News

Here you can find information, news, events, publications and curiosities on Pliny the Elder’s world and beyond:

  • artistic terminology and theories;
  • artworks and their reception, artistic techniques and materials;
  • artists’s biographies and carriers;
  • Pliny’s sources, ancient art treatises and methodologies applied to fragmentary literature;
  • cultural and historical context of the Early Imperial Age;
  • Pliny’s manuscript tradition and reception.

If you want to recommend events and publications, please contact us at info@oltreplinio.it.

If you want to receive news by e-mail, please subscribe our newsletter at the bottom of the page.

Les illustrations de la Notitia dignitatum: étude iconographique (1ère partie) (IV séminaire sur Constantinople dans l’Antiquité tardive, Université Lille 3 – Constantinople, Rome et la défense de la Pars Orientis)
Dominic Moreau – Javier Arce

Université Lille 3, Villeneuve d’Ascq, February 20, 2018
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January 14, 1506: the discovery of the Laocoon (BSR -Institute of Classical Studies Rome – London Lecture Series)
Rita Volpe (Roma Tre)

London, Senate House, February 20, 2018
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Il Rinascimento delle grotte. Natura, arte e architettura
fra Italia e Francia nel Cinquecento

Firenze, Villa Medicea di Castello / Accademia della Crusca, February 22, 2018
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Greek harbours in the Archaic and Classical eras (UCD Research Seminars)
Chiara Mauro (University College Dublin)

University College Dublin, Arts Building, Classics Seminar Room K217, February 23, 2018, 3.30pm


Thinking Like a Roman: How to Renew America’s Polarized Landscape
Joy Connolly (City University of New York)

Los Angeles, Getty Villa, February 24, 2018
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The architecture of the temple of Aphrodite in Amathus, Cyprus (The circle. Dialogues on Greek and Roman Architecture)
Martin Schmid

Athens, Society of Messenian Archaeological Studies, February 26, 2018
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Il nome di Milziade in un frammento della lista arcontale ateniese IG 13 1031 (La città in frammenti – Ancient Greek History Seminars 2017-2018)
Francesco Mari (Freie Universität Berlin)

Vercelli, Università del Piemonte Orientale, February 27, 2018
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Provenance Research—A Personal Concern
Thomas W. Gaehtgens (Getty Research Institute), Stephanie Barron (Los Angeles County Museum of Art), Simon Goodman (author of The Orpheus Clock), and James Welu (Director Emeritus of the Worcester Art Museum)

Los Angeles, Getty Center, March 1, 2018
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L’archeologia distrutta dall’iconoclastia: il caso del Lamassu di Nimrud (Incontri al Museo 2017-2018. Sesto ciclo di Conferenze di Archeologia)
Nicola Salvioli (Università degli Studi di Torino – Centro di Conservazione e Restauro di Venaria Reale)

Firenze, Museo Archeologico Nazionale, March 1, 2018
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Pergamene Culture in Republican Rome

University of St Andrews, March 1, 2018
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Secondo seminario Internazionale di GrecoLatinoVivo. Metodi induttivi-contestuali e scuola: un connubio possibile?

Napoli, Teatro Mercadante, March 2-3, 2018
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Phicaria. VII Encuentros Internacionales del Mediterráneo. La recuperación del patrimonio arqueológico sumergido: problemas y propuestas

Universidad Popular de Mazarrón (Spain), March 2-4, 2018
Details | Program


A Greek City in Roman Asia Minor: new finds, new research at Roman Aphrodisias (Roman Society Lecture)
Bert Smith (University of Oxford)

London, Senate House, March 6, 2018
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Les illustrations de la Notitia dignitatum: étude iconographique (2e partie) (IV séminaire sur Constantinople dans l’Antiquité tardive, Université Lille 3 – Constantinople, Rome et la défense de la Pars Orientis)
Dominic Moreau – Javier Arce

Université Lille 3, Villeneuve d’Ascq, March 6, 2018
Details | Program


A Commentary on the Tabula Peutingeriana (St Andrews Classics Research Seminar)
Silke Diederich (Cologne University)

University of St Andrews, School of Classics, S11, March 7, 2018, 2pm


The postcard Grand Tour of Rome: creating an urban pattern out of monuments
Renée Tobe (BSR; East London)

The British School at Rome, March 7, 2018
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Ulisse ed Euriclea (Conversazioni di Archeologia a Palazzo Altemps)
Matilde De Angelis D’Ossat

Roma, Palazzo Altemps, March 7, 2018
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Metals in Greek Literature (University of Warwick, Department of Classics and Ancient History’s Work in Progress seminar series)
Emmy Stavropoulou (University of Warwick)

University of Warwick, March 7, 2018
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Roman Cultural Memory under the Empire

University of Sao Paulo, March 7-9, 2018
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The Reception of Winckelmann in Poland | La ricezione di Winckelmann in Polonia (Ciclo di conferenze “Johann Joachim Winckelmann (1717-1768): fenomeno europeo della ricezione”)
Dorota Folga-Januszewska (Muzeum Pałacu Króla Jana III w Wilanowie, Varsavia)

Roma, DAI Abteilung Rom, March 15, 2018
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A. Casamento, Colorem timere peius quam sanguinem. Paintings, family strife and heroism, in M. Dinter – C. Guérin – M. Martinho (eds.), Reading Roman Declamation. Calpurnius Flaccus, Berlin: De Gruyter, 2018, 97-112.


G. Moretti, L’intellettuale di successo e il suo pubblico. Responsabilità letteraria, riconoscimento sociale e gratitudine civica nell’oratoria di Apuleio: il simbolismo delle statue, Hormos 9 (2017), 571-593.


A. Chaniotis, The Life of Statues of Gods in the Greek World, Kernos 30 (2017), 91-112.


P.L. Tucci, The Temple of Peace in Rome, Cambridge: Cambridge University Press 2017.


A. Gonzales – G. Tirologos, L’artisanat à l’époque romaine. Les ateliers d’Epomanduodurum (Institut des sciences et techniques de l’Antiquité (ISTA)), Besançon: Presses Universitaires de Franche-Comté, 2017 [DVD].


A.D. Rizakis – F. Camia – S. Zoumbaki (eds.), Social Dynamics under Roman Rule. Mobility and Status Change in the Provinces of Achaia and Macedonia. Proceedings of a Conference Held at the French School of Athens, 30-31 May 2014 (Meletemata 74), Athens: National Hellenic Research Foundation, 2017.


N. Bonacasa – S. Aiosa, Sabratha. Una guida a studi e ricerche degli ultimi 50 anni, Palermo: Bardi, 2017.


P. Clancier – O. Coloru – G. Gorre, Les mondes hellénistiques du Nil à l’Indus, Paris: Hachette, 2017.


M. Dondin-Payre – N. Tran (eds.), Esclaves et maîtres dans le monde romain. Expressions épigraphiques de leur relations (Collection de l’Ecole française de Rome, 527), Roma: Ecole française de Rome, 2017.


