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Gianfranco Adornato – Plinio il Vecchio e le Fonti d’Europa

Gianfranco Adornato – Plinio il Vecchio e le Fonti d’Europa

by Alessandro Poggio | Oct 24, 2018 | events, Uncategorized | 0 comments

Gianfranco Adornato (Scuola Normale Superiore) November 20, 2018 – 6 p.m. Bruxelles, Regione Lombardia – Presidency Delegation to the EU Plinio il Vecchio e le Fonti d’Europa: eredità culturale, studi e prospettive  ...
Marion Meyer – La dea, il tempio e il santuario: le immagini di Atena sul Partenone

Marion Meyer – La dea, il tempio e il santuario: le immagini di Atena sul Partenone

by Alessandro Poggio | May 14, 2018 | events | 0 comments

Marion Meyer (University of Vienna) June 04, 2018 – 15.00 p.m. Scuola Normale Superiore, Pisa – Aula Russo La dea, il tempio e il santuario: le immagini di Atena sul Partenone
Kathryn A. Morgan – Sicilian Immortalities and Pindar’s “Olympian 2”

Kathryn A. Morgan – Sicilian Immortalities and Pindar’s “Olympian 2”

by Alessandro Poggio | May 13, 2018 | events | 0 comments

Kathryn A. Morgan (University of California, Los Angeles) May 28, 2018 – 15.00 p.m. Scuola Normale Superiore, Pisa – Aula Russo Sicilian Immortalities and Pindar’s Olympian 2
G. Adornato – Line(n). Artistic practice and drawing in Mediterranean contexts

G. Adornato – Line(n). Artistic practice and drawing in Mediterranean contexts

by Alessandro Poggio | May 6, 2018 | events | 0 comments

Gianfranco Adornato (Scuola Normale Superiore) May 18, 2018 University of Cambridge Details 
Colored stone statuary in the ancient Mediterranean- Quarries, workshops, uses, and meanings

Colored stone statuary in the ancient Mediterranean- Quarries, workshops, uses, and meanings

by Alessandro Poggio | Nov 24, 2017 | conferences | 0 comments

Conference Colored stone statuary in the ancient Mediterranean. Quarries, workshops, uses, and meanings A conference co-sponsored by the Scuola Normale Superiore – Pisa, Opificio delle Pietre Dure – Florence, and the J. Paul Getty Museum – Los Angeles November...
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PRIN 2012 - "Beyond Pliny. Reception and transmission of art theories, artists' canons, technical and artistic lexicon, between the Late Classical Period and the Roman Imperial Age. A multidisciplinary approach to the Naturalis Historia (Books 33-36)";
Principal Investigator: Gianfranco Adornato. - CREDITS

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