, Cambridge &#8211; New York: Cambridge University Press, 2019.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=4da3882605&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D4da3882605%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1583007717757000&amp;usg=AFQjCNE3LTLAJEQERC8341pNIeGlzZ-UlA\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">L. Donovan Ginsberg, D.A. Krasne (eds.), <em>After 69 CE \u2013 Writing Civil War in Flavian Rome<\/em> (Trends in classics \u2013 Supplementary volumes, 65), Berlin &#8211; Boston: De Gruyter, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=316a53032b&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D316a53032b%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1583007717757000&amp;usg=AFQjCNFUYNr3zEKLVd5LWz6ATqyziC0omA\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">C. Vendries (ed.), <em>Cornua de Pomp\u00e9i<\/em>, Rennes: Presses Universitaires de Rennes, 2019.<\/p>\n<hr \/>\n<div>F. Spatafora (ed.), <em>Palermo capitale del Regno. I Borbone e l\u2019archeologia a Palermo, Napoli e Pompei<\/em>, Palermo: Palermo University Press, 2019.<\/div>\n<hr \/>\n<div>\n<p>A. Kampakoglou, A. Novokhatko (eds.), <em>Gaze, Vision, and Visuality in Ancient Greek Literature<\/em> (Trends in classics\u00a0\u2013 Supplementary volumes, 54), Berlin &#8211; Boston: Walter de Gruyter, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c539de46bb&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc539de46bb%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1583007717757000&amp;usg=AFQjCNFkRVWQ-UIZG3irGzkj-uZLEXKB5Q\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">J.L. Baker, <em>Technology of the Ancient Near East. From the Neolithic to the Early Roman Period<\/em>, London &#8211; New York: Routledge, 2019.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9c98e0edc9&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D9c98e0edc9%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1583007717757000&amp;usg=AFQjCNFTnw-l4Kd7r_WH8fsl0uliRQly_A\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">M. Gonz\u00e1lez Gonz\u00e1lez, <em>Funerary Epigrams of Ancient Greece: Reflections on Literature, Society and Religion<\/em>, London: Bloomsbury Academic, 2019.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b0986c3936&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db0986c3936%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1583007717757000&amp;usg=AFQjCNFTLtpoBx2mwhrz9RTP9pwoKJZsTg\">Review<\/a><\/p>\n<hr \/>\n<div>\n<p><em>AVI Project &#8211; Attic Vase Inscriptions Project<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=169af39a0f&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D169af39a0f%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1583007717757000&amp;usg=AFQjCNE0umuvtnSACgiv8BhjkJviB50Fvw\">Link<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">F. Jonietz, W.-D. L\u00f6hr, A. Nova (eds.), <em>Ghiberti Teorico. Natura, arte e coscienza storica nel Quattrocento<\/em>, Milano: Officina Libraria, 2019.<\/p>\n<\/div>\n<div>\n<hr \/>\n<p id=\"m_8843098805965348532docs-internal-guid-7efee265-7fff-5cd4-387c-047eb09a0abf\" dir=\"ltr\">A. Luciano,\u00a0<em>Gli ultimi giorni del comandante\u00a0<span class=\"il\">Plinio<\/span><\/em>, Marlin editore, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">K. Stuart Lee,\u00a0<em>Cityscapes in Roman painting: the place of the amphitheater riot fresco from Pompeii<\/em>, New Classicists 2 (2020).<\/p>\n<hr \/>\n<p dir=\"ltr\">C. Brain,\u00a0<em>Painting by Numbers: A Quantitative Approach to Roman Art<\/em>, Theoretical Roman Archaeology Journal 2.1 (2019), 10.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=47d2b223c4&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D47d2b223c4%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1582450428998000&amp;usg=AFQjCNF4qUGWWeC8K2HVsgwtnnOdXXTonQ\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">G. Benedetti,\u00a0<em>Quando gli attributi travalicano il signum. Riflessioni sull\u2019identit\u00e0 visuale degli d\u00e8i a Roma<\/em>\u00a0=\u00a0<em>When attributes go beyond the signum. Remarks on the visual identity of the gods in Rome<\/em>, in\u00a0<em>Vestir divinamente. Deidades y cultores arropados o desnudos<\/em>\u00a0=\u00a0<em>Dressing Divinely. Clothed or Naked Deities and Devotees<\/em>, Arys 17 (2019), 105-137.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7e28e9630a&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7e28e9630a%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1582450428998000&amp;usg=AFQjCNGh9Doodf3xI_pJ38rBiyrM-Kj9wg\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">A. Trakadas,\u00a0<em>In Mauretaniae maritimis: Marine Resource Exploitation in a Roman North African Province<\/em>\u00a0(Geographica historica 40), Stuttgart: Franz Steiner Verlag, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=588d62d77c&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D588d62d77c%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1582450428998000&amp;usg=AFQjCNGIT3U--4wsf7yZoXgxttZ6yzYhiA\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">A. Augoustakis &#8211; E. Buckley &#8211; C. Stocks (eds.),\u00a0<em>Fides in Flavian literature<\/em>, Toronto: University of Toronto Press, 2019.<\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/bmcr.brynmawr.edu\/2020\/2020.07.26\/\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">C. Nobili,\u00a0<em>The sanctuary of Delphi in Heliodorus\u2019 Aethiopica: Between material culture and intertextuality<\/em>, Ancient Narrative 16 (2019).<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=fad419901b&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dfad419901b%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1582450428998000&amp;usg=AFQjCNG0gzLoQJg-VHzLHA3Lq-_8lif1mg\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">J. Leith Fink (ed.),\u00a0<em>Phantasia in Aristotle\u2019s Ethics. Reception in the Arabic, Greek, Hebrew and Latin Traditions\u00a0<\/em>(Bloomsbury Studies in the Aristotelian Tradition), London: Bloomsbury Academic, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">H.L. Reid &#8211; J.C. DeLong,\u00a0<em>The Many Faces of Mimesis: Selected Essays from the third Symposium on the Heritage of Western Greece\u00a0<\/em>(The Heritage of Western Greece 3), Sioux City: Parnassos Press \u2013 Fonte Aretusa, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">M.F. Ferrini &#8211; G. Giglioni, (eds.),\u00a0<em>Tra il visibile e l\u2019invisibile. Testi di fisiognomica nella tradizione greco-latina e arabo-islamica. Between the visible and the invisible: texts of physiognomics in the Greek-Latin and Arab-Islamic traditions<\/em>, Macerata: eum, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\"><em>e-codices<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=3998b97792&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D3998b97792%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1582450428998000&amp;usg=AFQjCNHRWlIFWqA7A301_F33qsLnKJSBsw\">Link<\/a><\/p>\n<hr \/>\n<p>C. Balmaceda (ed.),\u00a0<em>Miriam T. Griffin, Politics and Philosophy at Rome: Collected Papers<\/em>, Oxford &#8211; New York: Oxford University Press, 2018.<\/p>\n<p><u>Focus on<\/u>:<\/p>\n<\/div>\n<ul>\n<li>ch. 16:\u00a0<em>Pliny and Tacitus<\/em><\/li>\n<li>ch. 19:\u00a0<em>Pliny\u2019s Letters, between History and E-mail\u00a0<\/em><\/li>\n<li>ch. 38:\u00a0<em>Seneca and Pliny<\/em><\/li>\n<li>ch. 43:\u00a0<em>The Younger Pliny&#8217;s Debt to Moral Philosophy<\/em><\/li>\n<li>ch. 45:\u00a0<em>The Elder Pliny on Philosophers<\/em><\/li>\n<\/ul>\n<div><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=1ea3c023e4&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D1ea3c023e4%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1580127184326000&amp;usg=AFQjCNGYIbLqoJybuBjdYW0mRljywmVkiw\">Review<\/a><\/div>\n<hr \/>\n<div>M. Courrent,\u00a0<em>Vitruuius auctor. L&#8217;\u0153uvre litt\u00e9raire de Vitruve et sa r\u00e9ception dans la litt\u00e9rature antique (Ier-Ve si\u00e8cles)<\/em>, Bordeaux: Ausonius \u00c9ditions, 2019.<\/div>\n<hr \/>\n<div>\n<p>J. Magness,\u00a0<em>Masada: From Jewish Revolt to Modern Myth<\/em>, Princeton &#8211; Oxford: Princeton University Press, 2019.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=d55d1a9d73&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dd55d1a9d73%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1580127184326000&amp;usg=AFQjCNEulwjWgFRxRV0hqcvuSit8xogOFA\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p>C. Beltr\u00e3o, I<em>m\u00e1genes de los dioses en Cicer\u00f3n: L\u00edmites y contradicciones de la teolog\u00eda epic\u00farea sobre la imagen divina en De natura deorum I<\/em>, Auster 23 (2018), 9-20.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ca224dbfa8&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dca224dbfa8%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1580127184326000&amp;usg=AFQjCNGekw70H2l2VznRPZcBQ6uWdxjx6g\">Link<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\"><em>Alpheios<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=fbc099f78d&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dfbc099f78d%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1580127184326000&amp;usg=AFQjCNFdqqcFw76Li5rNA2aNX-teHKsDqA\">Website<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">B.H. Isaac,\u00a0<em>Empire and Ideology in the Graeco-Roman World: Selected Papers<\/em>, Cambridge &#8211; New York: Cambridge University Press, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f2af921d4e&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df2af921d4e%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1580127184326000&amp;usg=AFQjCNH16__rZ5ctf_kuRMip1VuazRzvHw\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">O. Fuoco,\u00a0<em>La sorgente termale di Abano: da paesaggio naturale (Claud., carm. min. 26) a paesaggio morale (G. A. Augurelli, carm. 2, 12)<\/em>, Bollettino di studi latini 49 (2019), 671-677.<\/p>\n<hr \/>\n<p id=\"m_1465895158342881855docs-internal-guid-78520523-7fff-2cbb-9d52-d6d095634e6d\" dir=\"ltr\">J. Tom\u00e1s Garc\u00eda,\u00a0<em>L\u00e9xico, usos y espacios de las im\u00e1genes de culto en las leyes sagradas griegas \/ Lexicon, uses and spaces of the cult images in the Greek sacred laws<\/em>, in\u00a0<em>Vestir divinamente. Deidades y cultores arropados o desnudos \/ Dressing Divinely. Clothed or Naked Deities and Devotees<\/em>, Arys 17 (2019), 13-35.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9d5285a087&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D9d5285a087%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1580127184326000&amp;usg=AFQjCNHJJPne4p3-HMrovsbsBk_ZEls3jg\">Link<\/a><\/p>\n<hr \/>\n<p>A. Corso,\u00a0<em>The Masters of the Mausoleum of Halicarnassus<\/em>, NumAntCl 48 (2019), 45-62.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=64a843a792&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D64a843a792%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014749665000&amp;usg=AFQjCNFmLhBnUeK5GkgF8EqppoaYwBTd5g\">Link<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p>L. Bodiou &#8211; V.\u200b Mehl (eds.),\u00a0<em>Dictionnaire du corps dans l\u2019Antiquit\u00e9. Histoire\u200b<\/em>, Rennes: Presses Universitaires de Rennes, 2019.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9daf28ffbd&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D9daf28ffbd%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014749665000&amp;usg=AFQjCNGtM8CZOf3BeqvZ4f1UQVmQMAvEQw\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">M.F. Ferrini,\u00a0<em>Chromata. Lessico dei termini greci di colore<\/em>, vol. 1: alpha, Macerata: Eum, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">S.D. Bundrick,\u00a0<em>Athens, Etruria, and the Many Lives of Greek Figured Pottery<\/em>\u00a0(Wisconsin studies in classics), Madison: University of Wisconsin Press, 2019.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=a54c0564bc&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Da54c0564bc%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014749665000&amp;usg=AFQjCNGEzQfGoIbJRSwr9Kqe9Vs8p-JvRw\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">C. Beltr\u00e3o,\u00a0<em>Apolo, H\u00e9rcules e Chrysas no De signis de C\u00edcero (Verr. 2.4.93-96)<\/em>, Romanitas 13 (2019), 20-32.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b78646aede&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db78646aede%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014749665000&amp;usg=AFQjCNF0CGIyKPjtpW-uEGzlJDxnt_irQw\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">M. De Nonno,\u00a0<em>Spicilegio critico serviano (con una congettura a Plin. \u2018dub. serm.\u2019 fr 122 Mazzarino)<\/em>, Res Publica Litterarum 41 (2018), 5-16.<\/p>\n<hr \/>\n<p dir=\"ltr\">S. Thavapalan &#8211; D.A. Warburton,\u00a0<em>The Value of Colour. Material and Economic Aspects in the Ancient World\u00a0<\/em>(Berlin Studies of the Ancient World 70), Berlin: Edition Topoi, 2020.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ce8458f3a6&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dce8458f3a6%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014749665000&amp;usg=AFQjCNECdP0DYi-01GF--qkfyLFmAn-VfA\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">M. Osanna,\u00a0<em>Pompei. Il tempo ritrovato. Le nuove scoperte<\/em>, Milano: Rizzoli, 2019.<\/p>\n<hr \/>\n<div>\n<p>A. Augoustakis, R.J.\u00a0Littlewood (eds.),<em>\u00a0Campania in the Flavian Poetic Imagination<\/em>, Oxford &#8211; New York: Oxford University Press, 2019.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8c94f83ede&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8c94f83ede%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014749665000&amp;usg=AFQjCNEcnNRK6Uoh6eoUqc1YqyN11KHUXQ\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p>L.S.\u00a0Nasrallah,\u00a0<em>Archaeology and the Letters of Paul<\/em>, Oxford &#8211; New York: Oxford University Press, 2019.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5fe3f22041&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5fe3f22041%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014749665000&amp;usg=AFQjCNECT2xo_vQK45ACtl2ewwfmmEv3vA\">Preview<\/a>\u00a0|\u00a0<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ae99626be7&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dae99626be7%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014749665000&amp;usg=AFQjCNF3vYx7UGpfbtbg0vUuxtjt2lVpNQ\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p>C.L.C.E. Witcombe,\u00a0<em>Eye and Art in Ancient Greece: A Study in Archaeoaesthetics<\/em>, Turnhout: Brepols, 2018.<\/p>\n<p><u>Focus on<\/u>: ch 1. Pliny and Pausanias<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f54a53e889&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df54a53e889%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014749665000&amp;usg=AFQjCNFKz86ho3cWe_ZYXypqdrD_afjV_w\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">W. Childs,\u00a0<em>Greek art and aesthetics in the fourth century B.C.<\/em>\u00a0Princeton: Princeton University Press, 2018.<\/p>\n<hr \/>\n<div>\n<p>M. Tel\u00f2 &#8211; M. Mueller (eds.),\u00a0<em>The Materialities of Greek Tragedy: Objects and Affect in Aeschylus, Sophocles, and Euripides<\/em>, London: Bloomsbury, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6bd0c3f1e3&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6bd0c3f1e3%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014749665000&amp;usg=AFQjCNE2k4UoMtltQLStyHsc1NtlivsSzQ\">Preview<\/a>\u00a0|\u00a0<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7b923cd7ae&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7b923cd7ae%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014749665000&amp;usg=AFQjCNGbsLoQgcGNSM6FqXs_yrQaUr72tA\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\"><em>The Database of Byzantine Book Epigrams (DBBE)<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6fadba70ce&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6fadba70ce%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014749665000&amp;usg=AFQjCNFMavHDTNLOPIM6v0rRpGDAMWbzHw\">Website<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">B. McNair,\u00a0<em>Cristoforo Landino: His Works and Thought<\/em>\u00a0(Medieval and Renaissance Authors and Texts 21), Leiden: Brill, 2019.<\/p>\n<hr \/>\n<p id=\"m_8334526375607964568docs-internal-guid-c8a94c75-7fff-91c7-582d-51eb3b049bd9\" dir=\"ltr\">Y. Hunt,\u00a0<em>The Medicina Plinii: Latin Text, Translation, and Commentary<\/em>, with an introduction by Kai Brodersen (Scientific Writings from the Ancient and Medieval World), Abingdon &#8211; New York: Routledge 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">F. Slavazzi &#8211; C. Torre (eds.),\u00a0<em>Intorno a Tiberio 2. Indagini iconografiche e letterarie sul Principe e la sua epoca<\/em>\u00a0(Materia e arte 2), Firenze: All\u2019insegna del giglio, 2018.<\/p>\n<p><u>Focus on<\/u>:<\/p>\n<ul dir=\"ltr\">\n<li>M. Rossetti&#8217;s article,\u00a0<em>Impensius scire iuuat. Forme della conoscenza della Natura nella cultura\u00a0della prima et\u00e0 imperiale<\/em>,\u00a031-40.<\/li>\n<li>M. Cadario&#8217;s article,<em>\u00a0Il racconto di Ovidio delle processioni trionfali di Tiberio negli anni dell\u2019esilio a Tomi. Il confronto con la tradizione iconografica<\/em>,\u00a051-56 (<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=a188ceb037&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Da188ceb037%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014976646000&amp;usg=AFQjCNGYhfganO08zAiszsXeP9by2Qf5Uw\">Link<\/a>).<\/li>\n<li>F. Slavazzi&#8217;s article,\u00a0<em>Tiberio collezionista: le opere e i gusti artistici<\/em>,\u00a057-62.<\/li>\n<\/ul>\n<hr \/>\n<p dir=\"ltr\">C. Whitton,\u00a0<em>The arts of imitation in Latin prose: Pliny&#8217;s &#8220;Epistles&#8221;\/Quintilian in brief<\/em>. Cambridge &#8211;\u00a0 New York: Cambridge University Press, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">J. Robinson Telg Genannt Kortmann,\u00a0<em>Hannibal ad portas: Silius Italicus, &#8216;Punica&#8217; 12,507-752. Einleitung, \u00dcbersetzung und Kommentar<\/em>, Heidelberg: Universit\u00e4tsverlag Winter, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2f4a7b9d21&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2f4a7b9d21%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014976646000&amp;usg=AFQjCNFNlNWBxn8uD9JjaKIxSn5_-4k73A\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><em>Diogenes<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=101da28452&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D101da28452%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014976646000&amp;usg=AFQjCNHOKvV2azrfP25zFJ9n4F46m9XCFA\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">D.Y. Ng, M. Swetnam-Burland (eds.),\u00a0<em>Reuse and Renovation in Roman Material Culture: Functions, Aesthetics, Interpretations<\/em>, Cambridge: Cambridge University Press, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6326d80564&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6326d80564%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014976646000&amp;usg=AFQjCNG7cc8f69Ydzth-4Ex0ahaNanIhOQ\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">R. Kendall,\u00a0<em>The Boscoreale Cups: What level of historical specificity was intended in the Tiberius Cup?<\/em>, New Classicists 1 (2019).<\/p>\n<hr \/>\n<p dir=\"ltr\">G. Wolf,\u00a0<em>Die Vase und der Schemel. Ding, Bild oder eine Kunstgeschichte der Gef\u00e4\u00dfe<\/em>\u00a0(Connecting Art Histories in the Museum 4), Dortmund: Verlag Kettler, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">S. Rebeggiani, M.P. Loar, S. Murray (eds.),\u00a0<em>The Cultural History of Augustan Rome: Texts, Monuments, and Topography<\/em>, Cambridge: Cambridge University Press, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">C. Soares &#8211; J.L. Brand\u00e3o &#8211; P.C. Carvalho (eds.),\u00a0<em>Hist\u00f3ria Antiga: rela\u00e7\u00f5es interdisciplinares: paisagens urbanas, rurais &amp; sociais<\/em>, Coimbra: Imprensa da Universidade de Coimbra, 2018.<\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b4febf0389&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db4febf0389%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014976646000&amp;usg=AFQjCNGmSVBxmlsov-c4aw_pHE9MFOs0nA\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">N. Cassone, C. Dazzi, F. Fontana, F. Garbasi,\u00a0<em>Roma in Appennino: storia e civilt\u00e0 lungo la via romana Parma-Lucca<\/em>, Reggio Emilia: Compagnia editoriale Aliberti, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">M. Aurenhammer,\u00a0<em>Sculpture in Roman Asia Minor. Proceedings of the International Conference at Sel\u00e7uk, 1st &#8211; 3 rd October 2013<\/em>\u00a0(SoSchr\u00d6AI 56), Wien: Holzhausen, 2018.<\/p>\n<hr \/>\n<div>\n<p id=\"m_2843315788439795617docs-internal-guid-29362949-7fff-e40a-361d-b17f9ccf5ddb\" dir=\"ltr\">C. Facchini,\u00a0<em>La <\/em>Naturalis Historia<em> di Gaio Plinio Secondo<\/em>, Atti della Societ\u00e0 dei Naturalisti e Matematici di Modena 147 (2016), 335-345.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8994fe86f1&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8994fe86f1%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1569948823439000&amp;usg=AFQjCNEMTlDx6Rb_GYebo4S_ssj0gOLz-A\">Link<\/a><\/p>\n<hr \/>\n<p id=\"m_2843315788439795617docs-internal-guid-29362949-7fff-e40a-361d-b17f9ccf5ddb\" dir=\"ltr\">F. Montaguti, <em>L\u2019intervento di restauro del volume dell\u2019<\/em>Historia Mundi Naturalis <em>di Plinio del 1582<\/em>,<em>\u00a0<\/em>Atti della Societ\u00e0 dei Naturalisti e Matematici di Modena 147 (2016), 347-349.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6b83f2882f&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6b83f2882f%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1569948823439000&amp;usg=AFQjCNGKUhKLRIfr3TcHiKzUVktOL1AFtg\">Link<\/a><\/p>\n<hr \/>\n<p id=\"m_2843315788439795617docs-internal-guid-29362949-7fff-e40a-361d-b17f9ccf5ddb\" dir=\"ltr\">G. Vannini (ed.),<em> Plinio il Giovane. 50 Lettere<\/em>, Milano: Mondadori, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">O. Palagia, <em>Handbook of Greek Sculpture<\/em>, Berlin &#8211; Boston: De Gruyter, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">G.A. Aristodemou &#8211; T.P. Tassios (eds.), <em>Great Waterworks in Roman Greece. Acqueducts and Monumental Fountains Structures. Function in Context <\/em>(Archaeopress Roman Archaeology 35), Oxford: Archaeopress Publishing, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">C. Zaccagnino, <em>The Aedes Aemiliana Herculis in the Forum Boarium: New Considerations<\/em>, Mouseion 16.2 (2019), 197-225.<\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b30e05a66a&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db30e05a66a%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1569948823439000&amp;usg=AFQjCNFp1qseptMnWUJ4lbnUZ58MtDFMbA\">Abstract<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><em>Images of Rome. The Rodolfo Lanciani Digital Archive<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f4623014ee&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df4623014ee%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1569948823439000&amp;usg=AFQjCNFJdVLbsybhopCTZVFcDhRNqcR7yQ\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">M. Barbanera, <em>Le disgrazie altrui [non] siano un ornamento per la propria patria (Polyb., IX.10)<\/em>, in M. Modolo, S. Pallecchi, G. Volpe, E. Zanini (eds.), <em>Una lezione di archeologia globale. Studi in onore di Daniele Manacorda<\/em>, Bari: Edipuglia, 2019, 51-55.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b1141162b5&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db1141162b5%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1569948823440000&amp;usg=AFQjCNG29fhINLa7ylvwQ5WG9XunN3dfRQ\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">S. Bracci, D. Magrini, G. Bartolozzi, <em>Painted or not painted? Discovering color traces of ancient stones<\/em>, Color Culture and Science Journal 11 (2019), 47\u201356.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f3f8a4b32b&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df3f8a4b32b%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1569948823440000&amp;usg=AFQjCNGdFLeqJGa5B5jtGuB1-7TmcxrPlA\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">A. Petrovic &#8211; I. Petrovic &#8211; E. Thomas (eds.), <em>The Materiality of Text: Placement, Perception, and Presence of Inscribed Texts in Classical Antiquity<\/em> (Brill Studies in Greek and Roman Epigraphy 11), Leiden &#8211; Boston: Brill, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=1b9a35a5c9&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D1b9a35a5c9%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1569948823440000&amp;usg=AFQjCNH5DhIlzo8_N9tgwypo3WRmpVugqg\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><em>ToposText<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9bbe56c5be&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D9bbe56c5be%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1569948823440000&amp;usg=AFQjCNFqwZLDn4A8-uBesPUYzjGnkO6V-g\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">M. Wellington Gahtan &#8211; E.M. Troelenberg (eds.),<em> Collecting and Empires. An Historical and Global Perspective<\/em>, London &#8211; Turnhout: Harvey Miller Publishers, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">E. Carrara, <em>Vasari e Ammannati nel cantiere della villa medicea di Castello: due disegni del Metropolitan Museum of Art di New York<\/em>, Opus incertum 2018, 44-53.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=d4cbc39eda&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dd4cbc39eda%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1569948823440000&amp;usg=AFQjCNG4WvFHB25n3X6nBt9eHzm_TXB2bA\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><span style=\"font-size: 14px;\">Y. Benferhat, <\/span><em style=\"font-size: 14px;\">L&#8217;eau et le plaisant: Usages et repr\u00e9sentations de l&#8217;eau dans l&#8217;oeuvre de Pline le Jeune<\/em><span style=\"font-size: 14px;\">, Bruxelles: Peter Lang, 2019.<\/span><\/p>\n<div>\n<hr \/>\n<p dir=\"ltr\">G. Vannini (ed.),<em> <span class=\"il\">Plinio<\/span> il Giovane, Panegirico a Traiano<\/em>, Milano: Mondadori, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">A. Canobbio, <em><span class=\"il\">Plinio<\/span> il Giovane, Svetonio e un invito a pubblicare: analisi intertestuale dell&#8217;epistola 5.10<\/em>, in <em>Atti del Convegno internazionale Letteratura e societ\u00e0 nella cultura romana imperiale (Siena 23-24 febbraio 2017)<\/em>, SIFC 16 (2018), 52-72.<\/p>\n<hr \/>\n<p dir=\"ltr\">M.F. Nichols, <em>Author and Audience in Vitruvius&#8217; &#8216;De architectura&#8217; (Greek culture in the Roman world)<\/em>, Cambridge: Cambridge University Press, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0b17857071&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0b17857071%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1565198156279000&amp;usg=AFQjCNF6ylU5-82MN5cU7JgyKc0q-xflXg\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">D. Spencer, <em>Language and Authority in De Lingua Latina. Varro&#8217;s Guide to Being Roman<\/em>, Madison: University of Wisconsin Press, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">P. Lohmann (ed.), <em>Historische Graffiti als Quellen. Methoden und Perspektiven eines jungen Forschungsbereichs<\/em>, Stuttgart: Franz Steiner Verlag, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ddf6fa3a5a&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dddf6fa3a5a%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1565198156279000&amp;usg=AFQjCNG7XBtIIXtl3mD2X_uttnEliAIDFQ\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">K. Lapatin (ed.), <em>Buried by Vesuvius: The Villa dei Papiri at Herculaneum<\/em>, Los Angeles: Getty Publications, 2019.<\/p>\n<p dir=\"ltr\"><a href=\"http:\/\/bmcr.brynmawr.edu\/2020\/2020-01-40.html\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">R. Dubbini (ed.), <em>I confini di Roma. Atti del convegno internazionale (Universit\u00e0 degli Studi di Ferrara, 31 maggio &#8211; 2 giugno 2018) <\/em>(MOUSAI. Laboratorio di archeologia e storia delle arti, 13), Pisa: Edizioni ETS, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">I. Nova, <em>L\u2019Odissea del Pittore di Penelope<\/em>, in S. Barbantani \u2013 A. Porro (eds.), <em>\u0394\u03cc\u03c3\u03b9\u03c2 \u03b4\u2019 \u1f40\u03bb\u03af\u03b3\u03b7 \u03c4\u03b5 \u03c6\u03af\u03bb\u03b7 \u03c4\u03b5. Studi offerti a Mario Cantilena per i suoi 70 anni<\/em>, Milano: Vita e Pensiero, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">I. Matijasich,<em> Misurare la terra. Considerazioni sul caso siciliano a partire dalla fondazione di Zancle in Callimaco<\/em>, Pallas 109 (2019), 195-213.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c7b5818927&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc7b5818927%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1565198156279000&amp;usg=AFQjCNHOFw-yNTVhfyeB2SJxewaSsmfKjQ\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">J. Tuckwell, <em>Creation and the Function of Art: Techn\u0113, Poiesis, and the Problem of Aesthetics<\/em> (Bloomsbury studies in continental philosophy), New York: Bloomsbury Academic, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=4e50104224&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D4e50104224%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1565198156279000&amp;usg=AFQjCNHp5-g_jD-9M_MyUXyK5kxr_VhnMg\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">E. Carrara, <em>Fonti storico-artistiche prevasariane sulla &#8216;Sala grande&#8217;<\/em>, Italianistica 48 (2019), 107-123.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=eb58e6904f&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Deb58e6904f%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1565198156279000&amp;usg=AFQjCNFWAXlCOxZf2gKuI2yruRAVZ8h9ag\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">G.F. Giannotti (ed.), <em>Pensieri sull\u2019imitazione. Johann Joachim Winckelmann tra storia dell\u2019arte, ideali politici e Altertumswissenschaft <\/em>(Quaderni 31), Torino: Accademia delle Scienze di Torino 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\"><em>Earlier Latin Manuscripts<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9c0fe446ee&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D9c0fe446ee%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1565198156279000&amp;usg=AFQjCNHpt6UtoebMKjeN9wOCzy1649DsBA\">Link<\/a><\/p>\n<\/div>\n<div>\n<hr \/>\n<p id=\"m_-3140546518082895921docs-internal-guid-8a9c886c-7fff-cb41-3046-d297b82641d4\" dir=\"ltr\">L. Picchi, <em><span class=\"il\">Plinio<\/span> il Vecchio. L&#8217;eredit\u00e0 di un illustre comasco scrittore, naturalista, ammiraglio<\/em>, Como: Nodolibri, 2018.<\/p>\n<hr \/>\n<p id=\"m_-3140546518082895921docs-internal-guid-8a9c886c-7fff-cb41-3046-d297b82641d4\" dir=\"ltr\">A. Canobbio, <em>L\u2019epistola 1.10 di <span class=\"il\">Plinio<\/span> il Giovane. Il filosofo Eufrate tra Seneca e Quintiliano<\/em>, Athenaeum 107 (2019).<\/p>\n<hr \/>\n<p id=\"m_-3140546518082895921docs-internal-guid-8a9c886c-7fff-cb41-3046-d297b82641d4\" dir=\"ltr\">M. Linder, <em>Der Staat und die K\u00fcnstler &#8211; Zum Kunstschaffen in archaischer und klassischer Zeit vor dem Hintergrund der griechischen Staatenpolitik<\/em>, Stuttgart: Franz Steiner Verlag, 2017.<\/p>\n<hr \/>\n<p id=\"m_-3140546518082895921docs-internal-guid-8a9c886c-7fff-cb41-3046-d297b82641d4\" dir=\"ltr\">E. Gagliano, <em>\u00ab\u0395\u1f50\u03bf\u1fd6\u00bb, un grido straniero ad Atene. Agalmata ateniesi di Dioniso imberbe nel V secolo a.C.: testimonia et fragmenta<\/em>, West&amp;East 3 (2018), 45-65.<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=862f7106ca&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D862f7106ca%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1560353781242000&amp;usg=AFQjCNEfGPQSHFezjOWxhtsbm06Spp48qw\">Link<\/a><\/p>\n<hr \/>\n<p id=\"m_-3140546518082895921docs-internal-guid-8a9c886c-7fff-cb41-3046-d297b82641d4\" dir=\"ltr\">P.A. Webb, <em>The Tower of the Winds in Athens: Greeks, Romans, Christians, and Muslims: Two Millennia of Continual Use<\/em> (Memoirs of the American Philosophical Society 270), Philadelphia: American Philosophical Society, 2017.<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2c54b04a37&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2c54b04a37%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1560353781242000&amp;usg=AFQjCNFKlEU-JZ2bJvVXaNZDl7G4iJ7ZeQ\">Review<\/a><\/p>\n<hr \/>\n<p id=\"m_-3140546518082895921docs-internal-guid-8a9c886c-7fff-cb41-3046-d297b82641d4\" dir=\"ltr\">D. Solly, <em>A Spanish Bonanza? A Reexamination of Roman Gold Mining Technology<\/em>, in J. Willem Drijvers &#8211; N. Lenski (eds.), <em>The Fifth Century: Age of Transformation. Proceedings of the 12th Biennial Shifting Frontiers in Late Antiquity Conference<\/em> (Munera. Studi Storici sulla Tarda Antichit\u00e0 46), Bari: Edipuglia, 2019.<\/p>\n<hr \/>\n<p id=\"m_-3140546518082895921docs-internal-guid-8a9c886c-7fff-cb41-3046-d297b82641d4\" dir=\"ltr\">M. Cadario, <em>Il prospero reditus del princeps. Osservazioni sul programma decorativo dell&#8217;Augusto di Prima Porta<\/em>, Eidola 15 (2018), 9-26.<\/p>\n<hr \/>\n<p id=\"m_-3140546518082895921docs-internal-guid-8a9c886c-7fff-cb41-3046-d297b82641d4\" dir=\"ltr\">J. Koering (ed.), <em>Robert Klein, L\u2019Esth\u00e9tique de la techn\u00e8. L\u2019art selon Aristote et les th\u00e9ories des arts visuels au XVIe si\u00e8cle<\/em>, Paris: INHA, 2017.<\/p>\n<hr \/>\n<p id=\"m_-3140546518082895921docs-internal-guid-8a9c886c-7fff-cb41-3046-d297b82641d4\" dir=\"ltr\">L. Pfuntner, <em>Urbanism and Empire in Roman Sicily<\/em>, Austin: University of Texas Press, 2019.<\/p>\n<hr \/>\n<p id=\"m_-3140546518082895921docs-internal-guid-8a9c886c-7fff-cb41-3046-d297b82641d4\" dir=\"ltr\">A. Corso, <em>Il disegno nell\u2019architettura antica<\/em> (Collana del Centro Studi Vitruviani 4), Venezia: Marsilio, \u00a02018.<\/p>\n<hr \/>\n<p id=\"m_-3140546518082895921docs-internal-guid-8a9c886c-7fff-cb41-3046-d297b82641d4\" dir=\"ltr\">C.M. Keesling, <em>Greek statue terms revisited: what does \u1f00\u03bd\u03b4\u03c1\u03b9\u03ac\u03c2 mean?<\/em>, GRBS 57 (2017), 837-861.<\/p>\n<hr \/>\n<p id=\"m_-3140546518082895921docs-internal-guid-8a9c886c-7fff-cb41-3046-d297b82641d4\" dir=\"ltr\">A.