W. Raeck (ed.), Figur und Raum in der frühgriechischen Flächenkunst. Archäologisches Symposium für Hanna Koenigs-Philipp, Liebighaus Frankfurt am Main im Juni 2008, Wiesbaden: Reichert, 2017.


F.H. Massa-Pairault – C. Pouzadoux (eds.), Géants et gigantomachies entre Orient et Occident: actes du colloque organisé par Centre Jean Bérard (CNRS/EFR) AOROC – ArScaN – LABEX Les passés dans le présent, Naples, 14-15 novembre 2013 (Collection du Centre Jean Bérard 47), Napoli: Centre Jean Bérard, 2017.


A. de Pury-Gysel, Die Goldbüste des Septimius Severus: Gold- und Silberbüsten römischer Kaiser, Basel: Librum Publishers & Editors, 2017.


B. Chrubasik – D. King (eds.), Hellenism and the local communities of the eastern Mediterranean, 400 B.C.E. – 250 C.E., Oxford: Oxford University Press, 2017.


C. De Hamel, Meetings with Remarkable Manuscripts, London: Allen Lane, 2016 (Italian Translation: Storia di dodici manoscritti, Milano: Mondadori, 2017).


S. Beta, Io, un manoscritto. L’Antologia Palatina si racconta, Roma: Carocci Editore, 2017.

Review_1 | Review_2


A Homer Commentary in Progress

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Umanistica Digitale: Journal of the Italian Association of Digital Humanities 1 (2017)

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Rivista del Museo Egizio

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A. Corbeill, A New Painting of Calypso in Pliny the Elder, Eugesta 7 (2017), 184-198.

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R. Scott Smith, Myth and Mythography in Pliny’s Geography, Naturalis Historia 3-6, Polymnia 3 (2017), 83-116.

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F. Bessone – M. Fucecchi (eds.), The Literary Genres in the Flavian Age. Canons, Transformations, Reception (Trends in Classics – Supplementary Volumes 51), Berlin – Boston: De Gruyter, 2017.

Focus on the section “Encyclopaedism and Oratory“:

  • S. Citroni Marchetti, Contingat aliqua gratia operae curaeque nostrae: an ethic of care in the Naturalis historia, 65-82;

  • A. Balbo, Roman oratory and power under the Flavians: some case studies from Pliny the Younger, 83-100.


A. Bellanova, Il fascino del monstrorum artifex: l’interesse di Borges per Plinio il Vecchio, FuturoClassico 3 (2017), 1-22.

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E. Swift, Roman Artefacts and Society: Design, Behaviour and Experience, Oxford – New York: Oxford University Press, 2017.

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F. Slavazzi – C. Torre (eds.), Intorno a Tiberio, 1. Archeologia, cultura e letteratura del Principe e della sua epoca (Materia e arte 2), Firenze: All’Insegna del Giglio, 2016.

Review


L. Cordes, Kaiser und Tyrann. Die Kodierung und Umkodierung der Herrscherrepräsentation Neros und Domitians, Berlin: De Gruyter, 2017.


E. Karakasis, T. Calpurnius Siculus: A Pastoral Poet in Neronian Rome, Berlin – Boston:  De Gruyter, 2016.

Review


R.J. Littlewood (ed.), A commentary on Silius Italicus’ Punica 10, Oxford: Oxford University Press, 2017.


K. Brodersen (ed.), Quintus Serenus. Medizinischer Rat / Liber Medicinalis(Sammlung Tusculum), Berlin – Boston: De Gruyter, 2017.


M. Flohr – A. Wilson (eds.), The Economy of Pompeii. Oxford studies on the Roman economy, Oxford – New York: Oxford University Press, 2017.

Review


J. Hartnett, The Roman Street: Urban Life and Society in Pompeii, Herculaneum, and Rome, New York: Cambridge University Press, 2017.

Review


S. Chandrasekaran – A. Kouremenos (eds.), Continuity and Destruction in the Greek East: The Transformation of Monumental Space From the Hellenistic Period to Late Antiquity (BAR International Series 2765), Oxford: British Archaeological Reports, 2015.

Review


C. Hawkins, Roman Artisans and the Urban Economy, Cambridge – New York: Cambridge University Press, 2016.

Review


C. Bolgia, Reclaiming the Roman Capitol. Santa Maria in Aracoeli from the altar of Augustus to the Franciscans, c.500 – 1450, Oxon: Routledge, 2017.

P. Boot et all. (eds.), Advances in Digital Scholarly Editing. Papers presented at the DiXiT conferences in The Hague, Cologne, and Antwerp, Leiden: Sidestone Press, 2017.


S. Settis, Cieli d’Europa. Cultura, creatività, uguaglianza, Torino: Utet, 2017.

Review_1 | Review_2


E. Vaiani, The Paper Museum of Cassiano dal Pozzo. A catalogue raisonné. Drawings and prints in the Royal Library at Windsor Castle, the British Library, the British Museum, the Institut de France and other collections, 5. The Antichità diverse album, Turnhout: Royal Collection Trust, 2016.


The Digital Milliet Project

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B. van Beek, The archive of the architektones Kleon and Theodoros (P. Petrie Kleon) (Collectanea hellenistica 7), Leuven: Peeters, 2017.


D. Gandolfi, Αrcheologia subacquea. Storia, organizzazione, tecnica e ricerche (Quaderni della Scuola interdisciplinare delle metodologie archeologiche 3), Bordighera: Istituto internazionale di studi liguri, 2017.


L. Quilici – S. Quilici Gigli (eds.), Atlante tematico di topografia antica, ATTA 27: Roma e Portus, fortificazioni, urbanistica e acquedotti, Roma: L’Erma di Bretschneider, 2017.


D. Camardo – M. Notomista, Ercolano. 1927 – 1961. L’impresa archeologica di Amedeo Maiuri e l’esperimento della città museo, Roma: L’Erma di Bretschneider, 2017.


D. Shotter, Nero Caesar Augustus: emperor of Rome, London – New York: Routledge, 2017.


L. Lefebvre, Le mythe Néron: la fabrique d’un monstre dans la littérature antique (Ier-Ve s.), Lille: Presses Universitaires du Septentrion, 2017.


E.D. Augenti, Gente dell’antica Roma. Personaggi dagli “Epigrammi” di M. Valerio Marziale, Roma: Arbor sapientiae, 2017.


U. Bultrighini – M. Torelli (eds.), Pausania, Guida della Grecia, Libro X: Delfi e la Focide, Milano: Fondazione Lorenzo Valla, 2017.


