{"id":2893,"date":"2020-01-28T15:16:49","date_gmt":"2020-01-28T15:16:49","guid":{"rendered":"https:\/\/www.oltreplinio.it\/it\/%cf%80%ce%b5%cf%81%e1%bd%b6-%ce%b3%cf%81%ce%b1%cf%86%ce%b9%ce%ba%e1%bf%86%cf%82-pittori-tecniche-trattati-contesti-tra-testimonianze-e-ricezione\/"},"modified":"2020-07-16T09:02:40","modified_gmt":"2020-07-16T09:02:40","slug":"%cf%80%ce%b5%cf%81%e1%bd%b6-%ce%b3%cf%81%ce%b1%cf%86%ce%b9%ce%ba%e1%bf%86%cf%82-pittori-tecniche-trattati-contesti-tra-testimonianze-e-ricezione","status":"publish","type":"post","link":"https:\/\/www.oltreplinio.it\/it\/%cf%80%ce%b5%cf%81%e1%bd%b6-%ce%b3%cf%81%ce%b1%cf%86%ce%b9%ce%ba%e1%bf%86%cf%82-pittori-tecniche-trattati-contesti-tra-testimonianze-e-ricezione\/","title":{"rendered":"\u03a0\u03b5\u03c1\u1f76 \u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u1fc6\u03c2. Pittori, tecniche, trattati, contesti tra testimonianze e ricezione"},"content":{"rendered":"

[et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”1_3″][et_pb_image _builder_version=”3.0.64″ show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” sticky=”off” align=”left” always_center_on_mobile=”on” border_style=”solid” force_fullwidth=”off” src=”https:\/\/www.oltreplinio.it\/app\/uploads\/2020\/03\/Icona_Peri_Graphikes.jpg” \/][\/et_pb_column][et_pb_column type=”2_3″][et_pb_text _builder_version=”3.0.64″ background_layout=”light” text_orientation=”left” border_style=”solid”]<\/p>\n

\u03a0\u03b5\u03c1\u1f76 \u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u1fc6\u03c2.<\/span>\u00a0Pittori, tecniche, trattati, contesti tra testimonianze e ricezione<\/span><\/em><\/h3>\n

 <\/p>\n

Editors:<\/strong>\u00a0Gianfranco Adornato \u2013 Eva Falaschi \u2013 Alessandro Poggio<\/h5>\n
Publisher:<\/strong> Milano: LED, 2019<\/h5>\n
Series:<\/strong> Archeologia e Arte Antica<\/h5>\n
ISBN:\u00a0<\/strong>978-88-7916-890-8<\/h5>\n
Pages:<\/strong> pp.\u00a0<\/strong>266<\/h5>\n
Format:<\/strong>\u00a021 x 29,7 cm<\/h5>\n
Price: <\/strong>\u20ac 74,00<\/h5>\n
\n

<\/h4>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.64″ background_layout=”light” text_orientation=”left” border_style=”solid”]<\/p>\n

<\/h4>\n

Contents and preview<\/strong>\u00a0<\/strong><\/a><\/h4>\n

Review<\/strong><\/a><\/h4>\n

Buy Now<\/a><\/strong><\/span><\/h4>\n

<\/h4>\n

<\/h5>\n
Description<\/strong>: Questa raccolta di contributi ha come comune denominatore lo studio della pittura antica, tra et\u00e0 classica ed ellenistica, e la sua ricezione in epoche successive. Rievocando nel titolo gli antichi scritti sulla pittura, il volume prende in considerazione la straordinaria ricerca, sia a livello teorico che pratico, condotta da artisti e intellettuali in un periodo di svolta dal punto di vista culturale e politico. Questa fervida attivit\u00e0 artistica e intellettuale ebbe un grande impatto anche nei secoli successivi. Sotto tale aspetto il volume si sofferma in particolare sull\u2019et\u00e0 romano-imperiale che, grazie all\u2019appropriazione materiale e intellettuale dell\u2019arte greca, rappresenta uno dei massimi testimoni del fenomeno di ricezione. Gli articoli si snodano attraverso uno spettro d\u2019indagine ampio e multidisciplinare, che comprende l\u2019analisi delle testimonianze pittoriche pertinenti a diversi contesti da un punto di vista delle tecniche artistiche, delle pratiche di bottega e del discorso sociale, ma include anche il mondo della trattatistica antica sull\u2019arte e sulla pittura, e le riflessioni filosofiche sui colori e la loro percezione.<\/h5>\n
Keywords<\/strong>:\u00a0aesthetics, Antigonus, Alexander mosaic, ancient Campania, art treatises, artistic techniques, colors, Duris of Samos, funerary painting, Greek painters, Greek painting, landscape painting, Macedonia, paestan tombs, patterns, Plato, Pliny the Elder, Plutarch of Chaeronea, reception, Rome, Roman Imperial Age, skiagraphia, Timaeus, Thrace, Xenocrates.<\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