-L. Darras-Worms, <em>Plotin. Trait\u00e9 31: sur la beaut\u00e9 intelligible<\/em>, Paris: Vrin, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">C. Panzera &#8211; A. Sultan &#8211; E. Canonica, <em>La correspondance de Giorgio Vasari. Un exemplum du nouveau statut de l\u2019\u00abartefice\u00bb, \u00e0 la crois\u00e9e de l\u2019art et de la litt\u00e9rature, Relier, d\u00e9lier les langues. Formes et d\u00e9fis linguistiques de l\u2019\u00e9criture \u00e9pistolaire<\/em> (Moyen \u00c2ge \u2013 premi\u00e8re modernit\u00e9), Paris: Editions Hermann, 2019.<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b1ac04579b&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db1ac04579b%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1560353781242000&amp;usg=AFQjCNEULVo7AVCn0kMkzPcIWAsitxBdmQ\">Link<\/a><\/p>\n<hr \/>\n<p id=\"m_-3140546518082895921docs-internal-guid-8a9c886c-7fff-cb41-3046-d297b82641d4\" dir=\"ltr\"><span style=\"font-size: 14px;\">M. Linder, <\/span><em style=\"font-size: 14px;\">&#8220;discipulos reliquit laudatos artifices&#8221; &#8211; Zu den K\u00fcnstlergenealogien bei Plinius und Pausanias<\/em><span style=\"font-size: 14px;\">, in G. Koiner &#8211; U. Lohner-Urban (eds.),\u00a0<\/span><em style=\"font-size: 14px;\">&#8220;Ich bin dann mal weg&#8221;.\u00a0Festschrift f\u00fcr einen Reisenden, Thuri Lorenz zum 85. Geburtstag<\/em><span style=\"font-size: 14px;\">, Wien: Phoibos Verlag, 2016, 127-132.<\/span><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">D. Grzesik,<em> The Honorific Statues of Delphi 1<\/em>, Historia 68 (2019), 200-227.<\/p>\n<hr \/>\n<p dir=\"ltr\">B. D\u00edaz Ari\u00f1o, <em>Was C. Rubellius Blandus involved in the exploitation of the silver mines of Carthago Nova?<\/em>, Historia 68 (2019), 228-232.<\/p>\n<hr \/>\n<p dir=\"ltr\">J. Tomas Garcia, <em>La imagen estereotipada del sacrificio del buey en la cultura visual greco-romana<\/em>, Humanitas 73 (2019), 53-80<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6a18836677&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6a18836677%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1558081147085000&amp;usg=AFQjCNE7NGG4rwz8VX9Sy5oBKVIa6NYCmQ\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">J. Lang, <em>Combinazioni di motivi e simboli: considerazioni sul &#8216;narrare&#8217; nella glittica romana<\/em>, Eidola 15 (2018), 57-72.<\/p>\n<hr \/>\n<p dir=\"ltr\">U. Mania &#8211; M. Tr\u00fcmper (eds.), <em>Development of gymnasia and Graeco-Roman cityscapes<\/em>, Berlin: Edition Topoi, 2019.<\/p>\n<hr \/>\n<div>S. Hemingway &#8211; K. Karoglou (eds.), <em>Art of the Hellenistic Kingdoms<\/em>, New Haven &#8211; London: Yale University Press, 2019.<\/div>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6cde0f2a46&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6cde0f2a46%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1558081147085000&amp;usg=AFQjCNF0C94gMdyMsm9uQEGs_kMV1yJgsg\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">G. Herbert de la Porbarr\u00e9-Viard &#8211; R. Robert (eds.), <em>Architectures et espace fictifs dans l&#8217;Antiquit\u00e9: textes \u2013 images<\/em>, Bordeaux: Ausonius \u00c9ditions, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">M. Dana &#8211; I. Savalli-Lestrade, <em>La cit\u00e9 interconnect\u00e9e dans le monde gr\u00e9co-romain (IVe si\u00e8cle a.C.- IVe si\u00e8cle p.C.)<\/em>, Bordeaux: Ausonius \u00c9ditions, 2018.<\/p>\n<hr \/>\n<div>\n<p>A. Wilson (ed.), <em>Trade, Commerce, and the State in the Roman World<\/em> (Oxford studies on the Roman economy), Oxford &#8211; New York: Oxford University Press, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8bfff6d9c6&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8bfff6d9c6%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1558081147085000&amp;usg=AFQjCNFGmIpPYSMxbIEEV2kFc8bPLiI_CA\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<div>I. Colpo, <em>Nella Roma di Augusto, tra letteratura e repertorio figurato: l&#8217;Ercole di Ovidio<\/em>, Eidola 14 (2017), 109-127.<\/div>\n<hr \/>\n<p dir=\"ltr\">M.E. Erba, <em>La <\/em>regia solis<em> nelle Metamorfosi di Ovidio e il complesso di Apollo sul Palatino: riflessi topografici e monumentali<\/em>, Eidola 14 (2017), 129-146.<\/p>\n<hr \/>\n<p dir=\"ltr\">J. Moralee, <em>Rome&#8217;s Holy Mountain: The Capitoline Hill in Late Antiquity<\/em> (Oxford studies in late Antiquity), Oxford &#8211; New York: Oxford University Press, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=86b45a653c&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D86b45a653c%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1558081147085000&amp;usg=AFQjCNGy4fqk7b1G9zi0lRPJJDiE4imkUQ\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">S. Barker, <em>The First Biography of Artemisia Gentileschi: Self-Fashioning and Proto-Feminist Art History in Cristofano Bronzini\u2019s Notes on Women Artists<\/em>, Mitteilungen des Kunsthistorischen Institutes 60 (2018), 405-435.<\/p>\n<\/div>\n<hr \/>\n<p id=\"m_-2963755736041066135docs-internal-guid-76630e0b-7fff-1f92-d209-52877468ea78\" dir=\"ltr\">K.-D. Fischer,\u00a0<em>Mittel f\u00fcr die Behandlung kranker Nutztiere in der Naturalis historia des \u00c4lteren Plinius<\/em>, in\u00a0L. Sannicandro &#8211; M. Schwarzenberger (eds.),\u00a0<em>Morborum et signa et causas praedicere curasque monstrare. La medicina veterinaria nel mondo antico e medievale. Atti del V Convegno Internazionale, Monaco di Baviera, 29-31 marzo 2017<\/em>,\u00a0Commentaria Classica V &#8211; 2018 (Supplemento),\u00a039-54.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=46d77c3d6e&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D46d77c3d6e%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1557926997632000&amp;usg=AFQjCNG7x2My8P8l5sR5-KGD304oZjpMPA\">Link<\/a><\/p>\n<hr \/>\n<p id=\"m_-2963755736041066135docs-internal-guid-76630e0b-7fff-1f92-d209-52877468ea78\" dir=\"ltr\">C. Draycott &#8211; R. Raja &#8211; K. Welch &#8211; W.T. Wootton (eds.),\u00a0<em>Visual Histories of the Classical World: Essays in Honour of R.R.R. Smith<\/em>, Turnhout: Brepols, 2018.<\/p>\n<hr \/>\n<div>\n<p>M. Cameron,\u00a0<em>The Moving Cause of Artefacts: the role of techne in metaphysical explanation<\/em>, Ancient Philosophy Today 1 (2019), 64-83.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=a9f4d9b38c&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Da9f4d9b38c%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1557926997632000&amp;usg=AFQjCNGrQlzgdVwYTHYfOqUxKOnO1Ss-sA\">Abstract<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">W. Feemster Jashemski &#8211; K.L. Gleason &#8211; K.J. Hartswick &#8211;\u00a0A.A.\u200b Malek (eds.),\u00a0<em>Gardens of the Roman Empire<\/em>, Cambridge &#8211; New York: Cambridge University Press, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=e8499b2c1d&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3De8499b2c1d%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1557926997633000&amp;usg=AFQjCNH7fh9W5NVneavPKn5dmkVACPdaqQ\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">C. Ampolo,\u00a0<em>Medea in didascalia (\u201clabel\u201d). Appunti su Medea in Etruria ed a Roma<\/em>, in V. Nizzo &#8211; A. Pizzo (eds.),\u00a0<em>Antico e non antico. Scritti multidisciplinari offerti a Giuseppe Pucci<\/em>, Milano &#8211; Udine: Mimesis, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">M. Ricciardi (ed.),\u00a0<em>L\u2019anfiteatro di Leptis Magna<\/em>, Roma: L\u2019Erma di Bretschneider, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">T. H\u00f6lscher,\u00a0<em>Die Gesch\u00f6pfe des Daidalos: Vom sozialen Leben der griechischen Bildwerke<\/em>, Heidelberg: Verlag Antike, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8440fe3323&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8440fe3323%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1557926997633000&amp;usg=AFQjCNG_skATZNxretaAdFHSSLyGxW4AVg\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">F. Ghedini,\u00a0<em>Livio e i primordia urbis: la prospettiva dello storico dell&#8217;arte<\/em>, Eidola 14 (2017), 85-107.<\/p>\n<hr \/>\n<p dir=\"ltr\">A. Anguissola,\u00a0<em>Tempo e spazio della metamorfosi. Osservazioni sull&#8217;iconografia di Ermafrodito<\/em>, Eidola 15 (2018), 41-55.<\/p>\n<hr \/>\n<p dir=\"ltr\">D. Dueck (ed.),\u00a0<em>The Routledge Companion to Strabo<\/em>, London &#8211; New York: Routledge, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0012e5d2b5&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0012e5d2b5%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1557926997633000&amp;usg=AFQjCNFKnd3djcfi7zZAXvKONo7kJMlaBw\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">E. Giusti,\u00a0<em>Carthage in Virgil&#8217;s &#8216;Aeneid&#8217;: Staging the Enemy under Augustus<\/em>\u00a0(Cambridge classical studies), Cambridge &#8211; New York: Cambridge University Press, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=e9bfc39587&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3De9bfc39587%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1557926997633000&amp;usg=AFQjCNFoWaWX4LSAidSwcn8RCNHV7cpF_A\">Review<\/a><\/p>\n<hr \/>\n<div>\n<p>J. Schrader,\u00a0<em>Gespr\u00e4che mit G\u00f6ttern: Die poetologische Funktion kommunikativer Kultbilder bei Horaz, Tibull und Properz<\/em>\u00a0(Potsdamer Altertumswissenschaftliche Beitr\u00e4ge 58), Stuttgart: Franz Steiner Verlag, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=81452a3b43&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D81452a3b43%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1557926997633000&amp;usg=AFQjCNGBvY7LlJBibROl79_oMGsVN_E4Lg\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<div>R. Aist,\u00a0<em>From Topography to Text: The Image of Jerusalem in the Writings of Eucherius,<\/em>\u00a0<em>Adomn\u00e1n and Bede<\/em>, Turnhout: Brepols, 2018.<\/div>\n<hr \/>\n<p dir=\"ltr\">S. Montel &#8211; A. Pollini (eds.),\u00a0<em>La question de l&#8217;espace au IVe s. avant J.-C. dans les mondes grec et \u00e9trusco-italique<\/em>, Besan\u00e7on: Presses Universitaires de Franche-Comt\u00e9, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\"><em>Thesaurus linguae Latinae Open Access<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=812923f3e4&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D812923f3e4%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1557926997633000&amp;usg=AFQjCNH8h63Sziw93B_miZRA0v7MOifvFA\">Website<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">E. Carrara,\u00a0<em>Il tema del Paragone delle Arti da Leonardo a Benedetto Varchi<\/em>, in F. Dubard de Gaillarbois &#8211; O. Chiquet (eds.),\u00a0<em>Nodi, vincoli e groppi leonardeschi. \u00c9tudes sur L\u00e9onard de Vinci<\/em>, Paris: Spartacus, 2019, 183-198.<\/p>\n<div>\n<hr \/>\n<p id=\"m_-5184810726262350951docs-internal-guid-42326b7f-7fff-18ce-ae2d-abe513aec59a\" dir=\"ltr\">P. Linant de Bellefonds &#8211; \u00c9. Prioux,\u00a0<em>Voir les mythes: Po\u00e9sie hell\u00e9nistique et arts figur\u00e9s<\/em>\u00a0(Antiqua 18), Paris: \u00c9ditions Picard, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=37a765fb17&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D37a765fb17%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1555322076821000&amp;usg=AFQjCNH76o41g2hNUt05FuMhBRKdxZkMCw\">Review<\/a><\/p>\n<hr \/>\n<p id=\"m_-5184810726262350951docs-internal-guid-42326b7f-7fff-18ce-ae2d-abe513aec59a\" dir=\"ltr\">O. Palagia,\u00a0<em>The painted Battle of Oinoe in the Stoa Poikile and the events of 506 B.C.<\/em>,\u00a0in J. Fouquet et al. (eds.),\u00a0<em>Argonautica.\u00a0Festschrift Reinhard Stupperich<\/em>\u00a0(Boreas Beiheft 12), Marsberg, Sauerland:\u00a0Scriptorium,\u00a02019, 59-63.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=3dbae882fa&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D3dbae882fa%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1555322076821000&amp;usg=AFQjCNFTIyL0sZ23CFBSwNv4f5qyJTIEdw\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">N. Zimmermann &#8211;\u00a0T. Fr\u00f6hlich &#8211; S. Haps &#8211; I. Mayer &#8211; A.E. Felle &#8211; A. Vilello,\u00a0<em>Kollektive Bestattungen in Rom zwischen sp\u00e4ter Republik und Sp\u00e4tantike. Forschungs\u00fcberblick der Jahre 2016 bis 2018<\/em>, e-Forschungsberichte 2019, 131-145.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2193c2ddce&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2193c2ddce%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1555322076821000&amp;usg=AFQjCNFiAaRxHj7Ib3FBg1VWpSqyyYtkHg\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">P. Brocato &#8211; N. Terrenato (eds.),<em>\u00a0Nuovi studi sulla Regia di Roma<\/em>\u00a0(Paesaggi antichi 2),\u00a0Cosenza: Pellegrini, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f2912abed8&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df2912abed8%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1555322076821000&amp;usg=AFQjCNGmStvd0mcL8lfM6bVSWEDX1yebkg\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">H.J. Beste,\u00a0<em>Neue Argumente zu einer Naumachie im Colosseum. Die Arbeiten der Jahre 2017 und 2018<\/em>, e-Forschungsberichte 2019, 146-150.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5e043878a7&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5e043878a7%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1555322076821000&amp;usg=AFQjCNHzLDBoBANRV_pbz-rfeF9ozjF3zg\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">I. van der Graaff &#8211; \u00a0M.L. Thomas &#8211; P. Wilkinson &#8211; J.L. Muslin &#8211;\u00a0J.R. Clarke &#8211; N.K. Muntasser &#8211; G. Di Maio,\u00a0<em>First Results of Three Seasons of Excavation at Oplontis B (2016-18)<\/em>, Fasti Online Documents &amp; Research 430, 2019.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6ff2f28769&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6ff2f28769%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1555322076821000&amp;usg=AFQjCNE3rSE7e6hqyKWuFmAmuMCgVsc9Nw\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><em>Pompeii Artistic Landscape Project<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=692466bf69&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D692466bf69%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1555322076821000&amp;usg=AFQjCNFXTDHC2VJuAqjVRFIWvw32bAuaew\">Website<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">G.P.R. M\u00e9traux &#8211; A. Marzano (eds.),\u00a0<em>Roman villas in the Mediterranean basin<\/em>, Cambridge &#8211; New York: Cambridge University Press, 2018.<\/p>\n<hr \/>\n<div>D. Mateti\u0107 Poljak &#8211; K. Marasovi\u0107 (eds.),\u00a0<em>ASMOSIA XI. Interdisciplinary Studies of Ancient Stone. Proceedings of the Eleventh International Conference of ASMOSIA, Split, 18-22 May 2015<\/em>, Split: University of Split &#8211; Arts Academy in Split, 2018.<\/div>\n<hr \/>\n<p dir=\"ltr\">A. K\u00f6nig &#8211; C. Whitton (eds.),\u00a0<em>Roman Literature under Nerva, Trajan and Hadrian: Literary Interactions, AD 96-138<\/em>, Cambridge: Cambridge University Press, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f98422d404&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df98422d404%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1555322076821000&amp;usg=AFQjCNGm-aYwNm3gfN-3BDr4D8WZha_S3Q\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">W. Fitzgerald &#8211; E. Spentzou (eds.),\u00a0<em>The Production of Space in Latin Literature<\/em>, Oxford &#8211; New York: Oxford University Press, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=769dc1e257&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D769dc1e257%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1555322076821000&amp;usg=AFQjCNEABmi_8y2NJwr6DMakL6Ouf00Rzg\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">A. Georgiadou &#8211; K. Oikonomopoulou (eds.),\u00a0<em>Space, Time and Language in Plutarch\u00a0<\/em>(Millennium-Studien 67), Berlin &#8211; Boston: De Gruyter, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f0d855c37f&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df0d855c37f%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1555322076821000&amp;usg=AFQjCNEv-jiY0zYZJ3hZNIhdLBFdJAc8uA\">Review<\/a><\/p>\n<hr \/>\n<p>G. Adornato \u2013 I. Bald Romano \u2013 G. Cirucci \u2013 A. Poggio (eds.),\u00a0<em>Restaging Greek Artworks in Roman Times<\/em>, with an afterword by C.H. Hallett, Milano: LED, 2018.<\/p>\n<\/div>\n<div>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=89aab04088&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D89aab04088%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1550772436814000&amp;usg=AFQjCNGhpb3paJ8maqhed5GtRQUNuk5K_g\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">V. Boudon-Millot &#8211; M. Pardon-Labonnelie (eds.),\u00a0<em>Le teint de Phryn\u00e8. Th\u00e9rapeutique et cosm\u00e9tique dans l&#8217;Antiquit\u00e9<\/em>, Paris: \u00c9ditions de Boccard, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">E. Gagliano,\u00a0<em>Heracles, Theseus and Apollo anadoumenos ten komen. Three \u203aForgotten\u2039 Statues from the Athenian Agora<\/em>, MDAI(A) 133 (2018), 95-125.<\/p>\n<hr \/>\n<p dir=\"ltr\">C. Michelini (ed.),\u00a0<em>Scavi e ricerche a Locri Epizefiri (Locri, RC; 2017), Segesta (Calatafimi &#8211; Segesta, TP), Kaulonia (Monasterace, RC), Isola d\u2019Elba (LI; 2013-2017)<\/em>, ASNS s. 5, 10\/2 supplemento (<em>Notizie degli scavi di antichit\u00e0 comunicate dalla Scuola Normale. Rassegna archeologica del laboratorio di Storia Archeologia Epigrafia Tradizione dell\u2019antico<\/em>), 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">Paolo Chiesa,\u00a0<em>La trasmissione dei testi latini<\/em>, Roma: Carocci Editore, 2019.<\/p>\n<hr \/>\n<p dir=\"ltr\">A. Morigi &#8211; C. Quintelli,\u00a0<em>Founding and Refounding. Parma, Reggio and Modena along the Roman Via Aemilia<\/em>, Padova: Il Poligrafo, \u00a02018.<\/p>\n<hr \/>\n<p dir=\"ltr\">Y. Perrin,\u00a0<em>Itin\u00e9raires romains. Documents de topographie et d&#8217;arch\u00e9ologie historiques pour l&#8217;histoire de Rome<\/em>, Bordeaux: Ausonius \u00c9ditions, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">K. Kaderka,\u00a0<em>Les d\u00e9cors tympanaux des temples de Rome<\/em>, Bordeaux: Ausonius \u00c9ditions, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">R. Couzin,\u00a0<em>Invented traditions: Latin terminology and the writing of art history<\/em>, Journal of Art Historiography 19 (2018).<\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=bf833b29d5&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dbf833b29d5%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1550772436814000&amp;usg=AFQjCNHLQnaDGfUMok0t2CvxF08E14rAbg\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">G. Langfeld,\u00a0<em>The canon in art history: concepts and approaches<\/em>, Journal of Art Historiography 19 (2018).<\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=4b6c6c268f&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D4b6c6c268f%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1550772436814000&amp;usg=AFQjCNEo-GmbIYKP0YIqu0b5zI5Ds8NZ-Q\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">Read &#8211; Recognition and Enrichment of Archival Documents<\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=55ce80774e&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D55ce80774e%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1550772436814000&amp;usg=AFQjCNGE5gZnZDQDCFFFKziWb6ibmbp-_A\">Website<\/a><\/p>\n<hr \/>\n<\/div>\n<p id=\"m_5612265032520073786docs-internal-guid-617562ca-7fff-2a35-38bd-feca3ad62742\" dir=\"ltr\">N.W. Slater,\u00a0<em>Leadership and Followership in Book X of the Letters of Pliny<\/em>,\u00a0Giornale Italiano di Filologia 70 (2018), Special issue:\u00a0<em>International Studies of Ancient Sources and Their Contexts<\/em>, Turnhout: Brepols Publisher, 179-200.<\/p>\n<div>\n<hr \/>\n<p id=\"m_5612265032520073786docs-internal-guid-27200532-7fff-015c-4e5c-b150fb296f41\" dir=\"ltr\">S. Audano,\u00a0<em>La statua, la virt\u00f9 e la memoria del principe: variazioni di un topos tra Cassio Dione (LXXIV [LXXIII] 14, 2a) e Plinio il Giovane (Pan. 55)<\/em>, Sileno 44 (2018), 1-12.<\/p>\n<hr \/>\n<div>\n<p>M. Papini,\u00a0<em>Il Canone di Policleto<\/em>, Lexicon Philosophiae 2018, Special issue:\u00a0<em>Hellenistic Theories of Knowledge<\/em>, 5-41.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0d57e95c29&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0d57e95c29%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1548321941820000&amp;usg=AFQjCNHhIPSjvNHkOYA9GD-KFt7g-I5huA\">Link<\/a><\/p>\n<\/div>\n<hr \/>\n<div>C. Coquelet &#8211; G. Creemers &#8211; R. Dreesen &#8211; \u00c9.\u00a0Goemaere (eds.),\u00a0<em>Roman Ornamental Stones in North-Western Europe. Natural Resources, Manufacturing, Supply, Life and After-Life. Actes du colloque de Tongres des 20-22 avril 2016<\/em>, Namur: Agence Wallonne du Patrimoine, 2018.<\/div>\n<hr \/>\n<p dir=\"ltr\">A. Dubois &#8211; J.-B. Eczet &#8211; A. Grand-Cl\u00e9ment &#8211; Ch. Ribeyrol (eds.),\u00a0<em>Arcs-en-ciel et couleurs: regards comparatifs<\/em>\u00a0(Biblioth\u00e8que de l&#8217;anthropologie), Paris: CNRS \u00c9ditions, 2018.<\/p>\n<p dir=\"ltr\"><a href=\"http:\/\/bmcr.brynmawr.edu\/2019\/2019-02-30.html\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">B. de Divitiis &#8211; A. Nova &#8211; S.\u00a0Vitali (eds.),\u00a0<em>Antichit\u00e0, identit\u00e0, umanesimo. Nuovi studi sulla cultura antiquaria nel Mediterraneo in et\u00e0 rinascimentale<\/em>, Mitteilungen des Kunsthistorischen Institutes in Florenz LX (2018).<\/p>\n<hr \/>\n<p dir=\"ltr\">J. Tom\u00e1s Garc\u00eda,\u00a0<em>Definici\u00f3n y contextos de las im\u00e1genes de culto en la Grecia antigua<\/em>, Euphrosyne 45 (2017), \u00a025-40.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=fe95a91a0f&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dfe95a91a0f%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1548321941820000&amp;usg=AFQjCNHMh5IX7E5oQMA2weF0blaQSGSqLQ\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">S. Rebeggiani,\u00a0<em>The Fragility of Power: Statius, Domitian, and the Politics of the Thebaid<\/em>, Oxford: Oxford University Press, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">C. Delattre,\u00a0<em>P\u00e9ri\u00e9g\u00e8se et ex\u00e9g\u00e8se: l&#8217;exemple de Pausanias<\/em>, in C. Delattre &#8211; E. Valette &#8211;\u00a0J.-F. Cottier &#8211; S. Kefallonitis &#8211; M. Ribreau &#8211; J. Soler (eds.),\u00a0<em>Pragmatique du commentaire. Mondes anciens, mondes lointains<\/em>, Turnhout: Brepols, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">J. Boisl\u00e8ve &#8211; A. Dardenay &#8211; F. Monier (eds.),\u00a0<em>Peintures et stucs d&#8217;\u00e9poque romaine. \u00c9tudes toichographologiques. Actes du 29e colloque de l&#8217;AFPMA<\/em>, Bordeaux: Ausonius, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">O. Palagia,\u00a0<em>The Elgin throne and the Tyrannicides<\/em>, in P. Karanastasi et al. (eds.),\u00a0<em>\u0393\u03bb\u03c5\u03c0\u03c4\u03b9\u03ba\u03ae \u03ba\u03b1\u03b9 \u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1 \u03c3\u03c4\u03b7\u03bd \u03b1\u03c1\u03c7\u03b1\u03af\u03b1 \u0395\u03bb\u03bb\u03ac\u03b4\u03b1<\/em>, Thessaloniki: University Studio Press, 2018, 67-74.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b161a524c6&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db161a524c6%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1548321941820000&amp;usg=AFQjCNFfs_-28N34nrRMN4zmRx9TIMqj1g\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">C.T. Hadavas,\u00a0<em>Cebes&#8217; Tablet + Prodicus&#8217; &#8220;Choice of Heracles&#8221;: An Intermediate Ancient Greek Reader<\/em>, Beloit, WI: C.T. Hadavas, 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=488d48862a&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D488d48862a%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1548321941820000&amp;usg=AFQjCNEiKvCUq94Zt2l8ULphvLDbri9aPQ\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><em>Locus Ludi<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b076198629&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db076198629%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1548321941820000&amp;usg=AFQjCNHvm-9PJSUafVyP6yi5CrKREELUuQ\">Website<\/a><\/p>\n<hr \/>\n<\/div>\n<p id=\"m_2042779027155683716docs-internal-guid-96bfe624-7fff-44a9-4fd7-842357009a8d\" dir=\"ltr\">C.-E. Centlivres Challet,\u00a0<em>Pliny the Lover: by the book<\/em>, Museum Helveticum 75 (2018), 155-168.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=646050aa3a&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D646050aa3a%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNH0yUjRmIDYDoQkEeyJyeCkTOf_fA\">Abstract<\/a><\/p>\n<hr \/>\n<p id=\"m_2042779027155683716docs-internal-guid-96bfe624-7fff-44a9-4fd7-842357009a8d\" dir=\"ltr\">T. Keeline,\u00a0<em>Est \u2026 mihi cum Cicerone aemulatio: Pliny\u2019s Cicero<\/em>, in T. Keeline (ed.),\u00a0<em>The Reception of Cicero in the Early Roman Empire: The Rhetorical Schoolroom and the Creation of a Cultural Legend<\/em>, Cambridge: Cambridge University Press, 2018, 277-335.<\/p>\n<hr \/>\n<div>P. Li Causi,\u00a0<em>Un Aristotele romano? Ricezione e metamorfosi del corpus zoologico in Plinio il Vecchio<\/em>, in M.M. Sassi &#8211; E. Coda &#8211; G. Feola (eds.),\u00a0<em>La zoologia di Aristotele e la sua ricezione dall\u2019et\u00e0 ellenistica e romana alle culture medievali<\/em>.\u00a0<em>Atti della X \u201cSettimana di Formazione\u201d del Centro GrAL, Pisa, 18-20 novembre 2015<\/em>, Pisa: Pisa University Press, 2018, 81-106.<\/div>\n<div><\/div>\n<div><a href=\"http:\/\/bmcr.brynmawr.edu\/2019\/2019-04-04.html\">Review<\/a><\/div>\n<hr \/>\n<p dir=\"ltr\">G. Ventrella &#8211; Th. Grandjean &#8211; L. Th\u00e9venet,\u00a0<em>Dion de Pruse dit Dion Chrysostome. \u0152uvres. Discours olympique, ou sur la conception premi\u00e8re de la divinit\u00e9 (or. XII): \u00c0 Ath\u00e8nes, sur sa fuite (or. XIII)<\/em>\u00a0(Collection des universit\u00e9s de France), Paris: Les Belles Lettres, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">A. Mancini,\u00a0<em>Deliberat Nero: una declamazione \u2018nascosta\u2019 in Suet. Ner. 47.2<\/em>, Philologus 162 (2018), 324-331.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=54a1850b6e&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D54a1850b6e%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNFXPCBPHEhHs-qYed24SXsLHN406A\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">P.L. Tucci,\u00a0<em>The Temple of Peace in Rome<\/em>, 2 vols, New York: Cambridge University Press, 2017.<\/p>\n<p dir=\"ltr\">Reviews\u00a0<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=d71456b373&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dd71456b373%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNFKwLZAAppPJXmgkPkpIvXfdzzHPw\">1<\/a>\u00a0|\u00a0<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=e70e0224de&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3De70e0224de%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNGuFMb_mKRieJrekOfyHZRrYlk0ug\">2<\/a>\u00a0| <a href=\"https:\/\/www.ajaonline.org\/book-review\/4132\">3<\/a><br \/>Author\u2019s Responses\u00a0<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=4b592e5077&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D4b592e5077%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNHt7YyDHyY7PhtcebTUTHuNGyGzfg\">1<\/a>\u00a0|\u00a0<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8611d19475&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8611d19475%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNFwH5Xxs8jcWkNkSAtK05WDAiOJew\">2<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">P. Petrone\u00a0et al.,\u00a0<em>A hypothesis of sudden body fluid vaporization in the 79 AD victims of Vesuvius<\/em>, PLoS ONE 13 (2018).<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7918f8a2e8&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7918f8a2e8%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNEmQ06sf-1Fn9Z4FwWq84CSrH4G7w\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">S. Perea Y\u00e9benes &#8211; J. Tom\u00e1s Garc\u00eda (eds.),\u00a0<em>Glypt\u00f3s. Gemas y camafeos greco-romanos. Arte, mitolog\u00edas, creencias<\/em>\u00a0(Thema Mundi 10), Salamanca &#8211; Madrid: Signifer Libros, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">D. Rodr\u00edgez P\u00e9rez (ed.),\u00a0<em>Greek Art in Context. Archaeological and Art Historical Perspectives<\/em>, London &#8211; New York: \u00a0Routledge, 2017.<\/p>\n<p><u>Focus on<\/u>: H. Hochscheid,\u00a0<em>Not quite Pheidias. Status and Labour Specialisation in Athenian Sculpture<\/em>.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0848f8f481&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0848f8f481%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNFeyDecLk1pe5-K6EUedM_6gTnDEg\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">V. Azoulay,\u00a0<em>The Tyrant-Slayers of Ancient Athens. A Tale of Two Statues<\/em>, translated by Janet Lloyd, Oxford: Oxford University Press, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ddf6144155&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dddf6144155%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNHrJC0HeFK6UC7TYKohhJ0UykN2Yg\">Review<\/a><\/p>\n<hr \/>\n<div>Ph. Jockey,\u00a0<em>Les arts de la couleur en Gr\u00e8ce ancienne &#8230; et ailleurs: approches interdisciplinaires<\/em>, Ath\u00e8nes &#8211; Paris: \u00c9cole fran\u00e7aise d&#8217;Ath\u00e8nes &#8211; De Boccard, 2018.<\/div>\n<hr \/>\n<div>\n<p>M.V. Martino,\u00a0<em>De inventoribus Medicinae. L&#8217;origine de la M\u00e9decine dans les Etymologiae d&#8217;Isidore de S\u00e9ville<\/em>, Eruditio Antiqua 10 (2018), 105-114.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=3801bf6d85&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D3801bf6d85%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNGctRtd9qcJ7GIW6YeoumBTaJ2BtQ\">Link<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p>S. Rocchi &#8211; C. Mussini (eds.),\u00a0<em>Imagines antiquitatis: Representations, Concepts, Receptions of the Past in Roman Antiquity and the Early Italian Renaissance<\/em>\u00a0(Philologus. Supplementary volumes 7), Berlin &#8211; Boston: De Gruyter, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=bf2f4b3cb0&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dbf2f4b3cb0%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNFutmEVzXQakFBLIp0-fTu7sLW0YQ\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<div>\n<p id=\"m_-8347301609208457916docs-internal-guid-617562ca-7fff-2a35-38bd-feca3ad62742\" dir=\"ltr\">M. Loar (ed.), <em>Rome, empire of plunder: the dynamics of cultural appropriation<\/em>. Cambridge: Cambridge University Press, \u00a02018.<\/p>\n<p dir=\"ltr\"><a href=\"http:\/\/bmcr.brynmawr.edu\/2019\/2019-10-53.html\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dbf2f4b3cb0%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNFutmEVzXQakFBLIp0-fTu7sLW0YQ\">Review<\/a><\/p>\n<hr \/>\n<div>A. Russo &#8211; R. Cosentino &#8211; R. Zaccagnini (eds.), <em>Pittura di terracotta. Mito e immagine nelle lastre dipinte di Cerveteri<\/em>, Roma: Gangemi Editore, 2018.<\/div>\n<hr \/>\n<div>D. Del Bufalo, <em>Porphyry. Red Imperial Porphyry. Power and Religion<\/em> (Second edition), Torino: Umberto Allemandi, 2018.<\/div>\n<hr \/>\n<div>P. Matthiae, <em>Dalla terra alla storia. Scoperte leggendarie di archeologia orientale<\/em>, Torino: Einaudi, 2018.<\/div>\n<hr \/>\n<div>I. Van der Graaf, <em>The Fortifications of Pompeii and Ancient Italy<\/em>, Andover:\u00a0Routledge,\u00a02018.<\/div>\n<div><a href=\"https:\/\/www.ajaonline.org\/book-review\/4137\">Review<\/a><\/div>\n<hr \/>\n<div>Y. Dubois &#8211; U. Niffeler (eds.), <em>Pictores per provincias II &#8211; Status quaestionis. Actes du 13e Colloque de l\u2019Association Internationale pour la Peinture Murale Antique (AIPMA)<\/em>, <em>Universit\u00e9 de Lausanne 12-16 septembre 2016<\/em>, Basel:\u00a0Arch\u00e9ologie Suisse, 2018.<\/div>\n<hr \/>\n<div>B. Brennan, <em>Herculaneum: a Roman town reborn<\/em>, New South Wales: Ancient History Seminars, 2018.<\/div>\n<hr \/>\n<div>D. Acciarino, <em>Lettere sulle grottesche (1580-1581)<\/em>, Canterano (Roma): Aracne editrice, 2018.<\/div>\n<hr \/>\n<div>J. Neils, <em>Praxiteles to Caravaggio: The Apollo Sauroktonos Redefined<\/em>, The Art Bulletin 99 (2017), 10-30.<\/div>\n<hr \/>\n<div>\n<p>A. Ch. Antonaras, <em>Glassware and Glassworking in Thessaloniki: 1st century BC &#8211; 6th century AD<\/em>\u00a0(Archaeopress Roman archaeology), Oxford: Archaeopress, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9b63621cfe&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D9b63621cfe%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1542125204984000&amp;usg=AFQjCNHsn0kgBXk9uQV9K3R0S0qyOYLIhg\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<div>S.T.A.M. Mols &#8211; E.M. Moormann (eds.), <em>Context and meaning: proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16 &#8211; 20, 2013<\/em>\u00a0(Babesch\u00a0Supplement\u00a031),\u00a0<wbr \/>Leuven &#8211; Paris &#8211; Bristol, CT: Peeters, 2017.<\/div>\n<hr \/>\n<div>\n<p>A. Apesos, <em>Titian\u2019s Flaying of Marsyas: Colorito Triumphant<\/em>, Artibus et Historiae 77 (XXXIX) 2018, 111\u2013143.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=a4be57a3ca&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Da4be57a3ca%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1542125204984000&amp;usg=AFQjCNED7DiuqBSZ6gUKslYVqSA8YKqjQg\">Abstract<\/a><\/p>\n<hr \/>\n<p>F. Conte (ed.), <em>Le risorse digitali per la storia dell&#8217;arte moderna in Italia. Progetti, ricerca scientifica e territorio<\/em>, Roma: Edizioni di storia e letteratura, 2018.<\/p>\n<\/div>\n<p><u>Focus on<\/u>:\u00a0G. Adornato &#8211; E. Falaschi &#8211; A. Poggio &#8211; G. Benotto &#8211; R. Zitarosa, <em>Oltreplinio, progetto interdisciplinare sulla Naturalis Historia, tra antico e moderno<\/em>, 123-136.<\/p>\n<hr \/>\n<p id=\"m_-163601890717652865docs-internal-guid-5e12caff-7fff-d52f-dbd7-fd0da54e0cb8\" dir=\"ltr\">F. Gazzano, <em>La Lidia di Plinio il Vecchio<\/em>, Maia 70 (2018), 260-279.<\/p>\n<hr \/>\n<p id=\"m_-163601890717652865docs-internal-guid-5e12caff-7fff-d52f-dbd7-fd0da54e0cb8\" dir=\"ltr\">F. Guidetti, <em>Da banausoi a professores: il ruolo degli artisti nella societ\u00e0 romana<\/em>, in A. Marcone (ed.), <em>Lavoro, lavoratori e dinamiche sociali a Roma Antica. Persistenze e trasformazioni. Atti delle giornate di studio (Roma, Universit\u00e0 di Roma Tre, 25-26 maggio 2017)<\/em>, Roma: Castelvecchi, 2018, 143-171.