D.S. Richter – W.A. Johnson (eds.), The Oxford handbook of the second Sophistic, Oxford – New York: Oxford University Press, 2017.


V. Tsamakda (ed.), A companion to Byzantine illustrated manuscripts (Brill’s companions to the Byzantine world 2), Leiden: Brill, 2017.

V. Loré – G. Bührer-Thierry – R. Le Jan, Acquérir, prélever, contrôler. Les ressources en compétition (400 – 1100) (Collection “Haut moyen âge” 25), Turnhout: Brepols, 2017.


A. Lifschitz – M. Squire (eds.). Rethinking Lessing’s Laocoon: antiquity, enlightenment, and the ‘limits’ of painting and poetry, Oxford: Oxford University Press, 2017.


S. Toussaint, “My Friend Ficino”. Art History and Neoplatonism: from Intellectual to Material Beauty, Mitteilungen des Kunsthistorischen Institutes in Florenz 59 (2017), 146–173.


E. Passignat, Le fonti per la storia dell’arte. Il Cinquecento, Roma: Carocci, 2017.

S. Lenzi, La policromia dei Monochromata. La ricerca del colore su dipinti su lastre di marmo di età romana (Premio ricerca “città di Firenze” 51), Firenze: Firenze University Press, 2016.

R.K. Gibson – C. Whitton, The epistles of Pliny, Oxford: Oxford University Press, 2016.


P. Sanvito (ed.), Vitruvianism. Origins and transformations (Transformationen der Antike 33), Berlin: De Gruyter, 2015.


I.R. Gammel, The power of beauty. On the aesthetics of Homer, Plato, and Cicero, Aarhus: Aarhus University Press, 2015.


S. Formigli – A. Pacini, Dioscoride. I minerali. La sezione mineralogica nel V libro della Materia medica. Traduzione e commento (Collana di studi archeologici 4), Roma: Espera, 2015.


La lingua della Storia dell’Arte nel XX secolo. Roberto Longhi

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G. Adornato (ed.), Intorno al Papiro di Artemidoro III. I Disegni. Atti del Convegno Internazionale del 4 Febbraio 2011 presso il Gabinetto Disegni e Stampe degli Uffizi, Firenze – Milano: LED (Edizioni Universitarie di Lettere Economia Diritto), 2016.

Review


R. Duncan-Jones, Power and privilege in Roman society, Cambridge – New York: Cambridge University Press, 2016.


A. De Rosa, In obscurum coni… acumen. Sui termini skenographia e skiagraphia nel mondo classico, La Rivista di Engramma (online) 150 (2017).

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N.T. Elkins, The Image of Political Power in the Reign of Nerva, AD 96-98, Oxford – New York: Oxford University Press, 2017.


V. Rimell – M. Asper (eds.), Imagining Empire. Political Space in Hellenistic and Roman Literature (Bibliothek der klassischen Altertumswissenschaften 153), Heidelberg: Universitätsverlag, 2017.


R. Burns, Origins of the Colonnaded Streets in the Cities of the Roman East, Oxford – New York: Oxford University Press, 2017.


V. Platt – M.J. Squire (eds), The Frame in Classical Art: A Cultural History, Cambridge: Cambridge University Press, 2017.


A. Grandazzi, Urbs. Histoire de la ville de Rome des origines à la mort d’Auguste, Paris: Editions Perrin, 2017.


M.A. Menze, Heliodors ‘klassische’ Ekphrase: die literarische Visualität der Aithiopika im Vergleich mit ihren Vorläufern bei Homer und Herodot sowie ihrer Rezeption bei Miguel de Cervantes (Orbis antiquus 51), Münster:  Aschendorff Verlag, 2017.

Review


S. Bellesi, La storia della scultura all’Accademia di Belle Arti di Firenze, Pisa: Pisa University Press, 2017.


E. Carrara, Sul lessico dell’arte nella prima Crusca, in G. Belloni – P. Trovato (eds.), La Crusca e i testi Filologia, lessicografia e collezionismo librario intorno al Vocabolario del 1612, Padova: Libreria Universitaria, 2017.

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C.E. Barrett, Recontextualizing Nilotic Scenes: Interactive Landscapes in the Garden of the Casa dell’Efebo, Pompeii, American Journal of Archaeology 121 (2017), 293–332.

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C. Torre, Ovidio e le arti figurative: questioni metodologiche e appunti di lettura, in S. Costa – F. Gallo (eds.), Miscellanea Graecolatina IV, Roma: Bulzoni, 2017, 83-96.


C. DeBevoise Corcoran, Topography and deep structure in Plato: the construction of place in the Dialogues (SUNY series in ancient Greek philosophy), Albany: SUNY Press, 2016.


A.S. Mason, Ancient Aesthetics, London – New York: Routledge, 2016.

Review


M. Squire (ed.), Sight and the Ancient Senses. The Senses in Antiquity,  London – New York: Routledge, 2016.

Review


R. Wachter (ed.), Töpfer – Maler – Schreiber: Inschriften auf attischen Vasen. Akten des Kolloquiums vom 20. bis 23. September 2012 an den Universitäten Lausanne und Basel / Potiers – peintres – scribes: inscriptions sur vases attiques. Actes du colloque tenu aux Universités de Lausanne et de Bâle du 20 au 23 septembre 2012 / Potters – painters – scribes: inscriptions on Attic vases. Proceedings of the colloquium held at the University of Lausanne and Basel from 20th to 23rd September 2012 (Akanthus proceedings 4), Kilchberg – Zürich:  Akanthus Verlag für Archäologie, 2016.

Review


M. Margheritis, Plinio il Vecchio, con interventi di G. Adornato, P. Maggi, M. Mondelli e A. Roncoroni, Milano: Mimesis, 2017.


C. Rohr, Von Plinius zu Isidor und Beda Venerabilis. Zur Übernahme antiken Wissens über Witterungsphänomene im Mittelalter, in S. Dusil, G. Schwedler, R. Schwitter (eds.), Exzerpieren – Kompilieren – Tradieren: Transformationen des Wissens zwischen Spätantike und Frühmittelalter (Millennium-Studien / Millennium studies, 64), Berlin – Boston:  De Gruyter, 2017.

Review


A. Augoustakis, Flavian epic (Oxford Readings in Classical Studies), Oxford: Oxford University Press, 2016.

Review: C. Laudani, Bollettino di Studi Latini 47 (2017), 371-375.

              S. Finkmann, Bryn Mawr Classical Review 2017.11.14


R. Germany, Mimetic Contagion. Art and Artifice in Terence’s Eunuch, Oxford: Oxford University Press, 2016.


H.D. Baker, Neo-Assyrian Specialists: Crafts, Offices, and Other Professional Designations (Prosopography of the Neo-Assyrian Empire 4/1: Profession Index), Helsinki: The Neo-Assyrian Text Corpus Project and the Finnish Foundation for Assyriological Research, 2017.