G. Adornato – E. Falaschi – A. Poggio (eds.)
\nMilano: LED, 2019<\/p>\n","protected":false},"author":5,"featured_media":542,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

\u03a0\u03b5\u03c1\u1f76 \u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u1fc6\u03c2.<\/span>\u00a0Pittori, tecniche, trattati, contesti tra testimonianze e ricezione<\/span><\/em><\/h3>

\u00a0<\/p>

Editors:<\/strong> E. Falaschi \u2013 A. Poggio<\/h5>
Publisher:<\/strong> Milano: LED, forthcoming<\/h5>
Series:<\/strong> Archeologia e Arte Antica<\/h5>
ISBN:<\/strong><\/h5>
Pages:<\/strong><\/h5>
Format:<\/strong>\u00a021 x 29,7 cm<\/h5>
Price:<\/strong><\/h5>

\u00a0<\/h4>

Contents and preview<\/strong>\u00a0<\/strong><\/h4>

Buy Now<\/a><\/strong><\/span><\/h4>
\u00a0<\/h5>
Description<\/strong>:<\/h5>","_et_gb_content_width":""},"categories":[4,24],"tags":[],"yoast_head":"\n\u03a0\u03b5\u03c1\u1f76 \u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u1fc6\u03c2. Pittori, tecniche, trattati, contesti tra testimonianze e ricezione - Oltre Plinio<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.oltreplinio.it\/it\/\u03c0\u03b5\u03c1\u1f76-\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u1fc6\u03c2-pittori-tecniche-trattati-contesti-tra-testimonianze-e-ricezione\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u03a0\u03b5\u03c1\u1f76 \u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u1fc6\u03c2. Pittori, tecniche, trattati, contesti tra testimonianze e ricezione - Oltre Plinio\" \/>\n<meta property=\"og:description\" content=\"G. Adornato - E. Falaschi - A. Poggio (eds.) Milano: LED, 2019\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.oltreplinio.it\/it\/\u03c0\u03b5\u03c1\u1f76-\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u1fc6\u03c2-pittori-tecniche-trattati-contesti-tra-testimonianze-e-ricezione\/\" \/>\n<meta property=\"og:site_name\" content=\"Oltre Plinio\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-28T15:16:49+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-07-16T09:02:40+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.oltreplinio.it\/app\/uploads\/2015\/12\/convegno.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1800\" \/>\n\t<meta property=\"og:image:height\" content=\"894\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Eva Falaschi\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eva Falaschi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.oltreplinio.it\/it\/%cf%80%ce%b5%cf%81%e1%bd%b6-%ce%b3%cf%81%ce%b1%cf%86%ce%b9%ce%ba%e1%bf%86%cf%82-pittori-tecniche-trattati-contesti-tra-testimonianze-e-ricezione\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.oltreplinio.it\/it\/%cf%80%ce%b5%cf%81%e1%bd%b6-%ce%b3%cf%81%ce%b1%cf%86%ce%b9%ce%ba%e1%bf%86%cf%82-pittori-tecniche-trattati-contesti-tra-testimonianze-e-ricezione\/\"},\"author\":{\"name\":\"Eva Falaschi\",\"@id\":\"http:\/\/www.oltreplinio.it\/#\/schema\/person\/c2e65429b01a2ff96a50e5d29c008181\"},\"headline\":\"\u03a0\u03b5\u03c1\u1f76 \u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u1fc6\u03c2. 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