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=490159cd52&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D490159cd52%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1540452420162000&amp;usg=AFQjCNHWGcUTyCP6DZI6JVQKUa78Oer99Q\">Link<\/a><\/p>\n<hr \/>\n<p id=\"m_-163601890717652865docs-internal-guid-5e12caff-7fff-d52f-dbd7-fd0da54e0cb8\" dir=\"ltr\">A. Kampakoglou &#8211; A.A. Novokhatko (eds.). <em>Gaze, Vision, and Visuality in Ancient Greek Literature<\/em>\u00a0(Trends in Classics &#8211; Supplementary Volumes, 54),\u00a0Berlin\u00a0&#8211; Boston: De Gruyter, 2018.<\/p>\n<hr \/>\n<div>J. Schoevaert, <em>Les boutiques d&#8217;Ostie: l&#8217;\u00e9conomie urbaine au quotidien: Ier s. av. J.-C. &#8211; Ve ap. J.-C.<\/em> (Collection de l&#8217;\u00c9cole fran\u00e7aise de Rome, 537),\u00a0Roma: \u00c9cole fran\u00e7aise de Rome, 2018.<\/div>\n<hr \/>\n<div>A. Motta, <em>The Philosophy of Artistic Creation: Phidias, the Ideas, and Cicero<\/em>, Apeiron 51 (2018), 325-344.<\/div>\n<hr \/>\n<div>J. Elsner, <em>The art of the Roman Empire AD 100-450,<\/em> second edition\u00a0(Oxford history of art),\u00a0Oxford &#8211; New York: Oxford University Press, 2018.<\/div>\n<hr \/>\n<div>F. Dolansky &#8211; S. Raucci, <em>Rome: a Sourcebook on the Ancient City <\/em>(Bloomsbury Sources in Ancient History), London &#8211; \u00a0New York: Bloomsbury Academic, 2018.<\/div>\n<hr \/>\n<div>A. Avagliano,<em> Le origini di Pompei: la citt\u00e0 tra il VI e il V secolo a.C. <\/em>(Bulletin antieke beschaving. Supplements, 33), Leuven &#8211; Paris &#8211; Bristol, CT: Peeters, 2018.<\/div>\n<div><a href=\"http:\/\/bmcr.brynmawr.edu\/2019\/2019-01-38.html\">Review<\/a><\/div>\n<hr \/>\n<div>A. Anguissola, <em>Supports in Roman Marble Sculpture: Workshop Practice and Modes of Viewing<\/em>, Cambridge: Cambridge University Press, 2018.<\/div>\n<hr \/>\n<div>\n<p>M.W. Kwakkelstein, <em>The Limited Impact of Leonardo da Vinci\u2019s Ideas on Painting in Sforza Milan<\/em>, Artibus et Historiae 77 (XXXIX) 2018, 77\u201398.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=569112ae1b&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D569112ae1b%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1540452420162000&amp;usg=AFQjCNHG8JxJxfNj2JjPYeprK8yJqg8Mpg\">Abstract<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p>F. Pontani (ed.), <em>Certissima signa: a Venice Conference on Greek and Latin Astronomical Texts <\/em>(Antichistica, 13; Filologia e Letteratura, 2), Venezia: Cafoscarina, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=fd99b9d12b&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dfd99b9d12b%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1540452420162000&amp;usg=AFQjCNHBxBjbS9fCETsWoD3H-Bq9ZhJvYA\">Link<\/a><\/p>\n<\/div>\n<hr \/>\n<div>J. K\u00f6nig &#8211; G. Woolf (eds.), <em>Authority and Expertise in Ancient Scientific Culture<\/em>, Cambridge: Cambridge University Press, 2017.<\/div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<hr \/>\n<p id=\"m_5707832665541325539docs-internal-guid-fcc1c19f-7fff-8319-6694-baacf9d65950\" dir=\"ltr\">G. Rosada, <em>Le fonti nella fonte. L\u2019ambra e le sue vie rileggendo Plinio (Nat. hist. 37, 30-53)<\/em>, in M. Cavalieri &#8211;\u00a0C. Boschetti (eds.), <em>MVLTA PER AEQVORA. Il polisemico significato della moderna ricerca archeologica. Omaggio a Sara Santoro<\/em>, vol. 2, Louvain: Presses Universitaires de Louvain, 2018, 807-820.<\/p>\n<hr \/>\n<p dir=\"ltr\">V. Platt, <em>Orphaned Objects: The Phenomenology of the Incomplete in Pliny&#8217;s\u00a0Natural History<\/em>, in M. Gaifman &#8211; V. Platt &#8211; M. Squire (eds.), <em>The Embodied Object in Classical Antiquity<\/em>, Art History 41 (2018), 492\u2013517.<\/p>\n<p><a href=\"http:\/\/bmcr.brynmawr.edu\/2019\/2019-05-52.html\">Review<\/a><\/p>\n<hr \/>\n<p id=\"m_5707832665541325539docs-internal-guid-fcc1c19f-7fff-8319-6694-baacf9d65950\" dir=\"ltr\">R.\u00a0Gnoli, <em>Marmora<\/em> <em>Romana<\/em>. 3rd ed. Le Costellazioni. Milano: La nave di Teseo, 2018.<\/p>\n<hr \/>\n<p id=\"m_5707832665541325539docs-internal-guid-fcc1c19f-7fff-8319-6694-baacf9d65950\" dir=\"ltr\">E. H\u00e9nin\u00a0&#8211; V. Naas (eds.),\u00a0<em>Le mythe de l&#8217;art antique<\/em>. Beaux livres. Paris: CNRS \u00c9ditions, 2018.<\/p>\n<hr \/>\n<p id=\"m_5707832665541325539docs-internal-guid-fcc1c19f-7fff-8319-6694-baacf9d65950\" dir=\"ltr\">B. Longfellow &#8211;\u00a0E.E. Perry (eds.), <em>Roman artists, Patrons, and Public Consumption. Familiar Works Reconsidered<\/em>, Ann Arbor, MI: University of Michigan Press, 2018.<\/p>\n<p dir=\"ltr\"><a href=\"http:\/\/bmcr.brynmawr.edu\/2019\/2019-01-22.html\">Review 1<\/a> | <a href=\"https:\/\/www.ajaonline.org\/book-review\/4226\">Review 2<\/a><\/p>\n<hr \/>\n<p id=\"m_5707832665541325539docs-internal-guid-fcc1c19f-7fff-8319-6694-baacf9d65950\" dir=\"ltr\">R. Helg, <em>Frontes. Le facciate nell&#8217;architettura e nell&#8217;urbanistica di Pompei e di Ercolano<\/em>, Bologna: Bononia University Press, 2018.<\/p>\n<p><u>Focus on<\/u>:<br \/>Chapter 3, <em>Architettura della facciata: il contributo delle fonti.<\/em><\/p>\n<hr \/>\n<p id=\"m_5707832665541325539docs-internal-guid-fcc1c19f-7fff-8319-6694-baacf9d65950\" dir=\"ltr\">F. Guidetti, <em>The hero&#8217;s white hands: The early history of the myth of Achilles on Scyros<\/em>, in D. Campanile &#8211; F. Carl\u00e0-Uhink &#8211; M. Facella (eds.), <em>TransAntiquity: Cross-Dressing and Transgender Dynamics in the Ancient World<\/em>, London &#8211; New York: Routledge,\u00a02017, 181-201.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0b17e5d5c5&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0b17e5d5c5%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1537085242396000&amp;usg=AFQjCNFGBFGSssfp3DMWNVbNTW-3vNyLbQ\">Link<\/a><\/p>\n<hr \/>\n<p id=\"m_5707832665541325539docs-internal-guid-fcc1c19f-7fff-8319-6694-baacf9d65950\" dir=\"ltr\">R. Dimopoulou,\u00a0<em>Ciriaco d\u2019Ancona, De Septem Mundi Spectaculis: Aspects on His Language<\/em>, Mediterranean chronicle 7 (2017), 89-100.<\/p>\n<hr \/>\n<p id=\"m_5707832665541325539docs-internal-guid-fcc1c19f-7fff-8319-6694-baacf9d65950\" dir=\"ltr\">S.\u00a0Jusseret &#8211;\u00a0M.\u00a0Sintubin (eds.), <em>Minoan Earthquakes: Breaking the Myth through Interdisciplinarity.<\/em> Studies in Archaeological Sciences 5. Leuven: Leuven University Press, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\"><em>Simonides Project<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ff0712170d&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dff0712170d%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1537085242397000&amp;usg=AFQjCNFkjX2lrj-5yI9Q7lMehIMnnFXM-g\">Website<\/a><\/p>\n<hr \/>\n<p id=\"m_5707832665541325539docs-internal-guid-fcc1c19f-7fff-8319-6694-baacf9d65950\" dir=\"ltr\"><span style=\"font-size: 14px;\">S.I. Ramos Maldonado, <\/span><em style=\"font-size: 14px;\">De terrae odore: una ep\u00edstola latina de Celio Calcagnini sobre un pasaje controvertido de critica textual en Plinio el Viejo y Cicer\u00f3n<\/em><span style=\"font-size: 14px;\">, \u00c1gora. Estudos Cl\u00e1ssicos em Debate 20 (2018), 173-199.<\/span><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ec6688b3df&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dec6688b3df%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1531902224711000&amp;usg=AFQjCNHovYxSokjY6rW5VBb7Y0MnkMtKpA\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">D. Katsonopoulou (ed.), <em>Paros IV:<\/em>\u00a0<em>\u0397 \u03a0\u03b1\u03c1\u03bf\u03c3 \u03ba\u03b1\u03b9 \u03bf\u03b9 \u03b1\u03c0\u03bf\u03b9\u03ba\u03b9\u03b5\u03c3 \u03c4\u03b7\u03c3 \/ Paros and its Colonies<\/em>, Athens:\u00a0The Paros and Cyclades Institute of Archaeology, 2018.<\/p>\n<hr \/>\n<div>A. Balbo, <em>\u00abCetera non sunt narranda, pingenda sunt\u00bb. Retorica visuale e actio in Calpurnio Flacco<\/em>, Maia 70 (2018), 149-159.<\/div>\n<hr \/>\n<div>A. Casamento, <em>Sic astra mereri. Un\u2019analisi della Controversia de statua viri fortis di Draconzio<\/em>, Linguarum varietas 6 (2017), 177-197.<\/div>\n<hr \/>\n<div>G. Athanasiadou, <em>Epigrams on Myron\u2019s Cow in Translation: an Example by Taddeo Ugoleto<\/em>, Mediterranean chronicle 7 (2017), 31-40.<\/div>\n<hr \/>\n<div>A. Borgna &#8211; S. Musso, <em>Le sfide di una biblioteca digitale del latino tardoantico. Struttura, canone e questioni aperte di codifica e visualizzazione<\/em>, in P. Mastandrea (ed.), <em>Strumenti digitali e collaborativi per le Scienze dell\u2019Antichit\u00e0<\/em>, Venezia: Edizioni Ca\u2019 Foscari, 2017, 69-94.<\/div>\n<hr \/>\n<div>A. Augenti, <em>A come archeologia: 10 grandi scoperte per ricostruire la storia<\/em>, Roma: Carocci, 2018.<\/div>\n<hr \/>\n<div>\n<p><em>Index of Ancient Greek Lexica<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=47fe59e55b&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D47fe59e55b%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1531902224711000&amp;usg=AFQjCNG7hx8sM-Vy28zixnmQTKcjogUgIw\">Website<\/a><\/p>\n<\/div>\n<hr \/>\n<p id=\"m_7981105339123811530docs-internal-guid-12d890cc-ae34-182a-c9dc-b9a0066b55a0\" dir=\"ltr\">R.M. Lucifora\u00a0(ed.), <em>Vino e Salute. Dalla civilt\u00e0 antica ad oggi<\/em>,\u00a0Pisa:\u00a0Edizioni ETS, 2018.<\/p>\n<p><u>Focus on<\/u>:<\/p>\n<\/div>\n<div>\n<ul dir=\"ltr\">\n<li>Livia Radici, <em>Sostanze naturali, sofisticazioni del vino e salute in Plinio<\/em>;<\/li>\n<li>Livia Radici, <em>\u2018Vinum sanguis terrae\u2019, \u2018agua sangre de la tierra\u2019, \u2018petr\u00f3leo sangre de la tierra\u2019: Plinio, nat. XIV 58, 5-7, prima e dopo.<\/em><\/li>\n<\/ul>\n<hr \/>\n<p dir=\"ltr\">S. Amigues (ed.), <em>Th\u00e9ophraste. Les Pierres<\/em>, Paris: Les Belles Lettres, 2018.<\/p>\n<p dir=\"ltr\"><a href=\"http:\/\/bmcr.brynmawr.edu\/2019\/2019-01-58.html\">Review<\/a><\/p>\n<hr \/>\n<p>M. Lagogianni-Georgakarakos, E. Papi (eds.), <em>HADRIANVS &#8211; \u0391\u0394\u03a1\u0399\u0391\u039d\u039f\u03a3. \u039f \u0391\u03b4\u03c1\u03b9\u03b1\u03bd\u03cc\u03c2, \u03b7 \u0391\u03b8\u03ae\u03bd\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03b1 \u0393\u03c5\u03bc\u03bd\u03ac\u03c3\u03b9\u03b1 &#8211; Adriano, Atene e i Ginnasi &#8211; Hadrian, Athens and the Gymnasia<\/em>, \u0391\u03b8\u03ae\u03bd\u03b1 &#8211; Atene &#8211; Athens: National Archaeological Museum &#8211; Scuola Archeologica Italiana di Atene, 2018.<\/p>\n<hr \/>\n<p>F. Queyrel &#8211; R. von den Hoff (eds.), <em>La vie des portraits grecs. Statues-portraits du Ve au Ier si\u00e8cle av. J.-C. Usages et re-contextualisations<\/em>,\u00a0Paris: Hermann, 2017.<\/p>\n<hr \/>\n<p>M.S. Celentano, \u00a0<em>La obsesi\u00f3n de amor entre narcisismo y locura homicida: el caso de Polifemo en Ovidio, Metamorfosis 13, 738-897 \/\u00a0Love Obsession between Narcissism and Homicidal Madness: The Case of Polyphemus in Ovids Metamorphoses 13, 738-897<\/em>, R\u00e9tor 7,2 (2017), 135-151.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=e42880cc9a&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3De42880cc9a%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1529081187415000&amp;usg=AFQjCNFdrRFf2KPMzMNhSma8DdMjsPS7Yw\">Link<\/a><\/p>\n<hr \/>\n<p>T.M. Dijkstra &#8211; I.N.I Kuin &#8211; M. Moser &#8211; D. Weidgennant (eds.),\u00a0<em>Strategies of Remembering in Greece under Rome (100 BC &#8211; 100 AD)<\/em> (Publications of the Netherlands Institute in Athens VI), Leiden: Sidestone Press, 2017.<\/p>\n<hr \/>\n<p>A.D. Rizakis \u2013 F. Camia \u2013 S. Zoumbaki (eds.), <em>Social Dynamics under Roman Rule. Mobility and Status Change in the Provinces of Achaia and Macedonia. Proceedings of a Conference Held at the French School of Athens, 30-31 May 2014<\/em> (Meletemata 74), Athens: National Hellenic Research Foundation 2017.<\/p>\n<hr \/>\n<p>P. Mastandrea (ed.), <em>Strumenti digitali e collaborativi per le Scienze dell&#8217;Antichit\u00e0<\/em>, Venezia: Edizioni Ca&#8217; Foscari, 2017.<\/p>\n<hr \/>\n<p><em>Online Public Classics Archive: Classics in the News<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7c5f7d7eb9&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7c5f7d7eb9%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1529081187415000&amp;usg=AFQjCNG8gBuP-bgay6xAcDKnn_rx_lbNug\">Website<\/a><\/p>\n<hr \/>\n<p><em>Philoclassics: Open Access Electronic Resources for Classical Studies<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c665e465ef&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc665e465ef%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1529081187415000&amp;usg=AFQjCNFHJ_YmrUXTQ2r0B1q9bVQJfIU1Qg\">Website<\/a><\/p>\n<\/div>\n<hr \/>\n<p id=\"m_-3382730942769842494docs-internal-guid-12d890cc-ae34-182a-c9dc-b9a0066b55a0\" dir=\"ltr\">P. Cipr\u00e9s (ed.), <em>Plinio el Viejo y la construcci\u00f3n de Hispania citerior \/ Pliny the Elder and the construction of Hispania citerior<\/em> (Acta 14), Vitoria-Gasteiz: Universidad del Pa\u00eds Vasco, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">M.S. Celentano, <em>Ingegnosit\u00e0 esemplare di un pittore: la lunga storia del \u2018velo\u2019 di Timante (fino alla ricezione in una maiolica urbinate)<\/em>, Accademia Raffaello Atti e Studi (1-2) 2017, 57-65.<\/p>\n<hr \/>\n<p id=\"m_-3382730942769842494docs-internal-guid-12d890cc-ae35-57c4-c39b-53d46e9821f5\" dir=\"ltr\">M. Iozzo, <em>Il Vaso Fran\u00e7ois. Rex Vasorum<\/em>, Firenze: Polistampa, 2017.<\/p>\n<\/div>\n<hr \/>\n<div>\n<p>C. Higbie, <em>Collectors, Scholars, and Forgers in the Ancient World: Object Lessons<\/em>,\u00a0Oxford &#8211; New York: \u00a0Oxford University Press, 2017.<\/p>\n<p><a href=\"http:\/\/bmcr.brynmawr.edu\/2018\/2018-03-39.html\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/bmcr.brynmawr.edu\/2018\/2018-03-39.html&amp;source=gmail&amp;ust=1527002452431000&amp;usg=AFQjCNEMunbBHXgTPQ2Ixo0OL9aDbbLqdg\">Review<\/a><\/p>\n<\/div>\n<\/div>\n<div>\n<hr \/>\n<p dir=\"ltr\">P. Li Causi, <em>Gli animali nel mondo antico<\/em>, Bologna: Il Mulino, 2018.<\/p>\n<hr \/>\n<p dir=\"ltr\">L. Saltini &#8211;\u00a0A. Balbo &#8211;\u00a0G. Milanese (eds.), <em>Autori antichi per lettori europei. La raccolta greca e latina della biblioteca cantonale di Lugano<\/em>, Lugano: Biblioteca Cantonale di Lugano, 2018.<\/p>\n<hr \/>\n<p id=\"m_-3382730942769842494docs-internal-guid-45ec8582-6293-0612-f242-6d1b0a499bb1\" dir=\"ltr\"><em>The Ashmolean Latin Inscriptions Project<\/em><\/p>\n<p><a href=\"http:\/\/latininscriptions.ashmus.ox.ac.uk\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/latininscriptions.ashmus.ox.ac.uk\/&amp;source=gmail&amp;ust=1527002452431000&amp;usg=AFQjCNH3kpliBb0ZZ2ChkEOM5P6rzNPKmQ\">Website<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><em>EPNet (Production and Distribution of Food during the Roman Empire: Economic and Political Dynamics)<\/em><\/p>\n<p><a href=\"http:\/\/www.roman-ep.net\/wb\/home\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/www.roman-ep.net\/wb\/home\/&amp;source=gmail&amp;ust=1527002452431000&amp;usg=AFQjCNGAZ3F22sT_QW1677hZ-AcQOjr6MQ\">Website<\/a><\/p>\n<hr \/>\n<\/div>\n<p id=\"m_5601540336101202277docs-internal-guid-12d890cc-ae34-182a-c9dc-b9a0066b55a0\" dir=\"ltr\">N. Dietrich &#8211; M. Squire (eds.), <em>Ornament and Figure in Graeco-Roman Art. Rethinking Visual Ontologies in Classical Antiquity<\/em>, Berlin: De Gruyter, 2018.<\/p>\n<p dir=\"ltr\"><u>Focus on<\/u>: Verity Platt\u2019s paper, <em>Of sponges and stones: Matter and ornament in Roman painting.<\/em><\/p>\n<hr \/>\n<p dir=\"ltr\">S. Rebeggiani, <em>The Fragility of Power: Statius, Domitian and the Politics of the Thebaid<\/em>, Oxford: Oxford University Press, 2018.<\/p>\n<hr \/>\n<p id=\"m_5601540336101202277docs-internal-guid-12d890cc-ae35-57c4-c39b-53d46e9821f5\" dir=\"ltr\">O. Palagia, &#8220;The riddle of Acropolis Museum 1263: a fourth-century repair to the Erechtheion frieze?&#8221;, in M. Korres <em>et al.<\/em> (eds.), <em>\u0397\u03a1\u03a9\u03a3 \u039a\u03a4\u0399\u03a3\u03a4\u0397\u03a3. \u039c\u03bd\u03ae\u03bc\u03b7 \u03a7\u03b1\u03c1\u03ac\u03bb\u03b1\u03bc\u03c0\u03bf\u03c5 \u039c\u03c0\u03bf\u03cd\u03c1\u03b1<\/em>, vol. 2,\u00a0Athens: \u039c\u0395\u039b\u0399\u03a3\u03a3\u0391,\u00a02017, 309-313.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8ef7c655c6&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8ef7c655c6%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1524475060376000&amp;usg=AFQjCNG2ylXhp8Ati42-ujRW4B6btDAk1A\">Link<\/a><\/p>\n<\/div>\n<hr \/>\n<div>T. Ismaelli, <em>Il Tempio A nel Santuario di Apollo. Architettura, decorazione e contesto<\/em> (Hierapolis di Frigia X), Istanbul: Yay\u0131nlar\u0131, 2017.<\/div>\n<\/div>\n<div>\n<hr \/>\n<p dir=\"ltr\">A. Carandini &#8211; P. Carafa (eds.), T<em>he Atlas of Ancient Rome: Biography and Portraits of the City<\/em> (2 vols.). Translated by Andrew Campbell Halavais. Princeton &#8211; Oxford: \u00a0Princeton University Press, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7ab536a318&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7ab536a318%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1524475060376000&amp;usg=AFQjCNGVpRZAdXXxsCPam8HR9fgwiO3PuQ\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">N.W. Bernstein (ed.), <em>Silius Italicus. Punica 2<\/em>, Oxford: Oxford University Press, 2017.<\/p>\n<hr \/>\n<p id=\"m_5601540336101202277docs-internal-guid-12d890cc-ae3a-e5a2-92a5-940bc32d29bc\" dir=\"ltr\">K. Gervais (ed.), <em>Statius. Thebaid 2<\/em>, Oxford: Oxford University Press, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">J. Grethlein, <em>Aesthetic Experiences and Classical Antiquity. The Significance of Form in Narratives and Pictures<\/em>, Cambridge: Cambridge University Press, 2017.<\/p>\n<p dir=\"ltr\"><a href=\"http:\/\/bmcr.brynmawr.edu\/2019\/2019-02-38.html\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">J. K\u00f6nig &#8211; G. Woolf (eds.), <em>Authority and Expertise in Ancient Scientific Culture<\/em>,\u00a0Cambridge &#8211; New York: \u00a0Cambridge University Press, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">J.C. McKeown, <em>A Cabinet of Ancient Medical Curiosities: Strange Tales and Surprising Facts from the Healing Arts of Greece and Rome<\/em>, Oxford: Oxford University Press, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">S. Rocchi &#8211; C. Mussini (eds.), <em>Imagines Antiquitatis. Representations, concepts, reception of the past in Roman antiquity and the early Italian Renaissance<\/em>, Berlin &#8211; Boston: De Gruyter, 2017.<\/p>\n<hr \/>\n<p>A.\u00a0Dressen, <em>From Dante to Landino: Botticelli&#8217;s Calumny of Apelles and its Sources<\/em>, Mitteilungen des Kunsthistorischen Institutes in Florenz 59.3 (2017),\u00a0324\u2013339.<\/p>\n<hr \/>\n<p dir=\"ltr\">B. Wilson, <em>The Itinerant Artist and the Islamic Urban Prospect: Guillaume-Joseph Gr\u00e9lot\u2019s Self-portraits in Ambrosio Bembo\u2019s &#8216;Travel Journal&#8217;<\/em>, Artibus et Historiae 76, XXXVIII (2017), 157-180.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=424bd3c976&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D424bd3c976%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1524475060376000&amp;usg=AFQjCNEhUODRUYY5RQTASdGhf1DOdtE7AQ\">Abstract<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><em>Delos Network<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f1cfea0bd4&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df1cfea0bd4%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1524475060376000&amp;usg=AFQjCNFEJOJQ1_De1Q1CCv9OQ57h4ur6CA\">Website<\/a><\/p>\n<hr \/>\n<div>\n<p><em>The Portus Project<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=fb0068d48c&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dfb0068d48c%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1524475060377000&amp;usg=AFQjCNHZiGluVmwcijJR_HLPACXmyP7CUw\">Website<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<p>A. Bastit,\u00a0<em>Simplicit\u00e9 de l\u2019intellect et perception divine chez Pline l\u2019Ancien et Ir\u00e9n\u00e9e de Lyon: aper\u00e7u de la r\u00e9ception d\u2019une sentence de X\u00e9nophane \u00e0 l\u2019\u00e9poque imp\u00e9riale<\/em>, in E. Gavoille \u2013 S. Roesch (eds.),\u00a0<em>Diuina studia. M\u00e9langes de religion et de philosophie anciennes offerts \u00e0 Fran\u00e7ois Guillaumont\u00a0<\/em>(Scripta Antiqua, 110), Bordeaux: Ausonius \u00c9ditions 2018, 139-154.<\/p>\n<\/div>\n<hr \/>\n<div>\n<p>C. Avvisati (ed.),\u00a0<em>Gaio Plinio Cecilio Secondo detto il giovane, Comme s\u2019arricettaie ziz\u00edo, ovvero le lettere a Tacito sulla morte di Plinio il Vecchio tradotte in napoletano<\/em>, Napoli: I tipi di Art\u2019em 2018.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5becf37ad6&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5becf37ad6%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111910000&amp;usg=AFQjCNE_AS9LKAfuSu5GINChuAVg9iHUsA\">Review<\/a><\/p>\n<\/div>\n<\/div>\n<div>\n<hr \/>\n<p dir=\"ltr\">U. Pappalardo,\u00a0<em>Il Laocoonte e l\u2019archeologia: Lessing, Winckelmann, Goethe e la visione dell\u2019arte classica nel XVIII secolo<\/em>, Cultura Tedesca 53 (2017), 143-165.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=fdd6fbb247&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dfdd6fbb247%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111910000&amp;usg=AFQjCNH00_D1Y47roRV144Y7h7OPqg_Xag\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">C. Michelini (ed.),\u00a0<em>Scavi e ricerche a Segesta (Calata\ufb01mi-Segesta,TP; 2016), Entella (Contessa Entellina, PA), Locri Epize\ufb01ri (Locri, RC; 2016) e Gortina (Creta),<\/em>\u00a0ASNS s. 5, 9\/2 supplemento (Notizie degli scavi di antichit\u00e0 comunicate dalla Scuola Normale.\u00a0Rassegna archeologica del laboratorio di Storia Archeologia Epigrafia Tradizione dell\u2019antico), 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\"><em>The Ancient Graffiti Project Search Engine<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=fd39ccd078&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dfd39ccd078%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111910000&amp;usg=AFQjCNG24_RuVh__QqM4MnG6b6nXkUuGfQ\">Website<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">S. Kansteiner,\u00a0<em>Pseudoantike Skulptur II: Klassizistische Statuen aus antiker und nachantiker Zeit\u00a0<\/em>(Transformationen der Antike 47), Berlin &#8211; Boston: \u00a0De Gruyter, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">C. Bachmann,\u00a0<em>Zeichen der Zeit in Philostrats Eikones<\/em>, in J. Bracker &#8211; T. Jegodzinski (eds.),\u00a0<em>Bilder: Zeitzeichen und Zeitph\u00e4nomene\/Images: Signs and Phenomena of Time<\/em>, Visual Past 4 (2017), 21-34.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ccac0f28d8&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dccac0f28d8%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111910000&amp;usg=AFQjCNHB5PuQleRm6VgAIZzsqD40ScnT1A\">Link<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">C. Kryza-Gersch,\u00a0<em>Confusing Signatures on Bronzes: Sculptor and Castor in Renaissance Venice<\/em>, Artibus et Historiae 76, XXXVIII (2017), 95-112.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ecea5a96a9&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Decea5a96a9%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111910000&amp;usg=AFQjCNGr-Umi7ydR-bixyd5lu-FS69fL-g\">Abstract<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">F. Isman,\u00a0<em>L\u2019Italia dell\u2019arte venduta. Collezioni disperse, capolavori fuggiti<\/em>, Bologna: il Mulino, 2017.<\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">A. Casamento,\u00a0<em>Colorem timere peius quam sanguinem. Paintings, family strife and heroism<\/em>, in M. Dinter &#8211; C. Gu\u00e9rin &#8211; M. Martinho (eds.),\u00a0<em>Reading Roman Declamation. Calpurnius Flaccus<\/em>, Berlin: De Gruyter, 2018, 97-112.<\/p>\n<hr \/>\n<p dir=\"ltr\">G. Moretti,\u00a0<em>L\u2019intellettuale di successo e il suo pubblico. Responsabilit\u00e0 letteraria, riconoscimento sociale e gratitudine civica nell\u2019oratoria di Apuleio: il simbolismo delle statue<\/em>, Hormos 9 (2017), 571-593.<\/p>\n<hr \/>\n<p dir=\"ltr\">A. Chaniotis,\u00a0<em>The Life of Statues of Gods in the Greek World<\/em>, Kernos 30 (2017), 91-112.<\/p>\n<\/div>\n<div>\n<hr \/>\n<p dir=\"ltr\">A. Gonzales &#8211; G. Tirologos,\u00a0<em>L&#8217;artisanat \u00e0 l&#8217;\u00e9poque romaine. Les ateliers d&#8217;Epomanduodurum\u00a0<\/em>(Institut des sciences et techniques de l&#8217;Antiquit\u00e9 (ISTA)), Besan\u00e7on: Presses Universitaires de Franche-Comt\u00e9, 2017 [DVD].<\/p>\n<hr \/>\n<\/div>\n<div>\n<p dir=\"ltr\">N. Bonacasa &#8211; S. Aiosa,\u00a0<em>Sabratha. Una guida a studi e ricerche degli ultimi 50 anni<\/em>, Palermo: Bardi, 2017.<\/p>\n<\/div>\n<\/div>\n<div>\n<hr \/>\n<p dir=\"ltr\">P. Clancier &#8211; O. Coloru &#8211; G. Gorre,\u00a0<em>Les mondes hell\u00e9nistiques du Nil \u00e0 l\u2019Indus<\/em>, Paris: Hachette, 2017.<\/p>\n<hr \/>\n<div>\n<p dir=\"ltr\">M. Dondin-Payre &#8211; N. Tran (eds.),\u00a0<em>Esclaves et ma\u00eetres dans le monde romain. Expressions \u00e9pigraphiques de leur relations\u00a0<\/em>(Collection de l\u2019Ecole fran\u00e7aise de Rome, 527), Roma: Ecole fran\u00e7aise de Rome, 2017.<\/p>\n<div>\n<hr \/>\n<p dir=\"ltr\">W. Raeck (ed.),\u00a0<em>Figur und Raum in der fr\u00fchgriechischen Fl\u00e4chenkunst. Arch\u00e4ologisches Symposium f\u00fcr Hanna Koenigs-Philipp, Liebighaus Frankfurt am Main im Juni 2008<\/em>, Wiesbaden: Reichert, 2017.<\/p>\n<\/div>\n<hr \/>\n<\/div>\n<div>\n<div>\n<p dir=\"ltr\">F.H. Massa-Pairault &#8211; C. Pouzadoux (eds.),\u00a0<em>G\u00e9ants et gigantomachies entre Orient et Occident: actes du colloque organis\u00e9 par Centre Jean B\u00e9rard (CNRS\/EFR) AOROC &#8211; ArScaN &#8211; LABEX Les pass\u00e9s dans le pr\u00e9sent, Naples, 14-15 novembre 2013<\/em>\u00a0(Collection du Centre Jean B\u00e9rard 47), Napoli: Centre Jean B\u00e9rard, 2017.<\/p>\n<\/div>\n<hr \/>\n<\/div>\n<div>\n<div>\n<p dir=\"ltr\">A. de Pury-Gysel,\u00a0<em>Die Goldb\u00fcste des Septimius Severus: Gold- und Silberb\u00fcsten r\u00f6mischer Kaiser<\/em>, Basel: Librum Publishers &amp; Editors, 2017.<\/p>\n<\/div>\n<hr \/>\n<\/div>\n<p dir=\"ltr\">B. Chrubasik &#8211; D. King (eds.),\u00a0<em>Hellenism and the local communities of the eastern Mediterranean, 400 B.C.E. \u2013 250 C.E.<\/em>, Oxford: Oxford University Press, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">C. De Hamel,\u00a0<em>Meetings with Remarkable Manuscripts<\/em>, London: Allen Lane, 2016 (Italian Translation:\u00a0<em>Storia di dodici manoscritti<\/em>, Milano: Mondadori, 2017).<\/p>\n<div>\n<div><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c897b077c6&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc897b077c6%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476660000&amp;usg=AFQjCNGbRU8ST4k9ZqV-CvGPO3nZaJ0LFA\">Review<\/a><\/div>\n<hr \/>\n<p dir=\"ltr\">S. Beta,\u00a0<em>Io, un manoscritto. L&#8217;Antologia Palatina si racconta<\/em>, Roma: Carocci Editore, 2017.<\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=493ff4410a&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D493ff4410a%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476660000&amp;usg=AFQjCNHnFo3KTLAKItcc0oHf2s_sdYhDTA\">Review_1<\/a>\u00a0|\u00a0<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6f9bdce734&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6f9bdce734%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476660000&amp;usg=AFQjCNEzm3YK0daQ_1nV47-HrD-2PUqggQ\">Review_2<\/a><\/p>\n<hr \/>\n<div>\n<p dir=\"ltr\"><em>A Homer Commentary in Progress<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=68cd0a309e&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D68cd0a309e%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476660000&amp;usg=AFQjCNFc6IoU64Ch8zHlzgi82hcibBDNoA\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">Umanistica Digitale: Journal of the Italian Association of Digital Humanities\u00a01 (2017)<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=03c3908b0e&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D03c3908b0e%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476660000&amp;usg=AFQjCNHE6-hkfFGeQd8iw8dEkaoHbyFr_g\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><em>Rivista del Museo Egizio<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=3e3de18b00&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D3e3de18b00%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476660000&amp;usg=AFQjCNFXixaQlu6idE6_xqan8AQeMV3ubA\">Weblink<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<p dir=\"ltr\">A. Corbeill, A<em>\u00a0New Painting of Calypso in Pliny the Elder<\/em>, Eugesta 7 (2017), 184-198.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=84b8a3d36c&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D84b8a3d36c%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245633000&amp;usg=AFQjCNHg2lqi9HXZmpZGioBO17U7uFxm1w\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">R. Scott Smith,\u00a0<em>Myth and Mythography in Pliny\u2019s Geography, Naturalis Historia 3-6<\/em>, Polymnia 3 (2017), 83-116.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=bc9bfd62ec&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dbc9bfd62ec%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245633000&amp;usg=AFQjCNGeFkn8P6UNK2pFP7QDLWb18Ephpw\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">F. Bessone \u2013 M. Fucecchi (eds.),\u00a0<em>The Literary Genres in the Flavian Age. Canons, Transformations, Reception<\/em>\u00a0(Trends in Classics \u2013 Supplementary Volumes 51), Berlin \u2013 Boston: De Gruyter, 2017.<\/p>\n<p dir=\"ltr\"><u>Focus on<\/u>\u00a0the section \u201cEncyclopaedism and Oratory\u201c:<\/p>\n<ul>\n<li dir=\"ltr\">\n<p dir=\"ltr\">S. Citroni Marchetti,\u00a0<em>Contingat aliqua gratia operae curaeque nostrae: an ethic of care in the Naturalis historia<\/em>, 65-82;<\/p>\n<\/li>\n<\/ul>\n<ul>\n<li dir=\"ltr\">\n<p dir=\"ltr\">A. Balbo,\u00a0<em>Roman oratory and power under the Flavians: some case studies from Pliny the Younger<\/em>, 83-100.<\/p>\n<\/li>\n<\/ul>\n<hr \/>\n<\/div>\n<div>\n<p dir=\"ltr\">A. Bellanova,\u00a0<em>Il fascino del monstrorum artifex: l\u2019interesse di Borges per Plinio il Vecchio<\/em>,\u00a0FuturoClassico 3 (2017), 1-22.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=e27e8174ea&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3De27e8174ea%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245633000&amp;usg=AFQjCNHLNK39Hjbv-DtstkyoUc8GQEE6uQ\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">E. Swift,\u00a0<em>Roman Artefacts and Society: Design, Behaviour and\u00a0Experience<\/em>, Oxford \u2013 New York: Oxford University Press, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=3572e32793&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D3572e32793%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245633000&amp;usg=AFQjCNEdmu7A5FcbiEBkBuRjK37mo-5Icw\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<div>\n<p dir=\"ltr\">F. Slavazzi \u2013 C. Torre (eds.),\u00a0<em>Intorno a Tiberio, 1. Archeologia, cultura e letteratura del Principe e della sua epoca\u00a0<\/em>(Materia e arte 2), Firenze: All\u2019Insegna del Giglio, 2016.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6c81897773&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6c81897773%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245634000&amp;usg=AFQjCNE1GBSG0i8pnDtMGI3aVKMGnA4eMg\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">L. Cordes,\u00a0<em>Kaiser und Tyrann. Die Kodierung und Umkodierung der Herrscherrepr\u00e4sentation Neros und Domitians<\/em>, Berlin: De Gruyter, 2017.<\/p>\n<\/div>\n<\/div>\n<div>\n<hr \/>\n<p dir=\"ltr\">E. Karakasis,\u00a0<em>T. Calpurnius Siculus: A Pastoral Poet in Neronian Rome<\/em>, Berlin \u2013 Boston: \u00a0De Gruyter, 2016.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=3ec14c220b&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D3ec14c220b%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245634000&amp;usg=AFQjCNHRdOl-SJ6gsueh-K04hesHgkzbjA\">Review<\/a><\/p>\n<hr \/>\n<div>\n<p dir=\"ltr\">R.J. Littlewood (ed.),\u00a0<em>A commentary on Silius Italicus\u2019 Punica 10<\/em>, Oxford: Oxford University Press, 2017.<\/p>\n<div>\n<hr \/>\n<p dir=\"ltr\">K. Brodersen (ed.),\u00a0<em>Quintus Serenus. Medizinischer Rat \/ Liber Medicinalis<\/em>(Sammlung Tusculum), Berlin \u2013 Boston: De Gruyter, 2017.<\/p>\n<\/div>\n<hr \/>\n<\/div>\n<div>\n<div>\n<p dir=\"ltr\">M. Flohr \u2013 A. Wilson (eds.),\u00a0<em>The Economy of Pompeii. Oxford studies on the Roman economy<\/em>, Oxford \u2013 New York: Oxford University Press, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8940846983&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8940846983%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245634000&amp;usg=AFQjCNFwHnfFCXFgIfLBIy0RJD4K-9baAQ\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<\/div>\n<div>\n<div>\n<p dir=\"ltr\">J. Hartnett,\u00a0<em>The Roman Street: Urban Life and Society in Pompeii, Herculaneum, and Rome<\/em>, New York: Cambridge University Press, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5a713b6aeb&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5a713b6aeb%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245634000&amp;usg=AFQjCNHR2zfDgfZd6JMlJdt9Iv5KhOT9cg\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<\/div>\n<p dir=\"ltr\">S. Chandrasekaran \u2013 A. Kouremenos (eds.),\u00a0<em>Continuity and Destruction in the Greek East: The Transformation of Monumental Space From the Hellenistic Period to Late Antiquity<\/em>\u00a0(BAR International Series 2765), Oxford: British Archaeological Reports, 2015.<\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=a77cb1a4a9&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Da77cb1a4a9%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245634000&amp;usg=AFQjCNFdhUipWoBZFGngdlIAb3nwa3jrkA\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">C. Hawkins,\u00a0<em>Roman Artisans and the Urban Economy<\/em>,\u00a0Cambridge \u2013 New York:\u00a0Cambridge University Press, 2016.