L. Krollpfeifer, Rom bei Prudentius. Dichtung und Weltanschauung in »Contra orationem Symmachi« (Vertumnus. Berliner Beiträge zur Klassischen Philologie und zu ihren Nachbargebieten, 12), Göttingen: Edition Ruprecht, 2017.


L. Canetti (ed.), Statue. Rituali, scienza e magia dalla Tarda Antichità al Rinascimento (Micrologus Library, 81), Firenze: Sismel – Edizioni del Galluzzo, 2017.

E. Carrara, Spunti per una rilettura delle biografie leonardiane, in C. Frosinini, M. Ciatti (eds.), Il restauro dell’Adorazione dei Magi di Leonardo. La riscoperta di un capolavoro, Firenze: Edifir, 2017.


B. Forster (ed.), Belichtete Vergangenheit. Fotografie und Archäologie, Fotogeschichte 37, 144 (2017).


Journal for Art Market Studies, Vol. 1, No. 2 (2017): Theories of the Art Market: Data – Value – History.

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Website: Modern Classicism

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Website: Health and Wellbeing in the Ancient World

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 V. Platt, The Artist as Anecdote: Creating Creators in Ancient Texts and Modern Art History, in J. Haninck, R. Fletcher (eds.), Creative Lives in Classical Antiquity: Poets, Artists and Biography, Cambridge: Cambridge University Press, 2016, 274–304.


G. Koch (ed.), Akten des Symposiums Römische Sarkophage, Marburg, 2.-8. Juli 2006 (Marburger Beiträge zur Archäologie, 3), Marburg: Eigenverlag des Archäologischen Seminars der Philipps-Universität, 2016.


M.P. Sacchi – M. Visioli (eds.), Scritti autobiografici di artisti tra Quattro e Cinquecento. Seminari di letteratura artistica, Pavia: Edizioni Santa Caterina, 2017.


 L. Callebat, Le De Architectura de Vitruve, Paris: Les Belles Lettres, 2017.


J. Haas-Lebegyev – A. Márton, Corpus vasorum antiquorum. Hongrie. Budapest, Musée des Beaux-Arts: fascicule 3. Union Academique Internationale, Rome: L’Erma di Bretschneider, 2017.


A. Stephens, Pompeii: A different perspective: Via dell’Abbondanza, a long road, well-traveled, Atlanta, GA: Lockwood Press, 2017.


C.M. Keesling, Early Greek portraiture: monuments and histories, Cambridge – New York – Port Melbourne – Delhi – Singapore: Cambridge University Press, 2017.


J.M. Wagner – F.W.J. Schelling, Report on the Aeginetan sculptures: with historical supplements. Translated, edited, and with an introduction by Louis A. Ruprecht Jr. (originally published 1817), Albany: SUNY Press, 2017.


P. Schultz – K. Seaman (eds.), Artists and artistic production in ancient Greece, Cambridge – New York: Cambridge University Press, 2017.

Review


B. Steger, Piazza Armerina: la villa romaine du Casale en Sicile (Antiqua, 17), Paris: Éditions Picard, 2017.


L. Todisco, Prassitele di Atene. Scultore e bronzista del IV secolo (Maestri dell’arte classica, 6), Roma: Giorgio Bretschneider Editore, 2017.


Website: The Sinai Palimpsests Project

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Website: Empires of Faith

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A. Cameron, Studies in Late Roman Literature and History (Munera, 41), Bari: Edipuglia, 2016.

Focus onThe Fate of Pliny’s Letters in the Late Empire.


N. Gonis – F. Maltomini – W.B. Henry – S. Slattery (eds.), The Oxyrhynchus Papyri, Volume LXXXII [Nos. 5290 – 5319]. Edited with Translations and Notes (Graeco-Roman memoirs, 103),  London: Egypt Exploration Society, 2016.


V. Cazzato – A. Lardinois (eds.), The Look of Lyric: Greek Song and the Visual. Studies in archaic and classical Greek song, vol. 1 (Mnemosyne Supplements. History and archaeology of classical antiquity, 391), Leiden – Boston: Brill, 2016.

Review


J. Kitzbichler, U.C.A. Stephan (Hg.), Studien zur Praxis der Übersetzung antiker Literatur: Geschichte – Analysen – Kritik (Transformationen der Antike, 35), Berlin:  De Gruyter, 2016.

Review


Eidola. International Journal of Classical Art History 13 (2016)

Focus on:
– J. Lang, Images worn and transcribed. Roman gems as reflections of iconographic and cultural tradition(s).
– L. Rebaudo, Originali, copie e copisti nel mondo ellenistico e romano.
– G. Adornato, Componendi ratio: sull’iconografia di Occasio.
– G. Simeoni, Illustrare le Metamorfosi di Ovidio volgarizzate: i disegni del codice panciatichiano 63.

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P. Veyne, La Villa des Mystères à Pompéi, Paris: Gallimard, 2016.


F. Blondé (éd.), L’artisanat en Grèce ancienne. Filières de production. Bilan, méthodes et perspectives, Villeneuve d’Ascq: Presses universitaires du Septentrion, 2016.


L. Vlad Borrelli, Musivaria. Mosaico e opus sectile in età antica. Storia, tecniche, conservazione, Roma: Viella, 2016.


A. Molinari – R. Santangeli Valenzani – L. Spera (a cura di), L’archeologia della produzione a Roma (secoli V-XV), Atti del Convegno Internazionale di Studi (Roma 27-29 marzo 2014), Bari: Edipuglia, 2016.


A. Wilson – M. Flohr, Urban craftsmen and traders in the Roman world (Oxford Studies on Roman Economy), Oxford: Oxford University Press,  2016.

Review


J. Harries, A stone that feels right in the hand: Tactile memory, the abduction of agency and presence of the past, Journal of Material Culture 22 (2016), 110–130.


S. Strano, La “Tazza Farnese” Nuova analisi egittologico-semiotica. The “Farnese Cup”. A new egyptological-semiotic analysis (Collana di studi archeologici. Espera, 5), Monte Compatri: Espera, 2016.


M. Scheu, Den Marmor lebendig machen – Darstellungsmöglichkeiten des schönen Körpers in der klassischen Skulptur, Kritische Berichte: Zeitschrift für Kunst- und Kulturwissenschaften 45 (2017), 47-52.


M. Formisano – P. van der Eijk (eds.), Knowledge, Text and Practice in Ancient Technical Writing, Cambridge: Cambridge University Press 2017.

Focus on:
B. Holmes’s paper, The generous text: animal intuition, human knowledge, and written transmission in Pliny’s books on medicine.


A. Canobbio, Elementi senecani nell’epistola 3.5 di Plinio il Giovane, Athenaeum 105 (2017), 120-136.


K. T. von Stackelberg – E. Macaulay-Lewis (eds.), Housing the New Romans, Oxford: Oxford University Press, 2017.


P. Vesperini (éd.), Philosophari – Usages romains des savoirs grecs sous la République et sous l’Empire (Kaïnon – Anthropologie de la pensée ancienne, 8), Paris: Classiques Garnier, 2017.

Focus on:
– G. Sauron, Décor et conviction philosophique à Rome au temps de Cicéron.
– E. Romano, La philosophia dei «non filosofi». Varrone e Vitruvio.
– H. Dessales, Des philosophes domestiques? Production statuaire et paysages culturels dans l’habitat de Pompéi.


Pompei e i Greci, catalogo mostra, Milano: Electa, 2017


Plongée avec Pline l’Ancien – Carnet de recherche sur la biodiversité aquatique décrite au livre IX de l’Histoire Naturelle de Pline L’Ancien

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Aeneid in JSTOR

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A. Vial-Logeay, Les sources du savoir. Quelques remarques sur Sénèque (Q.N. VI, 8) et Pline l’Ancien (H.N., VI, 181), in P. Galand, E. Malaspina (eds.), Vérité et apparence. Mélanges en l’honneur de C. Lévy, Turnhout: Brepols, 2016, 391-407.


D. Del Bufalo, Murrina Vasa. A luxury of Imperial Rome, Roma: L’Erma di Bretschneider, 2016.


E. La Rocca, Sulla bottega di Pasiteles e di Stephanos, 2. Le Appiades di Stephanos nei monumenta Asinii e nel foro di Cesare, in E. Mangani – A. Pellegrino (a cura di), Για τo φιλo μας. Scritti in ricordo di Gaetano Messineo, Monte Compatri: Edizioni Espera, 2016, 207-224.

Weblink


P. Tansey, Cicero, Philippics 9.5 and the Porticus Octavia, The Classical Quarterly 66 (2016), 540-546.


B. D’Agostino, Potters and Painters in Archaic Corinth: Schemata and Images, in G. Colesanti – L. Lulli (eds.), Submerged Literature in Ancient Greek Culture, Volume 2: Case Studies, Berlin-Boston: De Gruyter, 2016, 243-258.


P. Liverani,  Il significato del colore nei marmi in età tardoantica, in P.A. Andreuccetti – D. Bindani (a cura di), Il colore nel Medioevo. Arte, simbolo e tecnica. Tra materiali costitutivi e colori aggiunti: mosaici, intarsi e plastica lapidea (Atti delle giornate di studi, Lucca 24-26 ottobre 2013), Lucca: Istituto Storico Lucchese, 2016, 23-40.

Weblink


H. Lamers – B. Reitz-Joosse, The Codex Fori Mussolini: A Latin Text of Italian Fascism (Bloomsbury studies in classical reception), London – New York: Bloomsbury Academic, 2016.

Review


G. Ammannati, Pinxit industria docte mentis. Le iscrizioni di Virtù e Vizi dipinte da Giotto nella Cappella degli Scrovegni, Pisa: Le Edizioni della Normale, 2017.

N. Bernacchio – R. Meneghini  (a cura di), I Fori dopo i Fori. La vita quotidiana nell’area dei Fori Imperiali dopo l’Antichità, catalogo mostra, Roma: Gangemi Editore, 2017.


D. Donetti – M. Faietti – S. Frommel (a cura di), Giuliano da Sangallo. Disegni degli Uffizi, catalogo mostra, Firenze: Giunti Editore, 2017.

C. Higbie, Collectors, scholars and forgers in the ancient world, Oxford: Oxford University Press, 2017.


A. Jones, A portable cosmos. Revealing the Antikythera mechanism, scientific wonder of the ancient world, Oxford: Oxford University Press, 2017.


C.B. Kendall – F. Wallis, Isidore of Seville, On the Nature of Things. Translated with Introduction, Notes and Commentary (Translated texts for historians, 66), Liverpool:  Liverpool University Press, 2016.
Review


E. Gentile Ortona – M. Modolo (eds.), Caylus e la riscoperta della pittura antica. Attraverso gli acquarelli di Pietro Santi Bartoli per Luigi XIV. Genesi del primo libro di storia dell’arte a colori (Studi sulla cultura dell’antico, 10), Roma: De Luca Editori, 2016.


I. Matijasic, Scylax of Caryanda, Pseudo-Scylax, and the Paris Periplus: Renconsidering the Ancient Tradition of a Geographical Text, Mare Nostrum 7 (2016), 1-19.
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J. Elsner – M. Squire, Homer and the Ekphrasists: Text and Picture in the Elder Philostratus’ ‘Scamander’ (Imagines I.1),  in J. Bintliff – N.K. Rutter, The Archaeology of Greece and Rome. Studies in Honour of Anthony Snodgrass, Edinburgh: Edinburgh University Press, 2016, 57-99.


P. Stephenson, The serpent column: A cultural biography (Onassis series in Hellenic culture), New York – Oxford: Oxford University Press, 2016.
Review


Website: Photios On Line
Weblink


T. Fögen, Gattungsvielfalt in den Briefen des Jüngeren Plinius: Episteln im Spannungsfeld von ethischer Unterweisung und literarischer Pluridimensionalität, Gymnasium 124 (2017), 21-60.


E.H. Cline, Three Stones Make a Wall: The Story of Archaeology, Princeton: Princeton University Press, 2017.


G. Hardy – L. Totelin, Ancient Botany, Abingdon – New York: Routledge, 2016.


J.-Y. Guillaumin (ed.), Isidorus Hispalensis, Étymologies, livre XV: De aedificiis et agris, Paris: Les Belles Lettres, 2016.


A. Casamento, Templi, case ed eloquenza. Alcuni appunti sull’impiego di metafore architettoniche tra Cicerone e Tacito, Bollettino di studi latini 46/2 (2016), 467-487.


J. Taubert (ed.), Polychrome Sculpture: Meaning, Form, Conservation, translated by C. Schulman, introduction by M.D. Marincola, Los Angeles: The Getty Conservation Institute, 2015.
Review


P. Destree – P. Murray, A Companion to Ancient Aesthetics, Malden – Oxford: Wiley-Blackwell, 2015.
Review


I. Bonati, Il lessico dei vasi e dei contenitori greci nei papiri: specimina per un repertorio lessicale degli angionimi greci (Archiv für Papyrusforschung und verwandte Gebiete. Beihefte 37), Berlin – Boston: De Gruyter, 2016.


A. Bonadeo, I colori nell’antichità classica: lessico e teorie. Suggestioni da Goethe, in: S. Audano – G. Cipriani (eds), Aspetti della Fortuna dell’Antico nella Cultura Europea. Atti della Dodicesima Giornata di Studi, Sestri Levante, 13 marzo 2015 (Echo 18). Foggia: Il Castello Edizioni, 2016, 187-220.