<\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=07a3aa6f8c&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D07a3aa6f8c%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245634000&amp;usg=AFQjCNELdEFIdUp4oQ4c_PlVVHlXdTve4g\">Review<\/a><\/p>\n<hr \/>\n<div>C. Bolgia,\u00a0<em>Reclaiming the Roman Capitol. Santa Maria in Aracoeli from the altar of Augustus to the Franciscans, c.500 \u2013 1450<\/em>, Oxon: Routledge, 2017.<\/div>\n<div>\n<div><\/div>\n<hr \/>\n<p dir=\"ltr\">P. Boot et all. (eds.),\u00a0<em>Advances in Digital Scholarly Editing. Papers presented at the DiXiT conferences in The Hague, Cologne, and Antwerp<\/em>, Leiden: Sidestone Press, 2017.<\/p>\n<hr \/>\n<div>\n<p dir=\"ltr\">S. Settis,\u00a0<em>Cieli d\u2019Europa. Cultura, creativit\u00e0, uguaglianza<\/em>, Torino: Utet, 2017.<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=adda571e3b&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dadda571e3b%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245634000&amp;usg=AFQjCNE9O367EYjkaUfxSpobEB2pSbIpJQ\">Review_1<\/a>\u00a0|\u00a0<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=241dc7dbba&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D241dc7dbba%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245634000&amp;usg=AFQjCNEF-6EI9KjFU1jZWaRMnYclvk_ezQ\">Review_2<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">E. Vaiani,\u00a0<em>The Paper Museum of Cassiano dal Pozzo. A catalogue raisonn\u00e9. Drawings and prints in the Royal Library at Windsor Castle, the British Library, the British Museum, the Institut de France and other collections, 5. The Antichit\u00e0 diverse album<\/em>, Turnhout: Royal Collection Trust, 2016.<\/p>\n<hr \/>\n<p dir=\"ltr\"><em>The Digital Milliet<\/em><em>\u00a0Project<\/em><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=fb0a917404&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dfb0a917404%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245634000&amp;usg=AFQjCNF_WbH6aA4iOqNNrsOnGU3DoZ9h-w\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">B. van Beek,\u00a0<em>The archive of the architektones Kleon and Theodoros<\/em>\u00a0(P. Petrie Kleon) (Collectanea hellenistica 7), Leuven: Peeters, 2017.<\/p>\n<p dir=\"ltr\"><a href=\"http:\/\/bmcr.brynmawr.edu\/2018\/2018-12-43.html\">Review<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">D. Gandolfi,\u00a0<em>\u0391rcheologia subacquea. Storia, organizzazione, tecnica e ricerche\u00a0<\/em>(Quaderni della Scuola interdisciplinare delle metodologie archeologiche 3), Bordighera: Istituto internazionale di studi liguri, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">L. Quilici &#8211; S. Quilici Gigli (eds.),\u00a0<em>Atlante tematico di topografia antica<\/em>, ATTA 27:\u00a0<em>Roma e Portus, fortificazioni, urbanistica e acquedotti<\/em>, Roma: L&#8217;Erma di Bretschneider, 2017.<\/p>\n<hr \/>\n<\/div>\n<div>\n<p dir=\"ltr\">D. Camardo &#8211; M. Notomista,\u00a0<em>Ercolano. 1927 \u2013 1961. L\u2019impresa archeologica di Amedeo Maiuri e l\u2019esperimento della citt\u00e0 museo<\/em>, Roma: L\u2019Erma di Bretschneider, 2017.<\/p>\n<hr \/>\n<\/div>\n<div>\n<p dir=\"ltr\">D. Shotter,\u00a0<em>Nero Caesar Augustus: emperor of Rome<\/em>, London &#8211; New York: Routledge, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">L. Lefebvre,\u00a0<em>Le mythe N\u00e9ron: la fabrique d&#8217;un monstre dans la litt\u00e9rature antique (Ier-Ve s.)<\/em>, Lille: Presses Universitaires du Septentrion, 2017.<\/p>\n<\/div>\n<\/div>\n<div>\n<hr \/>\n<p dir=\"ltr\">E.D. Augenti,\u00a0<em>Gente dell\u2019antica Roma. Personaggi dagli \u201cEpigrammi\u201d di M. Valerio Marziale<\/em>, Roma: Arbor sapientiae, 2017.<\/p>\n<hr \/>\n<div>\n<p dir=\"ltr\">U. Bultrighini &#8211; M. Torelli (eds.),\u00a0<em>Pausania, Guida della Grecia, Libro X:\u00a0Delfi e la Focide<\/em>, Milano: Fondazione Lorenzo Valla, 2017.<\/p>\n<div>\n<hr \/>\n<p dir=\"ltr\">D.S. Richter &#8211; W.A. Johnson (eds.),\u00a0<em>The Oxford handbook of the second Sophistic<\/em>, Oxford &#8211; New York: Oxford University Press, 2017.<\/p>\n<\/div>\n<hr \/>\n<\/div>\n<div>\n<div>V. Tsamakda (ed.),\u00a0<em>A companion to Byzantine illustrated manuscripts<\/em>\u00a0(Brill\u2019s companions to the Byzantine world 2), Leiden: Brill, 2017.<\/div>\n<hr \/>\n<\/div>\n<div>\n<div>\n<p dir=\"ltr\">V. Lor\u00e9 &#8211; G. B\u00fchrer-Thierry &#8211; R. Le Jan,\u00a0<em>Acqu\u00e9rir, pr\u00e9lever, contr\u00f4ler. Les ressources en comp\u00e9tition (400 \u2013 1100)<\/em>\u00a0(Collection \u201cHaut moyen \u00e2ge\u201d 25), Turnhout: Brepols, 2017.<\/p>\n<\/div>\n<hr \/>\n<\/div>\n<p dir=\"ltr\">A. Lifschitz &#8211; M. Squire (eds.).\u00a0<em>Rethinking Lessing&#8217;s Laocoon: antiquity, enlightenment, and the &#8216;limits&#8217; of painting and poetry<\/em>,\u00a0Oxford: Oxford University Press, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">S. Toussaint,<em>\u00a0&#8220;My Friend Ficino&#8221;. Art History and Neoplatonism: from Intellectual to Material Beauty<\/em>, Mitteilungen des Kunsthistorischen Institutes in Florenz\u00a059 (2017), 146\u2013173.<\/p>\n<hr \/>\n<div>E. Passignat,\u00a0<em>Le fonti per la storia dell\u2019arte. Il Cinquecento<\/em>, Roma: Carocci, 2017.<\/div>\n<hr \/>\n<div>\n<div>S. Lenzi,\u00a0<em>La policromia dei Monochromata. La ricerca del colore su dipinti su lastre di marmo di et\u00e0 romana<\/em>\u00a0(Premio ricerca \u201ccitt\u00e0 di Firenze\u201d 51), Firenze: Firenze University Press, 2016.<\/div>\n<hr \/>\n<p dir=\"ltr\">R.K. Gibson &#8211; C. Whitton,\u00a0<em>The epistles of Pliny<\/em>, Oxford: Oxford University Press, 2016.<\/p>\n<hr \/>\n<p dir=\"ltr\">P. Sanvito (ed.),\u00a0<em>Vitruvianism. Origins and transformations\u00a0<\/em>(Transformationen der Antike\u00a033), Berlin: De Gruyter, 2015.<\/p>\n<hr \/>\n<p dir=\"ltr\">I.R. Gammel,\u00a0<em>The power of beauty. On the aesthetics of Homer, Plato, and Cicero<\/em>, Aarhus: Aarhus University Press, 2015.<\/p>\n<hr \/>\n<p dir=\"ltr\">S. Formigli &#8211; A. Pacini,\u00a0<em>Dioscoride. I minerali. La sezione mineralogica nel V libro della Materia medica. Traduzione e commento<\/em>\u00a0(Collana di studi archeologici\u00a04), Roma: Espera, 2015.<\/p>\n<hr \/>\n<p dir=\"ltr\"><em>La lingua della Storia dell\u2019Arte nel XX secolo. Roberto Longhi<\/em><\/p>\n<p dir=\"ltr\"><a href=\"http:\/\/longhi.accademiadellacrusca.org\/index.asp\" target=\"_blank\" rel=\"noopener noreferrer\">Weblink<\/a><\/p>\n<\/div>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">G. Adornato (ed.),\u00a0<em>Intorno al Papiro di Artemidoro III. I Disegni.<\/em>\u00a0<em>Atti del Convegno Internazionale del 4 Febbraio 2011 presso il Gabinetto Disegni e Stampe degli Uffizi<\/em>, Firenze &#8211; Milano: LED (Edizioni Universitarie di Lettere Economia Diritto), 2016.<\/p>\n<p><a href=\"http:\/\/bmcr.brynmawr.edu\/2017\/2017-10-62.html\" target=\"_blank\" rel=\"noopener noreferrer\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">R. Duncan-Jones,\u00a0<em>Power and privilege in Roman society<\/em>, Cambridge &#8211; New York: Cambridge University Press, 2016.<\/p>\n<hr \/>\n<p dir=\"ltr\">A. De Rosa,\u00a0<em>In obscurum coni&#8230; acumen. Sui termini skenographia e skiagraphia nel mondo classico<\/em>, La Rivista di Engramma (online)\u00a0150 (2017).<\/p>\n<p><a href=\"http:\/\/www.engramma.it\/eOS\/index.php?id_articolo=3254\" target=\"_blank\" rel=\"noopener noreferrer\">Weblink<\/a><\/p>\n<hr \/>\n<\/div>\n<div>\n<p dir=\"ltr\">N.T. Elkins,\u00a0<em>The Image of Political Power in the Reign of Nerva, AD 96-98<\/em>, Oxford &#8211; New York: Oxford University Press, 2017.<\/p>\n<hr \/>\n<\/div>\n<div>\n<p dir=\"ltr\">V. Rimell &#8211; M. Asper (eds.),\u00a0<em>Imagining Empire. Political Space in Hellenistic and Roman Literature\u00a0<\/em>(Bibliothek der klassischen Altertumswissenschaften\u00a0153), Heidelberg: Universit\u00e4tsverlag, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">R. Burns,\u00a0<em>Origins of the Colonnaded Streets in the Cities of the Roman East<\/em>, Oxford &#8211; New York: Oxford University Press, 2017.<\/p>\n<\/div>\n<\/div>\n<div>\n<hr \/>\n<p dir=\"ltr\">V. Platt &#8211; M.J. Squire (eds),\u00a0<em>The Frame in Classical Art: A Cultural History<\/em>, Cambridge: Cambridge University Press, 2017.<\/p>\n<hr \/>\n<div>\n<p dir=\"ltr\">A. Grandazzi,\u00a0<em>Urbs. Histoire de la ville de Rome des origines \u00e0 la mort d&#8217;Auguste<\/em>, Paris: Editions Perrin, 2017.<\/p>\n<div>\n<hr \/>\n<p dir=\"ltr\">M.A. Menze,\u00a0<em>Heliodors \u2018klassische\u2019 Ekphrase: die literarische Visualit\u00e4t der Aithiopika im Vergleich mit ihren Vorl\u00e4ufern bei Homer und Herodot sowie ihrer Rezeption bei Miguel de Cervantes\u00a0<\/em>(Orbis antiquus 51), M\u00fcnster: \u00a0Aschendorff Verlag, 2017.<\/p>\n<p><a href=\"http:\/\/bmcr.brynmawr.edu\/2017\/2017-10-75.html\" target=\"_blank\" rel=\"noopener noreferrer\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<\/div>\n<div>\n<p dir=\"ltr\">S. Bellesi,\u00a0<em>La storia della scultura all\u2019Accademia di Belle Arti di Firenze<\/em>, Pisa: Pisa University Press, 2017.<\/p>\n<hr \/>\n<\/div>\n<div>\n<div>\n<p dir=\"ltr\">E. Carrara,\u00a0<em>Sul lessico dell&#8217;arte nella prima Crusca<\/em>, in G. Belloni &#8211; P. Trovato (eds.),\u00a0<em>La Crusca e i testi Filologia, lessicografia e collezionismo librario intorno al Vocabolario del 1612<\/em>, Padova: Libreria Universitaria, 2017.<\/p>\n<p><a href=\"https:\/\/www.academia.edu\/33403506\/Sul_lessico_dellarte_nella_prima_Crusca\">Weblink<\/a><\/p>\n<\/div>\n<hr \/>\n<\/div>\n<p dir=\"ltr\">C.E. Barrett,\u00a0<em>Recontextualizing Nilotic Scenes: Interactive Landscapes in the Garden of the Casa dell\u2019Efebo, Pompeii<\/em>, American Journal of Archaeology 121 (2017), 293\u2013332.<\/p>\n<p><a href=\"http:\/\/www.ajaonline.org\/imagegallery\/3421\" target=\"_blank\" rel=\"noopener noreferrer\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">C. Torre,\u00a0<em>Ovidio e le arti figurative: questioni metodologiche e appunti di lettura<\/em>, in S. Costa &#8211; F. Gallo (eds.),\u00a0<em>Miscellanea Graecolatina IV<\/em>, Roma: Bulzoni, 2017, 83-96.<\/p>\n<hr \/>\n<\/div>\n<p dir=\"ltr\">C. DeBevoise Corcoran,\u00a0<em>Topography and deep structure in Plato: the construction of place in the Dialogues<\/em>\u00a0(SUNY series in ancient Greek philosophy), Albany: SUNY Press, 2016.<\/p>\n<hr \/>\n<\/div>\n<div>\n<p dir=\"ltr\">A.S. Mason,\u00a0<em>Ancient Aesthetics,<\/em>\u00a0London &#8211;\u00a0New York: Routledge, 2016.<\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=4cbcdb8167&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D4cbcdb8167%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362340000&amp;usg=AFQjCNGeeYkBgmQR1J6Hn2W9UXV-YQdsyg\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<div>\n<p dir=\"ltr\">M. Squire (ed.),\u00a0<em>Sight and the Ancient Senses. The Senses in Antiquity<\/em>, \u00a0London &#8211; New York: Routledge, 2016.<\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c1e74a19c7&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc1e74a19c7%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362340000&amp;usg=AFQjCNHhcDFxU-Um03xUl2ae2uZ27efqmw\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<div>\n<p dir=\"ltr\">R. Wachter (ed.),\u00a0<em>T\u00f6pfer &#8211; Maler &#8211; Schreiber: Inschriften auf attischen Vasen. Akten des Kolloquiums vom 20. bis 23. September 2012 an den Universit\u00e4ten Lausanne und Basel<\/em>\u00a0\/\u00a0<em>Potiers &#8211; peintres &#8211; scribes: inscriptions sur vases attiques. Actes du colloque tenu aux Universit\u00e9s de Lausanne et de B\u00e2le du 20 au 23 septembre 2012<\/em>\u00a0\/\u00a0<em>Potters &#8211; painters &#8211; scribes: inscriptions on Attic vases. Proceedings of the colloquium held at the University of Lausanne and Basel from 20th to 23rd September 2012\u00a0<\/em>(Akanthus proceedings 4), Kilchberg &#8211; Z\u00fcrich: \u00a0Akanthus Verlag f\u00fcr Arch\u00e4ologie, 2016.<\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8d08884172&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8d08884172%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362340000&amp;usg=AFQjCNGpxiCOdPLqApjh46iCGFup9oqcgg\">Review<\/a><\/p>\n<hr \/>\n<p>M. Margheritis,\u00a0<em>Plinio il Vecchio<\/em>, con interventi\u00a0di G. Adornato,\u00a0P.\u00a0Maggi,\u00a0M.\u00a0<wbr \/>Mondelli e\u00a0A. Roncoroni, Milano: Mimesis, 2017.<\/p>\n<\/div>\n<\/div>\n<div>\n<hr \/>\n<p dir=\"ltr\">C. Rohr,\u00a0<em>Von Plinius zu Isidor und Beda Venerabilis. Zur \u00dcbernahme antiken Wissens \u00fcber Witterungsph\u00e4nomene im Mittelalter<\/em>, in S. Dusil, G. Schwedler, R. Schwitter (eds.),\u00a0<em>Exzerpieren &#8211; Kompilieren &#8211; Tradieren: Transformationen des Wissens zwischen Sp\u00e4tantike und Fr\u00fchmittelalter<\/em>\u00a0(Millennium-Studien \/ Millennium studies, 64), Berlin &#8211; Boston: \u00a0De Gruyter, 2017.<\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=bb6a534a51&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dbb6a534a51%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362340000&amp;usg=AFQjCNHaNbg2xyQm_gy_y5A2reTzHMW4xw\">Review<\/a><\/p>\n<hr \/>\n<p>A. Augoustakis,\u00a0<em>Flavian epic<\/em>\u00a0(Oxford Readings in Classical Studies), Oxford: Oxford University Press, 2016.<\/p>\n<div>\n<p>Review: C. Laudani, Bollettino di Studi Latini 47 (2017), 371-375.<\/p>\n<p><a href=\"http:\/\/bmcr.brynmawr.edu\/2017\/2017-11-14.html\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 S. Finkmann,\u00a0Bryn Mawr Classical Review 2017.11.14<\/a><\/p>\n<div>\n<hr \/>\n<p dir=\"ltr\">R. Germany,\u00a0<em>Mimetic Contagion. Art and Artifice in Terence&#8217;s Eunuch<\/em>, Oxford: Oxford University Press, 2016.<\/p>\n<\/div>\n<hr \/>\n<\/div>\n<div>\n<p dir=\"ltr\">H.D. Baker,\u00a0<em>Neo-Assyrian Specialists: Crafts, Offices, and Other Professional Designations\u00a0<\/em>(Prosopography of the Neo-Assyrian Empire 4\/1: Profession Index), Helsinki: The Neo-Assyrian Text Corpus Project and the Finnish Foundation for Assyriological Research, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">L. Krollpfeifer,\u00a0<em>Rom bei Prudentius. Dichtung und Weltanschauung in \u00bbContra orationem Symmachi\u00ab<\/em>\u00a0(Vertumnus. Berliner Beitr\u00e4ge zur Klassischen Philologie und zu ihren Nachbargebieten, 12), G\u00f6ttingen: Edition Ruprecht, 2017.<\/p>\n<hr \/>\n<\/div>\n<div>\n<div>L. Canetti (ed.),\u00a0<em>Statue. Rituali, scienza e magia dalla Tarda Antichit\u00e0 al Rinascimento\u00a0<\/em>(Micrologus Library, 81), Firenze: Sismel &#8211; Edizioni del Galluzzo, 2017.<\/div>\n<hr \/>\n<\/div>\n<p dir=\"ltr\">E. Carrara,\u00a0<em>Spunti per una rilettura delle biografie leonardiane<\/em>, in C.\u00a0Frosinini,\u00a0M.\u00a0Ciatti (eds.),<em>\u00a0Il restauro dell&#8217;Adorazione dei Magi di Leonardo. La riscoperta di un capolavoro<\/em>, Firenze:\u00a0Edifir, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">B. Forster (ed.),\u00a0<em>Belichtete Vergangenheit. Fotografie und Arch\u00e4ologie<\/em>, Fotogeschichte 37, 144 (2017).<\/p>\n<hr \/>\n<p dir=\"ltr\">Journal for Art Market Studies, Vol. 1, No. 2 (2017):\u00a0Theories of the Art Market: Data \u2013 Value \u2013 History.<\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=37695a614e&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D37695a614e%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362340000&amp;usg=AFQjCNHJSwgD_tEGPdLkIMa6USMCHh07Vw\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">Website:\u00a0<em>Modern Classicism<\/em><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c498f2a40b&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc498f2a40b%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362340000&amp;usg=AFQjCNGaZAVZTsGfqdOvcPGDSfNvA3N65Q\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">Website:\u00a0<em>Health and Wellbeing in the Ancient World<\/em><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8089b3f750&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8089b3f750%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362340000&amp;usg=AFQjCNG79az5r6aRKAFKjmpc_NHd2aKTSw\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">\u00a0V. Platt,\u00a0<em>The Artist as Anecdote: Creating Creators in Ancient Texts and Modern Art History<\/em>, in J. Haninck, R. Fletcher (eds.),\u00a0<em>Creative Lives in Classical Antiquity: Poets, Artists and Biography<\/em>, Cambridge: Cambridge University Press, 2016, 274\u2013304.<\/p>\n<\/div>\n<\/div>\n<div>\n<div><\/div>\n<div><\/div>\n<div><a href=\"http:\/\/oltreplinio.us12.list-manage2.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=3dc4fca32c&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage2.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D3dc4fca32c%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1507185376186000&amp;usg=AFQjCNFZ-2i87E6mcC5Lybay-EVl5OC3xA\">Weblink<\/a><\/div>\n<div><a href=\"http:\/\/bmcr.brynmawr.edu\/2017\/2017-08-17.html\">Review<\/a><\/div>\n<hr \/>\n<p dir=\"ltr\">G. Koch (ed.),\u00a0<em>Akten des Symposiums R\u00f6mische Sarkophage, Marburg, 2.-8. Juli 2006\u00a0<\/em>(Marburger Beitr\u00e4ge zur Arch\u00e4ologie, 3), Marburg: Eigenverlag des Arch\u00e4ologischen Seminars der Philipps-Universit\u00e4t, 2016.<\/p>\n<hr \/>\n<div>\n<p>M.P. Sacchi &#8211; M. Visioli (eds.),<em>\u00a0Scritti autobiografici di artisti tra Quattro e Cinquecento. Seminari di letteratura artistica<\/em>, Pavia: Edizioni Santa Caterina, 2017.<\/p>\n<hr \/>\n<\/div>\n<div>\n<p>\u00a0L. Callebat,\u00a0<em>Le De Architectura de Vitruve<\/em>, Paris: Les Belles Lettres, 2017.<\/p>\n<hr \/>\n<\/div>\n<div>\n<p>J. Haas-Lebegyev &#8211; A. M\u00e1rton,\u00a0<em>Corpus vasorum antiquorum. Hongrie. Budapest, Mus\u00e9e des Beaux-Arts: fascicule 3. Union Academique Internationale<\/em>, Rome: L&#8217;Erma di Bretschneider, 2017.<\/p>\n<\/div>\n<div>\n<hr \/>\n<\/div>\n<div>\n<p>A. Stephens,\u00a0<em>Pompeii: A different perspective: Via dell\u2019Abbondanza, a long road, well-traveled<\/em>, Atlanta, GA: Lockwood Press, 2017.<\/p>\n<hr \/>\n<\/div>\n<div>\n<p>C.M. Keesling,\u00a0<em>Early Greek portraiture: monuments and histories<\/em>, Cambridge &#8211; New York &#8211; Port Melbourne &#8211; Delhi &#8211; Singapore: Cambridge University Press, 2017.<\/p>\n<hr \/>\n<\/div>\n<div>\n<p>J.M. Wagner &#8211; F.W.J. Schelling,\u00a0<em>Report on the Aeginetan sculptures: with historical supplements.<\/em>\u00a0Translated, edited, and with an introduction by Louis A. Ruprecht Jr. (originally published 1817), Albany: SUNY Press, 2017.<\/p>\n<hr \/>\n<\/div>\n<div>\n<p>P. Schultz &#8211; K. Seaman (eds.),\u00a0<em>Artists and artistic production in ancient Greece<\/em>, Cambridge &#8211; New York: Cambridge University Press, 2017.<\/p>\n<p><a href=\"http:\/\/bmcr.brynmawr.edu\/2017\/2017-11-60.html\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<div>\n<p>B. Steger,\u00a0<em>Piazza Armerina: la villa romaine du Casale en Sicile<\/em>\u00a0(Antiqua, 17), Paris: \u00c9ditions Picard, 2017.<\/p>\n<hr \/>\n<\/div>\n<p dir=\"ltr\">L. Todisco,\u00a0<em>Prassitele di Atene. Scultore e bronzista del IV secolo<\/em>\u00a0(Maestri dell\u2019arte classica, 6), Roma: Giorgio Bretschneider Editore, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">Website:\u00a0<em>The Sinai Palimpsests Project<\/em><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=010b30f79c&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D010b30f79c%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1507185376187000&amp;usg=AFQjCNH9ZxJ0uS53lckbXefO1BK0i_doBA\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">Website:\u00a0<em>Empires of Faith<\/em><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=51cb1915dd&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D51cb1915dd%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1507185376187000&amp;usg=AFQjCNEEK-aVrbq5dZVwJfCZuY-yb13inw\">Weblink<\/a><\/p>\n<hr \/>\n<\/div>\n<p dir=\"ltr\">A. Cameron,\u00a0<em>Studies in Late Roman Literature and History<\/em>\u00a0(Munera, 41), Bari: Edipuglia, 2016.<\/p>\n<p><u>Focus on<\/u>:\u00a0<em>The Fate of Pliny\u2019s Letters in the Late Empire<\/em>.<\/p>\n<hr \/>\n<p dir=\"ltr\">N. Gonis &#8211;\u00a0F. Maltomini &#8211;\u00a0W.B. Henry\u00a0&#8211; S. Slattery (eds.),\u00a0<em>The Oxyrhynchus Papyri<\/em>, Volume LXXXII [Nos. 5290 &#8211; 5319]. Edited with Translations\u00a0and Notes\u00a0(Graeco-Roman memoirs,\u00a0103),\u00a0 London: Egypt Exploration Society, 2016.<\/p>\n<hr \/>\n<p dir=\"ltr\">V. Cazzato &#8211; A. Lardinois (eds.),\u00a0<em>The Look of Lyric: Greek Song and the Visual. Studies in archaic and classical Greek song<\/em>, vol. 1\u00a0(Mnemosyne Supplements. History and archaeology of classical antiquity, 391),\u00a0Leiden &#8211; Boston: Brill, 2016.<\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5426abc0df&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5426abc0df%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1499786267750000&amp;usg=AFQjCNFGP6CbfgatikwYJOiPTjmxMtpfLg\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">J. Kitzbichler, U.C.A. Stephan (Hg.),\u00a0<em>Studien zur Praxis der \u00dcbersetzung antiker Literatur: Geschichte &#8211; Analysen &#8211; Kritik<\/em>\u00a0(Transformationen der Antike, 35),\u00a0Berlin: \u00a0De Gruyter, 2016.<\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c46d912b66&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc46d912b66%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1499786267750000&amp;usg=AFQjCNEGA02IkT4ZjECO7vWwkALTztfG2Q\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">Eidola. International Journal of Classical Art History 13 (2016)<\/p>\n<p><u>Focus on<\/u>:<br \/>&#8211; J. Lang,\u00a0<em>Images worn and transcribed. Roman gems as reflections of iconographic and cultural tradition(s)<\/em>.<br \/>&#8211; L. Rebaudo,\u00a0<em>Originali, copie e copisti nel mondo ellenistico e romano<\/em>.<br \/>&#8211; G. Adornato,\u00a0<em>Componendi ratio: sull&#8217;iconografia di Occasio.<\/em><br \/>&#8211; G. Simeoni,\u00a0<em>Illustrare le Metamorfosi di Ovidio volgarizzate: i disegni del codice panciatichiano 63.<\/em><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c9f6bde643&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc9f6bde643%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1499786267750000&amp;usg=AFQjCNEcBjRGmYUeKGIO4_AqIo1Afr5yOA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">P. Veyne,\u00a0<em>La Villa des Myst\u00e8res \u00e0 Pomp\u00e9i<\/em>, Paris: Gallimard, 2016.<\/p>\n<hr \/>\n<p dir=\"ltr\">F. Blond\u00e9 (\u00e9d.),\u00a0<em>L&#8217;artisanat en Gr\u00e8ce ancienne. Fili\u00e8res de production. Bilan, m\u00e9thodes et perspectives,<\/em>\u00a0Villeneuve d&#8217;Ascq: Presses universitaires du Septentrion, 2016.<\/p>\n<hr \/>\n<p dir=\"ltr\">L. Vlad Borrelli,\u00a0<em>Musivaria. Mosaico e opus sectile in et\u00e0 antica. Storia, tecniche, conservazione<\/em>, Roma: Viella, 2016.<\/p>\n<hr \/>\n<p dir=\"ltr\">A. Molinari &#8211; R. Santangeli Valenzani &#8211; L. Spera (a cura di),\u00a0<em>L\u2019archeologia della produzione a Roma (secoli V-XV)<\/em>, Atti del Convegno Internazionale di Studi (Roma 27-29 marzo 2014), Bari: Edipuglia, 2016.<\/p>\n<hr \/>\n<p dir=\"ltr\">A. Wilson &#8211; M. Flohr,\u00a0<em>Urban craftsmen and traders in the Roman world\u00a0<\/em>(Oxford Studies on Roman Economy), Oxford: Oxford University Press, \u00a02016.<\/p>\n<p dir=\"ltr\"><a href=\"http:\/\/bmcr.brynmawr.edu\/2017\/2017-10-02.html\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">J. Harries,\u00a0<em>A stone that feels right in the hand: Tactile memory, the abduction of agency and presence of the past<\/em>,\u00a0Journal of Material Culture 22 (2016), 110\u2013130.<\/p>\n<hr \/>\n<p dir=\"ltr\">S. Strano,\u00a0<em>La &#8220;Tazza Farnese&#8221; Nuova analisi egittologico-semiotica. The &#8220;Farnese Cup&#8221;. A new egyptological-semiotic analysis<\/em>\u00a0(Collana di studi archeologici. Espera, 5), Monte Compatri: Espera, 2016.<\/p>\n<hr \/>\n<p dir=\"ltr\">M.\u00a0Scheu,\u00a0<em>Den Marmor lebendig machen \u2013 Darstellungsm\u00f6glichkeiten des sch\u00f6nen K\u00f6rpers in der klassischen Skulptur<\/em>, Kritische Berichte: Zeitschrift f\u00fcr Kunst- und Kulturwissenschaften\u00a045 (2017), 47-52.<\/p>\n<hr \/>\n<p dir=\"ltr\">M. Formisano &#8211; P. van der Eijk (eds.),\u00a0<em>Knowledge, Text and Practice in Ancient Technical Writing<\/em>, Cambridge: Cambridge University Press 2017.<\/p>\n<p><u>Focus on<\/u>:<br \/>B. Holmes\u2019s paper,\u00a0<em>The generous text: animal intuition, human knowledge, and written transmission in Pliny&#8217;s books on medicine<\/em>.<\/p>\n<hr \/>\n<p dir=\"ltr\">A. Canobbio,\u00a0<em>Elementi senecani nell\u2019epistola 3.5 di\u00a0<span class=\"il\">Plinio<\/span>\u00a0il Giovane<\/em>, Athenaeum 105 (2017), 120-136.<\/p>\n<hr \/>\n<p dir=\"ltr\">K. T. von Stackelberg &#8211; E. Macaulay-Lewis (eds.),\u00a0<em>Housing the New Romans<\/em>,\u00a0Oxford: Oxford University Press,\u00a02017.<\/p>\n<hr \/>\n<p dir=\"ltr\">P. Vesperini (\u00e9d.),\u00a0<em>Philosophari &#8211; Usages romains des savoirs grecs sous la R\u00e9publique et sous l\u2019Empire<\/em>\u00a0(Ka\u00efnon &#8211; Anthropologie de la pens\u00e9e ancienne, 8), Paris: Classiques Garnier, 2017.<\/p>\n<p><u>Focus on<\/u>:<br \/>&#8211; G.\u00a0Sauron,\u00a0<em>D\u00e9cor et conviction philosophique \u00e0 Rome au temps de Cic\u00e9ron.<\/em><br \/>&#8211;\u00a0E.\u00a0Romano,<em>\u00a0La philosophia dei \u00abnon filosofi\u00bb. Varrone e Vitruvio<\/em>.<br \/>&#8211;\u00a0H. Dessales,\u00a0<em>Des philosophes domestiques? Production statuaire et paysages culturels dans l\u2019habitat de Pomp\u00e9i.<\/em><\/p>\n<hr \/>\n<p dir=\"ltr\"><em>Pompei e i Greci<\/em>, catalogo mostra, Milano: Electa, 2017<\/p>\n<hr \/>\n<p dir=\"ltr\">Plong\u00e9e avec Pline l&#8217;Ancien &#8211;\u00a0Carnet de recherche sur la biodiversit\u00e9 aquatique d\u00e9crite au livre IX de l\u2019Histoire Naturelle de Pline L\u2019Ancien<\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5d848e9028&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5d848e9028%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1499786267750000&amp;usg=AFQjCNH9sh2a9yoEVjMhhXrQav0ijPh35A\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><em>Aeneid<\/em>\u00a0in JSTOR<\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=385e6ca8e2&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D385e6ca8e2%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1499786267750000&amp;usg=AFQjCNHoUtnBEWNwhQqO1GupV5Mc_otjOw\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">A. Vial-Logeay, <em>Les sources du savoir. Quelques remarques sur S\u00e9n\u00e8que (Q.N. VI, 8) et Pline l\u2019Ancien (H.N., VI, 181)<\/em>, in P. Galand, E. Malaspina (eds.), <em>V\u00e9rit\u00e9 et apparence. M\u00e9langes en l\u2019honneur de C. L\u00e9vy<\/em>, Turnhout: Brepols, 2016, 391-407.<\/p>\n<hr \/>\n<div>\n<p dir=\"ltr\">D. Del Bufalo, <em>Murrina Vasa. A luxury of Imperial Rome<\/em>, Roma: L\u2019Erma di Bretschneider, 2016.<\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">E. La Rocca, <em>Sulla bottega di Pasiteles e di Stephanos, 2. Le Appiades di Stephanos nei monumenta Asinii e nel foro di Cesare<\/em>, in E. Mangani &#8211;\u00a0A. Pellegrino (a cura di), <em>\u0393\u03b9\u03b1 \u03c4o \u03c6\u03b9\u03bbo \u03bc\u03b1\u03c2. Scritti in ricordo di Gaetano Messineo<\/em>, Monte Compatri: Edizioni Espera, 2016, 207-224.<\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7cf9606788&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7cf9606788%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1497012841744000&amp;usg=AFQjCNEWAoPXBBMk9K3YLAe2LJWgDMgf1Q\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">P. Tansey, <em>Cicero, Philippics 9.5 and the Porticus Octavia<\/em>, The Classical Quarterly 66\u00a0(2016), 540-546.<\/p>\n<hr \/>\n<p dir=\"ltr\">B. D\u2019Agostino, <em>Potters and Painters in Archaic Corinth: Schemata and Images<\/em>, in G. Colesanti &#8211; L. Lulli (eds.), <em>Submerged Literature in Ancient Greek Culture<\/em>, Volume 2: <em>Case Studies<\/em>, Berlin-Boston: De Gruyter, 2016, 243-258.<\/p>\n<hr \/>\n<p dir=\"ltr\">P. Liverani, <em>\u00a0Il significato del colore nei marmi in et\u00e0 tardoantica<\/em>, in P.A. Andreuccetti &#8211; D. Bindani (a cura di),<em> Il colore nel Medioevo. Arte, simbolo e tecnica. Tra materiali costitutivi e colori aggiunti: mosaici, intarsi e plastica lapidea<\/em> (Atti delle giornate di studi, Lucca 24-26 ottobre 2013), Lucca:\u00a0Istituto Storico Lucchese, 2016, 23-40.<\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=cb3afbaf24&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dcb3afbaf24%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1497012841744000&amp;usg=AFQjCNEZgBzIylMw74SoaDkfio4_1dy1bA\">Weblink<\/a><\/p>\n<div>\n<hr \/>\n<p dir=\"ltr\">H. Lamers &#8211;\u00a0B. Reitz-Joosse, <em>The Codex Fori Mussolini: A Latin Text of Italian Fascism<\/em>\u00a0(Bloomsbury studies in classical reception), London &#8211; New York: Bloomsbury Academic, 2016.<\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage2.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=3f3d99e096&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage2.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D3f3d99e096%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1497012841744000&amp;usg=AFQjCNG8N9NPr_WYqtP2IkHR48g3G7ZzCQ\">R<\/a><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5bfb00de2d&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5bfb00de2d%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1497012841744000&amp;usg=AFQjCNEjcYgdebwYDFKqHkXIPtGn2WjOZA\">eview<\/a><\/p>\n<hr \/>\n<div>G. Ammannati,<em> Pinxit industria docte mentis. Le iscrizioni di Virt\u00f9 e Vizi dipinte da Giotto nella Cappella degli Scrovegni<\/em>, Pisa: Le Edizioni della Normale, 2017.<\/div>\n<hr \/>\n<p dir=\"ltr\">N. Bernacchio &#8211; R. Meneghini \u00a0(a cura di), <em>I Fori dopo i Fori. La vita quotidiana nell&#8217;area dei Fori Imperiali dopo l&#8217;Antichit\u00e0<\/em>, catalogo mostra, Roma: Gangemi Editore, 2017.<\/p>\n<hr \/>\n<div>D. Donetti &#8211; M. Faietti &#8211; S. Frommel (a cura di), <em>Giuliano da Sangallo. Disegni degli Uffizi<\/em>, catalogo mostra, Firenze: Giunti Editore, 2017.<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">C. Higbie, <em>Collectors, scholars and forgers in the ancient world<\/em>, Oxford: Oxford University Press, 2017.<\/p>\n<hr \/>\n<div>\n<p dir=\"ltr\">A. Jones, <em>A portable cosmos. Revealing the Antikythera mechanism, scientific wonder of the ancient world<\/em>, Oxford: Oxford University Press, 2017.<\/p>\n<hr \/>\n<\/div>\n<p dir=\"ltr\">C.B. Kendall &#8211; F. Wallis, <em>Isidore of Seville, On the Nature of Things<\/em>. <em>Translated with Introduction, Notes and Commentary<\/em>\u00a0(Translated texts for historians, 66),\u00a0Liverpool: \u00a0Liverpool University Press, 2016.<br \/><a href=\"http:\/\/oltreplinio.us12.list-manage2.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=019447cf27&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage2.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D019447cf27%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1495019522857000&amp;usg=AFQjCNEI6TWz4hzGWd5wgfHum8kcgvUAVw\">Review<\/a><\/p>\n<hr \/>\n<p>E.\u00a0Gentile Ortona &#8211; M.\u00a0Modolo (eds.), <em>Caylus e la riscoperta della pittura antica. Attraverso gli acquarelli di Pietro Santi Bartoli per Luigi XIV. Genesi del primo libro di storia dell&#8217;arte a colori <\/em>(Studi sulla cultura dell&#8217;antico, 10)<em>,<\/em>\u00a0Roma: De Luca Editori, 2016.<\/p>\n<hr \/>\n<p dir=\"ltr\">I. Matijasic, <em>Scylax of Caryanda, Pseudo-Scylax, and the Paris Periplus: Renconsidering the Ancient Tradition of a Geographical Text<\/em>, Mare Nostrum 7 (2016), 1-19.<br \/><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=3dfa49743d&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D3dfa49743d%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1495019522857000&amp;usg=AFQjCNFXD988Phh3iggdr9CWwkHQtG8q1Q\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">J. Elsner &#8211; M. Squire, <em>Homer and the Ekphrasists: Text and Picture in the Elder Philostratus\u2019 \u2018Scamander\u2019 (Imagines I.1)<\/em>, \u00a0in J. Bintliff &#8211; N.K. Rutter, <em>The Archaeology of Greece and Rome. Studies in Honour of Anthony Snodgrass<\/em>, Edinburgh: Edinburgh University Press, 2016, 57-99.<\/p>\n<hr \/>\n<p dir=\"ltr\">P. Stephenson, <em>The serpent column:\u00a0A cultural biography<\/em>\u00a0(Onassis series in Hellenic culture), New York &#8211; Oxford: Oxford University Press, 2016.<br \/><a href=\"http:\/\/oltreplinio.us12.list-manage2.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=cb74ea0b43&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage2.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dcb74ea0b43%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1495019522857000&amp;usg=AFQjCNEHAS-dVZdbNe7vK3zvL1BireVovQ\">Review<\/a><\/p>\n<div>\n<hr \/>\n<p dir=\"ltr\">Website: <em>Photios On Line<br \/><\/em><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=dbfa8e30c1&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Ddbfa8e30c1%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1495019522857000&amp;usg=AFQjCNEkLcu0-D68CS_weUcsiN7Hk4wkXw\">Weblink<\/a><\/p>\n<hr \/>\n<\/div>\n<p dir=\"ltr\">T. F\u00f6gen, <em>Gattungsvielfalt in den Briefen des J\u00fcngeren Plinius: Episteln im Spannungsfeld von ethischer Unterweisung und literarischer Pluridimensionalit\u00e4t<\/em>, Gymnasium 124 (2017), 21-60.<\/p>\n<hr \/>\n<p dir=\"ltr\">E.H. Cline, <em>Three Stones Make a Wall: The Story of Archaeology,\u00a0<\/em>Princeton: Princeton University Press, 2017.<\/p>\n<hr \/>\n<p dir=\"ltr\">G. Hardy &#8211; L. Totelin, <em>Ancient Botany<\/em>, Abingdon &#8211; New York: Routledge, 2016.<\/p>\n<hr \/>\n<p dir=\"ltr\">J.-Y. Guillaumin (ed.), <em>Isidorus Hispalensis, \u00c9tymologies, livre XV:\u00a0De aedificiis et agris<\/em>, Paris: Les Belles Lettres, 2016.<\/p>\n<hr \/>\n<p dir=\"ltr\">A. Casamento, <em>Templi, case ed eloquenza. Alcuni appunti sull\u2019impiego di metafore architettoniche tra Cicerone e Tacito<\/em>, Bollettino di studi latini 46\/2 (2016), 467-487.<\/p>\n<\/div>\n<div>\n<hr \/>\n<p dir=\"ltr\">J. Taubert (ed.), <em>Polychrome Sculpture: Meaning, Form, Conservation<\/em>, translated by C. Schulman, introduction by M.D. Marincola, Los Angeles: The Getty Conservation Institute, 2015.