S. Lenzi, Tutti i colori di Augusto. Uno status quaestionis dello studio della policromia su opere in marmo di età augustea, in: A. Busetto – E. Bedin (eds), Sulle tracce di Augusto (Antichità Alto-Adriatiche 82), Trieste: Editreg, 2016, 47-61.


J.-A. Shelton, Pliny the Younger: Selected Letters, Mundelein (IL): Bolchazy-Carducci Publishers, Inc., 2016.


J. McInerney – I. Sluiter (eds), Valuing Landscape in Classical Antiquity. Natural Environment and Cultural Imagination, with the assistance of B. Corthals (Mnemosyne. Supplements 393), Leiden – Boston: Brill, 2016.

Pline l’ancien. Histoire naturelle. Livre IV, texte établi, traduit et commenté par H. Zehnacker, A. Silberman (Collection des universités de France. Série latine, 409), Paris:  Les Belles Lettres, 2015.
Review


L. Mancini, In pictura summa sublimitas. Su una lettura militante di Plinio il Vecchio nella Francia del Settecento, Quaderni del ramo d’oro 7 (2015), 129-146.

G. Adornato, Lysippus without the Kairos. A Greek Masterpiece between Art and Literature, Jarbuch des Deutschen Archäologischen Instituts 130 (2015), 159-182.

E. Spangenberg Yanes, Sulla nozione di color e χρῶμα nella retorica della prima età imperiale, Materiali e discussioni per l’analisi dei testi classici 75 (2015), 79-104.

E. Aloiz, J. Douglas, A. Nagel, Painted Plaster and Glazed Brick Fragments from Achaemenid Pasargadae and Persepolis, Iran, Heritage Science Journal 4.3 (2016).

K. Galinsky, K. Lapatin (eds.), Cultural Memories in the Roman Empire, Los Angeles: J. Paul Getty Museum, 2016.

H. Lamers, Pseudo-Classical Phantom Words in Latin Literature and Scholarship. The Case of dicatura from Pliny the Elder’s Preface, Latomus 74, 4 (2015), 1014-1036.

D. Conso, Forma: études sémantique et étymologique, Besançon: Presses universitaires de Franche-Comté, 2015.

E. Brun et all., Revealing metallic ink in Herculaneum papyri, Proceedings of the National Academy of Sciences of the United States of America 2016.

V. Naas – M. Simon (eds.). De Samos à Rome: personnalité et influence de Douris (Modernité classique), Nanterre: Presses universitaires de Paris Ouest, 2015.

M. Wellington Gahtan – D. Pegazzano, Museum archetypes and collecting in the ancient world, Leiden: Brill, 2015.

S. Page, Der ideale Aristokrat: Plinius der Jüngere und das Sozialprofil der Senatoren in der Kaiserzeit (Studien zur Alten Geschichte, 24), Heidelberg: Verlag Antike, 2015.

U. Vedder, Der Koloss von Rhodos: Archäologie, Herstellung und Rezeptionsgeschichte eines antiken Weltwunders, Mainz: Nünnerich-Asmus Verlag, 2015.

G. Frison – G. Brun, Ground lapis lazuli. A new approach to the history of the colour term ‘azure’ and the pigment ultramarine blue up to the 13th Century, in M. Rossi – D. Casciani (eds.), Colour and Colorimetry. Multidisciplinary Contributions Vol. XI B, Proceedings of the 11th Conferenza del Colore – Politecnico di Milano, Milan, 10-11 September 2015, Milano 2015, 265-276.

Website: Public Monuments in Roman Greece University of Oxford / Marie Curie Actions

A.C. Christina, E. Foster, J.P. Hallett (eds.), Kinesis: The Ancient Depiction of Gesture, Motion, and Emotion. Essays for Donald Lateiner, Ann Arbor:  University of Michigan Press, 2015.

Focus on: Ellen Finkelpearl’s essay “Elephant Tears: Animal Emotion in Pliny and Aelian”
Review


F. Guadalupe Masi – S. Maso (eds.), Epicurus on Eidola: Peri Phuseos Book II. Update, Proposals, and Discussions (Lexis Ancient Philosophy 10),  Amsterdam:  Adolf M. Hakkert, 2015.
Focus on:
– T. Dorandi, Libri dell’opera ‘Sulla natura’ di Epicuro in più esemplari, 17-34 (on Antigonus of Carystos)
– A. Corti, Ὁμοιοςχήμων e ὁμοιόμορφος. Alcune riflessioni sulle proprietà degli εἴδωλα nella dottrina di Epicuro, Aurora Corti 83-106 (on terminology)
Review

H. Hochscheid, Networks of Stone: Sculpture and Society in Archaic and Classical Athens (Cultural Interactions: Studies in the Relationship Between the Arts, 35), Oxford: Peter Lang, 2015.

G. Hedreen, The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity, New York: Cambridge University Press, 2016.

[Review] J. Serratti, Éditer les fragments des historiens romains. Quelques remarques en marge de: T.J. Cornell (éd.), The Fragments of the Roman Historians, Oxford, OUP, 2013, Latomus 74, 4 (2015), 1077.


 M. Betrò, Gli erbari nell’antico Egitto, in A. Actis Caporale, E. D’Amicone, F. Relats, P. Ramon Tragan (eds.), Naturalia e Artificialia: Le piante e i fiori d’Egitto nell’esperienza museografica degli scavi e degli erbari, Barcelona, Publicacions de l’Abadia de Montserrat, S.A., 2016, 41-60.

J. Borsch, L. Carrara (eds.), Erdbeben in der Antike. Deutungen – Folgen – Repräsentationen (Bedrohte Ordnungen 4), Tübingen: Mohr Siebek, 2016.


P. Linant de Bellefonds, É. Prioux, A. Rouveret (eds.), D’Alexandre à Auguste. Dynamiques de la création dans les arts visuels et la poésie, Rennes: Presses Universitaires de Rennes, 2016.


 C. Roby, Technical Ekphrasis in Greek and Roman Science and Literature: the Written Machine between Alexandria and Rome, Cambridge – New York: Cambridge University Press, 2016.

O. Devillers (ed.), Autour de Pline le Jeune: en hommage à Nicole Méthy (Scripta antiqua, 74), Bordeaux: Ausonius Éditions, 2015.

Focus on:
– O. Devillers, Néron selon Pline le Jeune: entre Pline l’Ancien, Tacite et Trajan, 61-74;
– N. Méthy, Magie, religion et botanique. À propos de la formule herbae felicitas dans un passage de Pline l’Ancien,  89-102.
Review


E. Scioli, Dream, Fantasy, and Visual Art in Roman Elegy (Wisconsin Studies in Classics), Madison: University of Wisconsin Press, 2015.
Review


F. Cairns – R. Gibson (eds.), Papers of the Langford Latin Seminar, 16, 2016. Greek and Roman poetry: the Elder Pliny (Arca Classical and Medieval Texts, Papers and Monographs 54), Prenton: Francis Cairns, 2016.

P. Fane-Saunders, Pliny the Elder and the emergence of Renaissance architecture, New York: Cambridge University Press, 2016.

W. Fitzgerald, Variety: The Life of a Roman Concept,  Chicago – London:  University of Chicago Press, 2016.
Focus on: Variety in Pliny

G. Brizzi, 70 d.C. La conquista di Gerusalemme (I Robinson/Letture), Roma-Bari: GLF Editori Laterza, 2015.
Review


E. Moignard, Master of Attic Black-Figure Painting: The Art and Legacy of Exekias, London – New York:  I. B. Tauris, 2015.
Review


G. Squillace, Le lacrime di Mirra: miti e luoghi dei profumi nel mondo antico (Saggi 822), Bologna: Società editrice il Mulino, 2015.
Review


L. Pelletier-Michaud, Aux origines poétiques de la couleur: pour une approche littéraire des lexiques chromatiques anciens. L’exemple des élégiaques latins et de leurs modèles grecs, Anabases 23 (2016), 278-289.


ToposText
Weblink

Presentation (from the website)
“ToposText is a new interface that links readers and travelers to Europe’s most ancient literary culture and to the Greek landscape that inspired it. TT presents 5000 places relevant to the ancient Greek world — ancient cities and shrines, medieval castles and towers, modern museums and excavation sites — primarily in Greece but including major places from Spain to the Caucasus. It links those places to the ancient authors who wrote about them in Greek or Latin”.

It Wasn’t Written: International Symposium on designerly-ways of Historiography (New York, MOMA, September 5, 2018)

Deadline: February 19, 2018
Details


Homo pictor. Image studies and archaeology in dialogue (Albert-Ludwigs Universität Freiburg, June 28-30, 2018)

Deadline: February 28, 2018
Details


Les nomenclatures stylistiques à l’épreuve de l’objet (Rome, Académie de France à Rome and Institut suisse, October 24-26, 2018)

Deadline: February 28, 2018
Details


The Words of Medicine: Technical Terminology in Material and Textual Evidence from the Greco-Roman World (Potchefstroom, South Africa, North-West University, September 19-22, 2018)

Deadline: February 28, 2018
Details


Art, Artists, Materials and Ideas Crossing Borders (Hamilton Kerr Institute, University of Cambridge, November 15-16, 2018)

Deadline: February 28, 2018
Details


Portraiture: an Interdisciplinary Conference (Durham University, July 13-15, 2018)

Deadline: March 1, 2018
Details


Digital Humanities for Academic and Curatorial Practice (Biblioteca Angelica di Roma and American Academy in Rome, May 23-24, 2018)

Deadline: March 1, 2018
Details


Journal “MDCCC 1800” 7 (2018)

Deadline: March 4, 2018
Details


Routes and Contact Zones. Artistic Mobility and Exchange (München, October 11-13, 2018)

Deadline: March 5, 2018
Details


Ut fidem dictis adhibeant. Faith and Credibility in (Auto)Biographies from Late Antiquity to the Early Middle Ages (200-900) (Tübingen, October 4-6, 2018)

Deadline: March 11, 2018
Details


Stranger Things: An Interdisciplinary Conference on Marvels in the Ancient World (Graduate Student Conference, University of Pennsylvania, May 18, 2018)

Deadline: March 11, 2018
Details


The Roman art world in the 18th century (The British School at Rome and the Accademia Nazionale di San Luca, Rome, December 10-11, 2018)

Deadline: March 12, 2018
Details


Graphic Display. Form and Meaning in Greek and Latin Writing (Panel at the Society for Classical Studies Annual Meeting, San Diego, January 3-6, 2019)

Deadline: March 15, 2018
Details

Tacitus’ Wonders (Victoria University of Wellington, August 27-29, 2018)

Deadline: January 26, 2018
Details


Genealogy of Popular Science. From Ancient Ecphrasis to Virtual Reality (Centre for Cultural and General Studies, Karlsruhe Institute of Technology, June 15-16, 2018)

Deadline: January 31, 2018
Details


Approaching Landscape in the Classical Tradition (Panel at  the 11th Celtic Conference in Classics, University of St Andrews, July 11-14, 2018)

Deadline: January 31, 2018
Details


(Un)Set in Stone: Fresh Approaches to Epigraphic Material (Panel at the 11th Celtic Conference in Classics, University of St Andrews, June 11-14, 2018)

Deadline: January 31, 2018
Details


Texts, Traditions, Transmission: New Work on the Latin Classics (Panel at the 11th Celtic Conference in Classics, University of St Andrews, July 11-14, 2018)

Deadline: January 31, 2018
Details


Talking Manuscripts. Old and New Problems on Greek and Latin Manuscripts (Panel at the 11th Celtic Conference in Classics, University of St Andrews, July 11-14, 2018)

Deadline: January 31, 2018
Details


Congress of the International Society for the History of Medicine (Lisboa, September 3-7, 2018)

Deadline: January 31, 2018
Details


Images sources de textes/Textes sources d’images (Colloque transdisciplinaire ALLHiS – Saint-Étienne, June 18-19, 2018)

Deadline: January 31, 2018
Details


Tzetzes (Ca’ Foscari, Venice, September 7-8, 2018)

Deadline: January 31, 2018
Details


Digital Editions, Digital Corpora, and new Possibilities for the Humanities in the Academy and Beyond (Tufts University, July 16-27, 2018)

Deadline: February 1, 2018
Details

EpiDoc & EFES training workshop (University of London, Institute of Classical Studies, April 9–13, 2018)

Deadline: February 28, 2018
Details


Doctoral and postdoctoral Position, KHI Florenz

Deadline: February 28, 2018
Details


5 short-term fellowships for The Medici Archive Project (Firenze, April 1, 2018 – January 1, 2019)

Deadline: March 1, 2018
Details


Residential scholarships at Fondazione Giorgio Cini, Venice

Deadline: March 10, 2018
Details


Wolfgang-Ratjen-Preis 2018 (Zentralinstitut für Kunstgeschichte, München)

Deadline: March 15, 2018
Details


Summer School Provenance, why does it matter? (Zadar, August 27-31, 2018)

Deadline: March 16, 2018
Details

 

Imagining the Divine Art and the Rise of World Religions

 

Oxford, Ashmolean Museum (October 19, 2017 – February 18, 2018)

Details 

 


Monochrome: Painting in Black and White

London, National Gallery (October 30, 2017 – February 18, 2018)

 

Details  

 