<br \/><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=a397b6e691&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Da397b6e691%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1489436230145000&amp;usg=AFQjCNGLIxJJAIOLzf-CjkpJVNiQNkQN1A\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">P. Destree &#8211; P. Murray, <em>A Companion to Ancient Aesthetics<\/em>, Malden &#8211; Oxford: Wiley-Blackwell, 2015.<br \/><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f3dee76e33&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df3dee76e33%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1489436230145000&amp;usg=AFQjCNFJEtE8TRmUxzMnpJnV72d3AK8TUA\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<p id=\"m_-8166174715340842012docs-internal-guid-9be4f5d7-f5f3-83fb-90ce-2e8f38be3994\" dir=\"ltr\">I. Bonati, <em>Il lessico dei vasi e dei contenitori greci nei papiri: specimina per un repertorio lessicale degli angionimi greci <\/em>(Archiv f\u00fcr Papyrusforschung und verwandte Gebiete. Beihefte 37), Berlin &#8211; Boston: De Gruyter, 2016.<\/p>\n<hr \/>\n<p id=\"m_-8166174715340842012docs-internal-guid-9be4f5d7-f5f3-83fb-90ce-2e8f38be3994\" dir=\"ltr\">A. Bonadeo, <em>I colori nell\u2019antichit\u00e0 classica: lessico e teorie. Suggestioni da Goethe<\/em>, in: S. Audano &#8211;\u00a0G. Cipriani (eds),\u00a0<em>Aspetti della Fortuna dell&#8217;Antico nella Cultura Europea. Atti della Dodicesima Giornata di Studi, Sestri Levante, 13 marzo 2015<\/em> (Echo\u00a018). Foggia: Il Castello Edizioni, 2016, 187-220.<\/p>\n<hr \/>\n<p id=\"m_-8166174715340842012docs-internal-guid-9be4f5d7-f5f3-83fb-90ce-2e8f38be3994\" dir=\"ltr\">S. Lenzi, <em>Tutti i colori di Augusto. Uno status quaestionis dello studio della policromia su opere in marmo di et\u00e0 augustea<\/em>,\u00a0in: A. Busetto &#8211; E. Bedin (eds), <em>Sulle tracce di Augusto<\/em> (Antichit\u00e0 Alto-Adriatiche 82), Trieste: Editreg, 2016, 47-61.<\/p>\n<hr \/>\n<p dir=\"ltr\">J.-A. Shelton, <em>Pliny the Younger: Selected Letters,<\/em>\u00a0Mundelein (IL): Bolchazy-Carducci Publishers, Inc., 2016.<\/p>\n<\/div>\n<hr \/>\n<div>J. McInerney &#8211; I. Sluiter (eds), <em>Valuing Landscape in Classical Antiquity. Natural Environment and Cultural Imagination,\u00a0<\/em>with the assistance of B. Corthals\u00a0(Mnemosyne. Supplements 393), Leiden &#8211; Boston: Brill, 2016.<\/div>\n<div><a href=\"http:\/\/bmcr.brynmawr.edu\/2017\/2017-08-30.html\">Review<\/a><\/div>\n<div>\n<hr \/>\n<p><em>Pline l&#8217;ancien. Histoire naturelle. Livre IV<\/em>, texte \u00e9tabli, traduit et comment\u00e9 par H. Zehnacker,\u00a0A. Silberman (Collection des universit\u00e9s de France. S\u00e9rie latine, 409), Paris: \u00a0Les Belles Lettres, 2015.<br \/><a href=\"http:\/\/bmcr.brynmawr.edu\/2015\/2015-10-07.html\" target=\"_blank\" rel=\"noopener noreferrer\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<div>L.\u00a0Mancini, <em>In pictura summa sublimitas. Su una lettura militante di <span class=\"il\">Plinio<\/span> il Vecchio nella Francia del Settecento<\/em>, Quaderni del ramo d\u2019oro 7 (2015),\u00a0129-146.<\/div>\n<div><a href=\"http:\/\/www.qro.unisi.it\/frontend\/node\/183\" target=\"_blank\" rel=\"noopener noreferrer\">Go to Article<\/a><\/div>\n<hr \/>\n<div>G. Adornato,<em> Lysippus without the Kairos. A Greek Masterpiece between Art and Literature<\/em>, Jarbuch des\u00a0Deutschen Arch\u00e4ologischen Instituts 130 (2015), 159-182.<\/div>\n<hr \/>\n<div>E. Spangenberg Yanes, <em>Sulla nozione di color e \u03c7\u03c1\u1ff6\u03bc\u03b1 nella retorica della prima et\u00e0 imperiale<\/em>, Materiali e discussioni per l\u2019analisi dei testi classici\u00a075 (2015),\u00a079-104.<\/div>\n<hr \/>\n<div>E. Aloiz, J. Douglas, A. Nagel, <em>Painted Plaster and Glazed Brick Fragments from Achaemenid Pasargadae and Persepolis, Iran,<\/em>\u00a0Heritage Science Journal 4.3 (2016).<\/div>\n<div><a href=\"http:\/\/www.heritagesciencejournal.com\/content\/4\/1\/3\" target=\"_blank\" rel=\"noopener noreferrer\">Go to Article<\/a><\/div>\n<hr \/>\n<div>K. Galinsky, K. Lapatin (eds.),\u00a0<em>Cultural Memories in the Roman Empire,<\/em>\u00a0Los Angeles: J. Paul Getty Museum, 2016.<\/div>\n<hr \/>\n<div>H. Lamers, <em>Pseudo-Classical Phantom Words in Latin Literature and Scholarship. The Case of dicatura from Pliny the Elder\u2019s Preface<\/em>, Latomus 74, 4 (2015), 1014-1036.<\/div>\n<hr \/>\n<div>D. Conso, <em>Forma: \u00e9tudes s\u00e9mantique et \u00e9tymologique,\u00a0<\/em>Besan\u00e7on:\u00a0<wbr \/>Presses universitaires de Franche-Comt\u00e9, 2015.<\/div>\n<div dir=\"ltr\"><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9a11e3f5f7&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Review<\/a><\/div>\n<hr \/>\n<div>E. Brun et all., <em>Revealing metallic ink in Herculaneum papyri<\/em>, Proceedings of the National Academy of Sciences of the United States of America 2016.<\/div>\n<div><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=87c433cd3a&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Go to Article<\/a><\/div>\n<hr \/>\n<div>V. Naas &#8211; M. Simon (eds.). <em>De Samos \u00e0 Rome: personnalit\u00e9 et influence de Douris<\/em>\u00a0(Modernit\u00e9 classique), Nanterre: Presses universitaires de Paris Ouest, 2015.<\/div>\n<hr \/>\n<div>M. Wellington Gahtan &#8211; D. Pegazzano, <em>Museum archetypes and collecting in the ancient world<\/em>, Leiden: Brill, 2015.<\/div>\n<div><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9f290f42a6&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Go\u00a0to Preview<\/a><\/div>\n<hr \/>\n<div>S. Page, <em>Der ideale Aristokrat: Plinius der J\u00fcngere und das Sozialprofil der Senatoren in der Kaiserzeit<\/em>\u00a0(Studien zur Alten Geschichte, 24),\u00a0Heidelberg: Verlag Antike, 2015.<\/div>\n<hr \/>\n<div>U. Vedder, <em>Der Koloss von Rhodos: Arch\u00e4ologie, Herstellung und Rezeptionsgeschichte eines antiken Weltwunders<\/em>, Mainz: N\u00fcnnerich-Asmus Verlag, 2015.<\/div>\n<hr \/>\n<div>G. Frison &#8211; G. Brun, <em>Ground lapis lazuli. A new approach to the history of the colour term \u2018azure\u2019 and the pigment ultramarine blue up to the 13th Century<\/em>, in M. Rossi &#8211; D. Casciani (eds.), <em>Colour and Colorimetry. Multidisciplinary Contributions Vol. XI B, Proceedings of the 11th Conferenza del Colore &#8211; Politecnico di Milano, Milan, 10-11 September 2015<\/em>, Milano 2015, 265-276.<\/div>\n<div><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7871c3cebf&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Go to Article<\/a>\u00a0| <a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=dfc3f5b384&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Go to Book<\/a><\/div>\n<hr \/>\n<div>Website: <em>Public Monuments in Roman Greece<\/em> University of Oxford \/ Marie Curie Actions<\/div>\n<div><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9ea3a9a83e&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Weblink<\/a><\/div>\n<div>\n<hr \/>\n<\/div>\n<div>A.C. Christina, E. Foster, J.P. Hallett (eds.), <em>Kinesis: The Ancient Depiction of Gesture, Motion, and Emotion. Essays for Donald Lateiner<\/em>, Ann Arbor: \u00a0University of Michigan Press, 2015.<\/div>\n<div>\n<p><u>Focus on:<\/u> Ellen Finkelpearl\u2019s essay \u201cElephant Tears: Animal Emotion in Pliny and Aelian\u201d<br \/><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=78824b9b6b&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<div>F. Guadalupe Masi &#8211; S. Maso (eds.), <em>Epicurus on Eidola: Peri Phuseos Book II. Update, Proposals, and Discussions<\/em> (Lexis Ancient Philosophy 10),\u00a0 Amsterdam: \u00a0Adolf M. Hakkert, 2015.<\/div>\n<div><u>Focus on:<\/u><br \/>&#8211; T. Dorandi, <em>Libri dell\u2019opera \u2018Sulla natura\u2019 di Epicuro in pi\u00f9 esemplari<\/em>, 17-34 (on Antigonus of Carystos)<br \/>&#8211; A. Corti, \u1f49\u03bc\u03bf\u03b9\u03bf\u03c2\u03c7\u03ae\u03bc\u03c9\u03bd <em>e<\/em> \u1f41\u03bc\u03bf\u03b9\u03cc\u03bc\u03bf\u03c1\u03c6\u03bf\u03c2. <em>Alcune riflessioni sulle propriet\u00e0 degli <\/em>\u03b5\u1f34\u03b4\u03c9\u03bb\u03b1 <em>nella dottrina di Epicuro<\/em>, Aurora Corti 83-106 (on terminology)<br \/><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=a9cf01d27a&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Review<\/a><\/div>\n<div>\n<hr \/>\n<\/div>\n<div>H. Hochscheid, <em>Networks of Stone: Sculpture and Society in Archaic and Classical Athens <\/em>(Cultural Interactions: Studies in the Relationship Between the Arts, 35),\u00a0Oxford: Peter Lang, 2015.<\/div>\n<div>\n<hr \/>\n<\/div>\n<div>G. Hedreen, <em>The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity,<\/em>\u00a0New York: Cambridge University Press, 2016.<\/div>\n<div>\n<hr \/>\n<\/div>\n<div>\n<p>[Review] J. Serratti, <em>\u00c9diter les fragments des historiens romains. Quelques remarques en marge de: T.J. Cornell (\u00e9d.), The Fragments of the Roman Historians, Oxford, OUP, 2013<\/em>, Latomus 74, 4 (2015), 1077.\u00a0<\/p>\n<hr \/>\n<\/div>\n<div>\u00a0M. Betr\u00f2, <em>Gli erbari nell\u2019antico Egitto<\/em>, in\u00a0A.\u00a0Actis Caporale, E.\u00a0D&#8217;Amicone, F.\u00a0Relats, P.\u00a0Ramon Tragan (eds.), <em>Naturalia e Arti\ufb01cialia: Le piante e i \ufb01ori d&#8217;Egitto nell&#8217;esperienza museogra\ufb01ca degli scavi e degli erbari<\/em>, Barcelona, Publicacions de l&#8217;Abadia de Montserrat, S.A., 2016, 41-60.<\/div>\n<div>\n<div>\n<hr \/>\n<p>J. Borsch,\u00a0L. Carrara (eds.), <em>Erdbeben in der Antike. Deutungen \u2013 Folgen \u2013 Repr\u00e4sentationen<\/em> (Bedrohte Ordnungen 4), T\u00fcbingen: Mohr Siebek, 2016.<\/p>\n<\/div>\n<div>\n<hr \/>\n<p dir=\"ltr\">P. Linant de Bellefonds,\u00a0\u00c9. Prioux,\u00a0A. Rouveret (eds.), <em>D\u2019Alexandre \u00e0 Auguste. Dynamiques de la cr\u00e9ation dans les arts visuels et la po\u00e9sie<\/em>, Rennes: Presses Universitaires de Rennes, 2016.<\/p>\n<hr \/>\n<div>\u00a0C. Roby,\u00a0<em>Technical Ekphrasis in Greek and Roman Science and Literature: the Written Machine between Alexandria and Rome<\/em>, Cambridge &#8211; New York: Cambridge University Press, 2016.<\/div>\n<div>\n<hr \/>\n<p>O. Devillers (ed.), <em>Autour de Pline le Jeune: en hommage \u00e0 Nicole M\u00e9thy\u00a0<\/em>(Scripta antiqua, 74), Bordeaux: Ausonius \u00c9ditions, 2015.<\/p>\n<p><u>Focus on<\/u>:<br \/>&#8211; O. Devillers, <em>N\u00e9ron selon Pline le Jeune: entre Pline l\u2019Ancien, Tacite et Trajan<\/em>, 61-74;<br \/>&#8211; N. M\u00e9thy, <em>Magie, religion et botanique. \u00c0 propos de la formule herbae felicitas dans un passage de Pline l\u2019Ancien<\/em>,\u00a0 89-102.<br \/><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7a25681e39&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Review<\/a><\/p>\n<hr \/>\n<p>E. Scioli, <em>Dream, Fantasy, and Visual Art in Roman Elegy\u00a0<\/em>(Wisconsin Studies in Classics), Madison:\u00a0University of Wisconsin Press, 2015.<br \/><a href=\"http:\/\/oltreplinio.us12.list-manage2.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=03e0b7278c&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Review<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<div>F. Cairns &#8211; R. Gibson (eds.), <em>Papers of the Langford Latin Seminar, 16, 2016. Greek and Roman poetry: the Elder Pliny<\/em> (Arca Classical and Medieval Texts, Papers and Monographs 54), Prenton: Francis Cairns, 2016.<\/div>\n<hr \/>\n<div>P. Fane-Saunders, <em>Pliny the Elder and the emergence of Renaissance architecture<\/em>, New York: Cambridge University Press, 2016.<\/div>\n<div><a href=\"http:\/\/bmcr.brynmawr.edu\/2017\/2017-07-06.html\">Review<\/a><\/div>\n<hr \/>\n<div>W. Fitzgerald, <em>Variety: The Life of a Roman Concept<\/em>, \u00a0Chicago &#8211; London: \u00a0University of Chicago Press, 2016.<br \/><u>Focus on<\/u>: Variety in Pliny<\/div>\n<div><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=203713ab5a&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D203713ab5a%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1475076044249000&amp;usg=AFQjCNHeBnDYQxNtTOmE-3ayuZmUve7Rtw\">Review<\/a><\/div>\n<hr \/>\n<div>\n<p>G. Brizzi, <em>70 d.C. La conquista di Gerusalemme<\/em> (I Robinson\/Letture), Roma-Bari: GLF Editori Laterza, 2015.<br \/><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8eecc800fe&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8eecc800fe%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1475076044250000&amp;usg=AFQjCNE8Y77d3K4eT-b5j9dS24BeHSyddA\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p>E. Moignard, <em>Master of Attic Black-Figure Painting: The Art and Legacy of Exekias<\/em>, London &#8211; New York: \u00a0I. B. Tauris, 2015.<br \/><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=e96643fc99&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3De96643fc99%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1475076044250000&amp;usg=AFQjCNFH0gxeYkwGPwWenrw4__XwUQDMdg\">Review<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\">G. Squillace, <em>Le lacrime di Mirra: miti e luoghi dei profumi nel mondo antico<\/em> (Saggi\u00a0822), Bologna:\u00a0Societ\u00e0 editrice il Mulino, 2015.<br \/><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0a73100a91&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0a73100a91%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1475076044250000&amp;usg=AFQjCNG-qo-UIBmnp1bt3aCm2MxbYiLCrQ\">Review<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\">L. Pelletier-Michaud, <em>Aux origines po\u00e9tiques de la couleur: pour une approche litt\u00e9raire des lexiques chromatiques anciens. L\u2019exemple des \u00e9l\u00e9giaques latins et de leurs mod\u00e8les grecs<\/em>, Anabases\u00a023 (2016), 278-289.<\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>ToposText<\/strong><br \/><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=aa8ccf8daa&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Daa8ccf8daa%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1475076044250000&amp;usg=AFQjCNEkWOzmO9JHTY0e92-0bQhYZ3FY5g\">Weblink<\/a><\/p>\n<p><u>Presentation (from the website)<\/u><br \/>&#8220;ToposText is a new interface that links readers and travelers to Europe\u2019s most ancient literary culture and to the Greek landscape that inspired it. TT presents 5000 places relevant to the ancient Greek world &#8212; ancient cities and shrines, medieval castles and towers, modern museums and excavation sites &#8212; primarily in Greece but including major places from Spain to the Caucasus. It links those places to the ancient authors who wrote about them in Greek or Latin&#8221;.<\/p>\n<\/div>\n<div><\/div>\n<p>[\/et_pb_tab][et_pb_tab title=&#8221;Call for papers&#8221; _builder_version=&#8221;4.16&#8243; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div>\n<div title=\"Page 5\">\n<p><strong>Cultures in Fragments. Multifaceted Approaches to the Knowledge of Mediterranean Antiquity Through Partial Remains (Scuola Superiore Meridionale, Naples, November 30 &#8211; December 2, 2023)<\/strong><\/p>\n<p>Deadline: July 20, 2023<br \/><a href=\"https:\/\/www.academia.edu\/102167459\/Call_for_Papers_AMPRAW_2023\">Details <\/a><\/p>\n<hr \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong>Antiquaires voyageurs (XVIe-XIXe si\u00e8cles) (Academia Belgica and \u00c9cole fran\u00e7aise de Rome, June 26-28, 2024)<\/strong><\/p>\n<p>Deadline: July 31, 2023<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=38136acfae&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D38136acfae%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw2rMYaRgdbn5SXM8rmlJf4p\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong>The Future by the Sea: Engaging with Maritime Archaeological Research During the Climate Emergency (University of Helsinki and Fundaci\u00f3n Anfibia Colombia, November 4, 2023)<\/strong><\/p>\n<p>Deadline: July 31, 2023<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=36581d47fd&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D36581d47fd%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw3TehjtldVt6A1dquZRFMH2\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong>Classicamente \u2013 Sienese Dialogues on the Ancient World (Universit\u00e0 di Siena, November 2023 &#8211; March 2024)<\/strong><\/p>\n<p>Deadline: July 31, 2023<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2960675ea8&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2960675ea8%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw0iKQH8ElovGKEUDqIwzGdZ\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong>Consulta Universitaria di Studi Latini \u2013 VII Seminario nazionale per Dottorandi e Dottori di ricerca in Studi Latini (Universit\u00e0 Roma Tre, December 1, 2023)<\/strong><\/p>\n<p>Deadline: \u00a0July 31, 2023<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f548ec3421&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df548ec3421%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw1use3EKasmAcHx1esPkNQJ\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong><em>Lecturae Ciceronis<\/em><\/strong><strong><span>\u00a0<\/span>2024. Le<span>\u00a0<\/span><em>De inventione<\/em><span>\u00a0<\/span>entre philosophie, droit et rh\u00e9torique (Sorbonne Universit\u00e9, Paris, March 21-22, 2024)<\/strong><\/p>\n<p>Deadline: August 31, 2023<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8af329506f&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8af329506f%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw3yKV9vGZkRiGYNAHq6izsI\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong>Romance Languages in Medieval Latin Documentation (University of Lisbon,<\/strong><strong><span>\u00a0<\/span>January 18-19, 2024)<\/strong><\/p>\n<p>Deadline: August 31, 2023<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=049abf01f8&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D049abf01f8%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw3NBhRNuUrrtMgl2lTnc1RT\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong><em>Insolitus<\/em>: usages et contextes peu ordinaires (Espace Marc Bloch, MSH Lyon 7, October 20, 2023)<\/strong><\/p>\n<p>Deadline: September 1, 2023<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0301bd13f7&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0301bd13f7%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw32zEWb2RggfYu5UL-Ncvrl\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong><em>Journal of Open Humanities Data<span>\u00a0<\/span><\/em>\u2013 Representing the Ancient World through Data<\/strong><\/p>\n<p>Deadline: September 1, 2023<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b07adca892&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db07adca892%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw22xgN6zfPlyWhORfK1spd5\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong><em>Otium<\/em><\/strong><strong>: visions profanes, visions chr\u00e9tiennes. Actes du colloque en hommage \u00e0 Blandine Colot<\/strong><\/p>\n<p>Deadline: September 1, 2023<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5262c9f561&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5262c9f561%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw1nx56odAU-12BBmlCXOQOj\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong>L. Sergius Catilina \u2013 History and Tradition (Lublin, Poland, November 14-15, 2023)<\/strong><\/p>\n<p>Deadline: September 4, 2023<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=13b38f2cbc&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D13b38f2cbc%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw0QuLe4o6GoN_DoLcup7p3M\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong>Les arts du roman grec des textes antiques \u00e0 leur r\u00e9ception moderne et contemporaine (Universit\u00e9 de Pau et des Pays de l\u2019Adour, November 7, 2023)<\/strong><\/p>\n<p>Deadline: September 5, 2023<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=929f222205&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D929f222205%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw2e6vNwdkmd5tQclEbKoBbw\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong>\u00abPiove \/ non sulla favola bella\u2026\u00bb. Parody between Literature and Performance Studies (Doctoral Conference, Universit\u00e0 di Verona, November 16-18, 2023)<\/strong><\/p>\n<p>Deadline: September 5, 2023<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0abd57bf73&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0abd57bf73%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw0JHvQESiUaRh61b-UpOCL1\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong><em>Vita Latina<\/em><\/strong><strong><span>\u00a0<\/span>n\u00b0 204, 2024<\/strong><\/p>\n<p>Deadline: September 15, 2023<br \/><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b6b8e2f9c5&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db6b8e2f9c5%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw2W7L7sqRFLRAGLWQ32dISN\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong>Voiceless Writing? Epigrams, Performance and Oral Poetry (Universit\u00e0 di Bologna, May 30-31, 2024)<\/strong><\/p>\n<p>Deadline: September 30, 2023<\/p>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=1c01a489ea&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D1c01a489ea%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw27AhWUhuPZAOV_tThWwhNM\" style=\"color: #007c89; font-weight: normal; text-decoration: underline; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff;\" rel=\"noopener\">Details<\/a><\/p>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: justify; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\">\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<p>[\/et_pb_tab][et_pb_tab title=&#8221;Call for applications&#8221; _builder_version=&#8221;4.16&#8243; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div>\n<p>\u00a0<strong>Carlo Odo Pavese Prize \u2013 For a PhD or an MA About Literary Computing or Digital Philology\u00a0<\/strong><\/p>\n<p>Deadline: August 11, 2023<br \/>\n<a href=\"https:\/\/www.unive.it\/pag\/fileadmin\/user_upload\/dipartimenti\/DSU\/doc\/borse_studio\/Bando_WEB_PAVESE_2023.pdf\">Details<\/a><\/p>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"column\">\n<hr \/>\n<p><strong>Premio Renzo Ceglie &#8211; Edipuglia<\/strong><\/p>\n<p>Deadline: September 30, 2023<br \/>\n<a href=\"https:\/\/edipuglia.it\/premio-renzo-ceglie\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Vesuvius Challenge &#8211; A Machine Learning and Computer Vision Competition to Read the Herculaneum Papyri<\/strong><\/p>\n<p>Deadline: December 31, 2023<br \/>\n<a href=\"https:\/\/scrollprize.org\/\">Details<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_tab][et_pb_tab title=&#8221;Exhibitions &#038; Museums&#8221; _builder_version=&#8221;4.16&#8243; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 7\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: left; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong>A Collector\u2019s Eye: Freer in Egypt<\/strong><br \/>Washington D.C., Smithsonian National Museum of Asian Art, January 28, 2023 \u2013 ongoing<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=fdd67f03e5&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dfdd67f03e5%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088588000&amp;usg=AOvVaw35zoPP5rAoKJOwscQr-T0z\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Details<\/a><\/p>\n<hr style=\"color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\" \/>\n<p style=\"margin: 10px 0px; padding: 0px; color: #202020; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 16px; line-height: 24px; text-align: left; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-style: initial; text-decoration-color: initial;\"><strong>The Horse and Rider from Albania<\/strong><br \/>Los Angeles, The Getty Villa, July 26, 2023 &#8211; January 29, 2024<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5dee14aa08&amp;e=bfaf914d18\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5dee14aa08%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1689767088589000&amp;usg=AOvVaw2x5_cslpKrE37A0-45KUiG\" style=\"color: #007c89; font-weight: normal; text-decoration: underline;\" rel=\"noopener\">Detail<strong>s<\/strong><\/a><\/p>\n<p><strong>Pompeii: The Exhibition<\/strong><br \/>Chicago, Museum of Science and Industry, February 23 &#8211; September 4, 2023<\/p>\n<p><a href=\"http:\/\/www.msichicago.org\/explore\/whats-here\/exhibits\/pompeii\/?utm_source=ActiveCampaign&amp;utm_medium=email&amp;utm_content=New+Exhibition+Alert%21&amp;utm_campaign=Email-General-Pompeii-December-28-2022\">Details <\/a><\/p>\n<hr \/>\n<p><strong>The Gold Emperor from Aventicum<\/strong><br \/>The Getty Villa, Los Angeles, May 31, 2023 &#8211; January 29, 2024<\/p>\n<p><a href=\"https:\/\/www.getty.edu\/art\/exhibitions\/aurelius\/\">Details <\/a><\/p>\n<hr \/>\n<p><strong>L\u2019istante e l\u2019eternit\u00e0. Tra noi e gli antichi<\/strong><\/p>\n<p>Roma, Museo Nazionale Romano, Terme di Diocleziano, May 4 &#8211; July 30, 2023<\/p>\n<p><a href=\"https:\/\/museonazionaleromano.beniculturali.it\/evento\/tra-noi-e-gli-antichi\/\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<p><strong>Arch\u00e4ologische Sch\u00e4tze aus Usbekistan. Von Alexander dem Gro\u00dfen bis zum Reich der Kuschan<\/strong><br \/>Berlin, Neues Museum, James-Simon-Galerie, May 4, 2023 &#8211; January 14, 2024<\/p>\n<p><a href=\"https:\/\/www.smb.museum\/museen-einrichtungen\/james-simon-galerie\/ausstellungen\/detail\/archaeologische-schaetze-aus-usbekistan\/\">Details<\/a><\/p>\n<div class=\"layoutArea\">\n<hr \/>\n<p><strong>Plinio Effetto Serra.\u00a0Artwork by Vanni Cuoghi<\/strong><\/p>\n<p>Cernobbio (Como), Villa Bernasconi, March 25 &#8211; October 2, 2023<br \/><a href=\"https:\/\/www.villabernasconi.eu\/plinio-effetto-serra-artwork-by-vanni-cuoghi\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Roman Landscapes: Visions of Nature and Myth from Rome and Pompei<\/strong><\/p>\n<p>San Antonio Museum of Art, February 24 &#8211; May 21, 2023<br \/><a href=\"https:\/\/www.samuseum.org\/artwork\/exhibition\/romanlandscapes\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>La Roma della Repubblica. Il racconto dell\u2019Archeologia<\/strong><\/p>\n<p>Roma, Musei Capitolini, Palazzo Caffarelli, January 13 &#8211; September 24, 2023<br \/><a href=\"https:\/\/www.museicapitolini.org\/it\/mostra-evento\/la-roma-della-repubblica-il-racconto-dell-archeologia?fbclid=IwAR2X3FMGdlS0P8jKiylvQwBrwblEYtCs5dSCycHLr6FE0LHox_BUqFVuXUo\">Details<\/a><\/p>\n<hr \/>\n<p><strong><em>Patrimonium Appia<\/em>e.\u00a0<\/strong><strong>Depositi emersi<\/strong><br \/>Roma, Parco Archeologico dell\u2019Appia Antica, October 22, 2022 &#8211; June 30, 2023<\/p>\n<p><a href=\"https:\/\/www.parcoarcheologicoappiaantica.it\/in-evidenza\/16602\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Wonder and Wakefulness: The Nature of Pliny the Elder<\/strong><br \/>Cornell University, Johnson Museum of Art, January 21 &#8211; June 11, 2023<\/p>\n<p><a href=\"https:\/\/museum.cornell.edu\/exhibitions\/wonder-and-wakefulness-nature-pliny-elder\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Animali nel mondo antico<\/strong><br \/>Verona, Museo Archeologico al Teatro Romano, October 25, 2022 &#8211; October 1, 2023<\/p>\n<p><a href=\"https:\/\/museoarcheologico.comune.verona.it\/nqcontent.cfm?a_id=83123\">Details<\/a><\/p>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<hr \/>\n<p><strong>SPECTACULAIRE! Le divertissement chez les Romains<\/strong><br \/>Lyon, October 6, 2022 &#8211; June 11, 2023<\/p>\n<p><a href=\"https:\/\/lugdunum.grandlyon.com\/fr\/agenda\/evenements\/spectaculaire-!-le-divertissement-chez-les-romains?utm_source=Archaeological+Institute+of+America&amp;utm_campaign=7adb70a023-EMAIL_CAMPAIGN_2022_09_30_04_27&amp;utm_medium=email&amp;utm_term=0_640baf0738-7adb70a023-215964044&amp;mc_cid=7adb70a023&amp;mc_eid=da6a4e4a03\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Stories from the Archive<\/strong>Online exhibition<br \/><a href=\"https:\/\/www.storiesfromthearchive.org\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Imperatrici, matrone, liberte.\u00a0<\/strong><strong>Volti e segreti delle donne romane<\/strong><br \/>Firenze, Galleria degli Uffizi<\/p>\n<p>Online tour of the exhibition<br \/><a href=\"https:\/\/www.uffizi.it\/mostre-virtuali\/imperatrici-matrone-liberte\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Return to Palmyra<\/strong><\/p>\n<p>Online exhibition, Getty Research Institute<br \/><a href=\"https:\/\/www.getty.edu\/research\/exhibitions_events\/exhibitions\/palmyra\/index.html\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Antiquarium of Pompeii<\/strong><\/p>\n<p><a href=\"http:\/\/pompeiisites.org\/comunicati\/il-25-gennaio-inaugura-lantiquarium-di-pompei-apre-ingresso-di-piazza-esedra-acquisti-biglietti-on-line-o-presso-casse-automatiche\/\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>Don\u2019t miss the online activities of the Museo Egizio in Turin<\/strong><\/p>\n<p><a href=\"https:\/\/www.museoegizio.it\/esplora\/notizie\/non-perdiamoci-di-vista\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Florence &#8211; Museo Archeologico Nazionale: a Digital Journey<\/strong><\/p>\n<p><a href=\"http:\/\/www.polomusealetoscana.beniculturali.it\/index.php?it\/21\/news\/1423\/firenze-museo-archeologico-nazionale-scopri-la-nuova-app-maf-per-un-viaggio-digitale-nel-museo\">Details<\/a><\/p>\n<hr \/>\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Parco archeologico del Colosseo: the \u2018fifth site\u2019<\/strong><\/p>\n<p><a href=\"https:\/\/parcocolosseo.it\/en\/parco-online\/\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>The British Museum accessible from remote<\/strong><\/p>\n<p><a href=\"https:\/\/www.britishmuseum.org\/closure#stay-connected\">Details<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>Museo Archeologico di Stabia Libero D\u2019Orsi &#8211; Reggia di Quisisana<\/strong><\/p>\n<p><a href=\"http:\/\/pompeiisites.org\/reggia-quisisana\/museo-archeologico-di-stabia-libero-dorsi\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Discover a piece of the Getty Collection<\/strong><\/p>\n<p><a href=\"http:\/\/blogs.getty.edu\/iris\/hello-kitty-the-odyssey-of-an-egyptian-cat-sculpture\/\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><b>Pliny the Elder at the British Museum?<\/b><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=594ea20cda&amp;e=bfaf914d18\" target=\"_blank\" rel=\"noopener\">Click here to learn more!<\/a><\/p>\n<hr \/>\n<p><b>Visit museums and archaeological sites at home!<\/b><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5d6cbb9e87&amp;e=bfaf914d18\" target=\"_blank\" rel=\"noopener\">National Archaeological Museum of Naples<\/a><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=94fdf62a9e&amp;e=bfaf914d18\" target=\"_blank\" rel=\"noopener\">Archaeological Park of Pompeii<\/a><\/p>\n<hr \/>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>A visit to the Trajan\u2019s Column<\/strong><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=82Q0fCibjKw&amp;feature=youtu.be\">Click here!<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Discover Pompeii with Specialists<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/livestream.com\/aarome\/events\/3818825\/videos\/81334136\">Male and Female Prostitutes at Pompeii: Recovering Agency and Oppression in the Purpose-built Brothel<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Discover the Torlonia collection<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.fondazionetorlonia.org\/torlonia-collection\">The collection<\/a><\/li>\n<li><a href=\"https:\/\/www.facebook.com\/FondazioneTorlonia\/\">To know the objects<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 6\"><\/div>\n<div class=\"page\" title=\"Page 6\"><\/div>\n<div class=\"page\" title=\"Page 5\"><\/div>\n<p>[\/et_pb_tab][et_pb_tab title=&#8221;A look around&#8221; _builder_version=&#8221;4.16&#8243; body_font=&#8221;||||&#8221; body_line_height=&#8221;2em&#8221; tab_font=&#8221;||||&#8221; tab_line_height=&#8221;2em&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; body_line_height_tablet=&#8221;2em&#8221; body_line_height_phone=&#8221;2em&#8221; tab_line_height_tablet=&#8221;2em&#8221; tab_line_height_phone=&#8221;2em&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div>\n<div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 7\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Archaeology Today | Transporting Sculpture in the Ancient Mediterranean<\/strong><\/p>\n<p><a href=\"https:\/\/www.asor.org\/anetoday\/2023\/05\/maritime-transport-sculptures\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Archaeology Today | Classical Traditions in the \u2018Dark Ages\u2019<\/strong><\/p>\n<p><a href=\"https:\/\/www.smithsonianmag.com\/history\/the-myth-of-the-dark-ages-ignores-how-classical-traditions-flourished-around-the-world-180982190\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=editorial&amp;spMailingID=48320354&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=2461794677&amp;spReportId=MjQ2MTc5NDY3NwS2\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Buddha in\u2026 Egypt! <\/strong><\/p>\n<p><a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/buddha-statue-found-berenike-egypt-180982075\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=editorial&amp;spMailingID=48262258&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=2460094467&amp;spReportId=MjQ2MDA5NDQ2NwS2\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Ancient World Today | Fragments: a New Play\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.potentialdifference.org.uk\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Performances | All-Night Epic: Gilgamesh<\/strong><\/p>\n<p><a href=\"https:\/\/www.oxforduniversitystores.co.uk\/conferences-and-events\/classics-apgrd\/events\/allnight-epic\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Colours Today | Reinventing Colours\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.smithsonianmag.com\/innovation\/this-british-zoologist-wants-to-reinvent-color-180981349\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=20221223daily-responsive&amp;spMailingID=47797646&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=2362734088&amp;spReportId=MjM2MjczNDA4OAS2\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Archaeology &amp; Technology | Discovering Luwian Culture<\/strong><\/p>\n<p><a href=\"https:\/\/www.asor.org\/anetoday\/2023\/01\/luwian-culture-map\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Materials |\u00a0 Why do Roman buildings survive to time?<\/strong><\/p>\n<p><a href=\"https:\/\/www.artribune.com\/progettazione\/architettura\/2023\/01\/scoperta-mit-boston-cemento-autoriparante-antica-roma\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Como Romana | New Projects to Discover the Roman Past of Como<\/strong><\/p>\n<p><a href=\"https:\/\/www.espansionetv.it\/2022\/10\/20\/como-romana-2\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Contemporary Archaeology | Contemporary Art Meets Ancient Rome<\/strong><\/p>\n<p><a href=\"https:\/\/www.artribune.com\/arti-visive\/archeologia-arte-antica\/2022\/10\/uccelliere-palatino-drugstore-museum-roma-arte-contemporanea-archeologia\/?fbclid=IwAR2fqkOXsVKXR3gM1UpytYiJobJZ2yku35nrQ3Ie6wKMaXx3rIAKa4tWil4\">Details<\/a><\/p>\n<p><strong>Art Techniques | From Fire to Wine: Ancient Greek Pottery<\/strong><\/p>\n<p><a href=\"https:\/\/artsandculture.google.com\/story\/dgXRNwnaXjXGIA\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Assyrian Reliefs from Nineveh\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/archeologists-unearth-ancient-stone-carvings-in-northern-iraqi-city-of-mosul-180980989\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=20221024daily-responsive&amp;spMailingID=47548152&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=2325792328&amp;spReportId=MjMyNTc5MjMyOAS2\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Bronze Statues and Other Extraordinary Finds from the Ancient Sanctuary in San Casciano dei Bagni (Siena)<\/strong><\/p>\n<p><a href=\"https:\/\/cultura.gov.it\/bronziscasciano?fbclid=IwAR0GOqTq8gXEce7UEcLzjOO3Rs6bI6qZgVzfrBbseVrcxNjrNnr-q5B6gyo\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Latin Language Today | CERTAMEN CICERONIANUM ARPINAS 2023<\/strong><\/p>\n<p><a href=\"https:\/\/www.certamenciceronianum.it\/it\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Archaeology &amp; Technology | Persepolis Reimagined<\/strong><\/p>\n<p><a href=\"https:\/\/persepolis.getty.edu\/\">Details 1<\/a>\u00a0 | <a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/excavations-shed-light-on-the-everyday-life-of-pompeiis-middle-class-180980558\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=20220810-daily-responsive&amp;spMailingID=47221556&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=2301070786&amp;spReportId=MjMwMTA3MDc4NgS2\">Details 2<\/a><\/p>\n<hr \/>\n<p><strong>Ancient Languages Today | Deciphering Linear Elamite\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.asor.org\/anetoday\/2022\/09\/irans-linear-elamite-deciphered\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Openings | Discovering the Domus at the Baths of Caracalla<\/strong><\/p>\n<p><a href=\"https:\/\/www.finestresullarte.info\/archeologia\/roma-dopo-30-anni-torna-visibile-domus-adrianea-terme-caracalla\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | An Intact Roman Temple in Herwen (Netherlands)<\/strong><\/p>\n<p><a href=\"https:\/\/www.geo.fr\/histoire\/pays-bas-decouverte-exceptionnelle-dun-temple-romain-complet-et-intact-210541?fbclid=IwAR1h-4K7BXnk1Wx5dAm3-7xndtRKTvciFBZBgaUZ0x8MX7AoxzTw-lGaaYQ\">Details 1<\/a> | <a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/ancient-roman-temples-on-military-complex-discovered-in-the-netherlands-180980353\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=20220701-daily-responsive&amp;spMailingID=47052460&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=2280114858&amp;spReportId=MjI4MDExNDg1OAS2\">Details 2<\/a><\/p>\n<hr \/>\n<p><strong>New Openings | The <em>Ipogeo dei Cristallini<\/em> re-opens in Napoli<\/strong><\/p>\n<p><a href=\"https:\/\/napoli.repubblica.it\/cronaca\/2022\/06\/25\/news\/i_tesori_dellipogeo_dei_cristallini_alla_sanita_i_dipinti_e_larcheologia_di_neapolis_magnogreca-355412631\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | A Marble Head from Antikythera\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/divers-pull-marble-head-hercules-shipwreck-greece-180980306\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=20220627-daily-responsive&amp;spMailingID=47029903&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=2262941385&amp;spReportId=MjI2Mjk0MTM4NQS2\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Digging Caesar\u2019s Forum\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/the-past.com\/feature\/digging-caesars-forum-three-thousand-years-of-daily-life-in-rome\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Technologies | Analysing DNA in Pompeii<\/strong><\/p>\n<p><a href=\"https:\/\/www.sciencesetavenir.fr\/archeo-paleo\/pompei-la-premiere-analyse-genetique-complete-des-restes-d-un-homme_163690\">Details 1 <\/a>| <a href=\"https:\/\/phys.org\/news\/2022-05-pompeiian-human-genome-sequenced.html\">Details 2<\/a><\/p>\n<hr \/>\n<p><strong>Archaeology &amp; Technologies |\u00a0 Discovering the Digital Museum of Herculaneum <\/strong><\/p>\n<p><a href=\"https:\/\/www.finestresullarte.info\/musei\/parco-archeologico-di-ercolano-apre-museo-digitale?fbclid=IwAR3qqd5enxvbGnBBBqPFZpa_4Fubw2zYJHu_59nDmn8dXDVBbDWjCxLQCFU\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Natural Histories | The Book of the Marvels of the World (Secrets of Natural History)<\/strong><\/p>\n<p><a href=\"https:\/\/www.getty.edu\/news\/medieval-manuscript-book-marvels-world-french\/?utm_medium=email&amp;utm_campaign=April%2021%202022&amp;utm_content=April%2021%202022%20CID_6ede0199472e0175dfeab51db68d56d6&amp;utm_source=Campaign%20Monitor%20Communications&amp;utm_term=Get%20exploring\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Recent Findings in Como\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/archeologicacomo.com\/mosaico-policromo-como\/\">Mosaic<\/a> | <a href=\"https:\/\/www.youtube.com\/watch?v=mCboUb3dnFg&amp;ab_channel=ArchaeoReporter\">Hoard 1<\/a> | <a href=\"https:\/\/www.youtube.com\/watch?v=8dEGFqnSGzo&amp;ab_channel=ArchaeoReporter\">Hoard 2<\/a><\/p>\n<hr \/>\n<p><strong>New Openings | The Casa della Gemma in Herculaneum reopens after restorations<\/strong><\/p>\n<p><a href=\"https:\/\/www.finestresullarte.info\/archeologia\/ercolano-riapre-dopo-restauro-casa-della-gemma\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Archaeology &amp; Technology | Meet SPOT, the Dog-like Robot Roaming the Ruins of Pompeii<\/strong><\/p>\n<p><a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/why-a-robot-is-roaming-the-pompeii-ruins-180979856\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Latin Language Today | How to Teach Latin?<\/strong><\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/education\/2022\/apr\/07\/teachers-encouraged-to-use-taylor-swift-lyrics-to-make-latin-accessible?CMP=fb_gu&amp;utm_medium=Social&amp;utm_source=Facebook#Echobox=1649311549\">Details <\/a><\/p>\n<hr \/>\n<p><strong>Art &amp; Technology | Discovering the Esquiline Hill with MusEQ<\/strong><\/p>\n<p><a href=\"https:\/\/www.artribune.com\/progettazione\/new-media\/2022\/02\/roma-museq-museo-rione-esquilino\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Special Openings | February at the Villa di Livia and the Arco di Malborghetto in Rome<\/strong><\/p>\n<p><a href=\"https:\/\/archeologiavocidalpassato.com\/2022\/01\/29\/roma-la-soprintendenza-speciale-annuncia-lapertura-a-febbraio-di-due-luoghi-unici-dove-archeologia-e-paesaggio-si-armonizzano-entrambi-lungo-lantica-via-flaminia-la-villa-di-livia\/?fbclid=IwAR3AaSh4i41KjEDIXEBidT7Nts5SDTSwBZsZIerpJ9sRYlq-039xbn3Uls0\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Findings | The Archaic Temple of Athena on the Acropolis of Paestum\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.exibart.com\/archeologia\/dagli-scavi-di-paestum-e-velia-emerge-lantico-tempio-di-atena-con-due-elmi-sacri\/\">Details 1<\/a> | <a href=\"https:\/\/www.artribune.com\/arti-visive\/archeologia-arte-antica\/2022\/02\/scoperta-acropoli-velia-tempio-arcaico-atena\/\">Details 2<\/a><\/p>\n<hr \/>\n<p><strong>New Findings | Falerio Picenus: Google Earth Reveals New Structure<\/strong><\/p>\n<p><a href=\"https:\/\/www.archeologiaviva.it\/18787\/falerio-picenus-il-satellite-scopre-nuovi-quartieri\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Art Techniques | Making Manuscripts<\/strong><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=nuNfdHNTv9o&amp;ab_channel=GettyMuseum\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Openings | The &#8220;Ipogeo dei Cristallini&#8221; in Naples will open to the Public<\/strong><\/p>\n<p><a href=\"https:\/\/www.smithsonianmag.com\/history\/a-long-overlooked-necropolis-in-naples-reveals-the-enduring-influence-of-ancient-greece-180979385\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=20220113-daily-responsive&amp;spMailingID=46244432&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=2161359322&amp;spReportId=MjE2MTM1OTMyMgS2\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Monumental Tombs discovered along the <em>via Latina<\/em> in Rome<\/strong><\/p>\n<p><a href=\"https:\/\/www.adnkronos.com\/roma-scoperti-tre-piccoli-mausolei-lungo-lantica-via-latina_5jmkNTC7va8okNMlimo3zL\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Art Technique | In the Workshop of Egyptian Painters<\/strong><\/p>\n<p><a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/master-artisans-fixed-mistakes-by-ancient-apprentices-at-temple-in-egypt-180979097\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=20211122-daily-responsive&amp;spMailingID=45985297&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=2122495258&amp;spReportId=MjEyMjQ5NTI1OAS2\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Lost Works | The Lost Mosaic from Caligula\u2019s Ship Re-appeared \u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/rare-roman-mosaic-was-used-as-coffee-table-in-nyc-apartment-180979142\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=20211201-daily-responsive&amp;spMailingID=46033305&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=2140123186&amp;spReportId=MjE0MDEyMzE4NgS2\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Openings | Discover the Horti Lamiani: The Museo Ninfeo opens in Rome<\/strong><\/p>\n<p><a href=\"https:\/\/www.artribune.com\/arti-visive\/archeologia-arte-antica\/2021\/10\/roma-museo-ninfeo-esquilino-horti-lamiani\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Openings | Visit the arch of Janus at the Velabro<\/strong><\/p>\n<p><a href=\"https:\/\/www.museoninfeo.it\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Inspired by the Domus Aurea: grotesque style in 16th-century England<\/strong><\/p>\n<p><a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/gobsmacked-restorers-make-discovery-of-a-lifetime-at-medieval-manor-in-england-180979053\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Slaves\u2019 life in Roman times: new insights from Pompeii\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.ansa.it\/sito\/notizie\/cultura\/arte\/2021\/11\/05\/a-pompei-riemerge-intatta-la-stanza-degli-schiavi-_e51cfbf9-e839-4c4e-86ce-bcd2b7e429a6.html\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Roman Boiserie found in Chartre<\/strong><\/p>\n<p><a href=\"https:\/\/www.leparisien.fr\/eure-et-loir-28\/une-decouverte-archeologique-majeure-des-boiseries-gallo-romaines-emerveillent-dans-le-quartier-saint-brice-de-chartres-30-09-2021-XBUTWR4DA5ASLLSYOPCZRFM6SA.php\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | A skeleton in the Lava Rock: Escaping from Herculaneum\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.ansa.it\/sito\/notizie\/cultura\/arte\/2021\/10\/15\/scoperta-a-ercolano-ritrovato-lo-scheletro-dellultimo-fuggiasco_5449df31-a737-44ae-a366-ae381f201ffd.html\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Roman Life | At the \u201cVilla of the Papyri\u201d in Malibu with\u00a0Jessie Hendricks and\u00a0curator Ken Lapatin<\/strong><\/p>\n<p><a href=\"https:\/\/blogs.getty.edu\/iris\/introducing-becoming-artsy\/?utm_medium=email&amp;utm_campaign=October%207%202021&amp;utm_content=October%207%202021+CID_8b31cb4e9eab1f88b4f8fbf6fbd9313e&amp;utm_source=Campaign%20Monitor&amp;utm_term=Watch%20Becoming%20Artsy%20Episode%201\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Emperor Claudius\u2019 boundary stone unearthed in Rome<\/strong><\/p>\n<p><a href=\"https:\/\/www.finestresullarte.info\/archeologia\/scoperta-roma-cippo-pomeriale-piazza-augusto-imperatore\">Details 1<\/a> | <a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/rare-boundary-stone-dated-emperor-claudius-reign-unearthed-rome-180978362\/\">Details 2<\/a><\/p>\n<hr \/>\n<p><strong>The Plinii Today | Discovering Como and its past<\/strong><\/p>\n<p><a href=\"https:\/\/www.quicomo.it\/eventi\/cultura\/parco-letterario-comasco-plinio-volta.html\">Details 1<\/a> | <a href=\"https:\/\/www.laprovinciadicomo.it\/stories\/cultura-e-spettacoli\/nasce-il-parco-letterario-del-lago-di-como-plinio-e-volta-i-protagonisti-princip_1402669_11\/\">Details 2<\/a><\/p>\n<hr \/>\n<p><strong>New Openings | The <em>House of the Vestals<\/em> in the Forum Romanum restored<\/strong><\/p>\n<p><a href=\"https:\/\/www.ansa.it\/sito\/notizie\/cultura\/arte\/2021\/07\/03\/colosseo-apre-al-pubblico-la-casa-delle-vestali_5c56989b-2716-447c-950f-2677235b5bb8.html?fbclid=IwAR3TkI4diNLc5rHpLWJ8FiRnOpJOQlVg0QcYWxstKUHt8S2jP2tAFWJjK5o\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Openings | The hypogea of the Colosseum open to the public<\/strong><\/p>\n<p><a href=\"https:\/\/www.ilsole24ore.com\/art\/colosseo-si-aprono-ipogei-corridoi-archi-e-passaggi-dove-si-preparavano-spettacoli-dell-anfiteatro-flavio-AEtJWxS?refresh_ce=1\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Archaeology &amp; Media | Podcast series \u201cThe Sustainable Past\u201d<\/strong><\/p>\n<p><a href=\"https:\/\/iiclondra.esteri.it\/IIC_londra\/en\/gli_eventi\/calendario\/the-sustainable-past.html\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Art Theory | Discover the autograph of\u00a0<em>De prospectiva Pingendi<\/em> by Piero della Francesca and the <em>Scapigliata<\/em> by Leonardo da Vinci at the Biblioteca Palatina in Parma<\/strong><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=CAOSUeTy8-w&amp;ab_channel=MiC_Italia\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Archaeology &amp; Literary Sources | Herodotus and the Battle of Himera: New Discoveries<\/strong><\/p>\n<p><a href=\"https:\/\/www.livescience.com\/herodotus-lied-about-greek-battle.html\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Art &amp; Innovation | The Museo Archeologico Nazionale di Napoli is online on ITsART with 46 MANN stories\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/archeologiavocidalpassato.com\/2021\/06\/04\/il-museo-archeologico-nazionale-di-napoli-e-su-itsart-la-piattaforma-del-mic-per-la-valorizzazione-del-patrimonio-museale-in-versione-digitale-live-e-on-demand-giulierini-straordinaria-vetrina\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Upcoming Openings | The Domus Aventino in Rome<\/strong><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=4wSJtZOAmuM\">Details 1<\/a> | <a href=\"https:\/\/www.francetvinfo.fr\/culture\/patrimoine\/archeologie\/ouverture-au-public-d-une-somptueuse-villa-romaine-cachee-sous-un-immeuble-de-rome_4614809.html?fbclid=IwAR167hYlbKqq5FlricAMNF16KUFjiWG58sBYaU4Ln4urXZThmENwzNxhKN8#xtor=CS2-765-&lt;script type=&#039;text\/javascript&#039; src=&#039;http:\/\/twittercounter.com\/embed\/name\/ffffff\/111111&#039;&gt;&lt;\/script&gt;-\">Details 2<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Gladiator arena from Roman era discovered in Turkey<\/strong><\/p>\n<p><a href=\"https:\/\/www.livescience.com\/roman-era-arena-discovered-in-turkey.html\">Details 1 <\/a>| <a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/gladiator-amphitheater-uncovered-turkey-180977581\/\">Details 2<\/a><\/p>\n<hr \/>\n<p><strong>Restoration | The Winning Project for the reconstruction of the Colosseum\u2019s Arena<\/strong><\/p>\n<p><a href=\"https:\/\/www.ansa.it\/sito\/notizie\/cultura\/arte\/2021\/05\/02\/high-tech-e-green-ecco-come-sara-larena-del-colosseo_a6aed43c-3381-4b36-91fa-e8207bc6e6b3.html\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Pliny\u2019s world |<\/strong><strong> Vesuvius Victim Identified at Herculaneum\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/vesuvius-victim-identified-elite-soldier-attempting-rescue-mission-180977734\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=20210514-daily-responsive&amp;spMailingID=44981689&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=2001271309&amp;spReportId=MjAwMTI3MTMwOQS2\">Details 1<\/a>\u00a0| <a href=\"https:\/\/www.ansa.it\/sito\/notizie\/cultura\/arte\/2021\/05\/09\/ercolano-riscopre-lufficiale-di-plinio-il-vecchio-mori-per-aiutare_c6906a62-5972-4791-b355-bbcd0267c1f6.html\">Details 2<\/a><\/p>\n<hr \/>\n<p><strong>Art Techniques | The Colors in Mesopotanian Sculpture<\/strong><\/p>\n<p><a href=\"https:\/\/www.asor.org\/anetoday\/2021\/05\/mesopotamian-sculpture\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Archaeology and Technology | Ancient Athens in 3D<\/strong><\/p>\n<p><a href=\"https:\/\/www.asor.org\/anetoday\/2021\/03\/visualizing-ancient-athens\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | New Burials from the Vatican Necropolis<\/strong><\/p>\n<p><a href=\"https:\/\/www.jpost.com\/archaeology\/archaeologists-discover-friends-of-caesars-inside-vatican-city-657802\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Teaching &amp; Pandemic | Material for Studying the Ancient Monuments of Rome by Mark Letteney (University of Southern California)<\/strong><\/p>\n<p><a href=\"https:\/\/docs.google.com\/document\/d\/1mXyInMx6nQuYaBJfUSu0d1kMmQIqm1-hBjmvmaUo3b4\">Details<\/a>\u00a0| <a href=\"https:\/\/drive.google.com\/drive\/folders\/1DuZrM3gJtdKudpYgFY8rw3rhUpWb2NSq\">Material<\/a><\/p>\n<hr \/>\n<p><strong>Latin Language Today | XL Certamen Ciceronianum Arpinas &#8211; May 2021<\/strong><\/p>\n<p><a href=\"https:\/\/www.certamenciceronianum.it\/it\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Pliny &amp; Botanics | <em>Silphium<\/em>: the Lost Plant of Cyrene<\/strong><\/p>\n<p><a href=\"https:\/\/www.storicang.it\/a\/il-silfio-pianta-miracolosa-scomparsa-nel-i-secolo_15087?fbclid=IwAR1WjRqAatp1rcWFuR2EKa3FnY8Im0M1LPmQ0lMlG_Upn9gEKSbRV8GbAOM\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Upcoming Openings | Colle Oppio in Rome<\/strong><\/p>\n<p><a href=\"https:\/\/www.facebook.com\/watch\/?v=2543990102561234\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Excavations | The <em>Forum<\/em> of Caesar<\/strong><\/p>\n<p><a href=\"https:\/\/www.finestresullarte.info\/attualita\/al-via-scavi-foro-cesare-roma-collaborazione-danimarca-resti-tempio-venere\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Archaeological Park | The Green Amphitheater of Milan<\/strong><\/p>\n<p><a href=\"https:\/\/www.artribune.com\/progettazione\/2021\/02\/pan-parco-amphitheatrum-naturae-anfiteatro-milano\/\">Details\u00a01<\/a>\u00a0| <a href=\"http:\/\/milanoarcheologia.beniculturali.it\/?page_id=3933\">Details 2<\/a><\/p>\n<hr \/>\n<p><strong>Restoration | Pompeii, Casa dei Ceii<\/strong><\/p>\n<p><a href=\"https:\/\/www.artribune.com\/arti-visive\/archeologia-arte-antica\/2021\/02\/pompei-restauro-casa-dei-ceii\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries 1 |\u00a0 A Roman Villa at N\u00eemes<\/strong><\/p>\n<p><a href=\"https:\/\/www.rtbf.be\/culture\/arts\/patrimoine\/detail_a-nimes-les-archeologues-mettent-au-jour-le-spectaculaire-sol-de-marbre-d-une-villa-romaine?id=10716157&amp;fbclid=IwAR09h4KNMp4vP9CdQO28wOLTCxV5nyyMAWQO5HctksE-277V9nnwsY60RzQ\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries 2 | The Water System of Gadara<\/strong><\/p>\n<p><a href=\"https:\/\/m.tagesspiegel.de\/wissen\/fernwasserleitung-aus-roemischer-zeit-ein-weitverzweigtes-system-aus-tunneln-und-zisternen-ueber-dem-jordantal\/26917320.html?utm_referrer=http%3A%2F%2Fm.facebook.com%2F\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Art &amp; Innovation | A New Blue on the Market\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/first-blue-pigment-discovered-200-years-finally-sale-180976769\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=20210119-daily-responsive&amp;spMailingID=44290256&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=1921564075&amp;spReportId=MTkyMTU2NDA3NQS2\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Archaeology and Cinema | The dig<\/strong><\/p>\n<p><a href=\"https:\/\/www.smithsonianmag.com\/history\/true-history-behind-netflixs-dig-and-sutton-hoo-180976923\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=20210205-daily-responsive&amp;spMailingID=44397663&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=1940462241&amp;spReportId=MTk0MDQ2MjI0MQS2\">The film <\/a>| <a href=\"https:\/\/blog.britishmuseum.org\/inside-the-dig-how-star-studded-film-squares-with-reality-of-sutton-hoo\/\">Inside \u201cThe dig\u201d 1<\/a> |<a href=\"https:\/\/www.facebook.com\/watch\/?v=3822920007801297\"> Inside \u201cThe dig\u201d 2<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 7\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 7\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 7\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>New Discoveries 1 | The Roman walls and a tomb resurface under\u00a0the Spanish School<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.ilmessaggero.it\/roma\/news\/scoperta_roma_archeologica_mura_mausoleo_sotterranei_scuola_spagnola-5755877.html\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>New Discoveries 2 | The Amphitheater of Fondi<\/strong><\/p>\n<p><a href=\"https:\/\/roma.repubblica.it\/cronaca\/2021\/02\/13\/news\/anfiteatro_romano_scoperto_fondi_latina_archeologia_scavi_antichi_reperti_lazio-287411934\/?ref=fbplrm\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>Ancient World &amp; Technology | Reading the Herculaneum papyri today\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.faz.net\/aktuell\/wissen\/verkohlte-woerter-zwei-schriftrollen-aus-der-villa-dei-papiri-17179615.html\">Detail 1<\/a> | <a href=\"http:\/\/www2.cs.uky.edu\/dri\/herculaneum-papyrus-scrolls\/#digital-restoration\">Detail 2<\/a><\/p>\n<hr \/>\n<p><strong>Monuments of Rome | A floor for the Colosseum<\/strong><\/p>\n<p><a href=\"https:\/\/www.bbc.com\/news\/world-europe-55422794\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New discoveries | A <em>thermopolium<\/em> in Pompeii<\/strong><\/p>\n<p><a href=\"https:\/\/www.bbc.com\/news\/world-europe-55454717\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Restoration | The Alexander mosaic restored<\/strong><\/p>\n<p><a href=\"https:\/\/www.lefigaro.fr\/culture\/la-mosaique-du-triomphe-d-alexandre-le-grand-sur-les-perses-va-connaitre-une-nouvelle-jeunesse-20210117\">Details 1<\/a> | <a href=\"https:\/\/napoli.repubblica.it\/cronaca\/2021\/01\/07\/news\/napoli_al_mann_parte_il_restauro_del_mosaico_di_alessandro-281506464\/\">Details 2<\/a><\/p>\n<hr \/>\n<p><strong>Reception | Elisabetta Sirani&#8217;s Classical Heroines\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/edithorial.blogspot.com\/2021\/01\/elisabetta-siranis-classical-heroines.html?m=0\">Details<\/a><\/p>\n<hr \/>\n<p><strong>The Plinii Today | Daisy Dunn, <em>All\u2019ombra del Vesuvio. Vita di Plinio <\/em><\/strong><\/p>\n<p><a href=\"http:\/\/www.solferinolibri.it\/libri\/allombra-del-vesuvio\/\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 7\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Roman Rediscoveries | The floors of the Basilica Aemilia &#8230;<\/strong><\/p>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><a href=\"https:\/\/fb.watch\/2ogpMOYC0C\/\">Details<\/a><\/p>\n<p><strong>&#8230;and its new inhabitant!<\/strong><\/p>\n<p><a href=\"https:\/\/www.facebook.com\/parcocolosseo\/posts\/il-viaggio-di-emilio-gabbiano-romanoquesta-mappa-mostra-tutti-i-voli-effettuati-\/2923628601202708\/\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 7\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>New Discoveries | The Trajan\u2019s Forum: under the Via Alessandrina<\/strong><\/p>\n<p><a href=\"https:\/\/www.artribune.com\/arti-visive\/archeologia-arte-antica\/2020\/12\/scavi-archeologici-roma-nuova-sezione-fori-imperiali\/\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 7\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Beyond the Romans | A new civilization from Amazonia<\/strong><img decoding=\"async\" loading=\"lazy\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAcQAAAABCAYAAABADd6sAAAAAXNSR0IArs4c6QAAAAlwSFlzAAAMZAAADGQBtitmWwAAACRJREFUOBFjfPfu3RmGUTAaAqMhMBoCoyEwGgIjOAT+\/fsXAwBnFQbuF8F\/ogAAAABJRU5ErkJggg==\" alt=\"page7image3755504\" width=\"451.200000\" height=\"0.800000\" \/><\/p>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/tens-thousands-12000-year-old-rock-paintings-found-colombia-180976427\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=20201201-daily-responsive&amp;spMailingID=44017251&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=1900102623&amp;spReportId=MTkwMDEwMjYyMwS2\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>Discover Rome | \u201cRoma ieri e oggi\u201d: how the Urbs has changed<\/strong><\/p>\n<p><a href=\"https:\/\/www.romaierioggi.it\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>New Discoveries | Follow on FB the amazing discoveries at the amphitheatre in Volterra<\/strong><\/p>\n<p><a href=\"https:\/\/www.facebook.com\/search\/top\/?q=l%27anfiteatro%20che%20non%20c%27era\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Archaeology &amp; Media | Archaeologists you should know<\/strong><\/p>\n<p><a href=\"https:\/\/www.archaeological.org\/archaeologists-you-should-know-goell\/\">Theresa B. Goell<\/a><br \/>\n<a href=\"https:\/\/www.archaeological.org\/archaeologists-you-should-know\/?utm_source=Fieldnotes+-+October+2020&amp;utm_campaign=ProNews+Oct15&amp;utm_medium=email\">Recommend an Archaeologist<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Archaeology &amp; Literary Sources | Uncovering Troy<\/strong><\/p>\n<p><a href=\"https:\/\/www.archaeology.org\/travel\/interactivemap-troy\/index.html\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Archaeology &amp; Technology | What did the Roman Emperors look like?<\/strong><\/p>\n<p><a href=\"https:\/\/news.artnet.com\/art-world\/designer-used-machine-learning-make-photorealistic-portraits-54-roman-emperors-see-uncanny-results-1901315?utm_content=buffer99460&amp;utm_medium=social&amp;utm_source=facebook.com&amp;utm_campaign=news\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Archaeology &amp; Media | Agalma: The MANN at the 77\u00aa Mostra Internazionale d&#8217;Arte Cinematografica di Venezia<\/strong><\/p>\n<p><a href=\"https:\/\/www.museoarcheologiconapoli.it\/it\/2020\/07\/il-mann-a-venezia-77-con-il-documentario-agalma\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Findings along the Via Ostiense<\/strong><\/p>\n<p><a href=\"https:\/\/roma.repubblica.it\/cronaca\/2020\/09\/09\/foto\/roma_archeologia_scoperta_enorme_vasca_a_malafede-266722292\/1\/#1\">Details<\/a><\/p>\n<hr \/>\n<p><strong>The Plinii Today | Pliny for children at the Villa del Grumello, Como<\/strong><\/p>\n<p><a href=\"https:\/\/www.eventbrite.it\/e\/biglietti-grumello-bambini-caravanserraglio-storie-dal-mondo-di-plinio-112103998076?utm-medium=discovery&amp;utm-campaign=social&amp;utm-content=attendeeshare&amp;aff=esfb&amp;utm-source=fb&amp;utm-term=listing\">Details<\/a><\/p>\n<hr \/>\n<p><strong>The Plinii Today | A mosaic dedicated to Pliny in Blevio (Como)<\/strong><\/p>\n<p><a href=\"https:\/\/www.corrieredicomo.it\/alberti-rende-omaggio-a-plinio-a-blevio-un-mosaico-per-la-naturalis-historia\/\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Roman mosaics found in Sardinia\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.repubblica.it\/cronaca\/2020\/06\/25\/news\/in_sardegna_i_lavori_per_il_gas_fanno_scoprire_un_mosaico_romano-260167024\/?ref=fbpr\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>The Latin Today | Latine loquimur: Discover the Uffizi in Latin<\/strong><\/p>\n<div><a href=\"https:\/\/www.uffizi.it\/video-storie\/latine-loquimur\">Detail<\/a><\/div>\n<div>\n<hr \/>\n<p><strong>Discover Rome | T<span style=\"color: #000000;\">he Parco Archeologico del Colosseo <\/span><\/strong><span style=\"color: #000000;\"><strong>in\u00a0the Italian Sign Language<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/playlist?list=PL9je-v4_ripeHwA_d1k8zhlHEaTuhsXXB&amp;app=desktop\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<p><strong>Re-openings in safety | Ready to follow Pliny\u2019s steps again?<\/strong><\/p>\n<p><a href=\"http:\/\/www.museiincomuneroma.it\/it\/notizie\/dal-2-giugno-riapertura-di-tutti-i-musei-civici-di-roma-capitale-dei-fori-imperiali-e-del\">Musei in Comune &#8211; Roma <\/a>| <a href=\"https:\/\/parcocolosseo.it\/\">Parco Archeologico del Colosseo<\/a> | <a href=\"http:\/\/www.pafleg.it\/it\/7\/info-covid-19\">Parco Archeologico dei Campi Flegrei<\/a> | <a href=\"http:\/\/pompeiisites.org\/info-per-la-visita\/percorsi-dal-9-giugno\/\">Parco Archeologico di Pompei<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>The Plinii Today | Hortus Plinii at the Villa del Grumello: a Botanic Garden in Como<\/strong><\/p>\n<p><a href=\"https:\/\/comozero.it\/cultura-e-spettacolo\/grumello-culla-della-rinascita-jazz-cinema-botanica-e-yoga-unestate-di-eventi-imperdibili-tutto-il-programma\/?fbclid=IwAR2utOuSgCXU2Z1936x7958OLQ1xrmHa3KYbT6DKt77I19KbN3dm4Zh78g8\">Details<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Archaeology &amp; Science | Falerii Novi unrevealed<\/strong><\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/science\/2020\/jun\/09\/archaeologists-discover-amazing-details-of-roman-city\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 7\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>New Discoveries | A Roman Mosaic under the Amarone Vineyards in Negrar, North Italy<\/strong><\/p>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><a href=\"https:\/\/www.smithsonianmag.com\/smart-news\/ancient-roman-mosaics-discovered-beneath-italian-vineyard-180974986\/?utm_source=smithsoniandaily&amp;utm_medium=email&amp;utm_campaign=20200527-daily-responsive&amp;spMailingID=42596115&amp;spUserID=ODg2NTM5NTgwMzMxS0&amp;spJobID=1762655937&amp;spReportId=MTc2MjY1NTkzNwS2\">Details<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<p><strong>Ancient Colors | Deep Purple<\/strong><\/p>\n<div class=\"page\" title=\"Page 7\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><a href=\"https:\/\/papyrus-stories.com\/2020\/06\/01\/deep-purple-dyeing-egyptian-textiles\/\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>The Plinii Today | Reading in lockdown: Review of \u201cGli ultimi giorni del comandante Plinio\u201d<\/strong><\/p>\n<p><a href=\"https:\/\/www.academia.edu\/42914046\/Recensione_del_Romanzo_di_Plinio_-_Venerd\u00ec_di_Repubblica_2019?email_work_card=title\">Details<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>New Discoveries | Recycling rubbish in Pompeii<\/strong><\/p>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><a href=\"https:\/\/www.theguardian.com\/science\/2020\/apr\/26\/pompeii-ruins-show-that-the-romans-invented-recycling?CMP=share_btn_fb\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>The Plinii Today | <em>OltrePlinio<\/em> for Pliny\u2019s Bimillenary<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=24c2361005&amp;e=bfaf914d18\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D24c2361005%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1587541169577000&amp;usg=AFQjCNET_w80AOqpOUf-0Bd3UTh0RbOtww\">Details<\/a><\/p>\n<hr \/>\n<p><strong>New Discoveries | Disappeared Attic temples revealed<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c3021a649e&amp;e=bfaf914d18\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc3021a649e%26e%3Dbfaf914d18&amp;source=gmail&amp;ust=1587541169577000&amp;usg=AFQjCNFW7ntcyYxc5D3D9Z-GSE312vK9yw\">Details<\/a><\/p>\n<hr \/>\n<p><strong>The Plinii Today | The Shadow of Vesuvius: A Life of Pliny<\/strong><\/p>\n<p><a href=\"https:\/\/www.newyorker.com\/magazine\/2020\/02\/17\/the-terror-and-the-fascination-of-pompeii\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Art &amp; Media | The Blue Knight: an animation on the color blue<\/strong><\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.artribune.com\/television\/2020\/03\/the-blue-knight-animazione-storia-del-colore-blu\/\">Details<\/a><\/p>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p id=\"m_4071481523774643154docs-internal-guid-8945783a-7fff-dc02-c790-a067155b51a6\" dir=\"ltr\"><strong>The Plinii Today\u00a0| Accademia Pliniana: the VIS COMENSIS\u00a0Museum<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ee21070867&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dee21070867%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1583007717758000&amp;usg=AFQjCNGif2GWV2RoENWQZiXs6c24OZLz6g\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_4071481523774643154docs-internal-guid-8945783a-7fff-dc02-c790-a067155b51a6\" dir=\"ltr\"><strong>The Plinii Today\u00a0| From Japan a manga on Pliny<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0626cedd90&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0626cedd90%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1583007717758000&amp;usg=AFQjCNGoEWF_aref99lZcTFTLs-1WSFeqQ\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Ancient Languages Today | Certamen di letteratura scientifica e tecnica greca e latina<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9774b2428f&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D9774b2428f%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1583007717758000&amp;usg=AFQjCNGnX3bb3IMzj0EhwiqRrT0sbFDH7Q\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong style=\"font-size: 14px;\">The Plinii Today | Pliny the Elder\u2019s skull?\u00a0<\/strong><\/p>\n<\/div>\n<p>Details\u00a0<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=eff8e9edd2&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Deff8e9edd2%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1582450428998000&amp;usg=AFQjCNEyX-EVUKWkoYJIOi3lF7KyQp6xuA\">1<\/a>\u00a0|\u00a0<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=4af731a36a&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D4af731a36a%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1582450428998000&amp;usg=AFQjCNHcnrua7Of0IVK4lMc4MvuL439Mjg\">2<\/a>\u00a0| <a href=\"https:\/\/www.nytimes.com\/2020\/02\/14\/science\/pliny-archaeology-skull-vesuvius.html\">3<\/a>\u00a0| <a href=\"https:\/\/www.facebook.com\/anticaeviae\/photos\/pb.851208478224637.-2207520000..