ODISSEE. Diaspore, invasioni, migrazioni, viaggi e pellegrinaggi

Torino, Palazzo Madama (November 16, 2017 – February 19, 2018)

Details 

 


Joseph Kosuth – Maxima Proposito (Ovidio)

Pescara, Galleria Vistamare (November 25, 2017 –  March 2, 2018)

 

Details 

 


Rivoluzione Galileo. L’arte incontra la scienza
Padova, Palazzo del Monte di Pietà (November 18, 2017 – March 18, 2018)

 

Details  

 


Tessuto e ricchezza a Firenze nel Trecento. Lana, seta, pittura

Galleria dell’Accademia di Firenze (December 5, 2017 – March 18, 2018)

 

Details 

 


Tesori sotto i lapilli. Arredi, affreschi e gioielli dall’Insula Occidentalis
Parco Archeologico di Pompei, Antiquarium (September 11, 2017 – March 31, 2018)

 

Details 

 


William the Hippo: Celebrating 100 Years at the Met                                                                                                                             

New York, Metropolitan Museum (September 12, 2017 – April 1, 2018)

 

Details 

 


Da Brooklyn al Bargello
Firenze, Museo Nazionale del Bargello (November 10, 2017 – April 8, 2018)

 

Details 

 


 

Pompeii : the Immortal City
Bruxelles, Palais de la Bourse (November 24, 2017 – April 15, 2018)

Focus on

 

  • remains attributed to Pliny the Elder.

 

 


 

Pompei@Madre. Materia archeologica (November 11, 2017 – April 30, 2018)
Pompei@Madre. Materia archeologica: Le Collezioni (November 11, 2017 – September 24, 2018)
Napoli, Museo Madre 

 

Details

 


Il Tesoro di Antichità. Winckelmann e il Museo Capitolino nella Roma del Settecento
Roma, Musei Capitolini (December 7, 2017 – April 22, 2018)

Details


Sutri, Vulci e i misteri di Mitra
Sutri, Villa Savorelli, Parco Antichissima città di Sutri (December 1, 2017 – May 13, 2017)

Details


Traiano. Costruire l’Impero, creare l’Europa
Roma, Mercati di Traiano Museo dei Fori Imperiali (November 29, 2017 – September 16, 2018)

Details

New findings_1 | Underwater search at Naxos

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New findings_2 | Abukir Bay: the Greek city of Thonis-Heracleion

Details


New findings_3 | Research in Sicily

Details


Art & Media | Treasures from the Wreck of the Unbelievable

Debate


Art & Technology_1 | Reproducing artworks today

Details


Art & Technology_2 | UMA, Universal Museum of Art

Details


Art Techniques | Lost-wax bronze casting: how it works

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Ancient Languages Today_1 | How learning Latin could change your life

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Ancient Languages Today_2 | Re-introduction of ancient languages in Scottish schools

Details


Ancient Languages Today_3 | Certamen Senecanum

Deadline: March 8, 2018
Details


New findings_1 | A masterpiece of Minoan glyptic

Details 1 | Details 2


New findings_2 | New paintings by Raffaello at the Musei Vaticani

Details


New findings_3 | Palimpsests reveal new ancient texts

Details


New findings_4 | From Rome’s new subway

Details


New openings_1 | Pompeii, Casa del Marinaio and Complesso Championnet open to public

Details


New openings_2 | Porticus Octaviae restored

Details


Art & Practice | “Drawing from Antiquity” course at The Getty Villa
Venus and Cupid, February 10, 2018
Drawing Spring Flowers, March 31, 2018

Details


Art & Technology | A new look at ancient Rome

Details


Ancient Languages Today | Certamen “Concetto Marchesi” – VII Edizione

Details


New openings_1 | The London Mithraeum

Details


New openings_2 | Louvre Abu Dhabi

Details | A 360° view


New findings_1 | A Roman sundial from Interamna Lirenas

Details


New findings_2 | The oldest wine production ever found

Details


Contexts_1 | Herbal medicine at palace in Ebla

Details


Contexts_2 | The Roman street in Tyre is not a street! 

Details


Archaeology and Literary Sources_1 | Privata Traiani Domus

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Archaeology and Literary Sources_2 | The Roman harbour in Lecce

Details


Archaeology and Literary Sources_3 | Qumran Scrolls and skeletons

Details


Latin Language Today | Last broadcast for Nuntii Latini

Details | Debate | Weblink


Art Market | The most expensive artwork sold at auction and related trends

Details 1 | Details 2 | Details 3


Reuses | A contemporary artwork from damaged marbles

Details


Archaeology and Literary Sources_1: Was the Trojan Horse a Horse?

Details


Archaeology and Literary Sources_2: Strabo’s mistake

Details


New Finds: a Medieval Kiln in Florence

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New Openings: the Tomba Barberini

Details


Heritage and Conservation: the Hadrian’s Wall at risk

Details


Reuses: an Egyptian Sarcophagus in the Monumental Cemetery of Turin

Details


News from Antikythera

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Why was art history born?

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Rome, Metro C: ancient walls appear from the ground

Details


Messages from the border

Details


New findings in Pompeii

Details


Scanning Pyramids

Details


Manuscript with Hippocrates’ recipes found

Details


Strategies for museums

Details


The debate on Pliny’s skull continues

Debate


Roman subway

Details


New findings at the Foce del Sele

Details


News in Latin

Details


Detecting the provenance of materials: the case of Ötzi’s axe

Details


Virtual unrolling of ancient scroll

Details


Digital Humanities: a project for Venice and a debate

Details | Debate 1 | Debate 2


Egyptian Blue: The First Synthetic Pigment

Details


Archaeology in Rome: new findings from the Imperial Age

Details


The World’s Oldest Art Studio

Details


Nero is back! A show and a debate

Details | Debate 1 | Debate 2


The Arch of Titus in Color

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New blue shade discovered

Details


Pompeii – Regio VII

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Aqueduct found in Rome

Details


Latin crosswords

Details


The Oplontis Project

Details


Fountains in Pompeii Restored

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New findings in Qumran

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Ancient artistic techniques between Greek and Chinese worlds

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A virtual visit to an ancient house in Pompeii

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Caravaggio at work

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The first translation of Pliny the Elder’s Natural History into Italian is now online

Details


Herculaneum, scientists read papyrus scrolls without opening

Details


The Antikythera Mechanism: scientists decipher its purpose

Details


Codex Rossanensis restaured

Details


Discovery of a Roman fresco in London

Details


Vantablack, Anish Kapoor’s blackest black

Details


Paul Klee’s personal notebooks online

Details


Pliny the Elder Beer: Double India Pale Ale

Website


Earliest Evidence for Egyptian Blue

Details


Art and Materiality: Visits to the Centro Conservazione e Restauro “La Venaria Reale”

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Art in context: The Nile mosaic of Palestrina

Details