\/3091401800871949\/?type=3&amp;theater\">4<\/a><\/p>\n<\/div>\n<hr \/>\n<p id=\"m_8843098805965348532docs-internal-guid-68053b36-7fff-bbcf-6d7a-512d3e8f424f\" dir=\"ltr\"><strong>New Discoveries | Herculaneum, fragments of brain from the excavations<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2e28c80fd4&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2e28c80fd4%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1582450428998000&amp;usg=AFQjCNGbS0CKcXM2mc8T0UfHK--R963rEA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>New Openings | A new life for the Mausoleum of Augustus<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=08a309fd11&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D08a309fd11%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1582450428998000&amp;usg=AFQjCNFiJJH8t8k9INDCLsMJT1NLTbH2Kg\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Classics and Media | From Rome to Japan: Thermae Romae Manga<\/strong><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.animeclick.it\/manga\/11009\/thermae-romae\">Details<\/a>\u00a0|\u00a0<\/span><a href=\"http:\/\/fass.open.ac.uk\/sites\/fass.open.ac.uk\/files\/files\/new-voices-journal\/issue12\/peer-abstract.pdf\">Review<\/a><\/p>\n<hr \/>\n<p><strong>The Plinii Today | At school with Pliny<\/strong><\/p>\n<p><a href=\"https:\/\/cucd.blogs.sas.ac.uk\/files\/2019\/06\/MORDUE-Outreach-via-Pliny.docx.pdf\">Details\u00a0<\/a><\/p>\n<hr \/>\n<p id=\"m_1465895158342881855docs-internal-guid-31a6408b-7fff-4af2-a411-a5af4c527065\" dir=\"ltr\"><strong>New openings | Horti Tauriani: the Basilica of Porta Maggiore in Rome<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7df12c9e0d&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7df12c9e0d%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1580127184327000&amp;usg=AFQjCNFqzSXBdpIC8-tJQKu8kbXBXFji_Q\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_1465895158342881855docs-internal-guid-31a6408b-7fff-4af2-a411-a5af4c527065\" dir=\"ltr\"><strong>New Findings_1 | New Tombs in Pylos<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0c885cf0b3&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0c885cf0b3%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1580127184327000&amp;usg=AFQjCNFKLmkDOeswwbqeWGc47IEtDO6nhA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>New Findings_2 | Galen\u2019s lab in Rome\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6c56f64b8b&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6c56f64b8b%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1580127184327000&amp;usg=AFQjCNFVN7h4i9tVvgE3b31_8l34ipuX2A\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_-3067991350107158877docs-internal-guid-32889910-7fff-2674-01e7-4b1c4ab52519\" dir=\"ltr\"><strong>The Plinii Today | Pliny the Elder, the First Wine Critic<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9d52d62e43&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D9d52d62e43%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577015605784000&amp;usg=AFQjCNHJChY4KYkoYMNvrZypAuILxL6Bxg\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_-3067991350107158877docs-internal-guid-32889910-7fff-2674-01e7-4b1c4ab52519\" dir=\"ltr\"><strong>New Openings | Visit the House of Bicentenary in Herculaneum\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=a04b88d316&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Da04b88d316%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577015605784000&amp;usg=AFQjCNHCnOC8Ziz_AanXJmuzsMpuF9L0YQ\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_8334526375607964568docs-internal-guid-17e4812c-7fff-3abe-2c09-baa3579f07ce\" dir=\"ltr\"><strong>The Plinii Today | A garden inspired by the\u00a0<em>Naturalis Historia<\/em>\u00a0in Como<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2926201fdf&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2926201fdf%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014976646000&amp;usg=AFQjCNE6W9gngL_KSxNJe1kZswOlb5XVpA\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_8334526375607964568docs-internal-guid-17e4812c-7fff-3abe-2c09-baa3579f07ce\" dir=\"ltr\"><strong>New Openings | Exploring the Newly Reopened Domus Transitoria<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7d9141ef00&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7d9141ef00%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1577014976646000&amp;usg=AFQjCNEkCyEcx3N_nT2QsopV86JMJsmD0Q\">Details<\/a><\/p>\n<hr \/>\n<div>\n<div>\n<div>\n<p><strong>Art &amp; Science | Rome, a cosmopolitan city<\/strong><\/p>\n<p><a href=\"https:\/\/www.repubblica.it\/scienze\/2019\/11\/08\/news\/l_antica_roma_era_una_citta_fatta_di_immigrati_lo_dice_il_dna-240597870\/?ref=fbpr\"><span style=\"font-weight: 400;\">Details\u00a0<\/span><\/a><\/p>\n<hr \/>\n<p id=\"m_2843315788439795617docs-internal-guid-d588568e-7fff-504b-527e-d8758142f35d\" dir=\"ltr\"><strong><br \/>\nThe Plinii Today | The last days of Pliny the Elder: a historical novel<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5b29d7f547&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5b29d7f547%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1569948823441000&amp;usg=AFQjCNFV8v6caSiLeRfUekygl2lxRrH00g\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Ancient Languages Today | Latine cano &#8211; Let\u2019s sing in Latin!<\/strong><\/p>\n<p><a href=\"http:\/\/www.discimus.co.uk\/2017\/12\/latine-cano.html\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.discimus.co.uk\/2017\/12\/latine-cano.html&amp;source=gmail&amp;ust=1569948823441000&amp;usg=AFQjCNETEjHt_s7-Pqk12PhOWPPz5i1ThA\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_2843315788439795617docs-internal-guid-d588568e-7fff-504b-527e-d8758142f35d\" dir=\"ltr\"><strong style=\"font-size: 14px;\">The Plinii Today | Reaching out via Pliny<\/strong><\/p>\n<\/div>\n<\/div>\n<div>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0c209e883f&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0c209e883f%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1565198156280000&amp;usg=AFQjCNEkks4heDEDqtsHqyKtk3ODabIDfQ\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>New Openings_1 | Many fora, one path<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b50bbb61e8&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db50bbb61e8%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1565198156280000&amp;usg=AFQjCNHgCFN7crJJiklWRJbY1tqEZB20OA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>New Openings_2 | The ancient ships of Pisa<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=42194beed2&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D42194beed2%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1565198156280000&amp;usg=AFQjCNFJYKqnMQxN99XyNHElX81x7ucWSA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong style=\"font-size: 14px;\">Restoration | The Drunken Satyr at the Getty Villa<\/strong><\/p>\n<\/div>\n<div>\n<div>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6e7683bc7f&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6e7683bc7f%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1560353781243000&amp;usg=AFQjCNF1ffPM1Y67I-Z7N84kDRr1mnL0Jw\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p><strong>Art &amp; Technology | Zooming in on Petra\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=485fe0f611&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D485fe0f611%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1560353781243000&amp;usg=AFQjCNFnao1tpFh2oDYFrKlxU5nwmiav1Q\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p><strong>Ancient Languages Today | Latin on air<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=740160676f&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D740160676f%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1560353781243000&amp;usg=AFQjCNEnflouYBYZze5gjP1xyq5toUUb8g\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p><strong>Classics Restaged | FAcT 2019<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f3fb8ec0b6&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df3fb8ec0b6%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1560353781243000&amp;usg=AFQjCNHyyKxIJYU_vPXOjoDl3DDCBrjAdQ\">Details<\/a><\/p>\n<hr \/>\n<p><strong style=\"font-size: 14px;\">New Findings | A new room of the Domus Aurea<\/strong><\/p>\n<\/div>\n<\/div>\n<div>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0f9794ac7c&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0f9794ac7c%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1558081147085000&amp;usg=AFQjCNE3E3CoLdPdsfZVE4TvksDUlIuZ8A\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<p id=\"m_-4170543402860827231docs-internal-guid-104ea692-7fff-39eb-184c-531136a8d948\" dir=\"ltr\"><strong>New Discoveries | The identification of Gaugamela<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0306cc260e&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0306cc260e%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1558081147085000&amp;usg=AFQjCNGhXOUNLzkJ8YrTo7fWnnrX_NYr2g\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_-4170543402860827231docs-internal-guid-104ea692-7fff-39eb-184c-531136a8d948\" dir=\"ltr\"><strong>Art &amp; Technology | New frontiers for cultural heritage<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9b981d6510&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D9b981d6510%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1558081147085000&amp;usg=AFQjCNEWAKNiQK7dGo8yaS1U18liukKyjw\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Classics &amp; Technology | A guide to\u00a0Euclid\u2019s <em>Geometry<\/em> on the web<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=df681d5166&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Ddf681d5166%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1558081147085000&amp;usg=AFQjCNGu9K035uanctjWIIuKjTRZa4AULA\">Details 1<\/a> | <a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=680a9a499a&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D680a9a499a%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1558081147085000&amp;usg=AFQjCNFU4wcyjZlpkmAJBjFtVOWccjZJpQ\">2<\/a><\/p>\n<hr \/>\n<p id=\"m_-2963755736041066135docs-internal-guid-7755d0af-7fff-508e-b07a-7ff00e9b5106\" dir=\"ltr\"><strong>Archaeology &amp; Literary Sources | Herodotus was right!\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f42bab9030&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df42bab9030%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1557926997633000&amp;usg=AFQjCNF6YyGM44vethudP9pq8B0VWkP-lw\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_-2963755736041066135docs-internal-guid-7755d0af-7fff-508e-b07a-7ff00e9b5106\" dir=\"ltr\"><strong>Classics &amp; Media | How a manuscript is created<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c622cb62fe&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc622cb62fe%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1557926997633000&amp;usg=AFQjCNGaI0gCvUz5sb3jkufjM7X6kRMHag\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>New\u00a0Displays\u00a0| Eurysaces&#8217; tomb in the Centrale Montemartini<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5a6e5cb0d0&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5a6e5cb0d0%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1557926997633000&amp;usg=AFQjCNEtKRXL8Ah_Z5tk4sNGikSoFRxwhg\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>New Openings | Villa Adriana, the Serapeum opens to public<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8a14fe1f3a&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8a14fe1f3a%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1557926997633000&amp;usg=AFQjCNGvsLJe_DEiFJL6lYzFYcaFAkBd8w\">Details<\/a><\/p>\n<div>\n<hr \/>\n<p id=\"m_-5184810726262350951docs-internal-guid-8db3c32f-7fff-9ee5-759a-5e0d0a4559de\" dir=\"ltr\"><strong>New Findings | The Romans who escaped Mt. Vesuvius<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f36cc4645d&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df36cc4645d%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1555322076822000&amp;usg=AFQjCNEZRXBLSfht4o_NtoHFNiCh1Aeu1Q\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_-5184810726262350951docs-internal-guid-8db3c32f-7fff-9ee5-759a-5e0d0a4559de\" dir=\"ltr\"><strong>New Openings | Nero\u2019s Domus Transitoria opens to public<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=4f084acf57&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D4f084acf57%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1555322076822000&amp;usg=AFQjCNE77T0BbvaEOksZjnfOrKPRQ_1_Fw\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Classics &amp; Science | Studying the DNA of old books<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=db36c87da6&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Ddb36c87da6%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1555322076822000&amp;usg=AFQjCNGoN7aW6ARetRTXdHgCgKtK556Gkg\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-7758017336607488723docs-internal-guid-b090edcc-7fff-d558-39fe-7c9a60f59895\">The Plinii Today | A museum dedicated to the Plinii in Como<br \/>\n<\/strong><\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6001cada50&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6001cada50%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1550772436815000&amp;usg=AFQjCNHjJ0h5bjVBeBRz2jQO-a9UD-OVSw\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-7758017336607488723docs-internal-guid-b090edcc-7fff-d558-39fe-7c9a60f59895\">Art &amp; Technology | The amphitheater of Catania \u201clives\u201d again<br \/>\n<\/strong><\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7542a0de1b&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7542a0de1b%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1550772436815000&amp;usg=AFQjCNHXh_i51N2XJx34CNIIbNvrY6K4ww\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-7758017336607488723docs-internal-guid-b090edcc-7fff-d558-39fe-7c9a60f59895\">Classics &amp; Media | &#8220;Il primo re&#8221;, a film on Romulus and Remus in ancient Latin<br \/>\n<\/strong><\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6187a0e8e9&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6187a0e8e9%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1550772436815000&amp;usg=AFQjCNGL4F1TY1eLxttYG_6O4nrJ_qBQkg\">Review_1<\/a><strong>\u00a0 |\u00a0<\/strong><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5eea689bda&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5eea689bda%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1550772436815000&amp;usg=AFQjCNEixwGLd7U9HOvUhE_fjsG8qPGZ1Q\">Review_2<\/a><strong>\u00a0|\u00a0<\/strong><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=e35d09ab7b&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3De35d09ab7b%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1550772436815000&amp;usg=AFQjCNFZTtgOkZufxaFpYClrdd1AgHe7xg\">Review_3<\/a><\/p>\n<hr \/>\n<p id=\"m_5612265032520073786docs-internal-guid-a23a4efa-7fff-50fc-b328-918b0ec201c2\" dir=\"ltr\"><strong>The Plinii Today | Como celebrates the bimillenian of Pliny \u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=d472cc5f20&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dd472cc5f20%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1548321941820000&amp;usg=AFQjCNHAfJ9H1QOaYzLAGx8iPgzLerm0lw\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_5612265032520073786docs-internal-guid-38b189b7-7fff-8d91-a1c1-50873de2015b\" dir=\"ltr\"><strong>New Findings | A year in Pompeii: 2018 AD<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=d73e1ebd8e&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dd73e1ebd8e%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1548321941820000&amp;usg=AFQjCNHB5PmY0Wb70Q7VTaIZHvILBf_OIw\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_5612265032520073786docs-internal-guid-38b189b7-7fff-8d91-a1c1-50873de2015b\" dir=\"ltr\"><strong>New Research | Lawine: Law and Ancient Wine<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=98ede1fb14&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D98ede1fb14%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1548321941821000&amp;usg=AFQjCNHq8CokJgw8iN-2aMnQsgL4EjiS8Q\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Art&amp;Technology | The artificial intelligence which solves archaeological puzzles<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b5052d7766&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db5052d7766%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1548321941821000&amp;usg=AFQjCNHw-hgSy9PRD1fhj-9pnYxoN4WoGg\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_2042779027155683716docs-internal-guid-23d721e7-7fff-a797-b6e9-9fecd5077ab6\" dir=\"ltr\"><strong>New openings | Classis Ravenna: a new archaeological museum at Classe (Ravenna)<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=885db936bb&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D885db936bb%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNEZOEHs332R5n727X9dlw3KYnAtSw\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_2042779027155683716docs-internal-guid-23d721e7-7fff-a797-b6e9-9fecd5077ab6\" dir=\"ltr\"><strong>New Findings | Explorations under the Basilica of St John Lateran<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=3ed78d4aa0&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D3ed78d4aa0%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNEZBO0C3w_H0f5JJLd-hPPE0JvKQQ\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Waiting for the New Year | Top 10 Archaeological discoveries of 2018<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b64c7193a0&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db64c7193a0%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1547916419550000&amp;usg=AFQjCNGMwcmR7Aqc7WjBF1qLiMvFz8gdgw\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_-8347301609208457916docs-internal-guid-a23a4efa-7fff-50fc-b328-918b0ec201c2\" dir=\"ltr\"><strong>New Openings | The Roman section at the Archaeological Museum &#8216;Paolo Giovio&#8217;,\u00a0Como<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0fe34a4b5a&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0fe34a4b5a%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1542125204985000&amp;usg=AFQjCNEEG6j3zj-hPotnwR4K2WOPNfyuOQ\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_-8347301609208457916docs-internal-guid-a23a4efa-7fff-50fc-b328-918b0ec201c2\" dir=\"ltr\"><strong>Ideas | Engaging viewers in ancient art museums<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=aaf5ba91de&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Daaf5ba91de%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1542125204985000&amp;usg=AFQjCNFqyANWfaN-3VOperhdziKtbCE50A\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_-8347301609208457916docs-internal-guid-a23a4efa-7fff-50fc-b328-918b0ec201c2\" dir=\"ltr\"><strong>Art Market | The first auctioning of an AI-generated artwork<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=cfb1ec10f2&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dcfb1ec10f2%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1542125204985000&amp;usg=AFQjCNEEvDWLpoDGvceot9fqV5XpwDloSA\">Details<\/a><\/p>\n<\/div>\n<div>\n<hr \/>\n<p><strong>New Findings | When did the Vesuvius erupt? A new date for Pliny the Elder\u2019s death<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7221836e46&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7221836e46%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1540452420163000&amp;usg=AFQjCNESguEIVO06FNJgPBE1W0AwBcI4FQ\">Details 1<\/a>\u00a0| <a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=663c36b1b1&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D663c36b1b1%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1540452420163000&amp;usg=AFQjCNEjWubwPS9lCvSiErSzC28z8wwnVA\">2<\/a>\u00a0| <a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=694c5b3ed1&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D694c5b3ed1%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1540452420163000&amp;usg=AFQjCNEDbe5mGWsSmFraI0EzIK-NaXd5Rw\">Update<\/a><\/p>\n<\/div>\n<hr \/>\n<p id=\"m_-163601890717652865docs-internal-guid-2fc53b11-7fff-f479-aeec-151d580a85a3\" dir=\"ltr\"><strong>New Findings | Three marble heads found in Aquinum \u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2534156b24&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2534156b24%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1540452420163000&amp;usg=AFQjCNGOEzAm6WvyMIuyv31VMKPaHxwuAw\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_-163601890717652865docs-internal-guid-2fc53b11-7fff-f479-aeec-151d580a85a3\" dir=\"ltr\"><strong>Classics &amp; Media | Rome Reborn<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=d6c7551cbb&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dd6c7551cbb%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1540452420163000&amp;usg=AFQjCNERbTXZKFjjUG2un533B2WzMP4CFQ\">Details<\/a><\/p>\n<div class=\"im\">\n<div>\n<hr \/>\n<p dir=\"ltr\"><strong>The Plinii Today | Piccolo Hortus Pliniano<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=757a4a4176&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D757a4a4176%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1537085242397000&amp;usg=AFQjCNHWt7a_uq4HavKj_HqZ8PJYIet-7Q\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>New Findings | A hoard discovered in Como<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c2fe9bc401&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc2fe9bc401%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1537085242397000&amp;usg=AFQjCNF1QQOPd6-Ks-d36pkYxRGx_1aySg\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Archaeology &amp; Literary Sources | <em>Odyssey<\/em>\u00a0extract on clay tablet<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=a9ad296344&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Da9ad296344%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1537085242397000&amp;usg=AFQjCNEbquxZNqiNjvV11nKlOfEFywrFLw\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>New Findings | Election day in ancient Pompeii<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=1aeae14b37&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D1aeae14b37%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1531902224711000&amp;usg=AFQjCNHmPja4esxRiFg02ajepBbyi34Vyw\">Details<\/a><\/p>\n<hr \/>\n<div>\n<p><strong>New Openings | A Roman Villa in Positano<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=39091ea2b3&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D39091ea2b3%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1531902224711000&amp;usg=AFQjCNFwQOrh_83J0jv9Q0ACdyWmTkau_w\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p dir=\"ltr\"><strong>Classics on Holiday | Visiting the Acropolis in miniature<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=60a0e71713&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D60a0e71713%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1531902224711000&amp;usg=AFQjCNFhfJM5qmVKFvEtdytlz4-XcaB2QA\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<p><strong>New Findings | A victim of the Vesuvius eruption\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b51ddffe2a&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db51ddffe2a%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1529081187415000&amp;usg=AFQjCNEpy1NmKSUHyezQK1svYJDW34OKNw\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<p id=\"m_7981105339123811530docs-internal-guid-98538d0d-fab1-8e16-f37a-e3a7bdf08bb1\" dir=\"ltr\"><strong>New Opening | Mus\u00e9e de la Romanit\u00e9, N\u00eemes<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8a541751e3&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8a541751e3%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1529081187415000&amp;usg=AFQjCNHLxHwA1u1OJSYJcr5ddlV4F84s2Q\">Link<\/a>\u00a0| <a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=d02b6e4396&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dd02b6e4396%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1529081187416000&amp;usg=AFQjCNHjipiwrCivlMcgHPCFzOHJCDMK7w\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Classics Restaged | Festival of Academic Theatre (FAcT)<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0c385421c4&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0c385421c4%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1529081187416000&amp;usg=AFQjCNEt-R3t9NUZd5ZwyEerD8aeA1Iq0g\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_-3382730942769842494docs-internal-guid-bd2ee9c7-62a8-adec-fd21-24049e47dc8d\" dir=\"ltr\"><strong>The Plinii Today | A literary park in Como<\/strong><\/p>\n<p><a href=\"https:\/\/www.laprovinciadicomo.it\/stories\/Editoriali\/un-parco-letterario-per-la-citta-dei-plini_1275688_11\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/www.laprovinciadicomo.it\/stories\/Editoriali\/un-parco-letterario-per-la-citta-dei-plini_1275688_11\/&amp;source=gmail&amp;ust=1527002452432000&amp;usg=AFQjCNHTxu2n9Fq7jFaXhlm26AO7YUAezw\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_-3382730942769842494docs-internal-guid-bd2ee9c7-62a8-adec-fd21-24049e47dc8d\" dir=\"ltr\"><strong>New Discoveries | Tracking the Earliest Citrus in the Mediterranean<\/strong><\/p>\n<p><a href=\"http:\/\/www.asor.org\/anetoday\/2018\/01\/citrus-mediterranean\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/www.asor.org\/anetoday\/2018\/01\/citrus-mediterranean&amp;source=gmail&amp;ust=1527002452432000&amp;usg=AFQjCNH---fPMpnNKtGmNHaieVGv1Gz2xQ\">Details<\/a><\/p>\n<hr \/>\n<div>\n<p><strong>New Findings | A Roman aqueduct uncovered\u00a0in Cadiz<\/strong><\/p>\n<p><a href=\"https:\/\/www.telegraph.co.uk\/news\/2018\/03\/06\/remains-roman-aqueduct-uncovered-spain-storm-emma\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/www.telegraph.co.uk\/news\/2018\/03\/06\/remains-roman-aqueduct-uncovered-spain-storm-emma\/&amp;source=gmail&amp;ust=1527002452432000&amp;usg=AFQjCNHw3LSuAwRZ_12NtLWd7D151tzAag\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p><strong>New Openings | Next stop: Ancient Rome<\/strong><\/p>\n<p><a href=\"http:\/\/www.rainews.it\/dl\/rainews\/media\/Roma-Metro-C-stazione-museo-San-Giovanni-ae52be62-f8cb-45ec-99f3-187698db5e91.html#foto-1\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/www.rainews.it\/dl\/rainews\/media\/Roma-Metro-C-stazione-museo-San-Giovanni-ae52be62-f8cb-45ec-99f3-187698db5e91.html%23foto-1&amp;source=gmail&amp;ust=1527002452432000&amp;usg=AFQjCNH2Ut7pMr08KPv_xMUERFLRlGLrZA\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p><strong>Art News | Trials and tribulations of Vasari\u2019s archive in Arezzo<\/strong><\/p>\n<p><a href=\"http:\/\/espresso.repubblica.it\/attualita\/2018\/04\/26\/news\/lo-stato-espropria-l-archivio-vasari-solo-sull-espresso-gli-scritti-di-michelangelo-1.321024?ref=HEF_RULLO\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/espresso.repubblica.it\/attualita\/2018\/04\/26\/news\/lo-stato-espropria-l-archivio-vasari-solo-sull-espresso-gli-scritti-di-michelangelo-1.321024?ref%3DHEF_RULLO&amp;source=gmail&amp;ust=1527002452432000&amp;usg=AFQjCNH_bstmMglYpSbWWNNdZ3SqMDs_LQ\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<p id=\"m_5601540336101202277docs-internal-guid-12d890cc-adc5-6cca-e65f-7973d9e57934\" dir=\"ltr\"><strong>New Openings | Horti Farnesiani on the Palatine Hill<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=d41879c042&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dd41879c042%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1524475060378000&amp;usg=AFQjCNGL1fSzpE3OHiC-YU97wt49zRaK5g\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_5601540336101202277docs-internal-guid-12d890cc-adc6-55ae-f03b-aef06f9042a5\" dir=\"ltr\"><strong>Contexts | Milan in Roman time: a new project<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9b024accfc&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D9b024accfc%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1524475060378000&amp;usg=AFQjCNFlQtMcSCUI1Q6Ii6F1loHRZA1JyA\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_5601540336101202277docs-internal-guid-12d890cc-adc6-e6ca-bc2c-2757f2a19ec5\" dir=\"ltr\"><strong>Archaeology &amp; Literary Sources | Ancient lens technology: between material evidence\u00a0and Pliny\u2019s accounts<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=73b7510472&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D73b7510472%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1524475060378000&amp;usg=AFQjCNFHtZwpmBDbTJoldrTPohLDON0wVw\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_5601540336101202277docs-internal-guid-12d890cc-adc7-6d36-bcd9-e41bab06c9fe\" dir=\"ltr\"><strong>Art Techniques | Egyptian Faience: Technology and Production<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=80189f918f&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D80189f918f%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1524475060378000&amp;usg=AFQjCNGJWZTu1j53aW7wRO9aRiG73t2PUw\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_5601540336101202277docs-internal-guid-12d890cc-adc8-2182-8c8e-b970b283145e\" dir=\"ltr\"><strong>Restoration\u00a0| Ships from Naples Underground wait for restoration<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=3f598ca14d&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D3f598ca14d%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1524475060378000&amp;usg=AFQjCNEW5WVviKqvgdFamKQg9dfhpBSilw\">Details<\/a><\/p>\n<hr \/>\n<p id=\"m_5601540336101202277docs-internal-guid-12d890cc-adc8-c3c8-8a96-b8d443f52e42\" dir=\"ltr\"><strong>Courses\u00a0| Roman Gems and Jewelry: The Art of Adornment at the\u00a0Getty Villa<\/strong><br \/>\nApril 14, 2018<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=dca99eb05a&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Ddca99eb05a%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1524475060378000&amp;usg=AFQjCNGHycvDlgGLp_PDg5bU_VuyQmuXCg\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Ancient Languages Today | Certamen Latinum \u201cNova Humanitas\u201d<\/strong><\/p>\n<p>Deadline: May 31, 2018<br \/>\n<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f170a310b2&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df170a310b2%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1524475060378000&amp;usg=AFQjCNGocFSO6dmCIH5FcH7xRy-YCqqc0w\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>New Findings_1 | A new necropolis in Firenze<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=d5727054e2&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dd5727054e2%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111911000&amp;usg=AFQjCNH-_8cQnjWbUUvtjfMlOIQrDgX0bg\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-3682846451343907353docs-internal-guid-d2d2506e-00c7-8eb6-2bc5-8a7ef9cd2325\">New Findings_2 | The Hellenistic theater in Agrigento: first results of the excavations<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ef3ecbc07b&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Def3ecbc07b%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111911000&amp;usg=AFQjCNGuqM_iXU1n-eFFko2SRUF537vxRA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-3682846451343907353docs-internal-guid-d2d2506e-00c7-8eb6-2bc5-8a7ef9cd2325\">New Findings_3\u00a0| The earliest tomb of a Scythian Prince<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=63cbeaaa75&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D63cbeaaa75%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111911000&amp;usg=AFQjCNHAgSMAmzzRMD-htGscBPHnvNJHPA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-3682846451343907353docs-internal-guid-d2d2506e-00c7-8eb6-2bc5-8a7ef9cd2325\">New Findings_4\u00a0| Rome, Metro Amba Aradam: the Domus of the Centurion comes to light<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=1d7b890efe&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D1d7b890efe%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111911000&amp;usg=AFQjCNHqqfU0Sybh5vndJRMPuVK_FUhwNA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-3682846451343907353docs-internal-guid-d2d2506e-00c7-8eb6-2bc5-8a7ef9cd2325\">New Openings | The Palace of Aigai opens to public<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=56c7e0b3d7&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D56c7e0b3d7%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111911000&amp;usg=AFQjCNHzL3tqNy84VYWaRhcXevpn1AnHpw\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-3682846451343907353docs-internal-guid-d2d2506e-00cf-d463-6510-23934ba66542\">Archaeology and Literary Sources_1 |<\/strong><strong>\u00a0Cooking Panis Quadratus with Pliny as a guide<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6d9efbc3c2&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6d9efbc3c2%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111911000&amp;usg=AFQjCNFPA7fMAf4eT-ml5aj4EDAogoyYjQ\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-3682846451343907353docs-internal-guid-d2d2506e-00c7-8eb6-2bc5-8a7ef9cd2325\">Archaeology and Literary Sources_2\u00a0| Nero\u2019s cenatio rotunda<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=3bf994f9b5&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D3bf994f9b5%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111911000&amp;usg=AFQjCNF6CDneokRYPMHAuyNJG4isCsjUrA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-3682846451343907353docs-internal-guid-d2d2506e-00c7-8eb6-2bc5-8a7ef9cd2325\">Art Market | Caligula\u2019s mosaic from Nemi comes back to Italy<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0a66eaee31&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0a66eaee31%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111911000&amp;usg=AFQjCNH7m665N1ixB0ROWshnC49pgid47Q\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-3682846451343907353docs-internal-guid-d2d2506e-00c7-8eb6-2bc5-8a7ef9cd2325\">Art &amp; Media_1 | A TV series on Roman Emperors by Martin Scorsese<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=e71d7c6c9d&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3De71d7c6c9d%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111911000&amp;usg=AFQjCNFmBuG25AZumqi3kHDY9CK8NW0AtA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-3682846451343907353docs-internal-guid-d2d2506e-00c7-8eb6-2bc5-8a7ef9cd2325\">Art &amp; Media_2 | Welcome to Rome, an \u201carcheoshow\u201d by Paco Lanciano<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8fee3bcbab&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8fee3bcbab%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111911000&amp;usg=AFQjCNEkp_RIdMtTkpudiYYBo0_wBvUumg\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-3682846451343907353docs-internal-guid-d2d2506e-00c7-8eb6-2bc5-8a7ef9cd2325\">Art &amp; Media_3 | A film on Palladio<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ad3e93175e&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dad3e93175e%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111911000&amp;usg=AFQjCNGRawtxXEboUaJ8WEm9NBXxcgDrkw\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-3682846451343907353docs-internal-guid-d2d2506e-00c7-8eb6-2bc5-8a7ef9cd2325\">Art &amp; Technology | If GoT was set in Rome<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=fbb0509a1f&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dfbb0509a1f%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111912000&amp;usg=AFQjCNFGc5j3gNxA0aBu34BKgVlth7u19Q\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-3682846451343907353docs-internal-guid-d2d2506e-00c7-8eb6-2bc5-8a7ef9cd2325\">Ancient Languages Today_1 | Certamen Ciceronianum Arpinas<\/strong><br \/>\nDeadline: April 10, 2018<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7d83dd07f4&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7d83dd07f4%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111912000&amp;usg=AFQjCNHk7PBZOQ_6KtRiYZcPL3wiEMvqGw\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-3682846451343907353docs-internal-guid-d2d2506e-00c7-8eb6-2bc5-8a7ef9cd2325\">Ancient Languages Today_2 | A revival of Latin Language<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=e03bf64073&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3De03bf64073%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1520701111912000&amp;usg=AFQjCNHqc8V90OsnQUnQNPNARsTz7oRuPw\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-5447609888145556711docs-internal-guid-5f72ad92-39f1-e007-adea-c054d8fda964\">New findings_1 |\u00a0<\/strong><strong>Underwater search at Naxos<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=fdc1b98563&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dfdc1b98563%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476661000&amp;usg=AFQjCNE0moM6sX0F8pRvYcmR3JYGXb7h1g\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-5447609888145556711docs-internal-guid-5f72ad92-39f2-37ce-f14d-662fd70ee739\">New findings_2 |\u00a0<\/strong><strong>Abukir Bay: the Greek city of Thonis-Heracleion<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2546087f8e&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2546087f8e%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476661000&amp;usg=AFQjCNEa89zHzYjbz1H8UPU1_BPBxHpDTw\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-5447609888145556711docs-internal-guid-5f72ad92-39f2-9797-799a-bac3221c1721\">New findings_3\u00a0|\u00a0<\/strong><strong>Research in Sicily<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c597b435ea&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc597b435ea%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476661000&amp;usg=AFQjCNEEyB1u51Q1zZ6eqquGkdNX7WyFAw\">Details<\/a><\/p>\n<hr \/>\n<div>\n<p><strong>Art &amp; Media |\u00a0<em>Treasures from the Wreck of the Unbelievable<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=017ea50930&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D017ea50930%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476661000&amp;usg=AFQjCNEpDVZzif1Dj530b8RBDeW0paqCBg\">Debate<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p><strong>Art &amp; Technology_1 | Reproducing artworks today<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=1a94bbb98c&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D1a94bbb98c%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476661000&amp;usg=AFQjCNHFR_epp5Q6S73ugjRAsXFn0oRotw\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<div>\n<p><strong>Art &amp; Technology_2 | UMA, Universal Museum of Art<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=270cd532a7&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D270cd532a7%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476661000&amp;usg=AFQjCNEA_XBpmTM0Gw79fA09yZPIwg3wmg\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<\/div>\n<\/div>\n<div>\n<p><strong>Art Techniques | Lost-wax bronze\u00a0casting: how it works<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=0e943b8710&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D0e943b8710%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476661000&amp;usg=AFQjCNGtQrrKwxtA5kO-G2HHNRpLTVGa4A\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<div><strong>Ancient Languages Today_1<\/strong>\u00a0|\u00a0<strong>How learning Latin could change your life<\/strong><\/div>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=df727427c3&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Ddf727427c3%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476661000&amp;usg=AFQjCNGVV-3p0w-jRDAvXA2VnV2G0CnKWg\">Details<\/a><\/p>\n<hr \/>\n<div>\n<div><strong>Ancient Languages Today_2 | Re-introduction of ancient languages in Scottish schools<\/strong><\/div>\n<p dir=\"ltr\"><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5aa80bb786&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5aa80bb786%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476661000&amp;usg=AFQjCNEc7M44eE5rEHEdRYyU5CMEcb19yQ\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Ancient Languages Today_3 | Certamen Senecanum<\/strong><\/p>\n<p>Deadline: March 8, 2018<br \/>\n<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=67647711cd&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D67647711cd%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1518973476661000&amp;usg=AFQjCNHMlYEUc3bPXNQ4uuE17mg8SBVedw\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_5048461582853042702docs-internal-guid-5f72ad92-39f1-e007-adea-c054d8fda964\">New findings_1 | A<\/strong>\u00a0<strong>masterpiece of Minoan glyptic<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=84aa170582&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D84aa170582%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245636000&amp;usg=AFQjCNFAQWETTzFBQ3AcNp2wEF895Omw8w\">Details\u00a01<\/a>\u00a0|\u00a0<a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7f02a98536&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7f02a98536%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245636000&amp;usg=AFQjCNFp31fE3p3fZvjUbq3VzojWnovzmA\">Details 2<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_5048461582853042702docs-internal-guid-5f72ad92-39f2-37ce-f14d-662fd70ee739\">New findings_2 |\u00a0<\/strong><strong>New paintings by Raffaello at the Musei Vaticani<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=4438fcf5fd&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D4438fcf5fd%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245636000&amp;usg=AFQjCNG-qV_DJnO7sCmMWXlu_oAeo3QUjw\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_5048461582853042702docs-internal-guid-5f72ad92-39f2-9797-799a-bac3221c1721\">New findings_3\u00a0|\u00a0<\/strong><strong>Palimpsests reveal new ancient texts<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ea3401650b&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dea3401650b%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245636000&amp;usg=AFQjCNHL-CLS9wl5wa9m6gTwfXtXXBvGeA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_5048461582853042702docs-internal-guid-5f72ad92-39f3-18b1-0181-46c12be748dd\">New findings_4 |\u00a0<\/strong><strong>From Rome\u2019s new subway<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2e5731a28e&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2e5731a28e%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245636000&amp;usg=AFQjCNGAw3NmzuEdkGmfAxeglC7f3WOLQQ\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_5048461582853042702docs-internal-guid-5f72ad92-39f1-7868-6004-238587d8bf28\">New openings_1\u00a0|\u00a0<\/strong><strong>Pompeii, Casa del Marinaio and Complesso Championnet open to public<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=4814e9a798&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D4814e9a798%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245636000&amp;usg=AFQjCNHUuHE_PWOltUpdKjChs6Yn6XdJSA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_5048461582853042702docs-internal-guid-5f72ad92-39f3-a1d6-0c1d-907bffa417c6\">New openings_2\u00a0|\u00a0<\/strong><strong>Porticus Octaviae restored<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c8a49476f1&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc8a49476f1%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245636000&amp;usg=AFQjCNE82q3MJdOv-XEV6e5RBP3Q06LP4A\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Art &amp; Practice\u00a0| \u201cDrawing from Antiquity\u201d course at The Getty Villa<\/strong><br \/>\n<em>Venus and Cupid<\/em>, February 10, 2018<br \/>\n<em>Drawing Spring Flowers<\/em>, March 31, 2018<\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=15ed664e08&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D15ed664e08%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245636000&amp;usg=AFQjCNHruOc6f18VdlSFwW-Xmzl2MQKNuA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Art &amp; Technology | A new look at ancient Rome<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=91d5d2b02e&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D91d5d2b02e%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245636000&amp;usg=AFQjCNFTmU8iEK86DFOnrWzMi4BlGKhslQ\">Details<\/a><\/p>\n<hr \/>\n<div>\n<p><strong>Ancient\u00a0Languages Today |\u00a0Certamen &#8220;Concetto Marchesi&#8221; &#8211; VII Edizione<\/strong><\/p>\n<p><a href=\"https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=bf9b937fb9&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=https:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dbf9b937fb9%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1516476245636000&amp;usg=AFQjCNFbZiyVY_0_fOEDEEVXAJF6nYzbDQ\">Details<\/a><\/p>\n<hr \/>\n<\/div>\n<p style=\"font-weight: 400;\"><strong>New openings_1 | The London Mithraeum<\/strong><\/p>\n<p><a href=\"https:\/\/www.londonmithraeum.com\/\">Details<\/a><\/p>\n<hr \/>\n<p style=\"font-weight: 400;\"><strong>New openings_2 |\u00a0Louvre\u00a0<\/strong><strong>Abu Dhabi<\/strong><\/p>\n<p><a href=\"https:\/\/www.louvreabudhabi.ae\/\">Details<\/a>\u00a0|\u00a0<a href=\"https:\/\/www.nytimes.com\/video\/arts\/100000005524840\/the-louvre-abu-dhabi-lets-in-light-and-finally-the-public.html\">A 360\u00b0 view<\/a><\/p>\n<hr \/>\n<p style=\"font-weight: 400;\"><strong>New findings_1 | A Roman sundial from Interamna Lirenas<\/strong><\/p>\n<p><a href=\"http:\/\/www.cam.ac.uk\/research\/news\/archaeologists-uncover-rare-2000-year-old-sundial-during-roman-theatre-excavation\">Details<\/a><\/p>\n<hr \/>\n<p style=\"font-weight: 400;\"><strong>New findings_2 | The oldest wine production ever found<\/strong><\/p>\n<p><a href=\"http:\/\/www.pnas.org\/content\/early\/2017\/11\/07\/1714728114\">Details<\/a><\/p>\n<hr \/>\n<p style=\"font-weight: 400;\"><strong>Contexts_1 | Herbal medicine at palace in Ebla<\/strong><\/p>\n<p><a href=\"http:\/\/asorblog.org\/2017\/11\/07\/affair-herbal-medicine-special-kitchen-royal-palace-ebla\/\">Details<\/a><\/p>\n<hr \/>\n<p style=\"font-weight: 400;\"><strong>Contexts_2 | The Roman street in Tyre is not a street!\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.lorientlejour.com\/article\/1083218\/la-voie-romaine-de-la-cite-de-tyr-nest-pas-une-rue-mais-une-salle-basilicale-.html\">Details<\/a><\/p>\n<hr \/>\n<p style=\"font-weight: 400;\"><strong>Archaeology and Literary Sources_1 | Privata Traiani Domus<\/strong><\/p>\n<p><a href=\"http:\/\/www.lastampa.it\/2017\/11\/29\/multimedia\/cultura\/il-tesoro-nascosto-sotto-a-un-tombino-c-la-casa-dellimperatore-traiano-ID9iSpB70S7TlhOsuHfhEK\/pagina.html\">Details<\/a><\/p>\n<hr \/>\n<p style=\"font-weight: 400;\"><strong>Archaeology and Literary Sources_2 | The Roman harbour in Lecce<\/strong><\/p>\n<p><a href=\"http:\/\/bari.repubblica.it\/cronaca\/2017\/11\/28\/foto\/molo_di_adriano_dall_alto-182384831\/1\/?ref=fbpr#1\">Details<\/a><\/p>\n<hr \/>\n<p style=\"font-weight: 400;\"><strong>Archaeology and Literary Sources_3 | Qumran Scrolls and skeletons<\/strong><\/p>\n<p><a href=\"http:\/\/www.repubblica.it\/scienze\/2017\/11\/20\/news\/rotoli_del_mar_morto_nuove_ipotesi_sulle_origini_dopo_le_analisi_di_33_scheletri-181649890\/?ref=fbpr\">Details<\/a><\/p>\n<hr \/>\n<p style=\"font-weight: 400;\"><strong>Latin Language Today | Last broadcast for\u00a0<\/strong><em><strong>Nuntii Latini<\/strong><\/em><\/p>\n<p><a href=\"https:\/\/yle.fi\/aihe\/artikkeli\/2017\/11\/23\/yles-nuntii-latini-to-be-broadcast-for-the-last-time-in-late-december\">Details<\/a>\u00a0|\u00a0<a href=\"https:\/\/www.latinitium.com\/blog\/nuntii-latini-news-in-latin\">Debate<\/a>\u00a0|\u00a0<a href=\"https:\/\/areena.yle.fi\/1-1931339\">Weblink<\/a><\/p>\n<hr \/>\n<p style=\"font-weight: 400;\"><strong>Art Market | The most expensive artwork sold at auction and related trends<\/strong><\/p>\n<p><a href=\"https:\/\/www.nytimes.com\/2017\/11\/15\/arts\/design\/leonardo-da-vinci-salvator-mundi-christies-auction.html?hp&amp;action=click&amp;pgtype=Homepage&amp;clickSource=story-heading&amp;module=second-column-region&amp;region=top-news&amp;WT.nav=top-news\">Details<\/a><a href=\"https:\/\/www.nytimes.com\/2017\/11\/15\/arts\/design\/leonardo-da-vinci-salvator-mundi-christies-auction.html?hp&amp;action=click&amp;pgtype=Homepage&amp;clickSource=story-heading&amp;module=second-column-region&amp;region=top-news&amp;WT.nav=top-news\">\u00a01<\/a>\u00a0|\u00a0<a href=\"https:\/\/www.theguardian.com\/business\/2017\/dec\/04\/art-set-to-become-best-performing-luxury-investment-asset-of-2017\">Details\u00a0<\/a><a href=\"https:\/\/www.theguardian.com\/business\/2017\/dec\/04\/art-set-to-become-best-performing-luxury-investment-asset-of-2017\">2<\/a>\u00a0|\u00a0<a href=\"http:\/\/www.artribune.com\/arti-visive\/arte-moderna\/2017\/12\/il-salvator-mundi-di-leonardo-da-vinci-entra-nella-collezione-del-louvre-abu-dhabi\/\">Details\u00a0<\/a><a href=\"http:\/\/www.artribune.com\/arti-visive\/arte-moderna\/2017\/12\/il-salvator-mundi-di-leonardo-da-vinci-entra-nella-collezione-del-louvre-abu-dhabi\/\">3<\/a><\/p>\n<hr \/>\n<p style=\"font-weight: 400;\"><strong>Reuses | A contemporary artwork from damaged marbles<\/strong><\/p>\n<p><a href=\"http:\/\/www.ansa.it\/piemonte\/notizie\/2017\/10\/26\/giardini-reali-torino-rinasce-boschetto_c8afe3f0-3a4a-475c-bea5-65fec62f1710.html\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Archaeology and Literary Sources_1: Was the Trojan Horse a Horse?<\/strong><\/p>\n<p><a href=\"http:\/\/www.lastampa.it\/2017\/11\/01\/cultura\/cade-il-mito-del-cavallo-di-troia-in-realt-era-una-nave-Kp8VGrSBy5yTIgara5cmHM\/pagina.html\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Archaeology and Literary Sources_2: Strabo\u2019s mistake<\/strong><\/p>\n<p><a href=\"http:\/\/nypost.com\/2017\/09\/29\/experts-searching-for-ancient-temple-looked-in-wrong-place-for-100-years\/\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>New Finds: a Medieval Kiln in Florence<\/strong><\/p>\n<p><a href=\"http:\/\/corrierefiorentino.corriere.it\/firenze\/notizie\/arte_e_cultura\/17_ottobre_10\/firenze-via-romana-spunta-9c2544de-ad98-11e7-9e6d-a83b89ae5387.shtml\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>New Openings: the Tomba Barberini<\/strong><\/p>\n<p><a href=\"http:\/\/www.patrimoniosos.it\/rsol.php?op=getarticle&amp;id=131345\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Heritage and Conservation: the Hadrian\u2019s Wall at risk<\/strong><\/p>\n<p><a href=\"http:\/\/www.telegraph.co.uk\/science\/2017\/10\/31\/hadrians-wall-succumbing-foreign-invasion-nearly-2000-years\/\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Reuses: an Egyptian Sarcophagus in the Monumental Cemetery of Turin<\/strong><\/p>\n<p><a href=\"http:\/\/www.lastampa.it\/2017\/11\/02\/societa\/un-sarcofago-egizio-al-cimitero-monumentale-per-il-re-degli-ebanisti-peBdJpgclS7XAgBEcqk5LO\/pagina.html\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>News from Antikythera<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c3e00f7bb2&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc3e00f7bb2%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362341000&amp;usg=AFQjCNE10Zb3NATuxWAwYjvVt_8cmoGBKQ\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Why was art history born?<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=71a25f03a3&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D71a25f03a3%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362341000&amp;usg=AFQjCNG1MO_Lc9Rief_WgAM-scQBuTDWjg\">Weblink<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Rome, Metro C: ancient walls appear from the ground<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=478f5ddbe9&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D478f5ddbe9%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362341000&amp;usg=AFQjCNFJIQf0xE8u0mAE8tgbLyAKZ0loBA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Messages from the border<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6b76ad34af&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6b76ad34af%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362341000&amp;usg=AFQjCNEn2igXWD5TQpS2No4doBEZ_F8c8Q\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>New findings in Pompeii<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=8656e53b05&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D8656e53b05%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362342000&amp;usg=AFQjCNFw7HWdEM3wxY1D0yCmU-tJu_Eu6Q\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Scanning Pyramids<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=4c118d8472&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D4c118d8472%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362342000&amp;usg=AFQjCNHn3i4PusZ32LlWneXJ6dJGics9qg\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Manuscript with Hippocrates&#8217; recipes found<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=00fbc7780d&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D00fbc7780d%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362342000&amp;usg=AFQjCNGXmWU7k4BtWckCNpVAq2RWyGSxMQ\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Strategies for museums<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=e7445e5060&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3De7445e5060%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1507452362342000&amp;usg=AFQjCNHcyMOSmejGrlbvfKoVPlt7R2_Mkg\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-860215508388747496docs-internal-guid-120d18e5-8194-f67b-9bcc-ee9f97887d10\">The debate on Pliny\u2019s skull continues<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2894e85311&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2894e85311%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1507185376187000&amp;usg=AFQjCNGbrf5ffLE_ZeTRlfoORg6LFz1DEg\">Debate<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-860215508388747496docs-internal-guid-120d18e5-8194-f67b-9bcc-ee9f97887d10\">Roman subway<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=78da9ef963&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D78da9ef963%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1507185376187000&amp;usg=AFQjCNEZz4SUXYET-3Iyv8s95HTLLr0dww\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-860215508388747496docs-internal-guid-120d18e5-8194-f67b-9bcc-ee9f97887d10\">New findings at the Foce del Sele<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=f48782d0a4&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Df48782d0a4%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1507185376187000&amp;usg=AFQjCNF96aTsxru6YKOHGfk5fhOZYIQ-4Q\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-860215508388747496docs-internal-guid-120d18e5-8194-f67b-9bcc-ee9f97887d10\">News in Latin<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=e0d9d59b95&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3De0d9d59b95%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1507185376187000&amp;usg=AFQjCNGzR6d_ceB9Rkw-m_fk_idYp5mnBQ\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_-860215508388747496docs-internal-guid-120d18e5-8194-f67b-9bcc-ee9f97887d10\">Detecting the provenance of materials: the case of \u00d6tzi\u2019s axe<\/strong><\/p>\n<p dir=\"ltr\"><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=abf45b0dc0&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dabf45b0dc0%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1507185376187000&amp;usg=AFQjCNGaFFOFMHTU0_pNScj4GbXAwDiHBQ\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Virtual unrolling of ancient scroll<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=000dcada5b&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D000dcada5b%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1499786267751000&amp;usg=AFQjCNEHrp3wMRL1pUB8V96XN99BaDJjkw\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Digital Humanities: a project for Venice and a debate<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=479110c696&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D479110c696%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1499786267751000&amp;usg=AFQjCNETHQkOPganvLkRQqoTEFb4lRSdRQ\">Details<\/a>\u00a0|\u00a0<a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=596e0f4042&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D596e0f4042%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1499786267751000&amp;usg=AFQjCNHOu_sFHU3rkUpO-YrfojCXbV8iSA\">Debate 1<\/a>\u00a0|\u00a0<a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=09cd209235&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D09cd209235%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1499786267752000&amp;usg=AFQjCNEFqASvYDsCBU8l4uIWMHkcN9BuDw\">Debate 2<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Egyptian Blue: The First Synthetic Pigment<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=13f8219483&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D13f8219483%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1499786267752000&amp;usg=AFQjCNEf2kwUBvJDeBmaiNwMvNnraosMlw\">Details<\/a><\/p>\n<hr \/>\n<div>\n<p dir=\"ltr\"><strong>Archaeology in Rome: new findings from the Imperial Age<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=c6dfea23d4&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dc6dfea23d4%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1499786267752000&amp;usg=AFQjCNHJJJITlhkWS0krFwyC28igQz2LYA\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\"><strong>The World\u2019s Oldest Art Studio<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=e5daf0b776&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3De5daf0b776%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1499786267752000&amp;usg=AFQjCNHibPCbkF91yrDtOjkFagMEyMkZPg\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Nero is back! A show and a debate<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7347a7632b&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7347a7632b%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1497012841745000&amp;usg=AFQjCNEUPNQkSFvNgMFax5UqQ3A2NDtwlQ\">Details<\/a>\u00a0| <a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2818306b7a&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2818306b7a%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1497012841745000&amp;usg=AFQjCNGgKGamx2jKuuhyP_opxdG-CxjMZw\">Debate 1<\/a> | <a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=6a25ea97e9&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D6a25ea97e9%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1497012841745000&amp;usg=AFQjCNGIgotyQ-Wzo8C8h_zFerC_KEgkjw\">Debate 2<\/a><\/p>\n<hr \/>\n<div>\n<p dir=\"ltr\"><strong>The Arch of Titus in Color<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2eeabdf88d&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2eeabdf88d%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1497012841745000&amp;usg=AFQjCNGv7keg7jDMpsvRRYR0aRswI3mPNA\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\"><strong>New blue shade discovered<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=2beee7ec19&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D2beee7ec19%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1497012841745000&amp;usg=AFQjCNG6vMyiOQn_KopLq6n2PBfZO41yxw\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong id=\"m_5684156900596184863docs-internal-guid-8eeb9861-a130-976f-9003-879bdd04465a\">Pompeii &#8211; Regio VII<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9df2c4a014&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D9df2c4a014%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1495019522858000&amp;usg=AFQjCNFtIlJtZQry5Ec9HL78L1iak9VOnw\">Details<\/a><\/p>\n<hr \/>\n<div>\n<p><strong>Aqueduct found in Rome<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=cffc9b8303&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dcffc9b8303%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1495019522858000&amp;usg=AFQjCNESUdI5JNA7s_hz-vnVXb28nO9IiA\">Details<\/a><\/p>\n<\/div>\n<hr \/>\n<p dir=\"ltr\"><strong>Latin crosswords<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage2.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b2525d964e&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage2.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db2525d964e%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1495019522858000&amp;usg=AFQjCNFmbcXEeLLda25Q0WIGuGejXDK-Ag\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>The Oplontis Project<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=7459593293&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D7459593293%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1489436230146000&amp;usg=AFQjCNFsOwQ6qR19MrlWVZO-iiZ4Jf7VLA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Fountains in Pompeii Restored<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=d254fbe71e&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dd254fbe71e%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1489436230146000&amp;usg=AFQjCNEwBlqOfDU02cgB2f7Pc6lHfuc-LA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>New findings in Qumran<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=b60c688699&amp;e=2e3f52a382\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Db60c688699%26e%3D2e3f52a382&amp;source=gmail&amp;ust=1489436230146000&amp;usg=AFQjCNEPC7AL8842R2cMm7TxR4SxVfW5MQ\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Ancient artistic techniques between Greek and Chinese worlds<\/strong><\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/science\/2016\/oct\/12\/ancient-greeks-may-have-inspired-china-terracotta-army-sculptors-ancient-dna\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>A virtual visit to an ancient house in Pompeii<\/strong><\/p>\n<p><a href=\"http:\/\/www.pompejiprojektet.se\/#\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Caravaggio at work<\/strong><\/p>\n<p><a href=\"http:\/\/roma.repubblica.it\/cronaca\/2016\/10\/10\/news\/roma_inedito_caravaggio_22_dipinti_ai_raggi_x-149072814\/?ref=HRERO-1#gallery-slider=149073429\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>The first translation of Pliny the Elder\u2019s Natural History into Italian is now online<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=5252cd0996&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D5252cd0996%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1475076044250000&amp;usg=AFQjCNFbFWkjF-1VEnk5ejUCnLFNUxpmEA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Herculaneum, scientists read papyrus scrolls without opening<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=9efeecd83b&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3D9efeecd83b%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1475076044250000&amp;usg=AFQjCNFtT7rhiplCJLGGEVvdhea9isG3CQ\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>The Antikythera Mechanism: scientists decipher its purpose<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=ce9fa8af54&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dce9fa8af54%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1475076044250000&amp;usg=AFQjCNHYU9bLhOmLwQ9jJFnykmAa3m75rQ\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Codex Rossanensis restaured<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=cb3a651499&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=it&amp;q=http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u%3D9436a23a223df4b0426f93b3a%26id%3Dcb3a651499%26e%3D18a1eb38ef&amp;source=gmail&amp;ust=1475076044251000&amp;usg=AFQjCNFNQAhv67CijThBGhNy9dS3jrF6kA\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Discovery of a Roman fresco in<\/strong><strong>\u00a0London<\/strong><\/p>\n<p><a href=\"http:\/\/www.mola.org.uk\/blog\/discovery-ornate-roman-fresco-revealed\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Vantablack, Anish Kapoor\u2019s blackest black<\/strong><\/p>\n<p dir=\"ltr\"><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=df81399898&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Paul Klee\u2019s personal notebooks online<\/strong><\/p>\n<p dir=\"ltr\"><a href=\"http:\/\/oltreplinio.us12.list-manage2.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=27a6b46f98&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Pliny the Elder Beer: Double India Pale Ale<\/strong><\/p>\n<p dir=\"ltr\"><a href=\"https:\/\/russianriverbrewing.com\/pages\/pliny-the-elder\" target=\"_blank\" rel=\"noopener noreferrer\">Website<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Earliest Evidence for Egyptian Blue<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=080a716464&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p dir=\"ltr\"><strong>Art and Materiality: Visits to the\u00a0<em>Centro Conservazione e Restauro \u201cLa Venaria Reale\u201d<\/em><\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=67ca927ae7&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><\/p>\n<hr \/>\n<p><strong>Art in context: The Nile\u00a0mosaic of Palestrina<\/strong><\/p>\n<p><a href=\"http:\/\/oltreplinio.us12.list-manage1.com\/track\/click?u=9436a23a223df4b0426f93b3a&amp;id=84b7a7a7fe&amp;e=18a1eb38ef\" target=\"_blank\" rel=\"noopener noreferrer\">Details<\/a><br \/>\n[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pliny News &amp; Newsletter Here you can find information, news, events, publications and curiosities\u00a0on Pliny the Elder&#8217;s\u00a0world (and beyond): artistic terminology and theories; artworks and their reception, artistic techniques and\u00a0materials; artists&#8217;s biographies and carriers; Pliny&#8217;s\u00a0sources,\u00a0ancient\u00a0art treatises\u00a0and methodologies applied to fragmentary literature; cultural and historical context of the Early Imperial Age; Pliny&#8217;s manuscript tradition and\u00a0reception. If [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":192,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.13 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>News - Oltre Plinio<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.oltreplinio.it\/it\/news\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"News - Oltre Plinio\" \/>\n<meta property=\"og:description\" content=\"Pliny News &amp; Newsletter Here you can find information, news, events, publications and curiosities\u00a0on Pliny the Elder&#039;s\u00a0world (and beyond): artistic terminology and theories; artworks and their reception, artistic techniques and\u00a0materials; artists&#039;s biographies and carriers; Pliny&#039;s\u00a0sources,\u00a0ancient\u00a0art treatises\u00a0and methodologies applied to fragmentary literature; cultural and historical context of the Early Imperial Age; Pliny&#039;s manuscript tradition and\u00a0reception. If [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.oltreplinio.it\/it\/news\/\" \/>\n<meta property=\"og:site_name\" content=\"Oltre Plinio\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-20T07:51:55+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.oltreplinio.it\/app\/uploads\/2015\/12\/logo-contracted.png\" \/>\n\t<meta property=\"og:image:width\" content=\"201\" \/>\n\t<meta property=\"og:image:height\" content=\"201\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"115 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.oltreplinio.it\/it\/news\/\",\"url\":\"http:\/\/www.oltreplinio.it\/it\/news\/\",\"name\":\"News - Oltre Plinio\",\"isPartOf\":{\"@id\":\"http:\/\/www.oltreplinio.it\/#website\"},\"datePublished\":\"2016-03-16T16:40:11+00:00\",\"dateModified\":\"2023-07-20T07:51:55+00:00\",\"breadcrumb\":{\"@id\":\"http:\/\/www.oltreplinio.it\/it\/news\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.oltreplinio.it\/it\/news\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.oltreplinio.it\/it\/news\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.oltreplinio.it\/it\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"News\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.oltreplinio.it\/#website\",\"url\":\"http:\/\/www.oltreplinio.it\/\",\"name\":\"Oltre Plinio\",\"description\":\"\",\"publisher\":{\"@id\":\"http:\/\/www.oltreplinio.it\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.oltreplinio.it\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"http:\/\/www.oltreplinio.it\/#organization\",\"name\":\"oltreplinio\",\"url\":\"http:\/\/www.oltreplinio.it\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"http:\/\/www.oltreplinio.it\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.oltreplinio.it\/app\/uploads\/2015\/12\/logo-contracted.png\",\"contentUrl\":\"https:\/\/www.oltreplinio.it\/app\/uploads\/2015\/12\/logo-contracted.png\",\"width\":201,\"height\":201,\"caption\":\"oltreplinio\"},\"image\":{\"@id\":\"http:\/\/www.oltreplinio.it\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"News - Oltre Plinio","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.oltreplinio.it\/it\/news\/","og_locale":"it_IT","og_type":"article","og_title":"News - Oltre Plinio","og_description":"Pliny News &amp; Newsletter Here you can find information, news, events, publications and curiosities\u00a0on Pliny the Elder's\u00a0world (and beyond): artistic terminology and theories; artworks and their reception, artistic techniques and\u00a0materials; artists's biographies and carriers; Pliny's\u00a0sources,\u00a0ancient\u00a0art treatises\u00a0and methodologies applied to fragmentary literature; cultural and historical context of the Early Imperial Age; Pliny's manuscript tradition and\u00a0reception. 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